The Harp of Erin Containing the Poetical Works of the Late Thomas Dermody. In Two Volumes |
I. |
II. |
THE POWERS OF
PAINTING. |
The Harp of Erin | ||
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THE POWERS OF PAINTING.
From Hyperion's purple wain,
Pendent o'er the western main,
Twinkling through the twilight shade,
Arrowy lines of splendor play'd;
Silence, on her pinion clos'd,
Deaf to sorrow's wail, repos'd,
Save, that where fresher buds betray
The silver streamlet's sinewy way;
A Naïad, all to song unknown,
With moist heel slipp'd from stone to stone,
And stole adown the haunted dale,
To chide the tardy nightingale;
When, his beechen bow'r beneath,
Hung with many a field-flow'r wreath,
Pensive Painting, first, essay'd
The semblance of a fav'rite maid:
Fancy!—whom he oft had seen,
Nymph-like, tripping o'er the green,
Richly dight in varied hues,
(By her side the tendant Muse,)
What time, with heav'n's own dyes imprest,
The glitt'ring rainbow zon'd her breast.
Artless, first, the sketch began;
Rude the pencil's early plan;
'Till from the waving wood behind,
Whose foliage shook without a wind,
Proud to fan his genuine flame,
The pitying Pow'rs of Painting came.
Pendent o'er the western main,
Twinkling through the twilight shade,
Arrowy lines of splendor play'd;
Silence, on her pinion clos'd,
Deaf to sorrow's wail, repos'd,
Save, that where fresher buds betray
The silver streamlet's sinewy way;
A Naïad, all to song unknown,
With moist heel slipp'd from stone to stone,
And stole adown the haunted dale,
To chide the tardy nightingale;
When, his beechen bow'r beneath,
Hung with many a field-flow'r wreath,
Pensive Painting, first, essay'd
The semblance of a fav'rite maid:
Fancy!—whom he oft had seen,
Nymph-like, tripping o'er the green,
63
(By her side the tendant Muse,)
What time, with heav'n's own dyes imprest,
The glitt'ring rainbow zon'd her breast.
Artless, first, the sketch began;
Rude the pencil's early plan;
'Till from the waving wood behind,
Whose foliage shook without a wind,
Proud to fan his genuine flame,
The pitying Pow'rs of Painting came.
First, in decent garb array'd,
Succinct with pearly clasp her stole,
Slow advanc'd a meek-ey'd maid,
And curb'd the workings of his soul;
With easy grace her state she mov'd;
Each fault her patient touch improv'd;
The long, luxuriant line
She gave with chaster charm to flow;
And, from her blue cloud's ruby-tinctur'd glow,
Pleas'd Beauty, stooping, smil'd upon Design.
Succinct with pearly clasp her stole,
Slow advanc'd a meek-ey'd maid,
And curb'd the workings of his soul;
With easy grace her state she mov'd;
Each fault her patient touch improv'd;
The long, luxuriant line
She gave with chaster charm to flow;
And, from her blue cloud's ruby-tinctur'd glow,
Pleas'd Beauty, stooping, smil'd upon Design.
Next appear'd a twin-like pair;
One, flush'd with bloom, divinely fair;
Dusky one, of negro-race,
Yet amiable cither face;
Quick they thrid the checquer'd maze,
Borrowing still, and lending aid,
While the mellowing tint betrays
The sweet diversity of Light and Shade.
One, flush'd with bloom, divinely fair;
Dusky one, of negro-race,
Yet amiable cither face;
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Borrowing still, and lending aid,
While the mellowing tint betrays
The sweet diversity of Light and Shade.
But who is she,
exactly drest,
With classic care, in Attic vest?
Her slender leg with buskin bound:
And now, still changing as she turns,
Bright on her starry front the turban burns;
Anon, with Roman casque, or Indian plumag crown'd;
Behind her follow, Science, daring youth!
And taleful Mem'ry, and Historic Truth.
With classic care, in Attic vest?
Her slender leg with buskin bound:
And now, still changing as she turns,
Bright on her starry front the turban burns;
Anon, with Roman casque, or Indian plumag crown'd;
Behind her follow, Science, daring youth!
And taleful Mem'ry, and Historic Truth.
But oh! how rich the bosom-shrine,
Op'ning to thy pure possession,
Thou! whose eyes so softly shine,
How they languish!—fond Expression!
On the finish'd piece they pour
Saintly-fading gleams of glory;
O'er each scene, and o'er each story,
Breathing an irradiate show'r:
Whether, (fair Colouring ardent by thy side,)
On opal tow'r thou fling'st thy moonlight-beam;
Or tinge the murd'rer's poignard, slaughter-dy'd,
And shed strange horrors on the sanguine stream;
Or, inly bleeding, while he bends to trace
The sacred scroll of long-remember'd woe;
Thy spell anneals the tears, that, ling'ring flow,
Down the pale ruins of the lover's face!
Op'ning to thy pure possession,
Thou! whose eyes so softly shine,
How they languish!—fond Expression!
On the finish'd piece they pour
Saintly-fading gleams of glory;
O'er each scene, and o'er each story,
Breathing an irradiate show'r:
Whether, (fair Colouring ardent by thy side,)
On opal tow'r thou fling'st thy moonlight-beam;
65
And shed strange horrors on the sanguine stream;
Or, inly bleeding, while he bends to trace
The sacred scroll of long-remember'd woe;
Thy spell anneals the tears, that, ling'ring flow,
Down the pale ruins of the lover's face!
The Harp of Erin | ||