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The Works of John Sheffield

Earl of Mulgrave, Marquis of Normanby, and Duke of Buckingham. In two volumes ... The third edition, Corrected
Buckingham, John Sheffield (1648-1720 or 21)
  
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[volume]
  
THE TEMPLE OF DEATH.
  
ODE on LOVE.
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SONGS AND VERSES.
  
ELEGY TO THE Duchess of R*****.
  
A LETTER from SEA.
  
Love's Slavery.
  
The DREAM.
  
To one who accused him of being too sensual in his Love.
  
The WARNING.
  
To AMORETTA.
  
The VENTURE.
  
Inconstancy Excused.
  
SONG.
  
DESPAIR.
  
On Apprehension of losing what he had newly gain'd.
  
The Reconcilement.
  
SONG.
  
To a Coquet Beauty.
  
The RELAPSE.
  
The RECOVERY.
  
The CONVERT.
  
The PICTURE.
  
On Don Alonzo's being killed in Portugal, upon Account of the Infanta, in the Year 1683.
  
The SURPRIZE.
  
A Dialogue sung on the Stage between an elderly Shepherd, and a very young Nymph.
  
On one who died discovering her Kindness.
  
On Lucinda's Death.
  
To a Lady retiring into a Monastery.
  
The VISION.
  
HELEN to PARIS,
  
Part of the Story of Orpheus.
  
AN ESSAY ON SATIRE.
  
ODE ON BRUTUS.
  
The RAPTURE.
  
On Mr. HOBBS, and his Writings.
  
Written over a Gate.
  
The MIRACLE, 1707.
  
ODE on the Death of Henry Purcell.
  
On the Loss of an only Son, Robert Marquis of Normanby.
  
On Mr. POPE, and his Poems.
  
STANZAS.
  
The Election of a Poet Laureat in 1719.
  
On the TIMES.
  
ON THE DUKE of YORK Banished to Brussels.
  
On the DEITY.
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THE TRAGEDY OF JULIUS CÆSAR, ALTERED:
  
PROLOGUE to the Alteration of JULIUS CÆSAR.
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ACT I.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
 V. 
SCENE V.
 1. 
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ACT II.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 2. 
[section]
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ACT III.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
 V. 
SCENE V.
 VI. 
SCENE VI.
 3. 
Third CHORUS.
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ACT IV.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
 V. 
SCENE V.
 VI. 
SCENE VI.
 4. 
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ACT V.
 I. 
SCENE I.
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THE TRAGEDY OF MARCUS BRUTUS.
  
PROLOGUE. By the AUTHOR.
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ACT I.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
 V. 
SCENE V.
 1. 
Of Athenian Philosophers. Written at the Command of his Grace, by Mr. POPE.
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ACT II.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
 V. 
SCENE V.
 2. 
Of Athenian Youths and Virgins. By Mr. Pope.
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ACT III.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
 V. 
SCENE V.
 3. 
Of Roman Senators.
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ACT IV.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
 4. 
Of Roman Soldiers.
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ACT V.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
 V. 
SCENE V.
 VI. 
SCENE VI.

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SCENE I.

The Scene is Cæsar's Apartment, where he appears Undress'd.
Cæsar.
Ambition, O thou Tyrant of my Soul!
How much a gentler Lord am I to Rome,
Than thou to me! I am the only Slave.
This Day was dully spent in publick Sports,
Things too magnificent for true Delight.
Joy dwells in silent Shades, and private Pleasures;
In Peace, and not in Pomp: then, my long Nights,
Those precious Hours design'd for soft Repose,
Are by unruly Cares thus ravish'd from me.

Enter Junius.
Junius.
Brutus and Cassius attend your Pleasure.

Cæsar.
I tell thee, Junius, my trusty Freed-man,
That melancholic Cassius needs observing.
If e'er I could be capable of Fear,
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I think it would be of that pensive Cassius.
He loves not Learning, no, nor Poetry;
Nor is his sullen Humour pleas'd with Musick.
When others laugh, he so demurely smiles,
As if he thought it Meanness to be merry.
Seldom he likes what others most approve,
And loves to praise what all Men else dislike.
Such Men as he are never at their Ease,
While they behold a greater than themselves.
Yet he is brave, and shall have due Preferment.

[Exit Junius.
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