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Pierides

or The Muses Mount. By Hugh Crompton
Crompton, Hugh
  
[dedication]

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PIERIDES:
 I. 
I. Bacchus.
 II. 
II. The Power.
 III. 
III. The Apprentice.
 IV. 
IV. The Discharge.
 V. 
V. The Conceit.
 VI. 
VI. The Encomium.
 VII. 
VII. Winifred.
 VIII. 
VIII. Honesty.
 IX. 
IX. The Farewell to the World.
 X. 
X. The Puff.
 XI. 
XI. The Ejection.
 12. 
12. The Suit.
 13. 
13. Loves best object.
 14. 
14. To our Mistresses.
 15. 
15. An Epithalme.
 16. 
16. The Comparison.
 17. 
17. Man.
 18. 
18. On the renowned, Mary Villers, Dutchesse Richmond, &c.
 19. 
19. The Acrostick reduplicate.
 20. 
20. The degrees of Bacchus.
 21. 
21. Her Continence.
 22. 
22. The Soliloquy.
 23. 
23. The Lovers form.
 24. 
24. To my friends R. A. I. an Epithalme.
 25. 
25. Another.
 26. 
26. To Zoilus.
 27. 
27. The way to Wooe.
 28. 
28. Taylors.
 29. 
29. Wisdom.
 30. 
30. The Mind.
 31. 
31. The Interruption.
 32. 
32. The Requital.
 33. 
33. The Dream.
 34. 
34. The Change.
 35. 
35. The Mistake.
 36. 
36. The Encomium.
 37. 
37. Three Friends.
 38. 
38. The Apology.
 39. 
39. The Encouragement.
 40. 
40. The request to walk.
 41. 
41. The self-check.
 42. 
42. The Advise.
 43. 
43. The Blush.
 44. 
44. The Protest.
 45. 
45. The Item.
 46. 
46. The Maids Soliloquie.
 47. 
47. The Dialogue.
 48. 
48. The Times.
 49. 
49. Put the case
 50. 
50. The Ramble.
 51. 
51. The Desertion.
 52. 
52. Adonibezeck.
 53. 
53. Donec eris fœlix.
 54. 
54. The Souldier and his Mistress.
 55. 
55. The Exclamation.
 56. 
56. The Invitation to Marry.
 57. 
57. The Preeminence.
 50. 
50. The Drollery.
 59. 
59. Love beyond Reason.
 60. 
60. In the Garden.
 61. 
61. A Kiss.
 62. 
62. Hero.
 63. 
63. The Ruine.
 65. 
65. Good Liquor.
 66. 
66. The Air.
 67. 
67. Time. The Interpreter.
 68. 
68. Knowledge.
 69. 
69. The Vineyard.
 70. 
70. The Quere.
 71. 
71. The life and death of Sarah.
expand section72. 
72. The Messenger.
 72. 
72. The Mask of Adonis.
 73. 
73. The lost Maidenhead.
 57. 
57. Good Fellowship.
 75. 
75. The Aspirer.
 75. 
75. Vice Courted.
 76. 
76. Semper Idem.
 77. 
77. Nobility.
 78. 
78. The Extremes.
 79. 
79. The dying Lover.
 80. 
80. Furioso.
 81. 
81. Loves frailty.
 82. 
82. The She Cockney.
 83. 
83. Weak Love.
 84. 
84. Rosella Sleeping.
 85. 
85. Minerva.
 86. 
86. The Charm.
 87. 
87. Rosella Maskt.
 88. 
88. Tom Tell-troth.
 89. 
89. The Dejection
 90. 
90. O Yes!
 91. 
91. The Reply.
 93. 
93. A Token.
 94. 
94. The Station.
 95. 
95. Urbs in fœlix.
 96. 
96. The Iron Age.
 97. 
97. The Bride Weeping.
 98. 
98. The Passion.
 99. 
99. To Fate.
 100. 
100. Confidence.
 101. 
101. The Check.
 102. 
102. Sack-Drawers.
 103. 
103. Her Endowments.
 104. 
104. Griefe.
 55. 
55. A Quiet Mind.
 106. 
106. Love stealing his Mistress.
 107. 
107. A Health.
 108. 
108. The Exaltation.
 109. 
109. Reality.
 110. 
110. The Ultimum vale.

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118

82. The She Cockney.

My City dame fell sick, she sigh'd, she wept
She went to bed, she slumber'd and she slept
She rose again, she fed, she walk'd, yet still
Forsooth, my mistress was extremely ill.
It pleased her fleeting fancy then to steer
Her course into the fields, to see if there
Her qualm might cease, yet still (poor soule) her gnet
Can meet with no cessation nor relief.
Her tender foot steps to the fragrant bowers,
She fed upon the fruits, she cropt the flowers,
She went, she wept, she smil'd, she sigh'd, yet still
Forsooth, my Lady is extremely ill.
Well, she retired to repose again
Upon her downy bed, yet still the pain
Attended her: Her pulse did loudly pelt,
Whose verberation I am sure I felt,
Which hardly she did, neither could she say
What was ker pain, or in what part it lay:
But 'tis the mode, forsooth, and therefore still
Our City Mistress is extremely ill.
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