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The Early Editions and Issues of The
Monk, with a
Bibliography
by
William B. Todd
UNTIL 1935 THE INVOLVED BIBLIOGRAPHY OF Matthew Lewis's The Monk received only cursory attention. Then, as if to redress this lapse, a sudden flurry of notes offered various representations, each contributing a little to an understanding of the problem, more to a realization of its complexity.[1] Eventually, however, Mr. Frederick Coykendall's "A Note on 'The Monk'"[2] brought this phase of the discussion to an end by an account that was not subsequently questioned by those concerned. Yet it seems advisable to reopen the case of The Monk on the basis of a variety of evidence, some of it new, but much of it previously overlooked or in need of reinterpretation.
From 1935 until now the status of The Monk has rested on these several compromises: (1) Contrary to the report in the Life of Lewis, in Lowndes, and elsewhere, no edition was printed in 1795; (2) notwithstanding conflicting statements in booksellers' catalogues, neither the second nor the fifth edition was the first to be expurgated, but rather the fourth; (3) for
Examination may well begin with a review of the various opinions concerning the two "issues" of the first edition. Several months before Mr. Coykendall made known his own conclusions, Mr. Philip Brooks observed that, while the "1796" (i.e. 1818) Waterford edition was recognized as falsely dated, it was not generally known that there were two legitimate 1796 London issues, the one published in March, and the other "with certain verbal changes, mere corrections of misprints" in April of that year.[4] Extending this discussion, Mr. Louis Peck remarked that there was editorial revision as well, particularly in the last several pages of the novel. The concluding passage in the first issue, it was noted, gave a protracted description of Ambrosio's death agonies; whereas in the second this passage was deleted and replaced with another reading "Haughty Lady . . . ." For Mr. Coykendall this latter analysis was misleading: the misprints, he added, are to be found in the Haughty Lady rather than in the Ambrosio issue. Thus, he concluded, the Haughty Lady version was the first of the two.
The two issues in this order, Mr. Coykendall continued, are indicated by certain entries in the Monthly Magazine, which for March, 1796, lists The Monk as published at 9 shillings, but for April quotes the price as 10s. 6d.[5] The difference in price should be taken as signifying the difference between the Haughty Lady issue and the one that was later corrected. From this follows the hypothesis that when the one was recognized as having errors, it was at once discounted, and superseded in the next month by another sold at full price. To confirm this hypothesis we are given a list of misprints selected as peculiar to the first
Also considered to be of some significance, as we have noted, is the apparent relationship between the "misprinted" Haughty Lady issue and the 9 shilling quotation in the March number of the Monthly Magazine. This equation, of course, assumes the accuracy of the discounted quotation, an assumption that is, unfortunately, invalid. Against this single reference to 9 shillings in the Magazine can be opposed twelve to 10s. 6d. for the
Another piece of evidence which has been taken as substantiating the sequence is that the March, Haughty Lady issue of The Monk carries on the verso of page 315, third volume, an advertisement for two books, whereas in the April, Ambrosio issue this page is blank. One thing only may be said of advertisements:
Before proceeding with the issues of this legitimate first edition I may be allowed a remark in retrospect. Had the various commentators carefully examined the title-leaves for the three volumes of the supposed "first issue," they would have noted evidence which would have affected their arguments. These leaves are cancels,[12] of lighter paper than the text, sometimes bearing the watermark date 1794,[13] and—in every copy examined—carrying vertical chainlines, an obvious sign of
