Poems by Matthew Arnold :: :: University of Virginia Library

Ye storm-winds of Autumn!
Who rush by, who shake
The window, and ruffle
The gleam-lighted lake;
Who cross to the hill-side
Thin-sprinkled with farms,
Where the high woods strip sadly
Their yellowing arms—
Ye are bound for the mountains!
Ah! with you let me go
Where your cold, distant barrier,
The vast range of snow,
Through the loose clouds lifts dimly
Its white peaks in air—
How deep is their stillness!
Ah, would I were there!

But on the stairs what voice is this I hear,
Buoyant as morning, and as morning clear?

Say, has some wet bird-haunted English lawn
Lent it the music of its trees at dawn?
Or was it from some sun-fleck'd mountain-brook
That the sweet voice its upland clearness took?
Ah! it comes nearer—
Sweet notes, this way!

Hark! fast by the window
The rushing winds go,
To the ice-cumber'd gorges,
The vast seas of snow!
There the torrents drive upward
Their rock-strangled hum;
There the avalanche thunders
The hoarse torrent dumb.
—I come, O ye mountains!
Ye torrents, I come!

But who is this, by the half-open'd door,
Whose figure casts a shadow on the floor?
The sweet blue eyes—the soft, ash-colour'd hair—
The cheeks that still their gentle paleness wear—
The lovely lips, with their arch smile that tells
The unconquer'd joy in which her spirit dwells—

Ah! they bend nearer—
Sweet lips, this way!

Hark! the wind rushes past us!
Ah! with that let me go
To the clear, waning hill-side,
Unspotted by snow,
There to watch, o'er the sunk vale,
The frore mountain-wall,
Where the niched snow-bed sprays down
Its powdery fall.
There its dusky blue clusters
The aconite spreads;
There the pines slope, the cloud-strips
Hung soft in their heads.
No life but, at moments,
The mountain-bee's hum.
—I come, O ye mountains!
Ye pine-woods, I come!

Forgive me! forgive me!
Ah, Marguerite, fain
Would these arms reach to clasp thee!
But see! 'tis in vain.

In the void air, towards thee,
My stretch'd arms are cast;
But a sea rolls between us—
Our different past!

To the lips, ah! of others
Those lips have been prest,
And others, ere I was,
Were strain'd to that breast;

Far, far from each other
Our spirits have grown;
And what heart knows another?
Ah! who knows his own?

Blow, ye winds! lift me with you!
I come to the wild.
Fold closely, O Nature!
Thine arms round thy child.

To thee only God granted
A heart ever new—
To all always open,
To all always true.

Ah! calm me, restore me;
And dry up my tears
On thy high mountain-platforms,
Where morn first appears;

Where the white mists, for ever,
Are spread and upfurl'd—
In the stir of the forces
Whence issued the world.

3. A FAREWELL.

My horse's feet beside the lake,
Where sweet the unbroken moonbeams lay,
Sent echoes through the night to wake
Each glistening strand, each heath-fringed bay.

The poplar avenue was pass'd,
And the roof'd bridge that spans the stream;
Up the steep street I hurried fast,
Led by thy taper's starlike beam.

I came! I saw thee rise!—the blood
Pour'd flushing to thy languid cheek.
Lock'd in each other's arms we stood,
In tears, with hearts too full to speak.

Days flew;—ah, soon I could discern
A trouble in thine alter'd air!
Thy hand lay languidly in mine,
Thy cheek was grave, thy speech grew rare.

I blame thee not!—this heart, I know,
To be long loved was never framed;
For something in its depths doth glow
Too strange, too restless, too untamed.

And women—things that live and move
Mined by the fever of the soul—
They seek to find in those they love
Stern strength, and promise of control.

They ask not kindness, gentle ways—
These they themselves have tried and known;
They ask a soul which never sways
With the blind gusts that shake their own.

I too have felt the load I bore
In a too strong emotion's sway;
I too have wish'd, no woman more,
This starting, feverish heart away.

I too have long'd for trenchant force,
And will like a dividing spear;
Have praised the keen, unscrupulous course,
Which knows no doubt, which feels no fear.

But in the world I learnt, what there
Thou too wilt surely one day prove,
That will, that energy, though rare,
Are yet far, far less rare than love.

Go, then!—till time and fate impress
This truth on thee, be mine no more!
They will!—for thou, I feel, not less
Than I, wast destined to this lore.

We school our manners, act our parts—
But He, who sees us through and through,
Knows that the bent of both our hearts
Was to be gentle, tranquil, true.

And though we wear out life, alas!
Distracted as a homeless wind,
In beating where we must not pass,
In seeking what we shall not find;

Yet we shall one day gain, life past,
Clear prospect o'er our being's whole;
Shall see ourselves, and learn at last
Our true affinities of soul.

We shall not then deny a course
To every thought the mass ignore;
We shall not then call hardness force,
Nor lightness wisdom any more.

Then, in the eternal Father's smile,
Our soothed, encouraged souls will dare
To seem as free from pride and guile,
As good, as generous, as they are.

Then we shall know our friends!—though much
Will have been lost—the help in strife,
The thousand sweet, still joys of such
As hand in hand face earthly life—

Though these be lost, there will be yet
A sympathy august and pure;
Ennobled by a vast regret,
And by contrition seal'd thrice sure.

And we, whose ways were unlike here,
May then more neighbouring courses ply;
May to each other be brought near,
And greet across infinity.

How sweet, unreach'd by earthly jars,
My sister! to maintain with thee
The hush among the shining stars,
The calm upon the moonlit sea!

How sweet to feel, on the boon air,
All our unquiet pulses cease!
To feel that nothing can impair
The gentleness, the thirst for peace—.

The gentleness too rudely hurl'd
On this wild earth of hate and fear;
The thirst for peace a raving world
Would never let us satiate here.

4. ISOLATION. TO MARGUERITE.

We were apart; yet, day by day,
I bade my heart more constant be.
I bade it keep the world away,
And grow a home for only thee;
Nor fear'd but thy love likewise grew,
Like mine, each day, more tried, more true.

The fault was grave! I might have known,
What far too soon, alas! I learn'd—
The heart can bind itself alone,
And faith may oft be unreturn'd.
Self-sway'd our feelings ebb and swell—
Thou lov'st no more;—Farewell! Farewell!

Farewell!—and thou, thou lonely heart,
Which never yet without remorse
Even for a moment didst depart
From thy remote and spheréd course

To haunt the place where passions reign—
Back to thy solitude again!

Back! with the conscious thrill of shame
Which Luna felt, that summer-night,
Flash through her pure immortal frame,
When she forsook the starry height
To hang over Endymion's sleep
Upon the pine-grown Latmian steep.

Yet she, chaste queen, had never proved
How vain a thing is mortal love,
Wandering in Heaven, far removed.
But thou hast long had place to prove
This truth—to prove, and make thine own:
“Thou hast been, shalt be, art, alone.”

Or, if not quite alone, yet they
Which touch thee are unmating things—
Ocean and clouds and night and day;
Lorn autumns and triumphant springs;
And life, and others' joy and pain,
And love, if love, of happier men.

Of happier men—for they, at least,
Have dream'd two human hearts might blend
In one, and were through faith released
From isolation without end
Prolong'd; nor knew, although not less
Alone than thou, their loneliness.

5. TO MARGUERITE.—CONTINUED.

Yes! in the sea of life enisled,
With echoing straits between us thrown,
Dotting the shoreless watery wild,
We mortal millions live alone.
The islands feel the enclasping flow,
And then their endless bounds they know.

But when the moon their hollows lights,
And they are swept by balms of spring,
And in their glens, on starry nights,
The nightingales divinely sing;
And lovely notes, from shore to shore,
Across the sounds and channels pour—

Oh! then a longing like despair
Is to their farthest caverns sent;
For surely once, they feel, we were
Parts of a single continent!
Now round us spreads the watery plain—
Oh might our marges meet again!

Who order'd, that their longing's fire
Should be, as soon as kindled, cool'd?
Who renders vain their deep desire?—
A God, a God their severance ruled!
And bade betwixt their shores to be
The unplumb'd, salt, estranging sea.

6. ABSENCE.

In this fair stranger's eyes of grey
Thine eyes, my love! I see.
I shiver; for the passing day
Had borne me far from thee.

This is the curse of life! that not
A nobler, calmer train
Of wiser thoughts and feelings blot
Our passions from our brain;

But each day brings its petty dust
Our soon-choked souls to fill,
And we forget because we must
And not because we will.

I struggle towards the light; and ye,
Once-long'd-for storms of love!
If with the light ye cannot be,
I bear that ye remove.

I struggle towards the light—but oh,
While yet the night is chill,
Upon time's barren, stormy flow,
Stay with me, Marguerite, still!

7. THE TERRACE AT BERNE.

(COMPOSED TEN YEARS AFTER THE PRECEDING.)

Ten years!—and to my waking eye
Once more the roofs of Berne appear;
The rocky banks, the terrace high,
The stream!—and do I linger here?

The clouds are on the Oberland,
The Jungfrau snows look faint and far;
But bright are those green fields at hand,
And through those fields comes down the Aar,

And from the blue twin-lakes it comes,
Flows by the town, the church-yard fair;
And 'neath the garden-walk it hums,
The house!—and is my Marguerite there?

Ah, shall I see thee, while a flush
Of startled pleasure floods thy brow,
Quick through the oleanders brush,
And clap thy hands, and cry: 'Tis thou!

Or hast thou long since wander'd back,
Daughter of France! to France, thy home;
And flitted down the flowery track
Where feet like thine too lightly come?

