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Pierides

or The Muses Mount. By Hugh Crompton
Crompton, Hugh
  
[dedication]

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PIERIDES:
 I. 
I. Bacchus.
 II. 
II. The Power.
 III. 
III. The Apprentice.
 IV. 
IV. The Discharge.
 V. 
V. The Conceit.
 VI. 
VI. The Encomium.
 VII. 
VII. Winifred.
 VIII. 
VIII. Honesty.
 IX. 
IX. The Farewell to the World.
 X. 
X. The Puff.
 XI. 
XI. The Ejection.
 12. 
12. The Suit.
 13. 
13. Loves best object.
 14. 
14. To our Mistresses.
 15. 
15. An Epithalme.
 16. 
16. The Comparison.
 17. 
17. Man.
 18. 
18. On the renowned, Mary Villers, Dutchesse Richmond, &c.
 19. 
19. The Acrostick reduplicate.
 20. 
20. The degrees of Bacchus.
 21. 
21. Her Continence.
 22. 
22. The Soliloquy.
 23. 
23. The Lovers form.
 24. 
24. To my friends R. A. I. an Epithalme.
 25. 
25. Another.
 26. 
26. To Zoilus.
 27. 
27. The way to Wooe.
 28. 
28. Taylors.
 29. 
29. Wisdom.
 30. 
30. The Mind.
 31. 
31. The Interruption.
 32. 
32. The Requital.
 33. 
33. The Dream.
 34. 
34. The Change.
 35. 
35. The Mistake.
 36. 
36. The Encomium.
 37. 
37. Three Friends.
 38. 
38. The Apology.
 39. 
39. The Encouragement.
 40. 
40. The request to walk.
 41. 
41. The self-check.
 42. 
42. The Advise.
 43. 
43. The Blush.
 44. 
44. The Protest.
 45. 
45. The Item.
 46. 
46. The Maids Soliloquie.
 47. 
47. The Dialogue.
 48. 
48. The Times.
 49. 
49. Put the case
 50. 
50. The Ramble.
 51. 
51. The Desertion.
 52. 
52. Adonibezeck.
 53. 
53. Donec eris fœlix.
 54. 
54. The Souldier and his Mistress.
 55. 
55. The Exclamation.
 56. 
56. The Invitation to Marry.
 57. 
57. The Preeminence.
 50. 
50. The Drollery.
 59. 
59. Love beyond Reason.
 60. 
60. In the Garden.
 61. 
61. A Kiss.
 62. 
62. Hero.
 63. 
63. The Ruine.
 65. 
65. Good Liquor.
 66. 
66. The Air.
 67. 
67. Time. The Interpreter.
 68. 
68. Knowledge.
 69. 
69. The Vineyard.
 70. 
70. The Quere.
 71. 
71. The life and death of Sarah.
expand section72. 
72. The Messenger.
 72. 
72. The Mask of Adonis.
 73. 
73. The lost Maidenhead.
 57. 
57. Good Fellowship.
 75. 
75. The Aspirer.
 75. 
75. Vice Courted.
 76. 
76. Semper Idem.
 77. 
77. Nobility.
 78. 
78. The Extremes.
 79. 
79. The dying Lover.
 80. 
80. Furioso.
 81. 
81. Loves frailty.
 82. 
82. The She Cockney.
 83. 
83. Weak Love.
 84. 
84. Rosella Sleeping.
 85. 
85. Minerva.
 86. 
86. The Charm.
 87. 
87. Rosella Maskt.
 88. 
88. Tom Tell-troth.
 89. 
89. The Dejection
 90. 
90. O Yes!
 91. 
91. The Reply.
 93. 
93. A Token.
 94. 
94. The Station.
 95. 
95. Urbs in fœlix.
 96. 
96. The Iron Age.
 97. 
97. The Bride Weeping.
 98. 
98. The Passion.
 99. 
99. To Fate.
 100. 
100. Confidence.
 101. 
101. The Check.
 102. 
102. Sack-Drawers.
 103. 
103. Her Endowments.
 104. 
104. Griefe.
 55. 
55. A Quiet Mind.
 106. 
106. Love stealing his Mistress.
 107. 
107. A Health.
 108. 
108. The Exaltation.
 109. 
109. Reality.
 110. 
110. The Ultimum vale.

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Love commands his servant out
To the woods, to range about
For a Mistress for his Master,
Cause he wanted such a plaister
As a Lady. Out he goes,
Through the woods, streams, verse and prose:
One he found, and then return'd
(To the man that sight and burn'd.)
Expectation did advance,
And hope had the predominance:
Love repli'd to th' Agent then,
Dost thou gladly turn agen?
Art thou fraited with my bliss?
Then he answers, Master yes.
But what hast thou prepar'd for me?
Is she coy, or is she free?
Is she tall, or is she low?
Is she slender? lean or no?
Is she square, or is she round?
Is she sick, or is she sound?
Do the Gods confess their duty
Is to worship such a beauty?
98

Is but Venus scarce her type?
Is she green, or too too ripe?
Is she foul, or is she fair?
Is she not as others are?
Is she white, or is she black?
Or what i'st that she doth lack?
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