The Dramatic and Poetical Works of Joanna Baillie Complete in One Volume |
 |
 |
|
|
| 1. |
| 2. |
| I. |
| II. |
| III. |
| IV. |
| V. |
| I. |
| III. |
| IV. |
| V. |
|
|
|
|
|
|
 | The Dramatic and Poetical Works of Joanna Baillie |  |
SCENE II.
A public walk on the ramparts of the town.Enter Count Rosinberg, Valtomer, and Frederic. —Valtomer enters by the opposite side of the stage, and meets them.
Valt.
O what a jolly town for way-worn soldiers!
Rich steaming pots, and smell of dainty fare,
From every house salute you as you pass:
Light feats and juggler's tricks attract the eye;
Music and merriment in ev'ry street;
Whilst pretty damsels in their best attire,
Trip on in wanton groups, then look behind,
To spy the fools a-gazing after them.
Fred.
But short will be the season of our ease,
For Basil is of flinty matter made,
And cannot be allur'd —
'Faith, Rosinberg, I would thou didst command us.
Thou art his kinsman, of a rank as noble,
Some years his elder too — How has it been
That he should be prefer'd? I see not why.
Ros.
Ah! but I see it, and allow it well;
He is too much my pride to wake my envy.
Fred.
Nay, Count, it is thy foolish admiration
Which raises him to such superior height;
And truly thou hast so infected us,
That I at times have felt me aw'd before him,
I knew not why. 'Tis cursed folly this.
Thou art as brave, of as good parts as he.
Ros.
Our talents of a diff'rent nature are;
Mine for the daily intercourse of life,
And his for higher things.
Fred.
Well, praise him as thou wilt; I see it not;
I'm sure I am as brave a man as he.
Ros.
Yes, brave thou art, but 'tis subaltern brav'ry,
And doth respect thyself. Thou'lt bleed as well,
Give and receive as deep a wound as he.
When Basil fights he wields a thousand swords;
For 'tis their trust in his unshaken mind,
O'erwatching all the changes of the field,
Calm and inventive 'midst the battle's storm,
Which makes his soldiers bold.—
There have been those, in early manhood slain,
Whose great heroic souls have yet inspir'd
With such a noble zeal their gen'rous troops,
That to their latest day of bearing arms,
Their grey-hair'd soldiers have all dangers brav'd
Of desp'rate service, claim'd with boastful pride,
As those who fought beneath them in their youth.
Such men have been; of whom it may be said,
Their spirits conquer'd when their clay was cold.
Valt.
Yes, I have seen in the eventful field,
When new occasion mock'd all rules of art,
E'en old commanders hold experience cheap,
And look to Basil ere his chin was dark.
Ros.
One fault he has; I know but only one;
His too great love of military fame
Absorbs his thoughts, and makes him oft appear
Unsocial and severe.
Fred.
Well, feel I not undaunted in the field?
As much enthusiastic love of glory?
Why am I not as good a man as he?
Ros.
He's form'd for great occasions, thou for small.
Valt.
But small occasions in the path of life
Lie thickly sown, while great are rarely scatter'd.
Ros.
By which you would infer that men like Fred'ric
Should on the whole a better figure make,
Than men of higher parts. It is not so;
For some show well, and fair applauses gain,
Where want of skill in other men is graceful.
Pray do not frown, good Fred'ric, no offence:
Thou canst not make a great man of thyself;
Yet wisely deign to use thy native pow'rs,
And prove an honour'd courtly gentleman.
But hush! no more of this; here Basil comes.
21
Ros.
What thinkst thou, Valtomer, of Mantua's princess?
Valt.
Fame prais'd her much, but hath not prais'd her more
Than on a better proof the eye consents to.
With all that grace and nobleness of mien,
She might do honour to an emp'ror's throne;
She is too noble for a petty court.
Is it not so, my lord? —
(To Basil, who only bows assent).
Nay, she demeans herself with so much grace,
Such easy state, such gay magnificence,
She should be queen of revelry and show.
Fred.
She's charming as the goddess of delight.
Valt.
But after her, she most attracted me
Who wore the yellow scarf and walk'd the last;
For, though Victoria is a lovely woman —
Fred.
Nay, it is treason but to call her woman;
She's a divinity, and should be worshipp'd.
But on my life, since now we talk of worship,
She worshipp'd Francis with right noble gifts!
They sparkled so with gold and precious gems—
Their value must be great; some thousand crowns.
Ros.
