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Ariel and Caliban with other poems

Cranch, Christopher Pearse (1813-1892)

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ARIEL AND CALIBAN.
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LIONEL AND LUCILLE.
  
SAN BORONDON.
  
THE OLD YEAR.
  
THE CENTENNIAL YEAR.
  
AFTER THE CENTENNIAL.
  
A NIGHT-PICTURE.
  
A CHILD-SAVIOR.
  
AN OLD UMBRELLA.
  
TO IONE.
  
AFTER-LIFE.
  
PRINCE YOUSUF AND THE ALCAYDE.
  
ROSAMOND.
  
A QUESTION.
  
MY STUDIO.
  
TALENT AND GENIUS.
  
VENICE.
  
THE TWO DREAMS.
  
AT THE GRAVE OF KEATS.
  
BROKEN WINGS.
  
SEA PICTURES.
  
ARS LONGA, VITA BREVIS.
  
LOVE'S VOYAGE.
  
SURVIVAL OF THE FITTEST.
  
A WORD TO PHILOSOPHERS.
  
THE COAL-FIRE.
  
TWO VIEWS OF IT.
  
OLD AND YOUNG.
  
THE VICTORIES OF PEACE.
  
SUMMER DAWN.
  
THE OLD APPLE-WOMAN.
  
THE WEATHER-PROPHET.
  
OMAR KHAYYÁM.
  
LONGFELLOW.
  
RALPH WALDO EMERSON.
  
FREDERICK HENRY HEDGE, D. D.
  
SO FAR, SO NEAR.
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SONNETS.
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TO E. P. C.
 1. 
[I. 1. The Summer goes, with all its birds and flowers]
 2. 
[II. 2. Parted by time and space for many a year]
 3. 
[III. 3. Ah, happy time! when music bound in one]
 4. 
[IV. 4. Friend, dear as Memory's joys! of life that's past]
 5. 
[V. 5. All loves have frailer roots than loves that start]
 6. 
[VI. 6. Ah, many a time our memory slips aside]
 7. 
[VII. 7. Those times are gone, that circle thinned away]
 8. 
[VIII. 8. You were not born to hide such gifts as yours]
 9. 
[IX. 9. I needs must praise the natural gifts of one]
 10. 
[X. 10. Forgive—that thus the trumpet I have blown]
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SEVEN WONDERS OF THE WORLD.
 18. 
XVIII. THE FIRESIDE.
 19. 
XIX. THE LADY'S SONNET. TWILIGHT.
 20. 
XX. THE LOVER'S SONNET. MIDNIGHT.
 21. 
XXI. THE PINES AND THE SEA.
 22. 
XXII. PENNYROYAL.
 23. 
XXIII. BEETHOVEN'S FIFTH SYMPHONY.
 24. 
XXIV. THE SECEDERS. 1.
 25. 
XXV. [THE SECEDERS.] 2.
 26. 
XXVI. IN A LIBRARY. 1.
 27. 
XXVII. [IN A LIBRARY.] 2.
 28. 
XXVIII. PAST SORROWS.
 29. 
XXIX. LIFE AND DEATH. 1.
 30. 
XXX. [LIFE AND DEATH.] 2.
 31. 
XXXI. [LIFE AND DEATH.] 3.
 32. 
XXXII. [LIFE AND DEATH.] 4.
 33. 
XXXIII. [LIFE AND DEATH.] 5.
 34. 
XXXIV. [LIFE AND DEATH.] 6.
 35. 
XXXV. [LIFE AND DEATH.] 7.
 36. 
XXXVI. [LIFE AND DEATH.] 8.
 37. 
XXXVII. TO JOHN GREENLEAF WHITTIER.
 38. 
XXXVIII. TO OLIVER WENDELL HOLMES. ÆT. 70.
 39. 
XXXIX. BAYARD TAYLOR.
 40. 
XL. JOHN WEISS.
 41. 
XLI. GEORGE RIPLEY.
 42. 
XLII. TO G. W. C.
 43. 
XLIII. LONDON.
 44. 
XLIV. VEILED MEMORIES.
 45. 
XLV. TENNYSON. 1.
 46. 
XLVI. [TENNYSON.] 2.
 47. 
XLVII. TO G. W. C.
 48. 
XLVIII. GLADSTONE.
 49. 
XLIX. J. R. L. (ON HIS HOMEWARD VOYAGE.) 1.
 50. 
L. [J. R. L. (ON HIS HOMEWARD VOYAGE.)] 2.
 51. 
LI. THE HUMAN FLOWER. 1.
 52. 
LII. [THE HUMAN FLOWER.] 2.
 53. 
LIII. AUGUST.
 54. 
LIV. IDLE HOURS.
 55. 
LV. MUSIC AND POETRY. 1.
 56. 
LVI. [MUSIC AND POETRY.] 2.
 57. 
LVII. TO SLEEP.
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ORMUZD AND AHRIMAN.
  
A POET'S SOLILOQUY.

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148

XVII.
THE MICROPHONE.

The small enlarged, the distant nearer brought
To sight, made marvels in a denser age.
But Science turns with every year a page
In the enchanted volume of her thought.
The wizard's wand no longer now is sought.
Yet with a cunning toy the Archimage
May hear from Rome Vesuvius' thunders rage,
And earthquake mutterings underground are caught,
Alike with trivial sounds. Would there might rise
Some spiritual seer, some prophet wise,
Whose tactile vision would avert the woes
Born of conflicting forces in the state;—
Some listener to the deep volcanic throes
Below the surface—ere we cry, “Too late!”
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