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Chronicles and Characters

By Robert Lytton (Owen Meredith): In Two Volumes
Lytton, Edward Robert Bulwer Lytton (1831-1891)
  
[dedication]

collapse sectionI. 
VOL.I
  
PRELUDE.
 I. 
I.OPIS AND ARGE.
 II. 
II.CROESUS AND ADRASTUS.
 III. 
III.GYGES AND CANDAULES.
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BOOK II.
  
THANATOS ATHANATOU.
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BOOK III. ROMANCES.
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LICINIUS.
 I. 
PART I. THE TIME.
 II. 
PART II. THE MAN.
 III. 
PART III. THE GODS.
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PART IV. THE PAST.
 I. 
I.
 II. 
II.
 III. 
III.
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PART V. THE PRESENT.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 VI. 
PART VI. THE FUTURE.
  
GENSERIC.
  
IRENE.
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BOOK IV.
  
THE SCROLL AND ITS INTERPRETERS.
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BOOK V. LEGENDS AND ROMANCES.
  
MOHAMMED.
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THE ROSES OF SAADI.
 I. 
I.MOSES AND THE DERVISH.
 II. 
II.THE BOY AND THE RING.
 III. 
III.THE EYES OF MAHMUD.
  
THE APPLE OF LIFE.
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BOOK VI.
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THE SIEGE OF CONSTANTINOPLE.
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PART I.
 I. 
I.THE EMPEROR ISAAC.
 II. 
II.IS SAD.
 III. 
III.AND SO IS HIS BROTHER ALEXIUS: WHO PROPOSES
 IV. 
IV.A PARTY OF PLEASURE.
 V. 
V.WHICH ENDS UNPLEASANTLY.
 VI. 
VI.OUT OF THE LIGHT, INTO THE DARK.
 VII. 
VII.ALEXIUS THE YOUNGER FLIES FROM ALEXIUS THE ELDER.
 VIII. 
VIII.AND TRIES HIS FORTUNES AND HIS FRIENDS.
 IX. 
IX.A GREAT MAN.
 X. 
X.AND SOME NOTABLE MEN.
 XI. 
XI.LE VALET DE CONSTANTINOPLE.
 XII. 
XII.A BLIND MAN SEES FAR.
 XIII. 
XIII.QUOT HOMINES TOT SENTENTIAE.
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PART II.
 I. 
I. THE EMPEROR MAKES A PROCLAMATION.
 II. 
II. AND RECEIVES THE AMBASSADORS.
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VOL. II. BOOK VI. (Continued.) THE SIEGE OF CONSTANTINOPLE.
 I. 
I.HOW THE EMPEROR PICKED UP WHAT THE DEVIL LET FALL.
 II. 
II.GAVE AWAY WHAT HE NO LONGER POSSESSED.
 III. 
III.WHAT WAS SHOWN TO THEOCRITE, THE MONK.
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PART IV.
 I. 
I.JUSTICE
 II. 
II.ARMED
 III. 
III.BY SEA AND LAND
 IV. 
IV.IS TRIUMPHANT.
 V. 
V.SICUT FUMUS.
 VI. 
VI.TWO BLIND MEN.
 VII. 
VII.THE DOGE IS OBSTINATE.
 VIII. 
VIII.VERTIGO.
 IX. 
IX.A DARK DEED.
 X. 
X.THE FULNESS OF TIME.
 XI. 
XI.THE HORSES OF LYSIPPUS.
 XII. 
XII.AND THE LION OF ST. MARK.
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BOOK VII. LEGENDS, BALLADS, AND ROMANCES.
  
FAREWELL TO THE HOLY LANDS.
  
DOGE ORSO'S NIGHT'S WORK.
  
SALZBURGENSIS VAGABUNDUS.
  
A KING AND A QUEEN.
  
FAIR YOLAND WITH THE YELLOW HAIR.
  
TRIAL BY COMBAT.
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RABBI BEN EPHRAIM'S TREASURE.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
 VI. 
VI.
 VII. 
VII.
 VIII. 
VIII.
 IX. 
IX.
 X. 
X.
 XI. 
XI.
 XII. 
XII.
 XIII. 
XIII.
 XIV. 
XIV.
 XV. 
XV.
 XVI. 
XVI.
 XVII. 
XVII.
 XVIII. 
XVIII.
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CATTERINA CORNARO.
 I. 
I.
 II. 
II.
 III. 
III.
  
JACQUELINE,
  
THE DIRGE.
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BOOK VIII. NARRATIVE, DRAMATIC, AND LYRICAL.
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THE DEAD POPE.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
 VI. 
VI.
 VII. 
VII.
 VIII. 
VIII.
 IX. 
IX.
 X. 
X.
 XI. 
XI.
 XII. 
XII.
 XIII. 
XIII.
 XIV. 
XIV.
 XV. 
XV.
 XVI. 
XVI.
 XVII. 
XVII.
 XVIII. 
XVIII.
 XIX. 
XIX.
 XX. 
XX.
 XXI. 
XXI.
  
THOMAS MÜNTZER TO MARTIN LUTHER.
  
ADOLPHUS, DUKE OF GUELDERS.
  
THE DUKE'S LABORATORY.
  
VANINI
  
JOHN PETER CARAFA.
  
PICAROONS.
  
CHRISTIAN, THE DOL-HARTZOG.
  
ELISABETTA SIRANI.
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RICHELIEU.
 I. 
I. THE POETS.
 II. 
II THE THREE ESTATES.
 III. 
III. WALLENSTEIN'S DEATH.
  
THE DAUPHIN.
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BOOK IX. HERE AND THERE.
  
ATLANTIS.
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MISERY.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
 VI. 
VI.
 VII. 
VII.
 VIII. 
VIII.
  
MELANCHOLIA.
  
LAST WORDS
  
A BEATEN ARMY.
  
A POOR MAN
  
A MAN OF SCIENCE
  
A GREAT MAN.
  
MABEL MAY.
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[section]
  
EPILOGUE.

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VII.

So poor indeed, they had been constrain'd
To filch from the refuse flung out to the streets
('Mid the rags and onion-peelings rain'd
Where the town's worst gutter's worst filth greets
With his strongest gust and most savoury sweets
Those blots and failures of Human Nature,
Refused a name in her nomenclature,
That spawn themselves toward night, and bend
To finger the husks and shucks heap'd there,)
The wretched, rat-bitten candle-end
Which, found by good luck, they had treasured with care
Not a whit less solemn than tho' it were
That famous work of the son of Uri,
The candlestick of candlesticks,
—He the long-lost light of Jewry,
Whose almond bowls and scented wicks
Were the boast of the desert, and Salem's glory
Of the knops and flowers, with his branches six!
For this impov'rish'd, curtail'd, flaw'd,
Maltreated, worried, gnaw'd and claw'd
Remnant of what perchance made bright
Once, for laughter and delight,
80

Some chamber gay, with arras hung,
Whose marbles, mirrors, and flowers among
A lover, his lady's lute above,
To a dear dark-eyelash'd listener sung
Of the flame of a never-dying love,
—Little heeding, meanwhile, the fitful spite
Of the night-wind's mad and mocking sprite,
Which stealthily in at the lattice sprung,
And was wrying the taper's neck apace,—
Must now, with its hungry half-starved light,
Make bold the shuddering flesh to face
The sepulchre's supernatural night,
And the Powers of the Dark keeping guard on the place.
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