The comment just made applies, I now suggest, to the legitimate first published issue as well. Here again, and again as bibliographers have failed to note, the title-leaves for all copies I have seen are cancels, this time of the horizontal-line variety. In view of this discovery, is it unreasonable to infer that the 1796 imprint is likewise assigned and represents, for this issue, the alteration of a 1795 date that originally appeared? The evidence against an original date of 1795 admittedly appears to be so overwhelming that the earlier tradition for it is now generally ignored. At one time Lowndes was thought to have been the first to make the ascription, but in 1935 Mr. Brooks pointed to the Life of Lewis as the source,[14] followed by Mr. Coykendall, who observed that an unusual phrase in the Life—"published in the summer of 1795"—is later quoted verbatim by Lowndes and Allibone.[15] This attempt to derive the Lowndes statement concerning a 1795 edition from the passage in the Life cannot be sustained since Lowndes first appeared in 1834 and the Life was not published until 1839.[16] The fact is that both the actual Lowndes ascription to 1795 and the specific statement in the Life had been anticipated by Watt.[17]
Indeed, as one moves toward the author and away from the guesswork present in recent discussion, all attempts to explain this 1795 date as an error lead only to its validation. Besides
Conclusive evidence, perhaps the only evidence, will reside in the original title-leaves to the first edition, and these have yet to be recovered.[20] Nevertheless, the available evidence offers a very powerful case. Confirming the 1795 date mentioned in the obituary reports are other accounts more approximate to the work itself. In September, 1794, Lewis, then at the Hague, wrote his mother that The Monk had been completed. The following month he sent her verses from the novel[21] and added to the Preface what may be regarded as an explicit, the dateline "Oct. 28th, 1794." By December, at the latest, he was back in London looking for a publisher, and found one in Joseph Bell, who printed the work on paper dated 1794. The reiteration of the date, twice by the author in letters, once in the Preface, and throughout in the watermark is certainly evidence of a sort for 1794 as the year of publication. But obviously, the time-interval is cut rather fine, and there is no more reason for inferring from these indications that everything happened within several weeks than there is for assuming, without any evidence, that nothing whatever happened for sixteen months. As a compromise, therefore, I propose that in the absence of proof either for 1794 or for 1796 we return to the 1795 tradition, and agree
Thus far the results of our investigation have led, quite unintentionally, to a denial of what everyone has accepted and a reinstatement of what everyone has denied. We now approach problems which have not previously been treated. Having reduced the number of known first-edition issues from two to one, we come upon what seems to be a reissue of the first edition under false pretenses. A unique copy of this issue in the Sadleir-Black Collection at the University of Virginia has the same sheets throughout and the same cancellans title-leaves in volumes 2 and 3 as the first issue of the first edition, but the title-leaf for volume I has again been cancelled and replaced with another reading "The Second Edition." The new cancellans, however, was not taken from the legitimate second edition, for among other differences the author's name is still unrecorded. Normally we should expect this previously unrecorded issue to represent a publisher's stratagem for stimulating the sale of a slow-moving book and thus assign its publication as sometime before October, 1796, the month in which the authentic second
From the moment The Monk was deposited at the bookstalls its reception by the critics undoubtedly prompted a demand which never diminished. Four London editions as well as a Dublin edition appeared within two years, and the imitations were legion. Within the first half year, then, there could hardly have been any need for pushing sales. In fact, only several months at the most could have elapsed before Lewis, realizing the necessity for another printing, set to work correcting and revising the readings to be introduced in the second edition. Now if, as I suggest, the exhaustion of the original supply was foreseen, and if the authentic second edition was published just before the supply ran out, then Bell may have been left with a few copies of the original issue, deemed imperfect by the author, and hence of no interest to a public clamoring for the latest version. Moreover, there is some reason to believe that a few copies were literally as well as textually imperfect. In the Virginia copy, at any rate, six gatherings are missing (vol. II, sigs. H-N), the consequence, perhaps, of a miscalculation when the sheets were counted out at the time of printing. Such a defection, so accounted for, would in itself constitute sufficient reason for keeping these on the shelf until such time as no copies except these were available for sale.
