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University of Virginia Library

The Works of Dante Gabriel Rossetti

Edited with Preface and Notes by William M. Rossetti: Revised and Enlarged Edition

Rossetti, Dante Gabriel (1828-1882)

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I.

PRINCIPAL POEMS

THE BLESSED DAMOZEL

DANTE AT VERONA

THE BRIDE'S PRELUDE

A LAST CONFESSION

THE BURDEN OF NINEVEH

THE STAFF AND SCRIP

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THE HOUSE OF LIFE:

[A Sonnet is a moment's monument,—]

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I.

Part I.—YOUTH AND CHANGE

I.

SONNET I LOVE ENTHRONED

II.

SONNET II BRIDAL BIRTH

III.

SONNET III LOVE'S TESTAMENT

IV.

SONNET IV LOVESIGHT

V.

SONNET V HEART'S HOPE

VI.

SONNET VI THE KISS

VIa.

SONNET VIa NUPTIAL SLEEP

VII.

SONNET VII SUPREME SURRENDER

VIII.

SONNET VIII LOVE'S LOVERS

IX.

SONET IX PASSION AND WORSHIP

X.

SONNET X THE PORTRAIT

XI.

SONNET XI THE LOVE-LETTER

XII.

SONNET XII THE LOVERS' WALK

XIII.

SONNET XIII YOUTH'S ANTIPHONY

XIV.

SONNET XIV YOUTH'S SPRING-TRIBUTE

XV.

SONNET XV THE BIRTH-BOND

XVI.

SONNET XVI A DAY OF LOVE

XVII.

SONNET XVII BEAUTY'S PAGEANT

XVIII.

SONNET XVIII GENIUS IN BEAUTY

XIX.

SONNET XIX SILENT NOON

XX.

SONNET XX GRACIOUS MOONLIGHT

XXI.

SONNET XXI LOVE-SWEETNESS

XXII.

SONNET XXII HEART'S HAVEN

XXIII.

SONNET XXIII LOVE'S BAUBLES

XXIV.

SONNET XXIV PRIDE OF YOUTH

XXV.

SONNET XXV WINGED HOURS

XXVI.

SONNET XXVI MID-RAPTURE

XXVII.

SONNET XXVII HEART'S COMPASS

XXVIII.

SONNET XXVIII SOUL-LIGHT

XXIX.

SONNET XXIX THE MOONSTAR

XXX.

SONNET XXX LAST FIRE

XXXI.

SONNET XXXI HER GIFTS

XXXII.

SONNET XXXII EQUAL TROTH

XXXIII.

SONNET XXXIII VENUS VICTRIX

XXXIV.

SONNET XXXIV THE DARK GLASS

XXXV.

SONNET XXXV THE LAMP'S SHRINE

XXXVI.

SONNET XXXVI LIFE-IN-LOVE

XXXVII.

SONNET XXXVII THE LOVE-MOON

XXXVIII.

SONNET XXXVIII THE MORROW'S MESSAGE

XXXIX.

SONNET XXXIX SLEEPLESS DREAMS

XL.

SONNET XL SEVERED SELVES

XLI.

SONNET XLI THROUGH DEATH TO LOVE

XLII.

SONNET XLII HOPE OVERTAKEN

XLIII.

SONNET XLIII LOVE AND HOPE

XLIV.

SONNET XLIV CLOUD AND WIND

XLV.

SONNET XLV SECRET PARTING

XLVI.

SONNET XLVI PARTED LOVE

XLVII.

SONNET XLVII BROKEN MUSIC

XLVIII.

SONNET XLVIII DEATH-IN-LOVE

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XLIX, L, LI, LII.

SONNETS XLIX, L, LI, LII WILLOWWOOD

I.

II.

III.

IV.

LIII.

SONNET LIII WITHOUT HER

LIV.

SONNET LIV LOVE'S FATALITY

LV.

SONNET LV STILLBORN LOVE

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LVI, LVII, LVIII.

SONNETS LVI, LVII, LVIII TRUE WOMAN

I.

II.

III.

III. HER HEAVEN

LIX.

SONNET LIX LOVE'S LAST GIFT

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II.

