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The Works of John Sheffield

Earl of Mulgrave, Marquis of Normanby, and Duke of Buckingham. In two volumes ... The third edition, Corrected
Buckingham, John Sheffield (1648-1720 or 21)
  
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[volume]
  
THE TEMPLE OF DEATH.
  
ODE on LOVE.
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SONGS AND VERSES.
  
ELEGY TO THE Duchess of R*****.
  
A LETTER from SEA.
  
Love's Slavery.
  
The DREAM.
  
To one who accused him of being too sensual in his Love.
  
The WARNING.
  
To AMORETTA.
  
The VENTURE.
  
Inconstancy Excused.
  
SONG.
  
DESPAIR.
  
On Apprehension of losing what he had newly gain'd.
  
The Reconcilement.
  
SONG.
  
To a Coquet Beauty.
  
The RELAPSE.
  
The RECOVERY.
  
The CONVERT.
  
The PICTURE.
  
On Don Alonzo's being killed in Portugal, upon Account of the Infanta, in the Year 1683.
  
The SURPRIZE.
  
A Dialogue sung on the Stage between an elderly Shepherd, and a very young Nymph.
  
On one who died discovering her Kindness.
  
On Lucinda's Death.
  
To a Lady retiring into a Monastery.
  
The VISION.
  
HELEN to PARIS,
  
Part of the Story of Orpheus.
  
AN ESSAY ON SATIRE.
  
ODE ON BRUTUS.
  
The RAPTURE.
  
On Mr. HOBBS, and his Writings.
  
Written over a Gate.
  
The MIRACLE, 1707.
  
ODE on the Death of Henry Purcell.
  
On the Loss of an only Son, Robert Marquis of Normanby.
  
On Mr. POPE, and his Poems.
  
STANZAS.
  
The Election of a Poet Laureat in 1719.
  
On the TIMES.
  
ON THE DUKE of YORK Banished to Brussels.
  
On the DEITY.
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THE TRAGEDY OF JULIUS CÆSAR, ALTERED:
  
PROLOGUE to the Alteration of JULIUS CÆSAR.
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ACT I.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
 V. 
SCENE V.
 1. 
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ACT II.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 2. 
[section]
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ACT III.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
 V. 
SCENE V.
 VI. 
SCENE VI.
 3. 
Third CHORUS.
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ACT IV.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
 V. 
SCENE V.
 VI. 
SCENE VI.
 4. 
[section]
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ACT V.
 I. 
SCENE I.
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THE TRAGEDY OF MARCUS BRUTUS.
  
PROLOGUE. By the AUTHOR.
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ACT I.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
 V. 
SCENE V.
 1. 
Of Athenian Philosophers. Written at the Command of his Grace, by Mr. POPE.
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ACT II.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
 V. 
SCENE V.
 2. 
Of Athenian Youths and Virgins. By Mr. Pope.
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ACT III.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
 V. 
SCENE V.
 3. 
Of Roman Senators.
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ACT IV.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
 4. 
Of Roman Soldiers.
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ACT V.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
 V. 
SCENE V.
 VI. 
SCENE VI.

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SCENE IV.

Enter Varius and Lucilius.
Varius.
The Areopagite Council long have sat,
To do great Brutus some unwonted Honour.
Some voted to renew th' Olympick Games,
Others with Plays would crowd the Theatres;
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But these were held Diversions too divine,
And only consecrated to the Gods.
At last, the wisest and most famous Senate,
In Love to you, in Service to the Publick,
In Veneration for superior Virtue,
Resolves to rear your Statue carv'd by Samius,
That greatest Artist, for the best of Men;
And place it in the sacred Temple, next
Harmonius and Aristogiton,
Those worthy Patriots of learned Athens.

Lucilius.
How many Ages hence shall Wealth of Princes
Vie for these dear Remains, so doubly famous,
Both for the Work, and him it represents!

Brutus.
Was ever Honour from so wise a People
Design'd so kindly, yet bestow'd so ill?
I am not only destitute of Merit,
But of Ambition, more than to do Good.
Fame's only due for Deeds beyond our Duty;
Who can do those in Service of his Country?
The Romans, and ev'n Cassius, may repine
At such a partial Proof of their Affection.
Advise me how to shun it with Respect.

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Varius.
You should not, cannot now, without Affront.
No mean Assembly this, such as proceeds
In Shew for publick Good, with private Aim;
Sluggish to meet, yet hasty to resolve.
These, in safe Methods, and with prudent Steps,
Encourage Vittue, and uphold their Country.

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