The occasion facilitating the disposal of these remainders occurred, I suggest, six months after the second edition had been published. On the 15th of March, 1797, a ballet adapted from the subplot of The Monk and entitled Raymond and Agnes was performed at Covent Garden. On that very day Bell made a curious announcement:
Concerning the true second edition little need be said since it is the only one of the early printings that seems to have retained its integrity. Issued in October, 1796, it includes on the title-pages for the first time the name of the author, proudly designated as "M. G. Lewis, Esq. M. P.",[25] and in the text a number of revisions retained thereafter, notably the insertion in one of the poems of a stanza inadvertently omitted before,[26] the suppression of the passage describing Ambrosio's seven days of suffering, and the substitution of another beginning "Haughty Lady . . . ." Had Lewis decided to remain anonymous at this time the bibliographical history of his novel would never have resembled the incredible story that now unfolds. But so enamored was he of the recently bestowed title "Member of Parliament" that he could not resist divulging his position as
The criticism following this disclosure was for awhile complacently disregarded and, as we might expect, served only to speed the publication of a third edition to meet the mounting demand for copies.[27] Three months and a day after this edition appeared, however, there sounded a blast which could not be ignored either by Lewis or by the authorities in a position to act against him. This was The Pursuits of Literature, by Thomas James Mathias,[28] a work to which Coleridge alludes as one of "the most vapid satires," valuable only for its notes on contemporary writers.[29] Its value to Coleridge is its value to us, for in the notes to the fourth part, notes added and expanded, revised and rearranged with each succeeding edition, we find a running commentary on Lewis and his work.
Since The Pursuits represents, therefore, an ideal vantage point for witnessing the later history of The Monk, I refer to certain pertinent remarks. In an introduction to the fourth part Mathias pauses before this novel as something
Now unquestionably Lewis was aware, to his discomfort, that the Proclamation Society was at that very time proceeding against Paine's publisher, one Thomas Williams;[33] hence the coupling of his name with the author of The Age of Reason and the insistence that the one writer was no less guilty than the other may have prompted Lewis to consider a way out of his difficulties. If he was uncertain as to what he might do, Mathias was ready with a suggestion. "The publication of this novel by a Member of Parliament is in itself so serious an offence to the public, that I know not how the author can repair this breach of public decency, but by suppressing it himself." To this note he subtended another: "Or Mr. Lewis might omit the indecent and blasphemous passages in another edition; there is neither genius nor wit in them, and the work as a composition would receive great advantage. I wish he may at least take this advice."[34]
It remains to be determined whether Lewis followed these
If we postulate that all but a few copies of the third edition were suppressed, then we will have little difficulty in accounting for their ultimate disposition. Was there any way a publisher could sell perhaps a thousand copies, thus realizing with a profit his original investment, and yet keep within the letter of the law? There was a way, and the resourceful Bell was not one to overlook it. One can imagine that his inspiration was induced by the chance discovery of some leaves stowed away on a warehouse shelf—the cancellans title-pages to volume one of the first issue, first edition, removed, we will remember, eight months before when he passed that edition off as the second. If he could make the first a second, he reasoned, why not make the third a first? What a simple device for circumventing an injunction applicable only to the third edition! On reconsideration he may have had a qualm about such an unethical and in a sense unlawful procedure; but if so, it was only momentary, and passed with the thought that unless he could sell these copies now he could sell the public nothing for some months to come. So resolved, he excised the three title-pages of the third edition, affixed to volume one of each set the old pages he had on hand, and as a matter of economy, or negligence, allowed the book to be sold without titles for the second and third volumes. One of these sets Lewis secured as a text for revision, and this unique copy, with his MS notations, is now at the British Museum, catalogued, I might add, as the first edition with corrections for the second, though actually, as we see, the second issue of the third edition with corrections for the fourth.[39]
Encouraged by the success of this covert venture, Bell now considered the problem of moving the rest of his contraband. Since the number of copies he had sophisticated in the manner described was small, corresponding, of course, exactly to the number of copies from which the first edition title-page had been removed, he prepared to run off new titles for the remainder of his stock. But instead of using one of those from the first edition as a model for the new setting, doubtless because he had just disposed of these, he reverted to the form of the third-edition title-page, there crossed out references to the name of the author and the edition, and had new ones struck off for all three volumes.
