The wonder clock; or, Four & twenty marvelous tales, being one for each hour of the day; written & illustrated by Howard Pyle, embellished with verses by Katharine Pyle. | ||
- I. Bearskin. . . . . . . . . . . . . . . . . . . . . . . . . . 1
- II. The Water of Life. . . . . . . . . . . . . . . . . . . . . 5
- III. How One Turned his Trouble to Some Account. . . . . . . . 27
- IV. How Three Went out into the Wide World . . . . . . . . . . 39
- V. The Clever Student and the Master of Black Arts . . . . . . 49
- VI. The Princess Golden Hair and the Great Black Raven . . . . 63
- VII. Cousin Greylegs, the Great Red Fox, and Grandfather Mole. 77
- VIII. One Good Turn Deserves Another . . . . . . . . . . . . . 89
- IX. The White Bird . . . . . . . . . . . . . . . . . . . . . . 105
- X. How the Good Gifts were Used by Two . . . . . . . . . . . . 121
- XI. How Boots Befooled the King. . . . . . . . . . . . . . . . 135
- XII. The Step-mother . . . . . . . . . . . . . . . . . . . . . 149
- XIII. Master Jacob . . . . . . . . . . . . . . . . . . . . . . 161
- XIV. Peterkin and the Little Grey Hare . . . . . . . . . . . . 175
- XV. Mother Hildegarde. . . . . . . . . . . . . . . . . . . . . 189
- XVI. Which is Best . . . . . . . . . . . . . . . . . . . . . . 203
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- XVII. The Simpleton and his Little Black Hen . . . . . . . . . 217
- XVIII. The Swan Maiden . . . . . . . . . . . . . . . . . . . . 229
- XIX. The Three Little Pigs and the Ogre. . . . . . . . . . . . 241
- XX. The Staff and the Fiddle . . . . . . . . . . . . . . . . . 253
- XXI. How the Princess's Pride was Broken . . . . . . . . . . . 267
- XXII. How Two Went into Partnership. . . . . . . . . . . . . . 279
- XXIII. King Stork. . . . . . . . . . . . . . . . . . . . . . . 291
- XXIV. The Best that Life has to Give . . . . . . . . . . . . . 305
CONTENTS
[Description:
Printer's ornament; ornamental line drawing of a face.
]
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The wonder clock; or, Four & twenty marvelous tales, being one for each hour of the day; written & illustrated by Howard Pyle, embellished with verses by Katharine Pyle. | ||