Part II.—CHANGE AND FATE

LX.

SONNET LX TRANSFIGURED LIFE

LXI.

SONNET LXI THE SONG-THROE

LXII.

SONNET LXII THE SOUL'S SPHERE

LXIII.

SONNET LXIII INCLUSIVENESS

LXIV.

SONNET LXIV ARDOUR AND MEMORY

LXV.

SONNET LXV KNOWN IN VAIN

LXVI.

SONNET LXVI THE HEART OF THE NIGHT

LXVII.

SONNET LXVII THE LANDMARK

LXVIII.

SONNET LXVIII A DARK DAY

LXIX.

SONNET LXIX AUTUMN IDLENESS

LXX.

SONNET LXX THE HILL SUMMIT

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LXXI, LXXII, LXXIII.

SONNETS LXXI, LXXII, LXXIII THE CHOICE

I.

II.

III.

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LXXIV, LXXV, LXXVI.

SONNETS LXXIV, LXXV, LXXVI OLD AND NEW ART

I.

I. ST. LUKE THE PAINTER

II.

II. NOT AS THESE

III.

III. THE HUSBANDMEN

LXXVII.

SONNET LXXVII SOUL'S BEAUTY

LXXVIII.

SONNET LXXVIII BODY'S BEAUTY

LXXIX.

SONNET LXXIX THE MONOCHORD

LXXX.

SONNET LXXX FROM DAWN TO NOON

LXXXI.

SONNET LXXXI MEMORIAL THRESHOLDS

LXXXII.

SONNET LXXXII HOARDED JOY

LXXXIII.

SONNET LXXXIII BARREN SPRING

LXXXIV.

SONNET LXXXIV FAREWELL TO THE GLEN

LXXXV.

SONNET LXXXV VAIN VIRTUES

LXXXVI.

SONNET LXXXVI LOST DAYS

LXXXVII.

SONNET LXXXVII DEATH'S SONGSTERS

LXXXVIII.

SONNET LXXXVIII HERO'S LAMP.

LXXXIX.

SONNET LXXXIX THE TREES OF THE GARDEN

XC.

SONNET XC “RETRO ME, SATHANA!”

XCI.

SONNET XCI LOST ON BOTH SIDES

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XCII, XCIII.

SONNETS XCII, XCIII THE SUN'S SHAME

I.

II.

XCIV.

SONNET XCIV MICHELANGELO'S KISS

XCV.

SONNET XCV THE VASE OF LIFE

XCVI.

SONNET XCVI LIFE THE BELOVED

XCVII.

SONNET XCVII A SUPERSCRIPTION

XCVIII.

SONNET XCVIII HE AND I

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XCIX, C.

SONNETS XCIX, C NEWBORN DEATH

I.

II.

CI.

SONNET CI THE ONE HOPE

THE STREAM'S SECRET

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I.

II.

III.

THE KING'S TRAGEDY

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II.

II.—MISCELLANEOUS POEMS

MY SISTER'S SLEEP

FOR AN ANNUNCIATION

FOR OUR LADY OF THE ROCKS

AT THE SUN-RISE IN 1848

THE LADY'S LAMENT

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MARY'S GIRLHOOD

I.

II.

THE CARD-DEALER

VOX ECCLESIÆ, VOX CHRISTI

ON REFUSAL OF AID BETWEEN NATIONS

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A TRIP TO PARIS AND BELGIUM

I.

I LONDON TO FOLKESTONE

II.

II BOULOGNE TO AMIENS AND PARIS

III.

III THE STAIRCASE OF NOTRE DAME, PARIS

IV.

IV PLACE DE LA BASTILLE, PARIS

V.

V ON A HANDFUL OF FRENCH MONEY

VI.

VI TO THE P. R. B.

VII.

VII IN THE TRAIN, AND AT VERSAILLES

VIII.

VIII LAST VISIT TO THE LOUVRE

IX.

IX LAST SONNETS AT PARIS

X.

X FROM PARIS TO BRUSSELS

XI.

XII.

XII ON THE ROAD TO WATERLOO: 17 October

XIII.

XIII A HALF-WAY PAUSE

XIV.