Doth riotous laughter now replace
Thy smile; and rouge, with stony glare,
Thy cheek's soft hue; and fluttering lace
The kerchief that enwound thy hair?

Or is it over?—art thou dead?—
Dead!—and no warning shiver ran
Across my heart, to say thy thread
Of life was cut, and closed thy span!

Could from earth's ways that figure slight
Be lost, and I not feel 'twas so?
Of that fresh voice the gay delight
Fail from earth's air, and I not know?

Or shall I find thee still, but changed,
But not the Marguerite of thy prime?
With all thy being re-arranged,
Pass'd through the crucible of time;

With spirit vanish'd, beauty waned,
And hardly yet a glance, a tone,
A gesture—anything—retain'd
Of all that was my Marguerite's own?

I will not know! For wherefore try,
To things by mortal course that live,
A shadowy durability,
For which they were not meant, to give?

Like driftwood spars, which meet and pass
Upon the boundless ocean-plain,
So on the sea of life, alas!
Man meets man—meets, and quits again.

I knew it when my life was young;
I feel it still, now youth is o'er.
—The mists are on the mountain hung,
And Marguerite I shall see no more.

THE STRAYED REVELLER.

THE PORTICO OF CIRCE'S PALACE. EVENING.
A Youth. Circe.
The Youth.

Faster, faster,
O Circe, Goddess,
Let the wild, thronging train,
The bright procession
Of eddying forms,
Sweep through my soul!

Thou standest, smiling
Down on me! thy right arm,
Lean'd up against the column there,
Props thy soft cheek;
Thy left holds, hanging loosely,
The deep cup, ivy-cinctured,
I held but now.

Is it, then, evening
So soon? I see, the night-dews,
Cluster'd in thick beads, dim
The agate brooch-stones
On thy white shoulder;
The cool night-wind, too,
Blows through the portico,
Stirs thy hair, Goddess,
Waves thy white robe!

Circe.
Whence art thou, sleeper?

The Youth.

When the white dawn first
Through the rough fir-planks
Of my hut, by the chestnuts,
Up at the valley-head,
Came breaking, Goddess!
I sprang up, I threw round me
My dappled fawn-skin;
Passing out, from the wet turf,
Where they lay, by the hut door,
I snatch'd up my vine-crown, my fir-staff,

All drench'd in dew—
Came swift down to join
The rout early gather'd
In the town, round the temple,
Iacchus' white fane
On yonder hill.

Quick I pass'd, following
The wood-cutters' cart-track
Down the dark valley;—I saw
On my left, through the beeches,
Thy palace, Goddess,
Smokeless, empty!
Trembling, I enter'd; beheld
The court all silent,
The lions sleeping,
On the altar this bowl.
I drank, Goddess!
And sank down here, sleeping,
On the steps of thy portico.

Circe.
Foolish boy! Why tremblest thou?
Thou lovest it, then, my wine?

Wouldst more of it? See, how glows,
Through the delicate, flush'd marble,
The red, creaming liquor,
Strown with dark seeds!
Drink, then! I chide thee not,
Deny thee not my bowl.
Come, stretch forth thy hand, then—so!
Drink—drink again!

The Youth.
Thanks, gracious one!
Ah, the sweet fumes again!
More soft, ah me,
More subtle-winding
Than Pan's flute-music!
Faint—faint! Ah me,
Again the sweet sleep!

Circe.
Hist! Thou—within there!
Come forth, Ulysses!
Art tired with hunting?
While we range the woodland,
See what the day brings.

Ulysses.
Ever new magic!
Hast thou then lured hither,
Wonderful Goddess, by thy art,
The young, languid-eyed Ampelus,
Iacchus' darling—
Or some youth beloved of Pan,
Of Pan and the Nymphs?
That he sits, bending downward
His white, delicate neck
To the ivy-wreathed marge
Of thy cup; the bright, glancing vine-leaves
That crown his hair,
Falling forward, mingling
With the dark ivy-plants—
His fawn-skin, half untied,
Smear'd with red wine-stains? Who is he,
That he sits, overweigh'd
By fumes of wine and sleep,
So late, in thy portico?
What youth, Goddess,—what guest
Of Gods or mortals?

Circe.
Hist! he wakes!

I lured him not hither, Ulysses.
Nay, ask him!

The Youth.
Who speaks? Ah, who comes forth
To thy side, Goddess, from within?
How shall I name him?
This spare, dark-featured,
Quick-eyed stranger?
Ah, and I see too
His sailor's bonnet,
His short coat, travel-tarnish'd,
With one arm bare!—
Art thou not he, whom fame
This long time rumours
The favour'd guest of Circe, brought by the waves?
Art thou he, stranger?
The wise Ulysses,
Laertes' son?

Ulysses.
I am Ulysses.
And thou, too, sleeper?
Thy voice is sweet.

It may be thou hast follow'd
Through the islands some divine bard,
By age taught many things,
Age and the Muses;
And heard him delighting
The chiefs and people
In the banquet, and learn'd his songs,
Of Gods and Heroes,
Of war and arts,
And peopled cities,
Inland, or built
By the grey sea.—If so, then hail!
I honour and welcome thee.

The Youth.

The Gods are happy.
They turn on all sides
Their shining eyes,
And see below them
The earth and men.

They see Tiresias
Sitting, staff in hand,
On the warm, grassy

Asopus bank,
His robe drawn over
His old, sightless head,
Revolving inly
The doom of Thebes.

They see the Centaurs
In the upper glens
Of Pelion, in the streams,
Where red-berried ashes fringe
The clear-brown shallow pools,
With streaming flanks, and heads
Rear'd proudly, snuffing
The mountain wind.

They see the Indian
Drifting, knife in hand,
His frail boat moor'd to
A floating isle thick-matted
With large-leaved, low-creeping melon-plants,
And the dark cucumber.
He reaps, and stows them,
Drifting—drifting;—round him,
Round his green harvest-plot,

Flow the cool lake-waves,
The mountains ring them.

They see the Scythian
On the wide stepp, unharnessing
His wheel'd house at noon.
He tethers his beast down, and makes his meal—
Mares' milk, and bread
Baked on the embers;—all around
The boundless, waving grass-plains stretch, thick-starr'd
With saffron and the yellow hollyhock
And flag-leaved iris-flowers.
Sitting in his cart
He makes his meal; before him, for long miles,
Alive with bright green lizards,
And the springing bustard-fowl,
The track, a straight black line,
Furrows the rich soil; here and there
Clusters of lonely mounds
Topp'd with rough-hewn,
Grey, rain-blear'd statues, overpeer
The sunny waste.

They see the ferry
On the broad, clay-laden

Lone Chorasmian stream;—thereon,
With snort and strain,
Two horses, strongly swimming, tow
The ferry-boat, with woven ropes
To either bow
Firm harness'd by the mane; a chief,
With shout and shaken spear,
Stands at the prow, and guides them; but astern
The cowering merchants, in long robes,
Sit pale beside their wealth
Of silk-bales and of balsam-drops,
Of gold and ivory,
Of turquoise-earth and amethyst,
Jasper and chalcedony,
And milk-barr'd onyx-stones.
The loaded boat swings groaning
In the yellow eddies;
The Gods behold them.

They see the Heroes
Sitting in the dark ship
On the foamless, long-heaving,
Violet sea,
At sunset nearing
The Happy Islands.

These things, Ulysses,
The wise bards also
Behold and sing.
But oh, what labour!
O prince, what pain!

They too can see
Tiresias;—but the Gods,
Who give them vision,
Added this law:
That they should bear too
His groping blindness,
His dark foreboding,
His scorn'd white hairs;
Bear Hera's anger
Through a life lengthen'd
To seven ages.

They see the Centaurs
On Pelion;—then they feel,
They too, the maddening wine
Swell their large veins to bursting; in wild pain
They feel the biting spears
Of the grim Lapithæ, and Theseus, drive,

Drive crashing through their bones; they feel
High on a jutting rock in the red stream
Alcmena's dreadful son
Ply his bow;—such a price
The Gods exact for song:
To become what we sing.

They see the Indian
On his mountain lake; but squalls
Make their skiff reel, and worms
In the unkind spring have gnawn
Their melon-harvest to the heart.—They see
The Scythian; but long frosts
Parch them in winter-time on the bare stepp,
Till they too fade like grass; they crawl
Like shadows forth in spring.

They see the merchants
On the Oxus stream;—but care
Must visit first them too, and make them pale.
Whether, through whirling sand,
A cloud of desert robber-horse have burst
Upon their caravan; or greedy kings,
In the wall'd cities the way passes through,
Crush'd them with tolls; or fever-airs,

On some great river's marge,
Mown them down, far from home.

They see the Heroes
Near harbour;—but they share
Their lives, and former violent toil in Thebes,
Seven-gated Thebes, or Troy;
Or where the echoing oars
Of Argo first
Startled the unknown sea.

The old Silenus
Came, lolling in the sunshine,
From the dewy forest-coverts,
This way, at noon.
Sitting by me, while his Fauns
Down at the water-side
Sprinkled and smoothed
His drooping garland,
He told me these things.

But I, Ulysses,
Sitting on the warm steps,
Looking over the valley,
All day long, have seen,
Without pain, without labour,

Sometimes a wild-hair'd Mænad—
Sometimes a Faun with torches—
And sometimes, for a moment,
Passing through the dark stems
Flowing-robed, the beloved,
The desired, the divine,
Beloved Iacchus.

Ah, cool night-wind, tremulous stars!
Ah, glimmering water,
Fitful earth-murmur,
Dreaming woods!
Ah, golden-hair'd, strangely smiling Goddess,
And thou, proved, much enduring,
Wave-toss'd Wanderer!
Who can stand still?
Ye fade, ye swim, ye waver before me—
The cup again!

