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A CARAFE, THAT IS A BLIND GLASS.

A kind in glass and a cousin, a spectacle and nothing
strange a single hurt color and an arrangement in a
system to pointing. All this and not ordinary, not
unordered in not resembling. The difference is
spreading.

GLAZED GLITTER.

Nickel, what is nickel, it is originally rid of a cover.

The change in that is that red weakens an hour.
The change has come. There is no search. But there
is, there is that hope and that interpretation and
sometime, surely any is unwelcome, sometime there
is breath and there will be a sinecure and charming
very charming is that clean and cleansing. Certainly
glittering is handsome and convincing.

There is no gratitude in mercy and in medicine.
There can be breakages in Japanese. That is no
programme. That is no color chosen. It was chosen
yesterday, that showed spitting and perhaps washing
and polishing. It certainly showed no obligation
and perhaps if borrowing is not natural there is some
use in giving.

A SUBSTANCE IN A CUSHION.

The change of color is likely and a difference a
very little difference is prepared. Sugar is not a
vegetable.


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Callous is something that hardening leaves behind
what will be soft if there is a genuine interest in
there being present as many girls as men. Does this
change. It shows that dirt is clean when there is a
volume.

A cushion has that cover. Supposing you do
not like to change, supposing it is very clean that
there is no change in appearance, supposing that
there is regularity and a costume is that any the
worse than an oyster and an exchange. Come to
season that is there any extreme use in feather and
cotton. Is there not much more joy in a table and
more chairs and very likely roundness and a place to
put them.

A circle of fine card board and a chance to see a
tassel.

What is the use of a violent kind of delightfulness
if there is no pleasure in not getting tired of it. The
question does not come before there is a quotation.
In any kind of place there is a top to covering and it is
a pleasure at any rate there is some venturing in
refusing to believe nonsense. It shows what use
there is in a whole piece if one uses it and it is extreme
and very likely the little things could be dearer but
in any case there is a bargain and if there is the best
thing to do is to take it away and wear it and then
be reckless be reckless and resolved on returning
gratitude.

Light blue and the same red with purple makes a
change. It shows that there is no mistake. Any


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pink shows that and very likely it is reasonable. Very
likely there should not be a finer fancy present. Some
increase means a calamity and this is the best preparation
for three and more being together. A little calm
is so ordinary and in any case there is sweetness and
some of that.

A seal and matches and a swan and ivy and a suit.

A closet, a closet does not connect under the bed.
The band if it is white and black, the band has a green
string. A sight a whole sight and a little groan grinding
makes a trimming such a sweet singing trimming
and a red thing not a round thing but a white thing,
a red thing and a white thing.

The disgrace is not in carelessness nor even in
sewing it comes out out of the way.

What is the sash like. The sash is not like anything
mustard it is not like a same thing that has stripes, it
is not even more hurt than that, it has a little top.

A BOX.

Out of kindness comes redness and out of rudeness
comes rapid same question, out of an eye comes
research, out of selection comes painful cattle. So
then the order is that a white way of being round is
something suggesting a pin and is it disappointing, it
is not, it is so rudimentary to be analysed and see a
fine substance strangely, it is so earnest to have a
green point not to red but to point again.


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A PIECE OF COFFEE.

More of double.

A place in no new table.

A single image is not splendor. Dirty is yellow.
A sign of more in not mentioned. A piece of coffee
is not a detainer. The resemblance to yellow is dirtier
and distincter. The clean mixture is whiter and not
coal color, never more coal color than altogether.

The sight of a reason, the same sight slighter, the
sight of a simpler negative answer, the same sore
sounder, the intention to wishing, the same splendor,
the same furniture.

The time to show a message is when too late and
later there is no hanging in a blight.

A not torn rose-wood color. If it is not dangerous
then a pleasure and more than any other if it is cheap
is not cheaper. The amusing side is that the sooner
there are no fewer the more certain is the necessity
dwindled. Supposing that the case contained rosewood
and a color. Supposing that there was no
reason for a distress and more likely for a number,
supposing that there was no astonishment, is it not
necessary to mingle astonishment.

