The poetical works of William Wordsworth ... In six volumes ... A new edition |
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IV. | IV. TO THE RIVER GRETA, NEAR KESWICK. |
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The poetical works of William Wordsworth | ||
IV. TO THE RIVER GRETA, NEAR KESWICK.
Greta, what fearful listening! when huge stonesRumble along thy bed, block after block:
Or, whirling with reiterated shock,
Combat, while darkness aggravates the groans:
But if thou (like Cocytus from the moans
Many years ago, when I was at Greta Bridge, in Yorkshire, the hostess of the inn, proud of her skill in etymology, said, that “the name of the river was taken from the bridge, the form of which, as every one must notice, exactly resembled a great A.” Dr. Whitaker has derived it from the word of common occurrence in the North of England, “to greet;” signifying to lament aloud, mostly with weeping: a conjecture rendered more probable from the stony and rocky channel of both the Cumberland and Yorkshire rivers. The Cumberland Greta, though it does not, among the country people, take up that name till within three miles of its disappearance in the River Derwent, may be considered as having its source in the mountain cove of Wythburn, and flowing through Thirlmere, the beautiful features of which lake are known only to those who, travelling between Grasmere and Keswick, have quitted the main road in the vale of Wythburn, and, crossing over to the opposite side of the lake, have proceeded with it on the right hand.
The channel of the Greta, immediately above Keswick, has, for the purposes of building, been in a great measure cleared of the immense stones which, by their concussion in high floods, produced the loud and awful noises described in the sonnet.
‘The scenery upon this river,’ says Mr. Southey in his Colloquies, ‘where it passes under the woody side of Latrigg, is of the finest and most rememberable kind:—
Occurrensque sibi venturas aspicit undas.’
Heard on his rueful margin) thence wert named
The Mourner, thy true nature was defamed,
And the habitual murmur that atones
For thy worst rage, forgotten. Oft as Spring
Decks, on thy sinuous banks, her thousand thrones.
Seats of glad instinct and love's carolling,
The concert, for the happy, then may vie
With liveliest peals of birth-day harmony:
To a grieved heart, the notes are benisons.
The poetical works of William Wordsworth | ||