Faster, faster,
O Circe, Goddess,
Let the wild, thronging train,
The bright procession
Of eddying forms,
Sweep through my soul!

FRAGMENT OF AN “ANTIGONE.”

The Chorus.

Well hath he done who hath seized happiness!
For little do the all-containing hours,
Though opulent, freely give.
Who, weighing that life well
Fortune presents unpray'd,
Declines her ministry, and carves his own;
And, justice not infringed,
Makes his own welfare his unswerved-from law.

He does well too, who keeps that clue the mild
Birth-Goddess and the austere Fates first gave.
For from the day when these
Bring him, a weeping child,
First to the light, and mark
A country for him, kinsfolk, and a home,
Unguided he remains,
Till the Fates come again, this time with death.

In little companies,
And, our own place once left,
Ignorant where to stand, or whom to avoid,
By city and household group'd, we live; and many shocks
Our order heaven-ordain'd
Must every day endure:
Voyages, exiles, hates, dissensions, wars.
Besides what waste he makes,
The all-hated, order-breaking,
Without friend, city, or home,
Death, who dissevers all.

Him then I praise, who dares
To self-selected good
Prefer obedience to the primal law,
Which consecrates the ties of blood; for these, indeed,
Are to the Gods a care;
That touches but himself.
For every day man may be link'd and loosed
With strangers; but the bond
Original, deep-inwound,
Of blood, can he not bind,
Nor, if Fate binds, not bear.

But hush! Hæmon, whom Antigone,
Robbing herself of life in burying,
Against Creon's law, Polynices,
Robs of a loved bride—pale, imploring,
Waiting her passage,
Forth from the palace hitherward comes.

Hæmon.
No, no, old men, Creon I curse not!
I weep, Thebans,
One than Creon crueller far!
For he, he, at least, by slaying her,
August laws doth mightily vindicate;
But thou, too-bold, headstrong, pitiless!
Ah me!—honourest more than thy lover,
O Antigone!
A dead, ignorant, thankless corpse.

The Chorus.

Nor was the love untrue
Which the Dawn-Goddess bore
To that fair youth she erst,
Leaving the salt sea-beds
And coming flush'd over the stormy frith

Of loud Euripus, saw—
Saw and snatch'd, wild with love,
From the pine-dotted spurs
Of Parnes, where thy waves,
Asopus! gleam rock-hemm'd—
The Hunter of the Tanagræan Field.

Orion, the Wild Huntsman of Greek legend, and in this capacity appearing in both earth and sky.

But him, in his sweet prime,
By severance immature,
By Artemis' soft shafts,
She, though a Goddess born,
Saw in the rocky isle of Delos die.
Such end o'ertook that love.
For she desired to make
Immortal mortal man,
And blend his happy life,
Far from the Gods, with hers;
To him postponing an eternal law.

Hæmon.
But like me, she, wroth, complaining,
Succumb'd to the envy of unkind Gods;
And, her beautiful arms unclasping,
Her fair youth unwillingly gave.

The Chorus.

Nor, though enthroned too high
To fear assault of envious Gods,
His beloved Argive seer would Zeus retain
From his appointed end

In this our Thebes; but when
His flying steeds came near
To cross the steep Ismenian glen,
The broad earth open'd, and whelm'd them and him;
And through the void air sang
At large his enemy's spear.

And fain would Zeus have saved his tired son
Beholding him where the Two Pillars stand
O'er the sun-redden'd western straits,

Erytheia, the legendary region around the Pillars of Hercules, probably took its name from the redness of the West under which the Greeks saw it.

Or at his work in that dim lower world.
Fain would he have recall'd
The fraudulent oath which bound
To a much feebler wight the heroic man.

But he preferr'd Fate to his strong desire.
Nor did there need less than the burning pile

Under the towering Trachis crags,
And the Spercheios vale, shaken with groans,
And the roused Maliac gulph,
And scared Œtæan snows,
To achieve his son's deliverance, O my child!

FRAGMENT OF CHORUS OF A “DEJANEIRA.”

O frivolous mind of man,
Light ignorance, and hurrying, unsure thoughts!
Though man bewails you not,
How I bewail you!

Little in your prosperity
Do you seek counsel of the Gods.
Proud, ignorant, self-adored, you live alone.
In profound silence stern,
Among their savage gorges and cold springs,
Unvisited remain
The great oracular shrines.

Thither in your adversity
Do you betake yourselves for light,
But strangely misinterpret all you hear.
For you will not put on

New hearts with the enquirer's holy robe,
And purged, considerate minds.

And him on whom, at the end
Of toil and dolour untold,
The Gods have said that repose
At last shall descend undisturb'd—
Him you expect to behold
In an easy old age, in a happy home;
No end but this you praise.

But him, on whom, in the prime
Of life, with vigour undimm'd,
With unspent mind, and a soul
Unworn, undebased, undecay'd,
Mournfully grating, the gates
Of the city of death have for ever closed—
Him, I count him, well-starr'd.

EARLY DEATH AND FAME.

For him who must see many years,
I praise the life which slips away
Out of the light and mutely; which avoids
Fame, and her less fair followers, envy, strife,
Stupid detraction, jealousy, cabal,
Insincere praises; which descends
The quiet mossy track to age.

But, when immature death
Beckons too early the guest
From the half-tried banquet of life,
Young, in the bloom of his days;
Leaves no leisure to press,
Slow and surely, the sweets
Of a tranquil life in the shade—
Fuller for him be the hours!
Give him emotion, though pain!
Let him live, let him feel: I have lived.
Heap up his moments with life!
Triple his pulses with fame!

PHILOMELA.

Hark! ah, the nightingale—
The tawny-throated!
Hark, from that moonlit cedar what a burst!
What triumph! hark!—what pain!

O wanderer from a Grecian shore,
Still, after many years, in distant lands,
Still nourishing in thy bewilder'd brain
That wild, unquench'd, deep-sunken, old-world pain—
Say, will it never heal?
And can this fragrant lawn
With its cool trees, and night,
And the sweet, tranquil Thames,
And moonshine, and the dew,
To thy rack'd heart and brain
Afford no balm?

Dost thou to-night behold,
Here, through the moonlight on this English grass,

The unfriendly palace in the Thracian wild?
Dost thou again peruse
With hot cheeks and sear'd eyes
The too clear web, and thy dumb sister's shame?
Dost thou once more assay
Thy flight, and feel come over thee,
Poor fugitive, the feathery change
Once more, and once more seem to make resound
With love and hate, triumph and agony,
Lone Daulis, and the high Cephissian vale?
Listen, Eugenia—
How thick the bursts come crowding through the leaves!
Again—thou hearest?
Eternal passion!
Eternal pain!

URANIA.

I too have suffer'd; yet I know
She is not cold, though she seems so.
She is not cold, she is not light;
But our ignoble souls lack might.

She smiles and smiles, and will not sigh,
While we for hopeless passion die;
Yet she could love, those eyes declare,
Were but men nobler than they are.

Eagerly once her gracious ken
Was turn'd upon the sons of men;
But light the serious visage grew—
She look'd, and smiled, and saw them through.

Our petty souls, our strutting wits,
Our labour'd, puny passion-fits—
Ah, may she scorn them still, till we
Scorn them as bitterly as she!

Yet show her once, ye heavenly Powers,
One of some worthier race than ours!
One for whose sake she once might prove
How deeply she who scorns can love.

His eyes be like the starry lights—
His voice like sounds of summer nights—
In all his lovely mien let pierce
The magic of the universe!

And she to him will reach her hand,
And gazing in his eyes will stand,
And know her friend, and weep for glee,
And cry: Long, long I've look'd for thee.

Then will she weep; with smiles, till then,
Coldly she mocks the sons of men.
Till then, her lovely eyes maintain
Their pure, unwavering, deep disdain.

EUPHROSYNE.

I must not say that thou wast true,
Yet let me say that thou wast fair;
And they, that lovely face who view,
Why should they ask if truth be there?

Truth—what is truth? Two bleeding hearts,
Wounded by men, by fortune tried,
Outwearied with their lonely parts,
Vow to beat henceforth side by side.

The world to them was stern and drear
Their lot was but to weep and moan.
Ah, let them keep their faith sincere,
For neither could subsist alone!

But souls whom some benignant breath
Hath charm'd at birth from gloom and care,
These ask no love, these plight no faith,
For they are happy as they are.

The world to them may homage make,
And garlands for their forehead weave;
And what the world can give, they take—
But they bring more than they receive.

They shine upon the world! Their ears
To one demand alone are coy;
They will not give us love and tears,
They bring us light and warmth and joy.

It was not love which heaved thy breast,
Fair child!—it was the bliss within.
Adieu! and say that one, at least,
Was just to what he did not win.

CALAIS SANDS.

A thousand knights have rein'd their steeds
To watch this line of sand-hills run,
Along the never-silent Strait,
To Calais glittering in the sun;

To look tow'rd Ardres' Golden Field
Across this wide aërial plain,
Which glows as if the Middle Age
Were gorgeous upon earth again.

Oh, that to share this famous scene,
I saw, upon the open sand,
Thy lovely presence at my side,
Thy shawl, thy look, thy smile, thy hand!

How exquisite thy voice would come,
My darling, on this lonely air!
How sweetly would the fresh sea-breeze
Shake loose some band of soft brown hair!

Yet now my glance but once hath roved
O'er Calais and its famous plain;
To England's cliffs my gaze is turn'd,
On the blue strait mine eyes I strain.