The settling of stationing cleaning is one way not
to shatter scatter and scattering. The one way to
use custom is to use soap and silk for cleaning.
The one way to see cotton is to have a design concentrating
the illusion and the illustration. The perfect
way is to accustom the thing to have a lining and the
shape of a ribbon and to be solid, quite solid in standing
and to use heaviness in morning. It is light enough


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in that. It has that shape nicely. Very nicely may
not be exaggerating. Very strongly may be sincerely
fainting. May be strangely flattering. May not be
strange in everything. May not be strange to.

DIRT AND NOT COPPER.

Dirt and not copper makes a color darker. It makes
the shape so heavy and makes no melody harder.

It makes mercy and relaxation and even a strength
to spread a table fuller. There are more places not
empty. They see cover.

NOTHING ELEGANT.

A charm a single charm is doubtful. If the red is
rose and there is a gate surrounding it, if inside is let
in and there places change then certainly something
is upright. It is earnest.

MILDRED'S UMBRELLA.

A cause and no curve, a cause and loud enough, a
cause and extra a loud clash and an extra wagon, a
sign of extra, a sac a small sac and an established color
and cunning, a slender grey and no ribbon, this means
a loss a great loss a restitution.

A METHOD OF A CLOAK.

A single climb to a line, a straight exchange to a
cane, a desperate adventure and courage and a clock,


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all this which is a system, which has feeling, which
has resignation and success, all makes an attractive
black silver.

A RED STAMP.

If lilies are lily white if they exhaust noise and
distance and even dust, if they dusty will dirt a surface
that has no extreme grace, if they do this and it is not
necessary it is not at all necessary if they do this they
need a catalogue.

A BOX.

A large box is handily made of what is necessary to
replace any substance. Suppose an example is necessary,
the plainer it is made the more reason there is
for some outward recognition that there is a result.

A box is made sometimes and them to see to see to
it neatly and to have the holes stopped up makes it
necessary to use paper.

A custom which is necessary when a box is used and
taken is that a large part of the time there are three
which have different connections. The one is on the
table. The two are on the table. The three are on
the table. The one, one is the same length as is shown
by the cover being longer. The other is different
there is more cover that shows it. The other is
different and that makes the corners have the same
shade the eight are in singular arrangement to make
four necessary.


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Lax, to have corners, to be lighter than some weight,
to indicate a wedding journey, to last brown and
not curious, to be wealthy, cigarettes are established
by length and by doubling.

Left open, to be left pounded, to be left closed, to
be circulating in summer and winter, and sick color
that is grey that is not dusty and red shows, to be
sure cigarettes do measure an empty length sooner
than a choice in color.

Winged, to be winged means that white is yellow
and pieces pieces that are brown are dust color if
dust is washed off, then it is choice that is to say it is
fitting cigarettes sooner than paper.

An increase why is an increase idle, why is silver
cloister, why is the spark brighter, if it is brighter
is there any result, hardly more than ever.

A PLATE.

An occasion for a plate, an occasional resource is in
buying and how soon does washing enable a selection
of the same thing neater. If the party is small a clever
song is in order.

Plates and a dinner set of colored china. Pack
together a string and enough with it to protect the
centre, cause a considerable haste and gather more
as it is cooling, collect more trembling and not any
even trembling, cause a whole thing to be a church.

A sad size a size that is not sad is blue as every
bit of blue is precocious. A kind of green a game in
green and nothing flat nothing quite flat and more


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round, nothing a particular color strangely, nothing
breaking the losing of no little piece.

A splendid address a really splendid address is not
shown by giving a flower freely, it is not shown by a
mark or by wetting.

Cut cut in white, cut in white so lately. Cut more
than any other and show it. Show it in the stem and
in starting and in evening coming complication.

A lamp is not the only sign of glass. The lamp and
the cake are not the only sign of stone. The lamp and
the cake and the cover are not the only necessity
altogether.

A plan a hearty plan, a compressed disease and no
coffee, not even a card or a change to incline each way,
a plan that has that excess and that break is the one
that shows filling.

A SELTZER BOTTLE.