Now this was a blunder for, as altered, there still remained recognizable differences between the real and false first issues. In the one, for instance, the quotation from Horace precedes "In Three Volumes", while in the other, as in all editions after the first, the quotation follows the volume reference. Not this, however, but another difference must have aroused indignant comment. As it was no doubt pointed out to Bell by some irate patron, this could not pretend to be the "original edition," for instead of reading "M.DCC.XCVI." it bore the date "M.DCC.XCVII.", a date carried over from the third-edition copytext. Somewhat embarrassed by this disclosure, Bell may immediately have stopped the sale, moved all copies to the warehouse, and retired in confusion. The only thing to do, he thereupon seems to have decided, was to trust his good fortune that the several copies already sold would not be commonly recognized as fraudulent, and to avoid any further unpleasantness by altering the date of those that remained. Fortunately, as this was in roman rather than arabic digits, a few scrapes with a knife were sufficient to obliterate the offending "I." Removing the "I", however, necessarily involved removing the accompanying period; and the absence of this final mark, it will be observed, distinguishes this state from any other variant of The Monk. Here, then, is the disguised
So that the assigned position of this issue may be incontrovertible I return now to Mr. Coykendall's argument, and to his own copies, which he has kindly allowed me to examine. It is granted between us that the third edition and the three variants described are all composed of the same sheets. In Mr. Coykendall's discussion, however, it was not recognized that the title-page for the second issue differed from that for the third, nor was the original state of the third considered except as an anomaly. As for the relation between the third edition and what is now known to be the doctored state of the third issue of that edition (his "first issue, first edition"), Mr. Coykendall has this to say:
Having been led into an initial misconception by taking the
With this explanation we have succeeded, I believe, in unravelling the last of a number of puzzles. A word needs to be said, finally, of Joseph Bell's enterprise in selling his issues fabricated from the third edition without arousing the suspicion of the authorities. Not wishing to precipitate the investigation which would surely follow a public announcement in the papers, Bell, for awhile at least, seems to have depended upon a wink and a nod to promote his under-the-counter trade. Later
As there are no later advertisements, I conclude that after five years of maneuvering and subterfuge the last copy of this spurious first issue had been sold, the last in a series of impostures and deceptions had gone undetected, from then until now. It is, in a way, a tribute to Bell's ingenuity that his final, his most audacious fraud, including his doctoring of the date, should not only have been accepted as the "first issue" but in more recent years have been vigorously defended as such.
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"In the summer of 1795" (Life, 1, 151).
No copy extant. Probably the same sheets as for the first issue, except that title-leaf, volume 1, would be integral, and would probably read "M.DCC.XCV."
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March 12, 1796 (Morning Herald). price 10s. 6d.
THE MONK: | A | ROMANCE. | [short French rule] | Somnia, terrores magicos, miracula, ſagas, | Nocturnos lemures, portentaque. | Horat. | Dreams, magic terrors, ſpells of mighty power, | Witches, and ghoſts who rove at midnight hour. | [short French rule] | IN THREE VOLUMES. | VOL. I. [II, III] | [short French rule] | LONDON: | PRINTED FOR J. BELL, OXFORD-STREET. | M.DCC.XCVI.
12°. vol. 1: A4(±A1) B-K12 L8. vol. 2: [A]1 B-N12. vol. 3: [A]1 B-O12 P2. t. p.'s are cancels, chainlines horizontal. Vol. 3, p. [316] is blank.
Copies examined: IU, MH, NN, ViU, Mr. Harold Greenhill (Chicago).
Edition reviewed: British Critic, VII (June, 1796), 677; Monthly Mirror, II (June, 1796), 98; Critical Review, ser. 2, XIX (January, 1797), 194-200; Monthly Review, XXIII (August, 1797), 451.
From this edition derive the Dublin (1796) and Dublin (1808) editions, each in two volumes.
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?March 15, 1797 (Chronicle Chronicle). price 10s. 6d.