Thou comest! Yes! the vessel's cloud
Hangs dark upon the rolling sea.
Oh, that yon sea-bird's wings were mine,
To win one instant's glimpse of thee!

I must not spring to grasp thy hand,
To woo thy smile, to seek thine eye;
But I may stand far off, and gaze,
And watch thee pass unconscious by,

And spell thy looks, and guess thy thoughts,
Mixt with the idlers on the pier.—
Ah, might I always rest unseen,
So I might have thee always near!

To-morrow hurry through the fields
Of Flanders to the storied Rhine!
To-night those soft-fringed eyes shall close
Beneath one roof, my queen! with mine.

FADED LEAVES.

1. THE RIVER.

Still glides the stream, slow drops the boat
Under the rustling poplars' shade;
Silent the swans beside us float—
None speaks, none heeds; ah, turn thy head!

Let those arch eyes now softly shine,
That mocking mouth grow sweetly bland;
Ah, let them rest, those eyes, on mine!
On mine let rest that lovely hand!

My pent-up tears oppress my brain,
My heart is swoln with love unsaid.
Ah, let me weep, and tell my pain,
And on thy shoulder rest my head!

Before I die—before the soul,
Which now is mine, must re-attain
Immunity from my control,
And wander round the world again;

Before this teased o'erlabour'd heart
For ever leaves its vain employ,
Dead to its deep habitual smart,
And dead to hopes of future joy.

2. TOO LATE.

Each on his own strict line we move,
And some find death ere they find love;
So far apart their lives are thrown
From the twin soul which halves their own.

And sometimes, by still harder fate,
The lovers meet, but meet too late.
—Thy heart is mine!—True, true! ah, true!
—Then, love, thy hand!—Ah no! adieu!

3. SEPARATION.

Stop!—not to me, at this bitter departing,
Speak of the sure consolations of time!
Fresh be the wound, still-renew'd be its smarting,
So but thy image endure in its prime.

But, if the stedfast commandment of Nature
Wills that remembrance should always decay—
If the loved form and the deep-cherish'd feature
Must, when unseen, from the soul fade away—

Me let no half-effaced memories cumber!
Fled, fled at once, be all vestige of thee!
Deep be the darkness and still be the slumber—
Dead be the past and its phantoms to me!

Then, when we meet, and thy look strays toward me,
Scanning my face and the changes wrought there:
Who, let me say, is this stranger regards me,
With the grey eyes, and the lovely brown hair?

4. ON THE RHINE.

Vain is the effort to forget.
Some day I shall be cold, I know,
As is the eternal moonlit snow
Of the high Alps, to which I go—
But ah, not yet, not yet!

Vain is the agony of grief.
'Tis true, indeed, an iron knot
Ties straitly up from mine thy lot,
And were it snapt—thou lov'st me not!
But is despair relief?

Awhile let me with thought have done.
And as this brimm'd unwrinkled Rhine,
And that far purple mountain-line,
Lie sweetly in the look divine
Of the slow-sinking sun;

So let me lie, and, calm as they,
Let beam upon my inward view
Those eyes of deep, soft, lucent hue—
Eyes too expressive to be blue,
Too lovely to be grey.

Ah, Quiet, all things feel thy balm!
Those blue hills too, this river's flow,
Were restless once, but long ago.
Tamed is their turbulent youthful glow;
Their joy is in their calm.

5. LONGING.

Come to me in my dreams, and then
By day I shall be well again!
For then the night will more than pay
The hopeless longing of the day.

Come, as thou cam'st a thousand times,
A messenger from radiant climes,
And smile on thy new world, and be
As kind to others as to me!

Or, as thou never cam'st in sooth,
Come now, and let me dream it truth;
And part my hair, and kiss my brow,
And say: My love! why sufferest thou?

Come to me in my dreams, and then
By day I shall be well again!
For then the night will more than pay
The hopeless longing of the day.

DESPONDENCY.

The thoughts that rain their steady glow
Like stars on life's cold sea,
Which others know, or say they know—
They never shone for me.

Thoughts light, like gleams, my spirit's sky,
But they will not remain.
They light me once, they hurry by;
And never come again.

SELF-DECEPTION.

Say, what blinds us, that we claim the glory
Of possessing powers not our share?
—Since man woke on earth, he knows his story,
But, before we woke on earth, we were.

Long, long since, undower'd yet, our spirit
Roam'd, ere birth, the treasuries of God;
Saw the gifts, the powers it might inherit,
Ask'd an outfit for its earthly road.

Then, as now, this tremulous, eager being
Strain'd and long'd and grasp'd each gift it saw;
Then, as now, a Power beyond our seeing
Staved us back, and gave our choice the law.

Ah, whose hand that day through Heaven guided
Man's new spirit, since it was not we?
Ah, who sway'd our choice, and who decided
What our gifts, and what our wants should be?

For, alas! he left us each retaining
Shreds of gifts which he refused in full.
Still these waste us with their hopeless straining,
Still the attempt to use them proves them null.

And on earth we wander, groping, reeling;
Powers stir in us, stir and disappear.
Ah! and he, who placed our master-feeling,
Fail'd to place that master-feeling clear.

We but dream we have our wish'd-for powers,
Ends we seek we never shall attain.
Ah! some power exists there, which is ours?
Some end is there, we indeed may gain?

DOVER BEACH.

The sea is calm to-night.
The tide is full, the moon lies fair
Upon the straits;—on the French coast the light
Gleams and is gone; the cliffs of England stand,
Glimmering and vast, out in the tranquil bay.
Come to the window, sweet is the night-air!
Only, from the long line of spray
Where the sea meets the moon-blanch'd land,
Listen! you hear the grating roar
Of pebbles which the waves draw back, and fling,
At their return, up the high strand,
Begin, and cease, and then again begin,
With tremulous cadence slow, and bring
The eternal note of sadness in.

Sophocles long ago
Heard it on the Ægæan, and it brought
Into his mind the turbid ebb and flow

Of human misery; we
Find also in the sound a thought,
Hearing it by this distant northern sea.

The Sea of Faith
Was once, too, at the full, and round earth's shore
Lay like the folds of a bright girdle furl'd.
But now I only hear
Its melancholy, long, withdrawing roar,
Retreating, to the breath
Of the night-wind, down the vast edges drear
And naked shingles of the world.

Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.

GROWING OLD.

What is it to grow old?
Is it to lose the glory of the form,
The lustre of the eye?
Is it for beauty to forgo her wreath?
—Yes, but not this alone.

Is it to feel our strength—
Not our bloom only, but our strength—decay?
Is it to feel each limb
Grow stiffer, every function less exact,
Each nerve more loosely strung?

Yes, this, and more; but not
Ah, 'tis not what in youth we dream'd 'twould be!
'Tis not to have our life
Mellow'd and soften'd as with sunset-glow,
A golden day's decline.

'Tis not to see the world
As from a height, with rapt prophetic eyes,
And heart profoundly stirr'd;
And weep, and feel the fulness of the past,
The years that are no more.

It is to spend long days
And not once feel that we were ever young;
It is to add, immured
In the hot prison of the present, month
To month with weary pain.

It is to suffer this,
And feel but half, and feebly, what we feel.
Deep in our hidden heart
Festers the dull remembrance of a change,
But no emotion—none.

It is—last stage of all—
When we are frozen up within, and quite
The phantom of ourselves,
To hear the world applaud the hollow ghost
Which blamed the living man.

THE PROGRESS OF POESY.

A VARIATION.

Youth rambles on life's arid mount,
And strikes the rock, and finds the vein,
And brings the water from the fount,
The fount which shall not flow again.

The man mature with labour chops
For the bright stream a channel grand,
And sees not that the sacred drops
Ran off and vanish'd out of hand.

And then the old man totters nigh,
And feebly rakes among the stones.
The mount is mute, the channel dry;
And down he lays his weary bones.

NEW ROME.

LINES WRITTEN FOR MISS STORY'S ALBUM.

The armless Vatican Cupid
Hangs down his beautiful head;
For the priests have got him in prison,
And Psyche long has been dead.

But see, his shaven oppressors
Begin to quake and disband!
And The Times, that bright Apollo,
Proclaims salvation at hand.

“And what,” cries Cupid, “will save us?”
Says Apollo: “Modernise Rome!
What inns! Your streets, too, how narrow!
Too much of palace and dome!

“O learn of London, whose paupers
Are not pushed out by the swells!
Wide streets with fine double trottoirs;
And then—the London hotels!”

The armless Vatican Cupid
Hangs down his head as before.
Through centuries past it has hung so,
And will through centuries more.

PIS-ALLER.

“Man is blind because of sin,
Revelation makes him sure;
Without that, who looks within,
Looks in vain, for all's obscure.”

Nay, look closer into man!
Tell me, can you find indeed
Nothing sure, no moral plan
Clear prescribed, without your creed?

“No, I nothing can perceive!
Without that, all's dark for men.
That, or nothing, I believe.”—
For God's sake, believe it then!

THE LAST WORD.

Creep into thy narrow bed,
Creep, and let no more be said!
Vain thy onset! all stands fast.
Thou thyself must break at last.

Let the long contention cease!
Geese are swans, and swans are geese.
Let them have it how they will!
Thou art tired; best be still.

They out-talk'd thee, hiss'd thee, tore thee?
Better men fared thus before thee;
Fired their ringing shot and pass'd,
Hotly charged—and sank at last.

Charge once more, then, and be dumb!
Let the victors, when they come,
When the forts of folly fall,
Find thy body by the wall!

THE LORD'S MESSENGERS.

Thus saith the Lord to his own:—
“See ye the trouble below?
Warfare of man from his birth!
Too long let we them groan;
Haste, arise ye, and go,
Carry my peace upon earth!”