Any neglect of many particles to a cracking, any
neglect of this makes around it what is lead in color
and certainly discolor in silver. The use of this is
manifold. Supposing a certain time selected is assured,
suppose it is even necessary, suppose no other extract
is permitted and no more handling is needed, suppose
the rest of the message is mixed with a very long
slender needle and even if it could be any black border,
supposing all this altogether made a dress and suppose
it was actual, suppose the mean way to state it was
occasional, if you suppose this in August and even
more melodiously, if you suppose this even in the


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necessary incident of there certainly being no middle
in summer and winter, suppose this and an elegant
settlement a very elegant settlement is more than of
consequence, it is not final and sufficient and substituted.
This which was so kindly a present was
constant.

A LONG DRESS.

What is the current that makes machinery, that
makes it crackle, what is the current that presents a
long line and a necessary waist. What is this current.

What is the wind, what is it.

Where is the serene length, it is there and a dark
place is not a dark place, only a white and red are
black, only a yellow and green are blue, a pink is
scarlet, a bow is every color. A line distinguishes it.
A line just distinguishes it.

A RED HAT.

A dark grey, a very dark grey, a quite dark grey is
monstrous ordinarily, it is so monstrous because there
is no red in it. If red is in everything it is not necessary.
Is that not an argument for any use of it and
even so is there any place that is better, is there any
place that has so much stretched out.

A BLUE COAT.

A blue coat is guided guided away, guided and
guided away, that is the particular color that is used
for that length and not any width not even more
than a shadow.


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A PIANO.

If the speed is open, if the color is careless, if the
selection of a strong scent is not awkward, if the
button holder is held by all the waving color and there
is no color, not any color. If there is no dirt in a pin
and there can be none scarcely, if there is not then
the place is the same as up standing.

This is no dark custom and it even is not acted in
any such a way that a restraint is not spread. That
is spread, it shuts and it lifts and awkwardly not
awkwardly the centre is in standing.

A CHAIR.

A widow in a wise veil and more garments shows
that shadows are even. It addresses no more, it
shadows the stage and learning. A regular arrangement,
the severest and the most preserved is that
which has the arrangement not more than always
authorised.

A suitable establishment, well housed, practical,
patient and staring, a suitable bedding, very suitable
and not more particularly than complaining, anything
suitable is so necessary.

A fact is that when the direction is just like that,
no more, longer, sudden and at the same time not
any sofa, the main action is that without a blaming
there is no custody.

Practice measurement, practice the sign that means
that really means a necessary betrayal, in showing
that there is wearing.


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Hope, what is a spectacle, a spectacle is the resemblance
between the circular side place and nothing
else, nothing else.

To choose it is ended, it is actual and more than
that it has it certainly has the same treat, and a seat
all that is practiced and more easily much more easily
ordinarily.

Pick a barn, a whole barn, and bend more slender
accents than have ever been necessary, shine in the
darkness necessarily.

Actually not aching, actually not aching, a stubborn
bloom is so artificial and even more than that, it is a
spectacle, it is a binding accident, it is animosity and
accentuation.

If the chance to dirty diminishing is necessary, if
it is why is there no complexion, why is there no
rubbing, why is there no special protection.

A FRIGHTFUL RELEASE.

A bag which was left and not only taken but turned
away was not found. The place was shown to be very
like the last time. A piece was not exchanged, not a
bit of it, a piece was left over. The rest was mismanaged.

A PURSE.

A purse was not green, it was not straw color, it was
hardly seen and it had a use a long use and the chain,
the chain was never missing, it was not misplaced, it
showed that it was open, that is all that it showed.


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A MOUNTED UMBRELLA.

What was the use of not leaving it there where it
would hang what was the use if there was no chance of
ever seeing it come there and show that it was handsome
and right in the way it showed it. The lesson
is to learn that it does show it, that it shows it and
that nothing, that there is nothing, that there is no
more to do about it and just so much more is there
plenty of reason for making an exchange.

A CLOTH.

Enough cloth is plenty and more, more is almost
enough for that and besides if there is no more spreading
is there plenty of room for it. Any occasion shows
the best way.

MORE.

An elegant use of foliage and grace and a little
piece of white cloth and oil.

