"Noh", or, Accomplishment : a study of the classical stage of Japan |
CONTENTS |
 | I. |
|
|
| II. |
|
|
| II. |
| III. |
|
| I. |
| II. |
| III. |
| IV. |
|
| IV. |
|
|
|
|
|
| I. |
| II. |
| III. |
| IV. |
 | "Noh", or, Accomplishment : |  |
vii
CONTENTS
| PART I | |
| page | |
| Opening Paragraphs on Ernest Fenollosa | 3 |
| A Programme Announcement | 7 |
| The Noh Actor | 9 |
| Order of Plays in a Complete Ban-gumi | 14 |
| Sotoba Komachi | 21 |
| Kayoi Komachi | 27 |
| Suma Genji | 37 |
| Some Conversations with Umewaka Minoru | 46 |
| The Training of Actors | 46 |
| Emotions of Actors | 47 |
| "Kuden" (Tradition) | 50 |
| Masks | 53 |
| PART II | |
| Introduction to Kumasaka | 63 |
| Kumasaka | 67 |
| Shojo | 79 |
| Tamura | 83 |
| Tsunemasa | 91 |
| PART III | |
| Fenollosa on the Noh | 99 |
| Nishikigi | 131 |
| Kinuta | 151 |
| Hagoromo | 165 |
| Kagekiyo | 177 |
| PART IV | |
| Awoi no Uye | 193 |
| Kakitsubata | 207 |
| Chorio | 223 |
| Genjo | 229 |
| APPENDICES | 243 |
| "Noh", or, Accomplishment : | |