The Theater of Fine Devices containing an hundred morall Emblemes. First penned in french by Guillaume de la Perriere, and translated into English by Thomas Combe |
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| XX. |
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| XXX. |
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| XL. |
| XLI. |
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| XLIII. |
| XLIIII. |
| XLV. |
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| XLIX. |
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| LI. |
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| LIIII. |
| LV. |
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| LIX. |
| LX. |
| LXI. |
| LXII. |
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| LXIIII. | EMBLEME LXIIII. |
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| LXVI. |
| LXVII. |
| LXVIII. |
| LXIX. |
| LXX. |
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| LXXIIII. |
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| LXXVII. |
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| LXXIX. |
| LXXX. |
| LXXXI. |
| LXXXII. |
| LXXXIII. |
| LXXXIIII. |
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| LXXXVII. |
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| LXXXIX. |
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| XCI. |
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| XCVI. |
| XCVII. |
| XCVIII. |
| XCIX. |
| C. |
 | The Theater of Fine Devices |  |
EMBLEME LXIIII.
The praise of beauty is but small,
Where vertue is not ioynd withall.
By mens proportions we can hardly guesse,
Where vertue is not ioynd withall.
Or know precisely whether they haue wit:
For who can tell what graces they possesse,
Although their members out of order sit?
Some heads are great, and some againe be lesse,
That to their bodies do not aptly fit:
Yet not proportion nor the bodies stature,
But education setteth foorth the nature.
| The Theater of Fine Devices | |