Gladly they rise at his call,
Gladly obey his command,
Gladly descend to the plain.
—Ah! How few of them all,
Those willing servants, shall stand
In the Master's presence again!

Some in the tumult are lost;
Baffled, bewilder'd, they stray.
Some, as prisoners, draw breath.
Some, unconquer'd, are cross'd
(Not yet half through the day)
By a pitiless arrow of Death.

Hardly, hardly shall one
Come, with countenance bright,
At the close of day, from the plain;
His Master's errand well done,
Safe through the smoke of the fight,
Back to his Master again.

A NAMELESS EPITAPH.

Ask not my name, O friend!
That Being only, which hath known each man
From the beginning, can
Remember each unto the end.

BACCHANALIA; OR, THE NEW AGE.

I.

The evening comes, the fields are still.
The tinkle of the thirsty rill,
Unheard all day, ascends again;
Deserted is the half-mown plain,
Silent the swaths! the ringing wain,
The mower's cry, the dog's alarms,
All housed within the sleeping farms!
The business of the day is done,
The last-left haymaker is gone.
And from the thyme upon the height,
And from the elder-blossom white
And pale dog-roses in the hedge,
And from the mint-plant in the sedge,
In puffs of balm the night-air blows
The perfume which the day forgoes.

And on the pure horizon far,
See, pulsing with the first-born star,
The liquid sky above the hill!
The evening comes, the fields are still.

Loitering and leaping,
With saunter, with bounds—
Flickering and circling
In files and in rounds—
Gaily their pine-staff green
Tossing in air,
Loose o'er their shoulders white
Showering their hair—
See! the wild Mænads
Break from the wood,
Youth and Iacchus
Maddening their blood.
See! through the quiet land
Rioting they pass—
Fling the fresh heaps about,
Trample the grass.
Tear from the rifled hedge
Garlands, their prize;
Fill with their sports the field,
Fill with their cries.

Shepherd, what ails thee, then?
Shepherd, why mute?
Forth with thy joyous song!
Forth with thy flute!
Tempts not the revel blithe?
Lure not their cries?
Glow not their shoulders smooth?
Melt not their eyes?
Is not, on cheeks like those,
Lovely the flush?
—Ah, so the quiet was!
So was the hush!

II.

The epoch ends, the world is still.
The age has talk'd and work'd its fill—
The famous orators have shone,
The famous poets sung and gone,
The famous men of war have fought,
The famous speculators thought,
The famous players, sculptors, wrought,
The famous painters fill'd their wall,
The famous critics judged it all.
The combatants are parted now—

Uphung the spear, unbent the bow,
The puissant crown'd, the weak laid low.
And in the after-silence sweet,
Now strifes are hush'd, our ears doth meet,
Ascending pure, the bell-like fame
Of this or that down-trodden name
Delicate spirits, push'd away
In the hot press of the noon-day.
And o'er the plain, where the dead age
Did its now silent warfare wage—
O'er that wide plain, now wrapt in gloom,
Where many a splendour finds its tomb,
Many spent fames and fallen mights—
The one or two immortal lights
Rise slowly up into the sky
To shine there everlastingly,
Like stars over the bounding hill.
The epoch ends, the world is still.

Thundering and bursting
In torrents, in waves—
Carolling and shouting
Over tombs, amid graves—
See! on the cumber'd plain
Clearing a stage,

Scattering the past about,
Comes the new age.
Bards make new poems,
Thinkers new schools,
Statesmen new systems,
Critics new rules.
All things begin again;
Life is their prize;
Earth with their deeds they fill,
Fill with their cries.

Poet, what ails thee, then?
Say, why so mute?
Forth with thy praising voice!
Forth with thy flute!
Loiterer! why sittest thou
Sunk in thy dream?
Tempts not the bright new age?
Shines not its stream?
Look, ah, what genius,
Art, science, wit!
Soldiers like Cæsar,
Statesmen like Pitt!
Sculptors like Phidias,
Raphaels in shoals,

Poets like Shakespeare—
Beautiful souls!
See, on their glowing cheeks
Heavenly the flush!
—Ah, so the silence was!
So was the hush!

The world but feels the present's spell,
The poet feels the past as well;
Whatever men have done, might do,
Whatever thought, might think it too.

EPILOGUE TO LESSING'S LAOCOÖN.

One morn as through Hyde Park we walk'd,
My friend and I, by chance we talk'd
Of Lessing's famed Laocoön;
And after we awhile had gone
In Lessing's track, and tried to see
What painting is, what poetry—
Diverging to another thought,
“Ah,” cries my friend, “but who hath taught
Why music and the other arts
Oftener perform aright their parts
Than poetry? why she, than they,
Fewer fine successes can display?

“For 'tis so, surely! Even in Greece,
Where best the poet framed his piece,
Even in that Phœbus-guarded ground
Pausanias on his travels found

Good poems, if he look'd, more rare
(Though many) than good statues were—
For these, in truth were everywhere.
Of bards full many a stroke divine
In Dante's, Petrarch's, Tasso's line,
The land of Ariosto show'd;
And yet, e'en there, the canvas glow'd
With triumphs, a yet ampler brood,
Of Raphael and his brotherhood.
And nobly perfect, in our day
Of haste, half-work, and disarray,
Profound yet touching, sweet yet strong,
Hath risen Goethe's, Wordsworth's song;
Yet even I (and none will bow
Deeper to these) must needs allow,
They yield us not, to soothe our pains,
Such multitude of heavenly strains
As from the kings of sound are blown,
Mozart, Beethoven, Mendelssohn.”

While thus my friend discoursed, we pass
Out of the path, and take the grass.
The grass had still the green of May,
And still the unblacken'd elms were gay;
The kine were resting in the shade,

The flies a summer-murmur made.
Bright was the morn and south the air;
The soft-couch'd cattle were as fair
As those which pastured by the sea,
That old-world morn, in Sicily,
When on the beach the Cyclops lay,
And Galatea from the bay
Mock'd her poor lovelorn giant's lay.
“Behold,” I said, “the painter's sphere!
The limits of his art appear.
The passing group, the summer-morn,
The grass, the elms, that blossom'd thorn—
Those cattle couch'd, or, as they rise,
Their shining flanks, their liquid eyes—
These, or much greater things, but caught
Like these, and in one aspect brought!
In outward semblance he must give
A moment's life of things that live;
Then let him choose his moment well,
With power divine its story tell.”

Still we walk'd on, in thoughtful mood,
And now upon the bridge we stood.
Full of sweet breathings was the air,
Of sudden stirs and pauses fair.

Down o'er the stately bridge the breeze
Came rustling from the garden-trees
And on the sparkling waters play'd;
Light-plashing waves an answer made,
And mimic boats their haven near'd.
Beyond, the Abbey-towers appear'd,
By mist and chimneys unconfined,
Free to the sweep of light and wind;
While through their earth-moor'd nave below
Another breath of wind doth blow,
Sound as of wandering breeze—but sound
In laws by human artists bound.
“The world of music!” I exclaim'd:—
“This breeze that rustles by, that famed
Abbey recall it! what a sphere
Large and profound, hath genius here!
The inspired musician what a range,
What power of passion, wealth of change!
Some source of feeling he must choose
And its lock'd fount of beauty use,
And through the stream of music tell
Its else unutterable spell;
To choose it rightly is his part,
And press into its inmost heart.

“Miserere, Domine!
The words are utter'd, and they flee.
Deep is their penitential moan,
Mighty their pathos, but 'tis gone.
They have declared the spirit's sore
Sore load, and words can do no more.
Beethoven takes them then—those two
Poor, bounded words—and makes them new;
Infinite makes them, makes them young;
Transplants them to another tongue,
Where they can now, without constraint,
Pour all the soul of their complaint,
And roll adown a channel large
The wealth divine they have in charge.
Page after page of music turn,
And still they live and still they burn,
Eternal, passion-fraught, and free—
Miserere, Domine!”

Onward we moved, and reach'd the Ride
Where gaily flows the human tide.
Afar, in rest the cattle lay;
We heard, afar, faint music play;
But agitated, brisk, and near,
Men, with their stream of life, were here.

Some hang upon the rails, and some
On foot behind them go and come.
This through the Ride upon his steed
Goes slowly by, and this at speed.
The young, the happy, and the fair,
The old, the sad, the worn, were there;
Some vacant, and some musing went,
And some in talk and merriment.
Nods, smiles, and greetings, and farewells!
And now and then, perhaps, there swells
A sigh, a tear—but in the throng
All changes fast, and hies along.
Hies, ah, from whence, what native ground?
And to what goal, what ending, bound?
“Behold, at last the poet's sphere!
But who,” I said, “suffices here?

“For, ah! so much he has to do;
Be painter and musician too!
The aspect of the moment show,
The feeling of the moment know!
The aspect not, I grant, express
Clear as the painter's art can dress;
The feeling not, I grant, explore
So deep as the musician's lore—

But clear as words can make revealing,
And deep as words can follow feeling.
But, ah! then comes his sorest spell
Of toil—he must life's movement tell!
The thread which binds it all in one,
And not its separate parts alone.
The movement he must tell of life,
Its pain and pleasure, rest and strife;
His eye must travel down, at full,
The long, unpausing spectacle;
With faithful unrelaxing force
Attend it from its primal source,
From change to change and year to year
Attend it of its mid career,
Attend it to the last repose
And solemn silence of its close.

“The cattle rising from the grass
His thought must follow where they pass;
The penitent with anguish bow'd
His thought must follow through the crowd.
Yes! all this eddying, motley throng
That sparkles in the sun along,
Girl, statesman, merchant, soldier bold,
Master and servant, young and old,

Grave, gay, child, parent, husband, wife,
He follows home, and lives their life.