I would not rate them at a price so mean;
The cup alone, with precious stones beset,
Would fetch a sum as great. That olive-branch
The princess bore herself, of fretted gold,
Was exquisitely wrought. I mark'd it more,
Because she held it in so white a hand.
Bas.
(in a quick voice).
Mark'd you her hand? I did not see her hand.
And yet she wav'd it twice.
Ros.
It is a fair one, tho' you mark'd it not.
Valt.
I wish some painter's eye had view'd the group,
As she and all her lovely damsels pass'd;
He would have found wherewith t'enrich his art.
Ros.
I wish so too; for oft their fancied beauties
Have so much cold perfection in their parts,
'Tis plain they ne'er belong'd to flesh and blood.
This is not truth, and doth not please so well
As the varieties of lib'ral nature,
Where ev'ry kind of beauty charms the eye;
Large and small featur'd, flat and prominent,
Ay, by the mass! and snub-nos'd beauties too.
'Faith, ev'ry woman hath some witching charm,
If that she be not proud, or captious.
Valt.
Demure, or over-wise, or giv'n to freaks.
Ros.
Or giv'n to freaks! hold, hold, good Valtomer!
Thou'lt leave no woman handsome under heav'n.
Valt.
But I must leave you for an hour or so;
I mean to view the town.
Fred.
I'll go with thee.
Ros.
And so will I.
[Exeunt Valtomer, Frederic, and Rosinberg.
Re-enter Rosinberg.
Ros.
I have repented me, I will not go;
They will be too long absent. —
(Pauses, and looks at Basil, who remains still musing without seeing him).
What mighty thoughts engage my pensive friend?
Bas.
O it is admirable!
Ros.
How runs thy fancy? what is admirable?
Bas.
Her form, her face, her motion, ev'rything!
Ros.
The princess; yes, have we not prais'd her much?
Bas.
I know you prais'd her, and her off'rings too!
She might have giv'n the treasures of the East,
Ere I had known it.
O! didst thou mark her when she first appear'd,
Still distant, slowly moving with her train;
Her robe and tresses floating on the wind,
Like some light figure in a morning cloud?
Then, as she onward to the eye became
The more distinct, how lovelier still she grew!
That graceful bearing of her slender form;
Her roundly spreading breast, her tow'ring neck,
Her face ting'd sweetly with the bloom of youth—
But when approaching near, she tow'rds us turn'd,
Kind mercy! what a countenance was there!
And when to our salute she gently bow'd,
Didst mark that smile rise from her parting lips?
Soft swell'd her glowing cheek, her eyes smil'd too,
O how they smil'd! 'twas like the beams of heav'n!
I felt my roused soul within me start,
Like something wak'd from sleep.
Ros.
The beams of heav'n do many slumb'rers wake
To care and misery!
Bas.
There's something grave and solemn in your voice.
As you pronounce these words. What dost thou mean?
Thou wouldst not sound my knell?
Ros.
No, not for all beneath the vaulted sky!
But to be plain, thus warmly from your lips,
Her praise displeases me. To men like you,
If love should come, he proves no easy guest.
Bas.
What, dost thou think 1 am beside myself,
And cannot view the fairness of perfection
With that delight which lovely beauty gives,
Without tormenting me by fruitless wishes,
Like the poor child who sees its brighten'd face,
And whimpers for the moon! Thou art not serious.
From early youth, war has my mistress been,
And tho' a rugged one, I'll constant prove,
And not forsake her now. There may be joys
Which, to the strange o'erwhelming of the soul,
Visit the lover's breast beyond all others;
E'en now, how dearly do I feel there may!
But what of them? they are not made for me—
The hasty flashes of contending steel
Must serve instead of glances from my love,
And for soft breathing sighs the cannon's roar.
22
(taking his hand).
Now am I satisfied. Forgive me, Basil.
Bas.
I'm glad thou art; we'll talk of her no more;
Why should I vex my friend?
Ros.
Thou hast not issued orders for the march.
Bas.
I'll do it soon; thou needst not be afraid.
To-morrow's sun shall bear us far from hence,
Never perhaps to pass these gates again.
Ros.
With last night's close, did you not curse this town
That would one single day your troops retard:
And now, methinks, you talk of leaving it,
As though it were the place that gave you birth;
As though you had around these strangers' walls
Your infant gambols play'd.
Bas.
The sight of what may be but little priz'd,
Doth cause a solemn sadness in the mind,
When view'd as that we ne'er shall see again.
Ros.