THE MONK: | A | ROMANCE. | [short French rule] | THE SECOND EDITION. | [short French rule] | [quotation] | [&c. as in 1st issue] | M.DCC.XCVI.
Collation as for the first issue. t. p.'s are cancels, chainlines horizontal.
This is the same book as the first issue except that vol. 1 cancellans t. p. has been replaced by another with indicated reading. The removed leaf from vol. 1 is again used as a cancellans in 3rd edition, 2nd issue, q. v.
Copy examined: ViU.
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October, 1796 (Analytical Review). price 10s. 6d.[1a]
THE MONK: | A | ROMANCE. | By M. G. LEWIS, Esq. M. P. | [short French rule] | IN THREE VOLUMES. — VOL. I. [II, III] | [short French rule] | [quotation] | [short French rule] | THE SECOND EDITION. | [short double rule] | LONDON: | PRINTED FOR J. BELL, OXFORD-STREET. | M.DCC.XCVI.
Collation as for the first edition except that sig. A1 is conjugate.
Copies examined: ICN, NN.
Edition reviewed: Analytical Review, XXIV (October, 1796), 403-4; "London Review" in European Magazine, XXXI (February, 1797), 111-15.
From this edition derive the Waterford "1796" [1818] and the Paris (1807) editions, each in three volumes.
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April 18, 1797 (Chronicle Chronicle, April 15). price 10s. 6d.
THE MONK: | [&c. as in 2nd ed.] | [quotation] | [short French rule] | THE THIRD EDITION. | [short double rule] | LONDON: | PRINTED FOR J. BELL, OXFORD-STREET. | M.DCC.XCVII.
Collation as for the first edition except that sig. A1 is conjugate. On vol. 3, p. [316] there are advertisements for two books, both published in April, 1797.
Copy examined: Mr. Frederick Coykendall (New York City).
The review of this edition by Thomas J. Mathias (The Pursuits of Literature, Part IV; published July 19, 1797) resulted in its suppression in ?November, 1797.
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?November, 1797. price 10s. 6d.
This and the following issue of the 3rd edition represent attempts to disguise that edition as the first by the use of various title-leaves. In this issue the title-leaves of vols. II and III are cancelled without substitution. The cancelled title-leaf of vol. I is replaced by the leaf originally used in the first edition, first issue, but displaced in the second issue of the first edition. Chainlines for the cancellans are horizontal.
Copy: British Museum. With author's MS. revisions for the fourth edition.
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?November, 1797—May, 1801. price 10s. 6d. to 21s.[2a]
THE MONK: | A | ROMANCE. | [short French rule] | IN THREE VOLUMES.—VOL. I. [II, III] | [short French rule] | [quotation] | [short double rule] | LONDON: | PRINTED FOR J. BELL, OXFORD-STREET. | M.DCC.XCVII.
Present in all three volumes, these cancels were set, with appropriate deletions, from the text of the 3rd edition t. p.'s, and are on paper with vertical chainlines.
Copy examined: The Century Club (New York City).
As a second state the above cancel titles were doctored by carefully scraping away the final digit of the date with its accompanying period so that the date is "corrected" to 'M.DCC.XVI'. In vol. I of the ViU copy the faint outlines of the deleted letterpress may still be discerned, and the other titles show that the paper has been scraped.
Copies examined: ViU, Mr. Frederick Coykendall, Scribners—the Thackeray copy (New York City).
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February 28, 1798 (The Times). price 10s. 6d.
Ambrosio, | OR | THE MONK: | A | ROMANCE. | By M. G. LEWIS, Esq. M. P. | [short French rule] | IN THREE VOLUMES—VOL. I. [II, III] | [short French rule] | [quotation] | [short French rule] | THE FOURTH EDITION, | With considerable Additions and Alterations. | [short Oxford rule] | LONDON: | PRINTED FOR J. BELL, OXFORD-STREET. | [dash] | 1798.