“And many, many are the souls
Life's movement fascinates, controls;
It draws them on, they cannot save
Their feet from its alluring wave;
They cannot leave it, they must go
With its unconquerable flow.
But ah! how few, of all that try
This mighty march, do aught but die!
For ill-endow'd for such a way,
Ill-stored in strength, in wits, are they.
They faint, they stagger to and fro,
And wandering from the stream they go;
In pain, in terror, in distress,
They see, all round, a wilderness.
Sometimes a momentary gleam
They catch of the mysterious stream;
Sometimes, a second's space, their ear
The murmur of its waves doth hear.
That transient glimpse in song they say,
But not as painter can pourtray—
That transient sound in song they tell,
But not, as the musician, well.

And when at last their snatches cease,
And they are silent and at peace,
The stream of life's majestic whole
Hath ne'er been mirror'd on their soul.

“Only a few the life-stream's shore
With safe unwandering feet explore;
Untired its movement bright attend,
Follow its windings to the end.
Then from its brimming waves their eye
Drinks up delighted ecstasy,
And its deep-toned, melodious voice
For ever makes their ear rejoice.
They speak! the happiness divine
They feel, runs o'er in every line;
Its spell is round them like a shower—
It gives them pathos, gives them power.
No painter yet hath such a way,
Nor no musician made, as they,
And gather'd on immortal knolls
Such lovely flowers for cheering souls.
Beethoven, Raphael, cannot reach
The charm which Homer, Shakespeare, teach.

To these, to these, their thankful race
Gives, then, the first, the fairest place;
And brightest is their glory's sheen,
For greatest hath their labour been.”

PERSISTENCY OF POETRY.

Though the Muse be gone away,
Though she move not earth to-day,
Souls, erewhile who caught her word,
Ah! still harp on what they heard.

A CAUTION TO POETS.

What poets feel not, when they make,
A pleasure in creating,
The world, in its turn, will not take
Pleasure in contemplating.

THE YOUTH OF NATURE.

Raised are the dripping oars,
Silent the boat! the lake,
Lovely and soft as a dream,
Swims in the sheen of the moon.
The mountains stand at its head
Clear in the pure June-night,
But the valleys are flooded with haze.
Rydal and Fairfield are there;
In the shadow Wordsworth lies dead.
So it is, so it will be for aye.
Nature is fresh as of old,
Is lovely; a mortal is dead.

The spots which recall him survive,
For he lent a new life to these hills.
The Pillar still broods o'er the fields
Which border Ennerdale Lake,
And Egremont sleeps by the sea.

The gleam of The Evening Star
Twinkles on Grasmere no more,
But ruin'd and solemn and grey
The sheepfold of Michael survives;
And, far to the south, the heath
Still blows in the Quantock coombs,
By the favourite waters of Ruth.
These survive!—yet not without pain,
Pain and dejection to-night,
Can I feel that their poet is gone.

He grew old in an age he condemn'd.
He look'd on the rushing decay
Of the times which had shelter'd his youth;
Felt the dissolving throes
Of a social order he loved;
Outlived his brethren, his peers;
And, like the Theban seer,
Died in his enemies' day.

Cold bubbled the spring of Tilphusa,
Copais lay bright in the moon,
Helicon glass'd in the lake
Its firs, and afar rose the peaks
Of Parnassus, snowily clear;

Thebes was behind him in flames,
And the clang of arms in his ear,
When his awe-struck captors led
The Theban seer to the spring.
Tiresias drank and died.
Nor did reviving Thebes
See such a prophet again.

Well may we mourn, when the head
Of a sacred poet lies low
In an age which can rear them no more!
The complaining millions of men
Darken in labour and pain;
But he was a priest to us all
Of the wonder and bloom of the world,
Which we saw with his eyes, and were glad.
He is dead, and the fruit-bearing day
Of his race is past on the earth;
And darkness returns to our eyes.

For, oh! is it you, is it you,
Moonlight, and shadow, and lake,
And mountains, that fill us with joy,
Or the poet who sings you so well?

Is it you, O beauty, O grace,
O charm, O romance, that we feel,
Or the voice which reveals what you are?
Are ye, like daylight and sun,
Shared and rejoiced in by all?
Or are ye immersed in the mass
Of matter, and hard to extract,
Or sunk at the core of the world
Too deep for the most to discern?
Like stars in the deep of the sky,
Which arise on the glass of the sage,
But are lost when their watcher is gone.

“They are here”—I heard, as men heard
In Mysian Ida the voice
Of the Mighty Mother, or Crete,
The murmur of Nature reply—
“Loveliness, magic, and grace,
They are here! they are set in the world,
They abide; and the finest of souls
Hath not been thrill'd by them all,
Nor the dullest been dead to them quite.
The poet who sings them may die,
But they are immortal and live,

For they are the life of the world.
Will ye not learn it, and know,
When ye mourn that a poet is dead,
That the singer was less than his themes,
Life, and emotion, and I?

“More than the singer are these.
Weak is the tremor of pain
That thrills in his mournfullest chord
To that which once ran through his soul.
Cold the elation of joy
In his gladdest, airiest song,
To that which of old in his youth
Fill'd him and made him divine.
Hardly his voice at its best
Gives us a sense of the awe,
The vastness, the grandeur, the gloom
Of the unlit gulph of himself.

“Ye know not yourselves; and your bards—
The clearest, the best, who have read
Most in themselves—have beheld
Less than they left unreveal'd.

Ye express not yourselves;—can you make
With marble, with colour, with word,
What charm'd you in others re-live?
Can thy pencil, O artist! restore
The figure, the bloom of thy love,
As she was in her morning of spring?
Canst thou paint the ineffable smile
Of her eyes as they rested on thine?
Can the image of life have the glow,
The motion of life itself?

“Yourselves and your fellows ye know not; and me,
The mateless, the one, will ye know?
Will ye scan me, and read me, and tell
Of the thoughts that ferment in my breast,
My longing, my sadness, my joy?
Will ye claim for your great ones the gift
To have render'd the gleam of my skies,
To have echoed the moan of my seas,
Utter'd the voice of my hills?
When your great ones depart, will ye say:
All things have suffer'd a loss,
Nature is hid in their grave?

“Race after race, man after man,

Have thought that my secret was theirs,
Have dream'd that I lived but for them,
That they were my glory and joy.
—They are dust, they are changed, they are gone!
I remain.”

THE YOUTH OF MAN.

We, O Nature, depart,
Thou survivest us! this,
This, I know, is the law.
Yes! but more than this,
Thou who seest us die
Seest us change while we live;
Seest our dreams, one by one,
Seest our errors depart;
Watchest us, Nature! throughout,
Mild and inscrutably calm.

Well for us that we change!
Well for us that the power
Which in our morning-prime
Saw the mistakes of our youth,
Sweet, and forgiving, and good,
Sees the contrition of age!

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Behold, O Nature, this pair!
See them to-night where they stand,
Not with the halo of youth
Crowning their brows with its light,
Not with the sunshine of hope,
Not with the rapture of spring,
Which they had of old, when they stood
Years ago at my side
In this self-same garden, and said:
“We are young, and the world is ours;
Man, man is the king of the world!
Fools that these mystics are
Who prate of Nature! for she
Hath neither beauty, nor warmth,
Nor life, nor emotion, nor power.
But man has a thousand gifts,
And the generous dreamer invests
The senseless world with them all.
Nature is nothing; her charm
Lives in our eyes which can paint,
Lives in our hearts which can feel.”

Thou, O Nature, wast mute,
Mute as of old! days flew,

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Days and years; and Time
With the ceaseless stroke of his wings
Brush'd off the bloom from their soul.
Clouded and dim grew their eye,
Languid their heart—for youth
Quicken'd its pulses no more.
Slowly, within the walls
Of an ever-narrowing world,
They droop'd, they grew blind, they grew old.
Thee and their youth in thee,
Nature! they saw no more.

Murmur of living,
Stir of existence,
Soul of the world!
Make, oh, make yourselves felt
To the dying spirit of youth!
Come, like the breath of the spring!
Leave not a human soul
To grow old in darkness and pain!
Only the living can feel you,
But leave us not while we live!

Here they stand to-night—
Here, where this grey balustrade

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Crowns the still valley; behind
Is the castled house, with its woods,
Which shelter'd their childhood—the sun
On its ivied windows; a scent
From the grey-wall'd gardens, a breath
Of the fragrant stock and the pink,
Perfumes the evening air.
Their children play on the lawns.
They stand and listen; they hear
The children's shouts, and at times,
Faintly, the bark of a dog
From a distant farm in the hills.
Nothing besides! in front
The wide, wide valley outspreads
To the dim horizon, reposed
In the twilight, and bathed in dew,
Corn-field and hamlet and copse
Darkening fast; but a light,
Far off, a glory of day,
Still plays on the city spires;
And there in the dusk by the walls,
With the grey mist marking its course
Through the silent, flowery land,
On, to the plains, to the sea,
Floats the imperial stream.

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Well I know what they feel!
They gaze, and the evening wind
Plays on their faces; they gaze—
Airs from the Eden of youth
Awake and stir in their soul;
The past returns—they feel
What they are, alas! what they were.
They, not Nature, are changed.
Well I know what they feel!

Hush, for tears
Begin to steal to their eyes!
Hush, for fruit
Grows from such sorrow as theirs!

And they remember,
With piercing, untold anguish,
The proud boasting of their youth.
And they feel how Nature was fair.
And the mists of delusion,
And the scales of habit,
Fall away from their eyes;
And they see, for a moment,
Stretching out, like the desert

104

In its weary, unprofitable length,
Their faded, ignoble lives.

