University of Virginia Library

Search this document 
  
  
  
  
  
  

 1. 
collapse section2. 
  
 1. 
 2. 
 3. 
 4. 
 5. 
 6. 
 7. 
 8. 
 9. 
 10. 
 11. 
 12. 
 3. 
collapse section4. 
  
  
 5. 
 6. 
 7. 
 8. 
 9. 
 10. 
 11. 
collapse section12. 
collapse section 
  
  
collapse section1. 
collapse section 
  
  
  
collapse section2. 
  
  
  
collapse section3. 
  
  
  
collapse section4. 
  
  
  
collapse section2. 
collapse section1. 
  
  
  
collapse section2. 
  
  
TABLET THE FIFTH Mars REFLECTION TABLET THE FIFTH
  
collapse section3. 
  
  
  
  
collapse section3. 
collapse section 
  
  
  
  
  
  
  
  
  
  
  
  
 13. 

TABLET THE FIFTH
Mars
illustration

147

REFLECTION
TABLET THE FIFTH

Can greater irony be shown than in this astral symbol. Mars is externally represented as a fierce warrior, awful to behold; the reality, a little child, painting toy pictures on the helmet, too big for his curly head. The lesson in this is indeed, that the pen is mightier than the sword; that the big and blustering helmet will become a plaything for the child. Soon, that the sword of bloodshed, rape, and ruin, will be broken and war relegated to the past, looked at, but, as pictures, painted with hideous reality by the childhood of the race.

The symbol also reveals the great executive forces of humanity, the child. The soul can paint, execute its ideas, its hopes and its fears in any color—the lurid red of blood, the black of ignorance and crime, or in the living light of beauty. All the same, it is the childhood of man painting its ideals in the material world.

O child of Adam, curb the anger of Mars, that thy painting may set the dove at liberty. Let the magic of thy soul transform the savage of the desert into the angel of mercy.