Wondering so winningly in several kinds of oceans
is the reason that makes red so regular and enthusiastic.
The reason that there is more snips are the
same shining very colored rid of no round color.

A NEW CUP AND SAUCER.

Enthusiastically hurting a clouded yellow bud and
saucer, enthusiastically so is the bite in the ribbon.


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OBJECTS.

Within, within the cut and slender joint alone, with
sudden equals and no more than three, two in the
centre make two one side.

If the elbow is long and it is filled so then the best
example is all together.

The kind of show is made by squeezing.

EYE GLASSES.

A color in shaving, a saloon is well placed in the
centre of an alley.

A CUTLET.

A blind agitation is manly and uttermost.

CARELESS WATER.

No cup is broken in more places and mended, that
is to say a plate is broken and mending does do that
it shows that culture is Japanese. It shows the whole
element of angels and orders. It does more to choosing
and it does more to that ministering counting. It
does, it does change in more water.

Supposing a single piece is a hair supposing more of
them are orderly, does that show that strength, does
that show that joint, does that show that balloon
famously. Does it.

A PAPER.

A courteous occasion makes a paper show no such
occasion and this makes readiness and eyesight and
likeness and a stool.


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A DRAWING.

The meaning of this is entirely and best to say the
mark, best to say it best to show sudden places, best
to make bitter, best to make the length tall and
nothing broader, anything between the half.

WATER RAINING.

Water astonishing and difficult altogether makes a
meadow and a stroke.

COLD CLIMATE.

A season in yellow sold extra strings makes lying
places.

MALACHITE.

The sudden spoon is the same in no size. The sudden
spoon is the wound in the decision.

AN UMBRELLA.

Coloring high means that the strange reason is in
front not more in front behind. Not more in front in
peace of the dot.

A PETTICOAT.

A light white, a disgrace, an ink spot, a rosy
charm.


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A WAIST.

A star glide, a single frantic sullenness, a single
financial grass greediness.

Object that is in wood. Hold the pine, hold the
dark, hold in the rush, make the bottom.

A piece of crystal. A change, in a change that is
remarkable there is no reason to say that there was a
time.

A woolen object gilded. A country climb is the
best disgrace, a couple of practices any of them in
order is so left.

A TIME TO EAT.

A pleasant simple habitual and tyrannical and
authorised and educated and resumed and articulate
separation. This is not tardy.

A LITTLE BIT OF A TUMBLER.

A shining indication of yellow consists in there
having been more of the same color than could have
been expected when all four were bought. This was
the hope which made the six and seven have no use
for any more places and this necessarily spread into
nothing. Spread into nothing.

A FIRE.

What was the use of a whole time to send and not
send if there was to be the kind of thing that made
that come in. A letter was nicely sent.


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A HANDKERCHIEF.

A winning of all the blessings, a sample not a sample
because there is no worry.

RED ROSES.

A cool red rose and a pink cut pink, a collapse and
a sold hole, a little less hot.

IN BETWEEN.

In between a place and candy is a narrow foot-path
that shows more mounting than anything, so much
really that a calling meaning a bolster measured a
whole thing with that. A virgin a whole virgin is
judged made and so between curves and outlines and
real seasons and more out glasses and a perfectly
unprecedented arrangement between old ladies and
mild colds there is no satin wood shining.

COLORED HATS.

Colored hats are necessary to show that curls are
worn by an addition of blank spaces, this makes the
difference between single lines and broad stomachs,
the least thing is lightening, the least thing means a
little flower and a big delay a big delay that makes
more nurses than little women really little women.
So clean is a light that nearly all of it shows pearls
and little ways. A large hat is tall and me and all
custard whole.


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A FEATHER.

A feather is trimmed, it is trimmed by the light and
the bug and the post, it is trimmed by little leaning
and by all sorts of mounted reserves and loud volumes.
It is surely cohesive.

A BROWN.

A brown which is not liquid not more so is relaxed
and yet there is a change, a news is pressing.

A LITTLE CALLED PAULINE.

A little called anything shows shudders.

Come and say what prints all day. A whole few
watermelon. There is no pope.