While the locks are yet brown on thy head,
While the soul still looks through thine eyes,
While the heart still pours
The mantling blood to thy cheek,
Sink, O youth, in thy soul!
Yearn to the greatness of Nature;
Rally the good in the depths of thyself!

105

PALLADIUM.

Set where the upper streams of Simois flow
Was the Palladium, high 'mid rock and wood;
And Hector was in Ilium, far below,
And fought, and saw it not—but there it stood!

It stood, and sun and moonshine rain'd their light
On the pure columns of its glen-built hall.
Backward and forward roll'd the waves of fight
Round Troy—but while this stood, Troy could not fall.

So, in its lovely moonlight, lives the soul.
Mountains surround it, and sweet virgin air;
Cold plashing, past it, crystal waters roll;
We visit it by moments, ah, too rare!

We shall renew the battle in the plain
To-morrow;—red with blood will Xanthus be;
Hector and Ajax will be there again,
Helen will come upon the wall to see.

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Then we shall rust in shade, or shine in strife,
And fluctuate 'twixt blind hopes and blind despairs,
And fancy that we put forth all our life,
And never know how with the soul it fares.

Still doth the soul, from its lone fastness high,
Upon our life a ruling effluence send.
And when it fails, fight as we will, we die;
And while it lasts, we cannot wholly end.

107

PROGRESS.

The Master stood upon the mount, and taught.
He saw a fire in his disciples' eyes;
“The old law,” they cried, “is wholly come to nought,
Behold the new world rise!”

“Was it,” the Lord then said, “with scorn ye saw
The old law observed by Scribes and Pharisees?
I say unto you, see ye keep that law
More faithfully than these!

“Too hasty heads for ordering worlds, alas!
Think not that I to annul the law have will'd;
No jot, no tittle from the law shall pass,
Till all have been fulfill'd.”

So Christ said eighteen hundred years ago.
And what then shall be said to those to-day,
Who cry aloud to lay the old world low
To clear the new world's way?

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“Religious fervours! ardour misapplied!
Hence, hence,” they cry, “ye do but keep man blind!
But keep him self-immersed, preoccupied,
And lame the active mind!”

Ah! from the old world let some one answer give:
“Scorn ye this world, their tears, their inward cares?
I say unto you, see that your souls live
A deeper life than theirs!

“Say ye: ‘The spirit of man has found new roads,
And we must leave the old faiths, and walk therein’?—
Leave then the Cross as ye have left carved gods,
But guard the fire within!

“Bright else and fast the stream of life may roll,
And no man may the other's hurt behold;
Yet each will have one anguish—his own soul
Which perishes of cold.”

Here let that voice make end; then, let a strain,
From a far lonelier distance, like the wind
Be heard, floating through heaven, and fill again
These men's profoundest mind:

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“Children of men! the unseen Power, whose eye
For ever doth accompany mankind,
Hath look'd on no religion scornfully
That men did ever find.

“Which has not taught weak wills how much they can?
Which has not fall'n on the dry heart like rain?
Which has not cried to sunk, self-weary man:
Thou must be born again!

“Children of men! not that your age excel
In pride of life the ages of your sires,
But that ye think clear, feel deep, bear fruit well,
The Friend of man desires.”

110

REVOLUTIONS.

Before man parted for this earthly strand,
While yet upon the verge of heaven he stood,
God put a heap of letters in his hand,
And bade him make with them what word he could.

And man has turn'd them many times; made Greece,
Rome, England, France;—yes, nor in vain essay'd
Way after way, changes that never cease!
The letters have combined, something was made.

But ah! an inextinguishable sense
Haunts him that he has not made what he should;
That he has still, though old, to recommence,
Since he has not yet found the word God would.

And empire after empire, at their height
Of sway, have felt this boding sense come on;
Have felt their huge frames not constructed right,
And droop'd, and slowly died upon their throne.

111

One day, thou say'st, there will at last appear
The word, the order, which God meant should be.
—Ah! we shall know that well when it comes near;
The band will quit man's heart, he will breathe free.

112

SELF-DEPENDENCE.

Weary of myself, and sick of asking
What I am, and what I ought to be,
At this vessel's prow I stand, which bears me
Forwards, forwards, o'er the starlit sea.

And a look of passionate desire
O'er the sea and to the stars I send:
“Ye who from my childhood up have calm'd me,
Calm me, ah, compose me to the end!

Ah, once more,” I cried, “ye stars, ye waters,
On my heart your mighty charm renew;
Still, still let me, as I gaze upon you,
Feel my soul becoming vast like you!”

From the intense, clear, star-sown vault of heaven,
Over the lit sea's unquiet way,
In the rustling night-air came the answer:
“Wouldst thou be as these are? Live as they.

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“Unaffrighted by the silence round them,
Undistracted by the sights they see,
These demand not that the things without them
Yield them love, amusement, sympathy.

“And with joy the stars perform their shining,
And the sea its long moon-silver'd roll;
For self-poised they live, nor pine with noting
All the fever of some differing soul.

“Bounded by themselves, and unregardful
In what state God's other works may be,
In their own tasks all their powers pouring,
These attain the mighty life you see.”

O air-born voice! long since, severely clear,
A cry like thine in mine own heart I hear:
“Resolve to be thyself; and know that he,
Who finds himself, loses his misery!”

114

MORALITY.

We cannot kindle when we will
The fire which in the heart resides;
The spirit bloweth and is still,
In mystery our soul abides.
But tasks in hours of insight will'd
Can be through hours of gloom fulfill'd.

With aching hands and bleeding feet
We dig and heap, lay stone on stone;
We bear the burden and the heat
Of the long day, and wish 'twere done.
Not till the hours of light return,
All we have built do we discern.

Then, when the clouds are off the soul,
When thou dost bask in Nature's eye,
Ask, how she view'd thy self-control,
Thy struggling, task'd morality—

115

Nature, whose free, light, cheerful air,
Oft made thee, in thy gloom, despair.

And she, whose censure thou dost dread,
Whose eye thou wast afraid to seek,
See, on her face a glow is spread,
A strong emotion on her cheek!
“Ah, child!” she cries, “that strife divine,
Whence was it, for it is not mine?

There is no effort on my brow—
I do not strive, I do not weep;
I rush with the swift spheres and glow
In joy, and when I will, I sleep.
Yet that severe, that earnest air,
I saw, I felt it once—but where?

“I knew not yet the gauge of time,
Nor wore the manacles of space;
I felt it in some other clime,
I saw it in some other place.
'Twas when the heavenly house I trod,
And lay upon the breast of God.”

116

A SUMMER NIGHT.

In the deserted, moon-blanch'd street,
How lonely rings the echo of my feet!
Those windows, which I gaze at, frown,
Silent and white, unopening down,
Repellent as the world;—but see,
A break between the housetops shows
The moon! and, lost behind her, fading dim
Into the dewy dark obscurity
Down at the far horizon's rim,
Doth a whole tract of heaven disclose!

And to my mind the thought
Is on a sudden brought
Of a past night, and a far different scene.
Headlands stood out into the moonlit deep
As clearly as at noon;
The spring-tide's brimming flow
Heaved dazzlingly between;

117

Houses, with long white sweep,
Girdled the glistening bay;
Behind, through the soft air,
The blue haze-cradled mountains spread away.
That night was far more fair—
But the same restless pacings to and fro,
And the same vainly throbbing heart was there,
And the same bright, calm moon.

And the calm moonlight seems to say:
Hast thou then still the old unquiet breast,
Which neither deadens into rest,
Nor ever feels the fiery glow
That whirls the spirit from itself away,
But fluctuates to and fro,
Never by passion quite possess'd
And never quite benumb'd by the world's sway?—
And I, I know not if to pray
Still to be what I am, or yield and be
Like all the other men I see.

For most men in a brazen prison live,
Where, in the sun's hot eye,
With heads bent o'er their toil, they languidly
Their lives to some unmeaning taskwork give,

118

Dreaming of nought beyond their prison-wall.
And as, year after year,
Fresh products of their barren labour fall
From their tired hands, and rest
Never yet comes more near,
Gloom settles slowly down over their breast;
And while they try to stem
The waves of mournful thought by which they are prest,
Death in their prison reaches them,
Unfreed, having seen nothing, still unblest.

And the rest, a few,
Escape their prison and depart
On the wide ocean of life anew.
There the freed prisoner, where'er his heart
Listeth, will sail;
Nor doth he know how there prevail,
Despotic on that sea,
Trade-winds which cross it from eternity.
Awhile he holds some false way, undebarr'd
By thwarting signs, and braves
The freshening wind and blackening waves.
And then the tempest strikes him; and between
The lightning-bursts is seen

119

Only a driving wreck,
And the pale master on his spar-strewn deck
With anguish'd face and flying hair
Grasping the rudder hard,
Still bent to make some port he knows not where,
Still standing for some false, impossible shore.
And sterner comes the roar
Of sea and wind, and through the deepening gloom
Fainter and fainter wreck and helmsman loom,
And he too disappears, and comes no more.

Is there no life, but these alone?
Madman or slave, must man be one?

Plainness and clearness without shadow of stain!
Clearness divine!
Ye heavens, whose pure dark regions have no sign
Of languor, though so calm, and, though so great,
Are yet untroubled and unpassionate;
Who, though so noble, share in the world's toil,
And, though so task'd, keep free from dust and soil!
I will not say that your mild deeps retain
A tinge, it may be, of their silent pain
Who have long'd deeply once, and long'd in vain—
But I will rather say that you remain

120

A world above man's head, to let him see
How boundless might his soul's horizons be,
How vast, yet of what clear transparency!
How it were good to abide there, and breathe free;
How fair a lot to fill
Is left to each man still!

