BIBLIOGRAPHY
Albert C. Barnes, The Art in Painting, 2nd ed. (New
York,
1928). Monroe C. Beardsley, Aesthetics from
Classical
Greece to the Present (New York, 1966). Clive Bell,
Art
(London, 1914). A. C. Bradley, Oxford Lectures on Poetry
(Oxford, 1909). Albert
Cassagne, La Théorie de l'art pour
l'art
en France (Paris, 1906). Rose Egan, The
Genesis of the
Theory of Art for Art's Sake (Northampton,
1921; 1924).
Roger Fry, Vision and Design
(London, 1920). Théophile
Gautier, Mademoiselle de Maupin (Paris, 1834). Edmund
Gurney, The Power of Sound (London, 1880). Eduard
Hanslick, The Beautiful in Music (London, 1891).
Hilaire
Hiler, Why Abstract? (New York, 1945).
José Ortega y
Gasset, The Dehumanization of
Art (Princeton, 1948).
Walter Pater, The
Renaissance (Oxford, 1873). Louise
Rosenblatt, L'Idée de l'art pour l'art dans la
littérature
anglaise pendant la période
victorienne (Paris, 1931). Irving
Singer, “The
Aesthetics of 'Art for Art's Sake,'” JAAC,
12,
3 (1954), 343-59. James A. McNeill Whistler,
The Gentle
Art of Making Enemies (London,
1890). John Wilcox, “The
Beginnings of L'art pour
l'art,” JAAC,
11 (1953), 860-77.
IREDELL JENKINS
[See also
Romanticism in Literature; Romanticism
in Post-Kantian Philosophy.]