12°. vol. 1: A4 B-K12 L6. vol. 2: [A]1 B-M12 N8. vol. 3: [A]1 B-O12.
Copy examined: ViU.
Edition reviewed: Monthly Mirror, v (March, 1798), 157-58.
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1800. price 12s.
Ambrosio, | [&c. as in 4th ed., except: . . . [quotation] | [short French rule] | THE FIFTH EDITION, . . .] | LONDON: | PRINTED BY J. DAVIS, CHANCERY-LANE, | FOR J. BELL, OXFORD-STREET. | [dash] | 1800.
Collation as for 4th edition. t. p. for 2nd volume reads 'CHANCERY-LAN'.
Copies examined: NjP, Scribners.
Bibliography
A. Description
First edition, pre-publication state.
First edition, first issue.
First edition, second issue.
Second edition.
Third edition, first issue.
Third edition, second issue.
Third edition, third issue (first and second states)
Fourth edition.
Fifth edition.
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As a convenient check-list for determining among the issues which title-leaves in the first volume are conjugate to A4, and among the editions what preliminary gatherings belong to the text, the following data is submitted for the first three editions.
B. Differentiae
EDITION | Volume I title-leaf | Printers' marks, sigs. A-B |
|
First | Integral . . . . . . . Order of readings | "A"--p/m | "B"--p/m |
[*]1st state | Yes . . . . . . . quote-vol-1795 | I [none] | 22-3 |
1st issue | No . . . . . . . quote-vol-1796 | II -- | 12-9 |
2nd issue | No . . . . . 2nd-quote-vol-1796 | III -- | 13-4, 15-4 |
Second | Yes . . Lewis-vol-quote-2nd-1796 | {I A2v-2 II -- III -- |
22-3 12-1 15-7 |
Third | ||||
1st issue | Yes . . Lewis-vol-quote-3rd-1797 | I A2v-4 | 17-3, 19-2 | |
[†]2nd issue | No . . . . . . . quote-vol-1796 | II -- | 12-4 | |
[†]3rd issue | No . . . . . vol-quote -1797 | III -- | 12-2 | |
(In second state date altered by hand to 1796.)} |
Notes
See the communications by Philip Brooks (New York Times Book Review [Jan. 27, 1935], p. 21); Louis F. Peck (Times Literary Supplement [March 7, 1935], p. 148); followed by W. Roberts (p. 164), E. G. Bayford (p. 216), Frederick Coykendall (p. 276); H. V. Marrot (Biblio Notes & Queries, I, no. 1 [January, 1935], p. 4) and Frederick Coykendall (I, no. 2, p. 4; no. 3, p. 1).
Although this term was utilized by Mr. Coykendall and others, it inappropriately designates two different type-settings. Nevertheless I allow it to stand in anticipation of later comment which reveals these to be, in fact, issues, but not in the relationship generally presumed.
This is, I believe, a misnomer, since it is inconceivable that the compositor looked at the word "some" and read "no mean", or at "occasionally" and read "frequently".
According to Mr. Coykendall's analysis these readings, among others, exemplify the order of variants:
Vol. I | "1st issue" |
"2nd issue" |
2nd & 3rd eds |
4th & 5th eds |
human failings | 31.19 | 31.2 | ||
human feelings | 31.19 | 31.19 | ||
Vol. II | ||||
some skill | 73.19 | |||
no mean skill | 73.19 | 73.19 | 73.19 | |
occasionally composed | 73.22 | |||
frequently composed | 73.22 | 73.22 | 73.23 |
Though Friday, March 11, would seem to be the date of publication, the Morning Herald for the 9th advertises the book as to be published "on Saturday next" [the 12th]; and as all the papers except one make no announcement until Saturday, the Sun entry for the day before is doubtless premature.