121

THE BURIED LIFE.

Light flows our war of mocking words, and yet,
Behold, with tears mine eyes are wet!
I feel a nameless sadness o'er me roll.
Yes, yes, we know that we can jest,
We know, we know that we can smile!
But there's a something in this breast,
To which thy light words bring no rest,
And thy gay smiles no anodyne.
Give me thy hand, and hush awhile,
And turn those limpid eyes on mine,
And let me read there, love! thy inmost soul.

Alas! is even love too weak
To unlock the heart, and let it speak?
Are even lovers powerless to reveal
To one another what indeed they feel?
I knew the mass of men conceal'd
Their thoughts, for fear that if reveal'd

122

They would by other men be met
With blank indifference, or with blame reproved;
I knew they lived and moved
Trick'd in disguises, alien to the rest
Of men, and alien to themselves—and yet
The same heart beats in every human breast!

But we, my love!—doth a like spell benumb
Our hearts, our voices?—must we too be dumb?

Ah! well for us, if even we,
Even for a moment, can get free
Our heart, and have our lips unchain'd;
For that which seals them hath been deep-ordain'd!

Fate, which foresaw
How frivolous a baby man would be—
By what distractions he would be possess'd,
How he would pour himself in every strife,
And well-nigh change his own identity—
That it might keep from his capricious play
His genuine self, and force him to obey
Even in his own despite his being's law,
Bade through the deep recesses of our breast
The unregarded river of our life

123

Pursue with indiscernible flow its way;
And that we should not see
The buried stream, and seem to be
Eddying at large in blind uncertainty,
Though driving on with it eternally.

But often, in the world's most crowded streets,
But often, in the din of strife,
There rises an unspeakable desire
After the knowledge of our buried life;
A thirst to spend our fire and restless force
In tracking out our true, original course;
A longing to inquire
Into the mystery of this heart which beats
So wild, so deep in us—to know
Whence our lives come and where they go.
And many a man in his own breast then delves,
But deep enough, alas! none ever mines.
And we have been on many thousand lines,
And we have shown, on each, spirit and power;
But hardly have we, for one little hour,
Been on our own line, have we been ourselves—
Hardly had skill to utter one of all
The nameless feelings that course through our breast,
But they course on for ever unexpress'd.

124

And long we try in vain to speak and act
Our hidden self, and what we say and do
Is eloquent, is well—but 'tis not true!
And then we will no more be rack'd
With inward striving, and demand
Of all the thousand nothings of the hour
Their stupifying power;
Ah yes, and they benumb us at our call!
Yet still, from time to time, vague and forlorn,
From the soul's subterranean depth upborne
As from an infinitely distant land,
Come airs, and floating echoes, and convey
A melancholy into all our day.

Only—but this is rare—
When a belovéd hand is laid in ours,
When, jaded with the rush and glare
Of the interminable hours,
Our eyes can in another's eyes read clear,
When our world-deafen'd ear
Is by the tones of a loved voice caress'd—
A bolt is shot back somewhere in our breast,
And a lost pulse of feeling stirs again.
The eye sinks inward, and the heart lies plain,

125

And what we mean, we say, and what we would, we know.
A man becomes aware of his life's flow,
And hears its winding murmur; and he sees
The meadows where it glides, the sun, the breeze.

And there arrives a lull in the hot race
Wherein he doth for ever chase
That flying and elusive shadow, rest.
An air of coolness plays upon his face,
And an unwonted calm pervades his breast.
And then he thinks he knows
The hills where his life rose,
And the sea where it goes.

126

LINES WRITTEN IN KENSINGTON GARDENS.

In this lone, open glade I lie,
Screen'd by deep boughs on either hand;
And at its end, to stay the eye,
Those black-crown'd, red-boled pine-trees stand!

Birds here make song, each bird has his,
Across the girdling city's hum.
How green under the boughs it is!
How thick the tremulous sheep-cries come!

Sometimes a child will cross the glade
To take his nurse his broken toy;
Sometimes a thrush flit overhead
Deep in her unknown day's employ.

Here at my feet what wonders pass,
What endless, active life is here!
What blowing daisies, fragrant grass!
An air-stirr'd forest, fresh and clear.

127

Scarce fresher is the mountain-sod
Where the tired angler lies, stretch'd out,
And, eased of basket and of rod,
Counts his day's spoil, the spotted trout.

In the huge world, which roars hard by,
Be others happy if they can!
But in my helpless cradle I
Was breathed on by the rural Pan.

I, on men's impious uproar hurl'd,
Think often, as I hear them rave,
That peace has left the upper world
And now keeps only in the grave.

Yet here is peace for ever new!
When I who watch them am away,
Still all things in this glade go through
The changes of their quiet day.

Then to their happy rest they pass!
The flowers upclose, the birds are fed,
The night comes down upon the grass,
The child sleeps warmly in his bed.

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Calm soul of all things! make it mine
To feel, amid the city's jar,
That there abides a peace of thine,
Man did not make, and cannot mar.

The will to neither strive nor cry,
The power to feel with others give!
Calm, calm me more! nor let me die
Before I have begun to live.

129

A WISH.

I ask not that my bed of death
From bands of greedy heirs be free;
For these besiege the latest breath
Of fortune's favour'd sons, not me.

I ask not each kind soul to keep
Tearless, when of my death he hears.
Let those who will, if any, weep!
There are worse plagues on earth than tears.

I ask but that my death may find
The freedom to my life denied;
Ask but the folly of mankind
Then, then at last, to quit my side.

Spare me the whispering, crowded room,
The friends who come, and gape, and go;
The ceremonious air of gloom—
All, which makes death a hideous show!

130

Nor bring, to see me cease to live,
Some doctor full of phrase and fame,
To shake his sapient head, and give
The ill he cannot cure a name.

Nor fetch, to take the accustom'd toll
Of the poor sinner bound for death,
His brother-doctor of the soul,
To canvass with official breath

The future and its viewless things—
That undiscover'd mystery
Which one who feels death's winnowing wings
Must needs read clearer, sure, than he!

Bring none of these; but let me be,
While all around in silence lies,
Moved to the window near, and see
Once more, before my dying eyes,

Bathed in the sacred dews of morn
The wide aerial landscape spread—
The world which was ere I was born,
The world which lasts when I am dead;

131

Which never was the friend of one,
Nor promised love it could not give,
But lit for all its generous sun,
And lived itself, and made us live.

There let me gaze, till I become
In soul, with what I gaze on, wed!
To feel the universe my home;
To have before my mind—instead

Of the sick room, the mortal strife,
The turmoil for a little breath—
The pure eternal course of life,
Not human combatings with death!

Thus feeling, gazing, might I grow
Composed, refresh'd, ennobled, clear;
Then willing let my spirit go
To work or wait elsewhere or here!

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THE FUTURE.

A wanderer is man from his birth.
He was born in a ship
On the breast of the river of Time;
Brimming with wonder and joy
He spreads out his arms to the light,
Rivets his gaze on the banks of the stream.

As what he sees is, so have his thoughts been.
Whether he wakes,
Where the snowy mountainous pass,
Echoing the screams of the eagles,
Hems in its gorges the bed
Of the new-born clear-flowing stream;
Whether he first sees light
Where the river in gleaming rings
Sluggishly winds through the plain;
Whether in sound of the swallowing sea—
As is the world on the banks,
So is the mind of the man.

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Vainly does each, as he glides,
Fable and dream
Of the lands which the river of Time
Had left ere he woke on its breast,
Or shall reach when his eyes have been closed.
Only the tract where he sails
He wots of; only the thoughts,
Raised by the objects he passes, are his.

Who can see the green earth any more
As she was by the sources of Time?
Who imagines her fields as they lay
In the sunshine, unworn by the plough?
Who thinks as they thought,
The tribes who then roam'd on her breast,
Her vigorous, primitive sons?

What girl
Now reads in her bosom as clear
As Rebekah read, when she sate
At eve by the palm-shaded well?
Who guards in her breast
As deep, as pellucid a spring
Of feeling, as tranquil, as sure?

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What bard,
At the height of his vision, can deem
Of God, of the world, of the soul,
With a plainness as near,
As flashing as Moses felt
When he lay in the night by his flock
On the starlit Arabian waste?
Can rise and obey
The beck of the Spirit like him?

This tract which the river of Time
Now flows through with us, is the plain.
Gone is the calm of its earlier shore.
Border'd by cities and hoarse
With a thousand cries is its stream.
And we on its breast, our minds
Are confused as the cries which we hear,
Changing and shot as the sights which we see.

And we say that repose has fled
For ever the course of the river of Time.
That cities will crowd to its edge
In a blacker, incessanter line;
That the din will be more on its banks,

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Denser the trade on its stream,
Flatter the plain where it flows,
Fiercer the sun overhead.
That never will those on its breast
See an ennobling sight,
Drink of the feeling of quiet again.

But what was before us we know not,
And we know not what shall succeed.

Haply, the river of Time—
As it grows, as the towns on its marge
Fling their wavering lights
On a wider, statelier stream—
May acquire, if not the calm
Of its early mountainous shore,
Yet a solemn peace of its own.

And the width of the waters, the hush
Of the grey expanse where he floats,
Freshening its current and spotted with foam
As it draws to the Ocean, may strike
Peace to the soul of the man on its breast—
As the pale waste widens around him,

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As the banks fade dimmer away,
As the stars come out, and the night-wind
Brings up the stream
Murmurs and scents of the infinite sea.