XIV ON THE FIELD OF WATERLOO

XV.

RETURNING TO BRUSSELS

XVI.

XVI ANTWERP TO GHENT

XVII.

XVII ANTWERP AND BRUGES

XVIII.

XVIII ON LEAVING BRUGES

XIX.

XIX ASHORE AT DOVER

FOR A VENETIAN PASTORAL BY GIORGIONE

FOR AN ALLEGORICAL DANCE OF WOMEN BY ANDREA MANTEGNA

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FOR “RUGGIERO AND ANGELICA”

I.

II.

FOR A VIRGIN AND CHILD BY HANS MEMMELINCK

FOR A MARRIAGE OF ST. CATHERINE BY THE SAME

A YOUNG FIR-WOOD

ON THE VITA NUOVA OF DANTE

WELLINGTON'S FUNERAL

TO THOMAS WOOLNER

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THE CHURCH-PORCHES

1.

II.

THE HONEYSUCKLE

WORDS ON THE WINDOW-PANE

ON THE SITE OF A MULBERRY-TREE;

A MATCH WITH THE MOON

BEAUTY AND THE BIRD

DAWN ON THE NIGHT-JOURNEY

AFTER THE FRENCH LIBERATION OF ITALY

A NEW-YEAR'S BURDEN

THE SONG OF THE BOWER

ON CERTAIN ELIZABETHAN REVIVALS

DANTIS TENEBRÆ

THE SEED OF DAVID

PLIGHTED PROMISE

THE PASSOVER IN THE HOLY FAMILY

VENUS VERTICORDIA

FOR “THE WINE OF CIRCE”

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1.

2.

MICHAEL SCOTT'S WOOING

FIRST LOVE REMEMBERED

AN OLD SONG ENDED

AFTER THE GERMAN SUBJUGATION OF FRANCE, 1871

THE CLOUD CONFINES

PARTED PRESENCE

A DEATH-PARTING

ASTARTE SYRIACA

TO PHILIP BOURKE MARSTON, INCITING ME TO POETIC WORK

THE LAST THREE FROM TRAFALGAR

THOMAS CHATTERTON

SAMUEL TAYLOR COLERIDGE

FOR SPRING BY SANDRO BOTTICELLI

FOR THE HOLY FAMILY BY MICHELANGELO.

TIBER, NILE, AND THAMES

CZAR ALEXANDER THE SECOND

PERCY BYSSHE SHELLEY

RALEIGH'S CELL IN THE TOWER

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III.

VERSICLES AND FRAGMENTS

[As much as in a hundred years, she's dead]

THE ORCHARD-PIT

[“I saw the Sibyl at Cumæ”]

[As balmy as the breath of her you love]

[“Was it a friend or foe that spread these lies?”]

[If I could die like the British Queen]

[She bound her green sleeve on my helm]

[Where is the man whose soul has never waked]

[At her step the water-hen]

[Would God I knew there were a God to thank]

[I shut myself in with my soul]

[“I hate” says over and above]

[Do still thy best, albeit the clue]

[The bitter stage of life]

[The winter garden-beds all bare]

[Who shall say what is said in me]

[Who knoweth not love's sounds and silences?]

[Where the poets all—]

[Even as the dreariest swamps, in sweet Springtide]

[Or reading in some sunny nook]

[Aye, we'll shake hands, though scarce for love, we two]

[And heavenly things in your eyes have place]

[Though all the rest go by—]

[What face but thine has taught me all that art]

[With furnaces]

[And love and faith, the vehement heart of all.]

[For this can love, and does love, and loves me. ]

[The forehead veiled and the veiled throat of Death.]

[Thou that beyond thy real self dost see]

[And plaintive days that haunt the haggard hills]

[To know for certain that we do not know]

[Think through this silence how when we are old]

[An ant-sting's prickly at first]

[And mad revulsion of the tarnished light.]

[His face, in Fortune's favours sunn'd]

[The glass stands empty of all things it knew.]

[O thou whose name, being alone, aloud]

[I saw the love which was my life flow past]

[Or give ten years of life's most bitter wane]

[And of the cup of human agony]

[Even as the moon grows clearer on the sky]

[(The Imperial Cloak—Paludamentum).]

