University of Virginia Library

Search this document 


  
[title page]

expand section 
The Suppressed and Altered Passages in Blake's Jerusalem by David V. Erdman
expand section 
A Computer Concordance to Middle English Texts by Alan Markman
expand section 
Milton and the Harvard Pindar by Maurice Kelley and Samuel D. Atkins
expand section 
Light on Joyce's Exiles? A New MS, a Curious Analogue, and Some Speculations by Robert M. Adams
expand section 
Further Observations on the Text of Dubliners by Robert Scholes
expand section 
Mathew Carey's Proofreaders by Rollo G. Silver
expand section 
"Bound in Boston by Henry B. Legg" by Hannah D. French
expand section 
James Kirke Paulding's Contributions to American Magazines by Ralph M. Aderman
expand section 
Unsigned and Initialed Contributions to The Freeman by G. Thomas Tanselle
expand section 
Material for a Centenary Edition of Tenderis the Night by Matthew J. Bruccoli
expand section 
The Terence of Turin, 1483 by Curt F. Bühler
expand section 
The Printer of the 1594 Octavo of Marlowe's Edward II by Robert Ford Welsh
collapse section 
The Early Editions of Sir Walter Ralegh's The History of the World by John Racin, Jr.
 1. 
[section]
 2. 
The Suppression
 3. 
"Issues" of the Stansby 1614
 4. 
The Stansby 1614 and 1617 Editions
 5. 
The Stansby 1617, the "Jaggard 1617" and the Jaggard 1621
  
Notes
expand section 
Some Reprintings of the Gentlemen's Magazine by Jacob Leed
expand section 
Predecessors to Burke's and Dodsley's Annual Register by John C. Weston, Jr.
expand section 
Yeats's Vision and "The Two Trees" by Robert Mortenson
expand section 
Some Principles for Scholarly Editions of Nineteenth-Century American Authors by Fredson Bowers
expand section 
A SELECTIVE CHECK LIST OF BIBLIOGRAPHICAL SCHOLARSHIP FOR 1962

expand section 
[section]
collapse section Collapse All | Expand All expand section
previous section
next section

Plate 26

Stigmata, or rather the raised heads of spikes, are visible in the palms of "Hand" in all copies but the British Museum and the Mellon, where they are hidden by drawing but not truly deleted. In the Mellon copy bright spots of red are added to Hand's ankles. (Compare note on Plate 35.)

previous section
next section