No, not a whit to wandering men like us.
No, not a whit! What custom hath endear'd
We part with sadly, though we prize it not:
But what is new some powerful charm must own,
Thus to affect the mind.
Bas.
(hastily).
We'll let it pass — It hath no consequence:
Thou art impatient.
Ros.
I'm not impatient. 'Faith, I only wish
Some other route our destin'd march had been,
That still thou mightst thy glorious course pursue
With an untroubled mind.
Bas.
O! wish it, wish it not! bless'd be that route!
What we have seen to-day, I must remember —
I should be brutish if I could forget it.
Oft in the watchful post, or weary march,
Oft in the nightly silence of my tent,
My fixed mind shall gaze upon it still;
But it will pass before my fancy's eye,
Like some delightful vision of the soul,
To soothe, not trouble it.
Ros.
What! 'midst the dangers of eventful war,
Still let thy mind be haunted by a woman?
Who would, perhaps, hear of thy fall in battle,
As Dutchmen read of earthquakes in Calabria,
And never stop to cry “alack a-day!”
For me there is but one of all the sex,
Who still shall hold her station in my breast,
'Midst all the changes of inconstant fortune;
Because I'm passing sure she loves me well,
And for my sake a sleepless pillow finds
When rumour tells bad tidings of the war;
Because I know her love will never change,
Nor make me prove uneasy jealousy.
Bas.
Happy art thou! who is this wondrous woman?
Ros.
It is my own good mother, faith and truth?
Bas.
(smiling).
Give me thy hand; I love her dearly too.
Rivals we are not, though our love is one.
Ros.
And yet I might be jealous of her love,
For she bestows too much of it on thee,
Who hast no claim but to a nephew's share.
Bas.
(going).
I'll meet thee some time hence. I must to court.
Ros.
A private conference will not stay thee long.
I'll wait thy coming near the palace gate.
Bas.
'Tis to the public court I mean to go.
Ros.
I thought you had determin'd otherwise.
Bas.
Yes, but on further thought it did appear
As though it would be failing in respect
At such a time — That look doth wrong me, Rosinberg!
For on my life, I had determin'd thus,
Ere I beheld — Before we enter'd Mantua.
But wilt thou change that soldier's dusty garb,
And go with me thyself?
Ros.
Yes, I will go.
[As they are going Ros. stops and looks at Basil.
Bas.
Why dost thou stop?
Ros.
'Tis for my wonted caution,
Which first thou gav'st me — I shall ne'er forget it!
'Twas at Vienna, on a public-day;
Thou but a youth, I then a man full form'd;
Thy stripling's brow grac'd with its first cockade,
Thy mighty bosom swell'd with mighty thoughts.
Thou'rt for the court, dear Rosinberg, quoth thou!
“Now pray thee be not caught with some gay dame,
To laugh and ogle, and befool thyself:
It is offensive in the public eye,
And suits not with a man of thy endowments.”
So said your serious lordship to me, then,
And have on like occasions, often since,
In other terms repeated. —
But I must go to-day without my caution.
Bas.
Nay, Rosinberg, I am impatient now:
Did I not say we'd talk of her no more?
Ros.
Well, my good friend, God grant we keep our word!
(Exeunt).
Note. — My first idea when I wrote this play was to represent Basil as having seen Victoria for the first time in the procession, that I might show more perfectly the passion from its first beginning, and also its sudden power over the mind; but I was induced, from the criticism of one whose judgment I very much respect, to alter it, and represent him as having formerly seen and loved her. The first Review that took notice of this work objected to Basil's having seen her before as a defect; and, as we are all easily determined to follow our own opinion, I have, upon after-consideration, given the play in this edition [third], as far as this is concerned, exactly in its original state. Strong internal evidence of this will be discovered by any one who will take the trouble of reading attentively the second scenes of the first and second acts in the present and former editions of this book. Had Basil seen and loved Victoria before, his first speech, in which he describes her to Rosinberg as walking in the procession, would not be natural; and there are, I think, other little things besides, which will show that the circumstance of his former meeting with her is an interpolation.
The blame of this, however, I take entirely upon myself; the critic, whose opinion I have mentioned, judged of the piece entirely as an unconnected play, and knew nothing of the general plan of this work, which ought to have been communicated to him. Had it been, indeed, an unconnected play, and had I put this additional circumstance to it with proper judgment and skill, I am inclined to think it would have been an improvement.
| The Dramatic and Poetical Works of Joanna Baillie | |