MY LADY (Canzone)

LAST LOVE (Canzone)

[For the garlands of heaven were all laid by]

[The wounded hart and the dying swan]

[Within those eyes the sedulous yearning throe.]

[Ah if you had been lost for many years]

ON THE TWO BRIDAL-BIERS

[Fashioned with intricate infinity.]

[Ah dear one, we were young so long]

[The tombless fossil of deep-buried days.]

[And 'mid the budding branches' sway]

[In galliard gardens of strange aventine]

[When we are senseless grown, to make stones speak.]

[Or, stamped with the snake's coil, it be]

[Could Keats but have a day or two on earth]

[“Ah lads, I knew your father.” What wide world]

[This little day—a bird that flew to me—]

[No ship came near: aloof with heed]

[And plaintive days that haunt the haggard hills]

[Inexplicable blight]

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[With golden mantle, rings, and necklace fair]

[A golden robe, yet will she wear]

YOUTH AND LORDSHIP

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JUVENILIA AND GROTESQUES

ALGERNON STANHOPE

AN EPITAPH FOR KEATS

TO MARY IN SUMMER

THE ENGLISH REVOLUTION OF 1848

THE SIN OF DETECTION

ONE OF TIME'S RIDDLES

THE WORLD'S DOING

HEIGHT IN DEPTH

PRAISE AND PRAYER

THE TURNING-POINT

IDLE BLESSEDNESS

“'TWAS THUS”

ON BROWNING'S SORDELLO

THE CAN-CAN AT VALENTINO'S

AT THE STATION OF THE VERSAILLES RAILWAY

L'ENVOI: BRUSSELS, HÔTEL DU MIDI

SIR PETER PAUL RUBENS (Antwerp)

BETWEEN GHENT AND BRUGES

VERSES TO JOHN TUPPER

ST. WAGNES' EVE

PARODY ON “UNCLE NED”

VALENTINE—TO LIZZIE SIDDAL

ADDRESS TO THE DALZIEL BROTHERS

ON WILLIAM MORRIS

ON CHRISTINA ROSSETTI

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DANTE AND HIS CIRCLE

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I.

PART I Dante's Vita Nuova, etc. Poets of Dante's Circle

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[To every heart which the sweet pain doth move]

[All ye that pass along Love's trodden way]

[A day agone, as I rode sullenly]

[Song, 'tis my will that thou do seek out Love]

[All my thoughts always speak to me of Love]

[Even as the others mock, thou mockest me]

[The thoughts are broken in my memory]

[At whiles (yea oftentimes) I muse over]

[Ladies that have intelligence in love]

[Love and the gentle heart are one same thing]

[My lady carries love within her eyes]

[You that thus wear a modest countenance]

[A very pitiful lady, very young]

[I felt a spirit of love begin to stir]

[My lady looks so gentle and so pure]

[For certain he hath seen all perfectness]

[Love hath so long possessed me for his own]

[The eyes that weep for pity of the heart]

[Stay now with me, and listen to my sighs]

[Whatever while the thought comes over me]

[That lady of all gentle memories]

[Mine eyes beheld the blessed pity spring]

[Love's pallor and the semblance of deep ruth]

[“The very bitter weeping that ye made]

[A gentle thought there is will often start]

[Woe's me! by dint of all these sighs that come]

[Ye pilgrim-folk, advancing pensively]

[Beyond the sphere which spreads to widest space]

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[DANTE ALIGHIERI]

I.

I TO BRUNETTO LATINI

II.

III.

IV.

V.

VI.

VII.

VIII.

IX.

IX TO CINO DA PISTOIA

CINO DA PISTOIA TO DANTE ALIGHIERI

X.

X TO CINO DA PISTOIA

CINO DA PISTOIA TO DANTE ALIGHIERI

XI.

XII.

XIII.

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GUIDO CAVALCANTI

I.

I TO DANTE ALIGHIERI

II.

III.

IV.

V.

VI.

VI TO GUIDO ORLANDI

GUIDO ORLANDI TO GUIDO CAVALCANTI

VII.

VIII.