In the imprints and advertisements for all editions only the name of J. Bell is given as publisher. The Times entry for April 4 suggests, however, that there were, at least for the first edition, several promoters: "Printed for J. Bell, No. 148, Oxford-street; E. Booker, New Bond Street, and C. Law, Ave-Maria lane." It may be remarked that the principal agent, usually identified as John Bell, a celebrated editor and bookseller of the day, was an obscure individual by the name of Joseph. Cf. advertisement leaf in the eighth edition of Lewis's Castle Spectre.
Henry Somerville, "by the author of Hartlebourn Castle": Chronicle Chronicle, April 15, 1797 (preliminary announcement for the 18th); Monthly Magazine, III (April, 1797), 307; Monthly Epitome, I (April, 1797), 316; Analytical Review, XXVI (1797), 664. William Johnson's translation of Beckmann's The History of Inventions and Discoveries: Morning Chronicle, April 1, 1797; The Times, April 26, 1797; Monthly Magazine, III (March, 1797), 228; Edinburgh Magazine, XXV (May, 1797), 374; Analytical Review, XXVI (1797), 640. Also advertised in the 3rd, 4th, and 5th editions of The Monk.
For this as well as for several other issues of The Monk I judge the three title-leaves to be cancels if the first is not conjugate to A4, and if the disjunct second and third titles have readings identical with the first.
Mr. Coykendall erroneously asserts this issue to be a mixture of 1794 and 1796 w/m dates. 1796 belongs to the text; 1794 as his own and other copies show, is found, I believe, only in the title-leaves (in his it appears on the leaves to volumes I and III), and may be distinguished from the same date in the first issue by the "7" and "9" being approximately 1 cm. longer than the "1" and "4". The w/m for the editio princeps is a fleur-de-lis, dated throughout 1794, all figures of equal length, and with c/m initials "M&L".
Coykendall, op. cit., p. 88. The Life and Correspondence of M. G. Lewis (London, 1839), I, 151.
Actually, the Life (loc. cit.) reads: "publication . . . which event took place in the summer of 1795." The phraseology of the bibliographies is not drawn verbatim from this passage and indeed is so dissimilar as to fail to indicate derivation from this source: as an example, neither Lowndes nor Allibone mentions summer as the time of publication. Cf. Lowndes, The Bibliographer's Manual (London, 1834), III, 1128; (1860), V, 1353; (1883), III, 1353; (1889), V, 1353. Allibone, A Critical Dictionary of English Literature (London, 1870), II, 1091-92; (Philadelphia), I, 1091-92 in the editions of 1871, 1877, 1882, 1891, 1899.
Monthly Magazine, XLVI (January, 1819), 565-66; Gentleman's Magazine, CXXIV (August, 1818), 183-84; Literary Gazette (July 25, 1818), 475-76; Literary Panorama, N. S., VIII (1818-19), 1731-32; Edinburgh Annual Register, XI, part 2 (1818), 257-58.
According to H. V. Marrot (Biblio Notes & Queries, I, no. 1 [January, 1935], p. 4) the catalogue of Archdeacon Wrangham's library lists a copy dated 1795. Perhaps this may be traced and the question settled.
What appears to be evidence against 1795 as the date is an entry in the Morning Herald for March 3, 1796, announcing The Monk as "in the press." I am persuaded that nothing can be made of this. In the first place, as will be amply demonstrated in this paper, Bell's advertisements are meaningless and at times deliberately misleading. Moreover, the phrase itself had no more significance for works to be issued than the conventional "Published Today" had for works issued months before. It may mean, for The Monk, that the new title-leaves were being struck off, or be nothing more than advice to the reader that publication is pending. As an instance of the latter connotation see Richard Savage's use of the expression in the Plain-Dealer (November 30, 1724) with reference to his Miscellaneous Poems, not published until 1726. In 1724 at least one of the poems had yet to be written, for the event which it celebrates, the Duke of Rutland's inoculation for the small pox, did not occur until April 5, 1725 (British Journal, April 10, 1725). Another example of its use is in Nichols' Anecdotes, III, 49, where Bowyer is said to have printed, in 1767, Lyttelton's History of the Life of King Henry the Second, a work "which had been at least ten years in the press." From these several illustrations it may be agreed that the term has no other implication than that the publisher had contracted for the work.
