The Brick Moon, and Other Stories | ||
Fortunately we were with our wives.
It is in general an excellent custom, as I will explain if opportunity is given.
First, you are thus sure of good company.
For four mortal hours we had ground along, and stopped and waited and started again, in the drifts between Westfield and Springfield. We had shrieked out our woes by the voices of five engines. Brave men had dug. Patient men had sat inside and waited for the results of the digging. At last, in triumph, at eleven and three quarters, as they say in "Cinderella," we entered the Springfield station.
It was Christmas Eve!
Leaving the train to its devices, Blatchford and his wife (her name was Sarah), and I with mine (her name was Phebe), walked quickly with our little sacks out of the station, ploughed and waded along the white street, not to the Massasoit — no, but to the old Eagle and Star, which was still standing, and was a favorite with us youngsters. Good waffles, maple syrup ad lib., such fixings of other sorts as we preferred, and some liberty.
Bed followed; and I am a graceless dog that I do not write a sonnet here on the unbroken slumber that followed. Breakfast, by arrangement of us four, at nine. At 9.30, to us enter Bertha, Dick, Hosanna, and Wolfgang, to name them in alphabetical order. Four chairs had been turned down for them. Four chops, four omelettes, and four small oval dishes of fried potatoes had been ordered, and now appeared. Immense shouting, immense kissing among those who had that privi
It may be remarked in parenthesis that we had learned already that no train had entered the town since eleven and a quarter; and it was known by telegraph that none was within thirty-four miles and a half of the spot, at the moment the vow was made.
We waded and ploughed our way through the snow to church. I think Mr. Rumfry, if that is the gentleman's name who preached an admirable Christmas sermon in a beautiful church there, will remember the platoon of four men and four women who made perhaps a fifth of his congregation in that storm, — a storm which shut off most church-going. Home again: a jolly fire in the parlor, dry stockings, and dry slippers. Turkeys, and all things fitting for the dinner; and then a general assembly, not in a caravansary, not in a coffee-room, but in the regular guests' parlor of a New England second-class hotel, where, as it was ordered, there were no "transients" but ourselves that day; and whence all the "boarders" had gone either to their own rooms or to other homes.
For people who have their wives with them, it is not difficult to provide entertainment on such an occasion.
"Bertha," said Wolfgang, "could you not entertain us with one of your native dances?"
"Ho! slave," said Dick to Hosanna, "play upon the virginals." And Hosanna played a lively Arab air on the tavern piano, while the fair Bertha danced with a spirit unusual. Was it indeed in memory of the Christmas of her own dear home in Circassia?
All that, from "Bertha" to "Circassia," is not so. We did not do this at all. That was all a slip of the pen. What we did was this. John Blatchford pulled the bell-cord till it broke (they always break in novels, and sometimes they do in taverns). This bell-cord broke. The sleepy boy came; and John said, "Caitiff, is there never a barber in the house?" The frightened boy said there was; and John bade him send him. In a minute the barber appeared — black, as was expected — with a shining face, and white teeth, and in shirt-sleeves, and broad inquiry.
"Do you tell me, Caesar," said John, "that in your country they do not wear their coats on Christmas Day?"
"Sartin, they do, sah, when they go outdoors."
"Do you tell me, Caesar," said Dick, "that they have doors in your country?"
"Sartin, they do," said poor Caesar, flurried.
"Boy," said I, "the gentlemen are making fun of you. They want to know if you ever keep Christmas in your country without a dance."
"Never, sah," said poor Caesar. Do they dance without music? No, sah; never."
"Go, then," I said, in my sternest accents, — "go fetch a zithern, or a banjo, or a kit, or a hurdy-gurdy, or a fiddle."
The black boy went, and returned with his violin. And as the light grew gray, and crept into the darkness, and as the darkness gathered more thick and more, he played for us, and he played for us, tune after tune; and we danced — first with precision, then in sport, then in wild holiday frenzy. We began with waltzes — so great is the convenience of travelling with your wives — where should we have been, had we been all sole alone, four men? Probably playing whist or euchre. And now we began with waltzes, which passed into polkas, which subsided into other round dances; and then in very exhaustion we fell back in a grave quadrille. I danced with Hosanna; Wolfgang and Sarah were our vis-a-vis. We went through the same set that Noah and his three boys danced in the ark with their four wives, and which has been danced ever since, in every moment, on one or another spot of the dry earth, going round it with the sun, like the drum-beat of England — right and left, first two forward, right hand across, pastorale — the whole series of them; we did them with as much spirit as if it had been on a flat on the side of Ararat, ground yet too muddy for croquet. Then Blatchford
All this last, since the sentence after "Circassia," is a mistake. There was not any bell, nor any barber, and we did not dance at all. This was all a slip of my memory.
What we really did was this:
John Blatchford said, "Let us all tell stories." It was growing dark and he put more logs on the fire.
Bertha said, —
"Heap on more wood, the wind is chill;
But let it whistle as it will,
We'll keep our merry Christmas still."
She said that because it was in "Bertha's Visit," — a very stupid book, which she remembered.
Then Wolfgang told
The Brick Moon, and Other Stories | ||