DANTE ALIGHIERI TO GUIDO CAVALCANTI

IX.

IX TO DANTE ALIGHIERI

X.

X TO DANTE ALIGHIERI

XI.

XI TO DANTE ALIGHIERI

XII.

XIII.

XIV.

XV.

XVI.

XVII.

GUIDO ORLANDI TO GUIDO CAVALCANTI

GIANNI ALFANI TO GUIDO CAVALCANTI

BERNARDO DA BOLOGNA TO GUIDO CAVALCANTI

XVIII.

XVIII TO BERNARDO DA BOLOGNA

DINO COMPAGNI TO GUIDO CAVALCANTI

XIX.

XIX TO GUIDO ORLANDI

GUIDO ORLANDI TO GUIDO CAVALCANTI

XX.

XX TO DANTE ALIGHIERI

XXI.

XXII.

XXIII.

XXIII TO POPE BONIFACE VIII

XXIV.

XXV.

XXVI.

XXVII.

XXVIII.

DANTE AND HIS CIRCLE

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CINO DA PISTOIA

I.

I TO DANTE ALIGHIERI

II.

II TO DANTE ALIGHIERI

III.

III TO DANTE ALIGHIERI

IV.

V.

VI.

VII.

VIII.

IX.

X.

X TO GUIDO CAVALCANTI

XI.

XII.

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DANTE DA MAIANO

I.

I TO DANTE ALIGHIERI

II.

GUIDO ORLANDI TO DANTE DA MAIANO

III.

IV.

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CECCO ANGIOLIERI, DA SIENA

I.

I TO DANTE ALIGHIERI

II.

III.

IV.

V.

VI.

VII.

VIII.

IX.

X.

XI.

XII.

XIII.

XIV.

XV.

XVI.

XVII.

XVII Prolonged Sonnet

XVIII.

XIX.

XX.

XXI.

XXII.

XXIII.

XXIII TO DANTE ALIGHIERI

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I.

II.

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DINO FRESCOBALDI

I.

II.

GIOTTO DI BONDONE

SIMONE DALL' ANTELLA

GIOVANNI QUIRINO TO DANTE ALIGHIERI

DANTE ALIGHIERI TO GIOVANNI QUIRINO

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APPENDIX TO PART I

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I.

I Forese Donati

I.

I Dante Alighieri to Forese Donati

II.

II Forese Donati to Dante Alighieri

III.

III Dante Alighieri to Forese Donati

IV.

IV Forese Donati to Dante Alighieri

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III.

III Giovanni Boccaccio

I.

I To one who had censured his public Exposition of Dante

II.

II Inscription for a portrait of Dante

III.

III To Dante in Paradise, after Fiammetta's death

IV.

IV Of Fiammetta singing

V.

V Of his last sight of Fiammetta

VI.

VI Of three Girls and of their Talk

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II.

PART II POETS CHIEFLY BEFORE DANTE

CIULLO D'ALCAMO

FOLCACHIERO DE' FOLCACHIERI, KNIGHT OF SIENA

LODOVICO DELLA VERNACCIA

SAINT FRANCIS OF ASSISI

FREDERICK II. EMPEROR

ENZO, KING OF SARDINIA

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GUIDO GUINICELLI

I.

II.

III.

IV.

V.

VI.

GUERZO DI MONTECANTI

INGHILFREDI, SICILIANO

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RINALDO D'AQUINO

I.

II.

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JACOPO DA LENTINO

I.

II.

III.

IV.

V.

VI.

VII.

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MAZZEO DI RICCO, DA MESSINA

I.

II.

III.

PANNUCCIO DAL BAGNO, PISANO

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GIACOMINO PUGLIESI, KNIGHT OF PRATO

I.

II.

III.

FRA GUITTONE D' AREZZO

BARTOLOMEO DI SANT' ANGELO

SALADINO DA PAVIA

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BONAGGIUNTA URBICIANI, DA LUCCA

I.

II.

III.

IV.

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MEO ABBRACCIAVACCA, DA PISTOIA

I.

II.

UBALDO DI MARCO

SIMBUONO GIUDICE

MASOLINO DA TODI

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ONESTO DI BONCIMA, BOLOGNESE

I.

