![]() | The triumph of music | ![]() |
Blest in her talents, in her love more blest,
Lucilio deem'd the jewel, he possest,
Above all price; and, in sequester'd life,
Soothing his mournful friend, and duteous wife,
He chiefly hop'd to shield their tender health,
From melancholy's dark, invasive stealth,
Since love and virtue (tho' a heavenly pair)
May vainly struggle, in her subtle snare.
That his fine art had wond'rous power he knew;
But from experience he perceiv'd it true,
That its delights, too eagerly pursued,
Strengthen the foe, he hop'd to have subdued.
His firm, and generous mind conceiv'd a thought,
By nature dictated, with kindness fraught,
That much avail'd him in his friendly hope.—
O lovely childhood! under Heaven's wide cope,
There is no sight, of such benignant grace
The gathering clouds of mental gloom to chace,
As thy sweet gambols, in a female form,
Radiant with innocence, with pleasure warm,
And rich in charms, that every moment rise
From speaking limbs, and heart-expressing eyes.
The sprightly Marcellina, soon convey'd
By watchful Theodore's continual aid,
At kind Lucilio's provident request,
Seem'd of the secret scene an angel-guest.
This playful child had influence so sweet,
In Buon-Retiro's unfrequented seat,
With pleasure might the sylvan muses tell,
How light she bounded thro' each lonely dell;
How she, enamour'd of the sculptur'd fawn,
Soon gain'd a living favourite of the lawn,
Fed from her hand, and, in a silken string,
Taught, by her pipe, to kneel, to dance, to spring!
How cheer'd Venusia doted on the child;
How sad Manfredi, thro' his lattice, smil'd,
And view'd, unseen, the sportive girl below,
Day after day, forgetful of his woe;
This, and much more of Marcellina's power
With mirth to chequer the sequester'd hour,
The poet, fond of childhood, might rehearse;
But Venice calls, and claims his moral verse.
Lucilio deem'd the jewel, he possest,
Above all price; and, in sequester'd life,
Soothing his mournful friend, and duteous wife,
He chiefly hop'd to shield their tender health,
From melancholy's dark, invasive stealth,
Since love and virtue (tho' a heavenly pair)
May vainly struggle, in her subtle snare.
That his fine art had wond'rous power he knew;
But from experience he perceiv'd it true,
That its delights, too eagerly pursued,
Strengthen the foe, he hop'd to have subdued.
105
By nature dictated, with kindness fraught,
That much avail'd him in his friendly hope.—
O lovely childhood! under Heaven's wide cope,
There is no sight, of such benignant grace
The gathering clouds of mental gloom to chace,
As thy sweet gambols, in a female form,
Radiant with innocence, with pleasure warm,
And rich in charms, that every moment rise
From speaking limbs, and heart-expressing eyes.
The sprightly Marcellina, soon convey'd
By watchful Theodore's continual aid,
At kind Lucilio's provident request,
Seem'd of the secret scene an angel-guest.
This playful child had influence so sweet,
In Buon-Retiro's unfrequented seat,
With pleasure might the sylvan muses tell,
How light she bounded thro' each lonely dell;
How she, enamour'd of the sculptur'd fawn,
Soon gain'd a living favourite of the lawn,
Fed from her hand, and, in a silken string,
Taught, by her pipe, to kneel, to dance, to spring!
106
How sad Manfredi, thro' his lattice, smil'd,
And view'd, unseen, the sportive girl below,
Day after day, forgetful of his woe;
This, and much more of Marcellina's power
With mirth to chequer the sequester'd hour,
The poet, fond of childhood, might rehearse;
But Venice calls, and claims his moral verse.
![]() | The triumph of music | ![]() |