The entry in the Analytical Review, XXIV (October, 1796), 403-4, the only one I have been able to find for the second edition, gives a title-page citation corresponding with this, but not with the spurious "second" edition.
In July of that year Lewis was elected as the new member of Parliament for the Borough of Hindon. See The London Chronicle, July 7-9, 1796.
The poem is the one entitled "Inscription in an Hermitage." As the stanza omitted in the first edition appeared in the transcript Lewis sent his mother in 1794, I presume it was present but overlooked in the fair copy submitted to the printer.
From the only announcement discovered, the one in the Chronicle Chronicle for Saturday, April 15, 1797, that the third edition would be published "On Tuesday next," I presume the date for this to be April 18.
The part of interest to us, the fourth, was first published July 19, 1797 (Chronicle Chronicle), a second edition on September 11 (Chronicle Chronicle), a third apparently in the following month, a fifth on January 27, 1798 (London Chronicle), and many more thereafter. The fourth edition of this Part, though not so designated, is actually that which was included in the consecutively paged fifth edition of all parts issued in January, the earlier dialogues having by this time already passed through four editions.
Ibid., p. v. Had he known of it, Mathias would have been thunderstruck at Sir Walter Scott's report that Charles James Fox crossed the floor of the House to congratulate Lewis on his novel.
For several of the many accounts of the extended court proceedings against Williams see the Chronicle Chronicle, November 28, 1797, and the London Chronicle, February 3-6, 1798.
Life, I, 153. The extent to which the Life was adulterated and refined can only be conjectured from sly inferences at the time. In a letter to an unidentified lady, Charles Kirkpatrick Sharpe, for one, confesses that the announcement of this work aroused "fearful apprehension" for his own and other reputations, but that having seen it he recognized the discreet hand of Sir Henry Lushington, Lewis's brother-in-law, in the choice of letters and Lady Charlotte Bury Campbell in the "cant as to religion." Sharpe then goes on to relate, presumably, the facts that had been suppressed, at which point his own editor cuts him off with an ellipsis! Perhaps what was divulged among other things, if we may believe the obituaries, was that Lewis, like his contemporary Wordsworth, fathered an illegitimate daughter. Not inconceivably this may have been the girl who, under the name of "Miss Mary G. Lewis," published a poem and two novels of her own: "Zelinda" (1823), Ambition (1825), and The Jewish Maiden (1830). Circumstances, initials, surname, and dates all support the conjecture. Letters from and to Charles Kirkpatrick Sharpe, Esq., ed. Alexander Allardyce (Edinburgh and London, 1888), II, 519.
The reference in the Life to "one of the societies for the suppression of vice" is misconstrued by Montague Summers (Gothic Quest, p. 219) and others to mean "The Society for the Suppression of Vice," an organization not founded until 1802. For information regarding this and the Proclamation Society I am indebted to Professor Maurice J. Quinlan. Further data on the organization and proceedings of these societies may be found in his Victorian Prelude (New York, 1941), p. 54 passim.
The Pursuits, 5th ed., p. 295. "Whatever I have said on the subject of this novel, called The Monk, I shall leave as a matter of record, whether the Novel is altered or not. The tenor of the whole is reprehensible. . . . It is hoped and expected that no similar work will ever again be given to this country."
I am indebted to Mr. Harry Sellers of the British Museum staff for identifying the paper, advertisements, readings, and printers' marks which substantiate this as the third edition.
Gathering A4 was probably imposed as the lower third of sheet L, cut off, and then folded like an accordion strip. A displacement of A4 would be unlikely, therefore, unless the book were subject to the treatment described. Of the ten copies I have examined in which A1 is cancellans, only one, that in the collection of Mr. Harold Greenhill, is in original condition—with blue boards and labels—and in this A4 is properly positioned.
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