II.

TERINO DA CASTEL FIORENTINO

MAESTRO MIGLIORE, DA FIORENZA

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FOLGORE DA SAN GEMINIANO

I.

II.

III.

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GUIDO DELLE COLONNE

PIER MORONELLI, DI FIORENZA

CIUNCIO FIORENTINO

RUGGIERI DI AMICI, SICILIANO

CARNINO GHIBERTI, DA FIORENZA

PRINZIVALLE DORIA

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RUSTICO DI FILIPPO

I.

II.

III.

PUCCIARELLO DI FIORENZA

ALBERTUCCIO DELLA VIOLA

TOMMASO BUZZUOLA, DA FAENZA

NOFFO BONAGUIDA

LIPPO PASCHI DE' BARDI

SER PACE, NOTAIO DA FIORENZA

NICCOLÒ DEGLI ALBIZZI

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FRANCESCO DA BARBERINO

I.

II.

III.

IV.

V.

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FAZIO DEGLI UBERTI

I.

II.

II Extract from the “Dittamondo”

III.

III Extract from the “Dittamondo”

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FRANCO SACCHETTI

I.

II.

III.

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ANONYMOUS POEMS

I.

II.

III.

IV.

V.

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TRANSLATIONS from the GERMAN, ITALIAN, FRENCH, AND GREEK

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HENRY THE LEPER

I.

II.

III.

IV.

V.

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TWO SONGS FROM VICTOR HUGO'S “BURGRAVES”

I.

II.

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TWO LYRICS FROM NICCOLÒ TOMMASEO

I.

I.—THE YOUNG GIRL

II.

II.—A FAREWELL

FROM THE ROMAN DE LA ROSE

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POEMS BY FRANCESCO AND GAETANO POLIDORI

[Extract from Il Losario]

SONNET TO THE LAUREL

A DOCTOR'S ADVICE

THE BALLAD OF DEAD LADIES

TO DEATH, OF HIS LADY

MY FATHER'S CLOSE

HIS MOTHER'S SERVICE TO OUR LADY

FRANCESCA DA RIMINI

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RUSTICO DI FILIPPO

I
Sonnet

Of the making of Master Messerin

When God had finished Master Messerin,
He really thought it something to have done:
Bird, man, and beast had got a chance in one,
And each felt flattered, it was hoped, therein.
For he is like a goose i'the windpipe thin,
And like a cameleopard high i'the loins;
To which, for manhood, you'll be told, he joins
Some kinds of flesh-hues and a callow chin.
As to his singing, he affects the crow;
As to his learning, beasts in general;
And sets all square by dressing like a man.
God made him, having nothing else to do;
And proved there is not anything at all
He cannot make, if that's a thing He can.

480

II
Sonnet

Of the Safety of Messer Fazio

Master Bertuccio, you are called to account
That you guard Fazio's life from poison ill:
And every man in Florence tells me still
He has no horse that he can safely mount.
A mighty war-horse worth a thousand pound
Stands in Cremona stabled at his will;
Which for his honoured person should fulfil
Its use. Nay, sir, I pray you be not found
So poor a steward. For all fame of yours
Is cared for best, believe me, when I say:—
Our Florence gives Bertuccio charge of one
Who rides her own proud spirit like a horse;
Whom Cocciolo himself must needs obey;
And whom she loves best, being her strongest son.

I have not been able to trace the Fazio to whom this sonnet refers.

III
Sonnet

Of Messer Ugolino

If any one had anything to say
To the Lord Ugolino, because he's
Not staunch, and never minds his promises,
'Twere hardly courteous, for it is his way.
Courteous it were to say such sayings nay:
As thus: He's true, sir, only takes his ease
And don't care merely if it plague or please,
And has good thoughts, no doubt, if they would stay.
Now I know he's so loyal every whit
And altogether worth such a good word
As worst would best and best would worst befit.
He'd love his party with a dear accord
If only he could once quite care for it,
But can't run post for any Law or Lord.

The character here drawn certainly suggests Count Ugolino de' Gherardeschi, though it would seem that Rustico died nearly twenty years before the tragedy of the Tower of Famine.