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The Poetical Works of Aubrey De Vere

De Vere, Aubrey (1814-1902)

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VOL. I. THE SEARCH AFTER PROSERPINE
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RECOLLECTIONS OF GREECE,
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KING HENRY THE SECOND AT THE TOMB OF KING ARTHUR,
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SONNETS.
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MISCELLANEOUS POEMS.
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SONNETS.
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THE YEAR OF SORROW AND OTHER POEMS.
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SONNETS WRITTEN IN TRAVEL.
 I. 
I. GIOTTO'S CAMPANILE AT FLORENCE.
 II. 
II. OLD PICTURES AT FLORENCE.
 III. 
III. ON A PICTURE BY COREGGIO AT PARMA.
 IV. 
IV. COREGGIO'S CUPOLAS AT PARMA.
 V. 
V. TO ITALY.
 VI. 
VI. GENOA.
 VII. 
VII. A PICTURE BY ANDREA DEL SARTO, IN THE CATHEDRAL OF PISA.
 VIII. 
VIII. THE RENAISSANCE, AND SAVONAROLA.—1.
 IX. 
IX. THE RENAISSANCE, AND SAVONAROLA.—2.
 X. 
X. FRESCOES BY MASACCIO, AT FLORENCE.
 XI. 
XI. SAINTS BY PIETRO PERUGINO.
 XII. 
XII. PICTURE OF A SAINT.
 XIII. 
XIII. A NIGHT ON THE GENOESE RIVIERA.
 XIV. 
XIV. BOCCACCIO AND CERTALDO.
 XV. 
XV. THE CAMPO SANTO AT PISA.—1.
 XVI. 
XVI. THE CAMPO SANTO AT PISA.—2.
 XVII. 
XVII. TASSO'S HOUSE AT SORRENTO.
 XVIII. 
XVIII. CASTELAMARE.
 XIX. 
XIX. A MORNING AT SALERNO.
 XX. 
XX. TO NAPLES.
 XXI. 
XXI. THE SIBYL'S CAVE AT CUMA.
 XXII. 
XXII. THE RUINS OF CORNELIA'S HOUSE AT BAIA.
 XXIII. 
XXIII. VENICE BY DAY.
 XXIV. 
XXIV. VENICE IN THE EVENING.
 XXV. 
XXV. LEONARDO'S ‘LAST SUPPER’ AT MILAN.
 XXVI. 
XXVI. THE CHURCH OF ST. AMBROSE AT MILAN.
 XXVII. 
XXVII. THE STATUE OF ST. CARLO BORROMEO AT ARONA.
 XXVIII. 
XXVIII. THE MILANESE SCHOOL.
 XXIX. 
XXIX. THE CATHEDRAL OF MILAN.
 XXX. 
XXX. BYZANTINE MOSAICS AT RAVENNA.
 XXXI. 
XXXI. TO A MOUNTAIN IN SWITZERLAND.—1.
 XXXII. 
XXXII. TO A MOUNTAIN IN SWITZERLAND.—2.
 XXXIII. 
XXXIII. TO A MOUNTAIN IN SWITZERLAND.—3.
 XXXIV. 
XXXIV. THE CHAPEL OF TELL ON THE LAKE LUCERNE.
 XXXV. 
XXXV. THE LAKE OF LUCERNE.
 XXXVI. 
XXXVI.
 XXXVII. 
XXXVII. THE MOUNTAIN MUSE.
 XXXVIII. 
XXXVIII. THE BLUE GENTIAN.
 XXXIX. 
XXXIX. THE MOUNTAIN LANGUAGE.
 XL. 
XL. A TYROLESE VILLAGE.
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MISCELLANEOUS SONNETS.
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VOL. II.
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VOL. III.
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VOL. IV.
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VOL. V.
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VOL. VI. LEGENDS AND RECORDS OF THE CHURCH AND THE EMPIRE

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XVIII. CONVERSION.

Loud as that trumpet doomed to raise the dead
God's voice doth sometimes fall on us in fear,
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More often with a music low yet clear
Low whispering, ‘It is I: be not afraid.’
And sometimes, mingling strangely joy with dread,
It thrills the spirit's caverned sepulchre
Deep as that voice which on the awe-struck ear
Of him, the three-days-buried, murmuring, said
‘Come forth’—and he arose. O Christians, hail
As brethren all on whom our glorious Sun
At morn, or noon, or latest eve, hath shone
With light, and life: and neither mourn nor rail
Because one light, itself unchanging, showers
A thousand colours on a thousand flowers.
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