No cut in pennies and little dressing and choose
wide soles and little spats really little spices.

A little lace makes boils. This is not true.

Gracious of gracious and a stamp a blue green
white bow a blue green lean, lean on the top.

If it is absurd then it is leadish and nearly set in
where there is a tight head.

A peaceful life to arise her, noon and moon and
moon. A letter a cold sleeve a blanket a shaving
house and nearly the best and regular window.

Nearer in fairy sea, nearer and farther, show white
has lime in sight, show a stitch of ten. Count, count
more so that thicker and thicker is leaning.

I hope she has her cow. Bidding a wedding, widening
received treading, little leading mention nothing.


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Cough out cough out in the leather and really feather
it is not for.

Please could, please could, jam it not plus more sit
in when.

A SOUND.

Elephant beaten with candy and little pops and
chews all bolts and reckless reckless rats, this is this.

A TABLE.

A table means does it not my dear it means a whole
steadiness. Is it likely that a change.

A table means more than a glass even a looking
glass is tall. A table means necessary places and a
revision a revision of a little thing it means it does
mean that there has been a stand, a stand where it
did shake.

SHOES.

To be a wall with a damper a stream of pounding
way and nearly enough choice makes a steady midnight.
It is pus.

A shallow hole rose on red, a shallow hole in and in
this makes ale less. It shows shine.

A DOG.

A little monkey goes like a donkey that means to
say that means to say that more sighs last goes. Leave
with it. A little monkey goes like a donkey.


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A WHITE HUNTER.

A white hunter is nearly crazy.

A LEAVE.

In the middle of a tiny spot and nearly bare there is
a nice thing to say that wrist is leading. Wrist is
leading.

SUPPOSE AN EYES.

Suppose it is within a gate which open is open at
the hour of closing summer that is to say it is so.

All the seats are needing blackening. A white dress
is in sign. A soldier a real soldier has a worn lace a
worn lace of different sizes that is to say if he can
read, if he can read he is a size to show shutting up
twenty-four.

Go red go red, laugh white.

Suppose a collapse in rubbed purr, in rubbed purr
get.

Little sales ladies little sales ladies little saddles
of mutton.

Little sales of leather and such beautiful beautiful,
beautiful beautiful.

A SHAWL.

A shawl is a hat and hurt and a red ballon and an
under coat and a sizer a sizer of talks.

A shawl is a wedding, a piece of wax a little build.
A shawl.


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Pick a ticket, pick it in strange steps and with
hollows. There is hollow hollow belt, a belt is a
shawl.

A plate that has a little bobble, all of them, any so.

Please a round it is ticket.

It was a mistake to state that a laugh and a lip and
a laid climb and a depot and a cultivator and little
choosing is a point it.

BOOK.

Book was there, it was there. Book was there.
Stop it, stop it, it was a cleaner, a wet cleaner and it
was not where it was wet, it was not high, it was
directly placed back, not back again, back it was
returned, it was needless, it put a bank, a bank when,
a bank care.

Suppose a man a realistic expression of resolute
reliability suggests pleasing itself white all white and
no head does that mean soap. It does not so. It
means kind wavers and little chance to beside beside
rest. A plain.

Suppose ear rings, that is one way to breed, breed
that. Oh chance to say, oh nice old pole. Next
best and nearest a pillar. Chest not valuable, be
papered.

Cover up cover up the two with a little piece of
string and hope rose and green, green.

Please a plate, put a match to the seam and really
then really then, really then it is a remark that joins
many many lead games. It is a sister and sister and


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a flower and a flower and a dog and a colored sky a
sky colored grey and nearly that nearly that let.

PEELED PENCIL, CHOKE.

Rub her coke.

IT WAS BLACK, BLACK TOOK.

Black ink best wheel bale brown.

Excellent not a hull house, not a pea soup, no bill
no care, no precise no past pearl pearl goat.

THIS IS THIS DRESS, AIDER.

Aider, why aider why whow, whow stop touch, aider
whow, aider stop the muncher, muncher munchers.

A jack in kill her, a jack in, makes a meadowed
king, makes a to let.



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