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You see them clear—the moon shines bright.
Slow, slow and softly, where she stood,
She sinks upon the ground;—her hood
Had fallen back; her arms outspread
Still hold her lover's hand; her head
Is bow'd, half-buried, on the bed.
O'er the blanch'd sheet her raven hair
Lies in disorder'd streams; and there,
Strung like white stars, the pearls still are,
And the golden bracelets, heavy and rare,
Flash on her white arms still.
The very same which yesternight
Flash'd in the silver sconces' light,
When the feast was gay and the laughter loud
In Tyntagel's palace proud.
But then they deck'd a restless ghost
With hot-flush'd cheeks and brilliant eyes,
And quivering lips on which the tide
Of courtly speech abruptly died,
And a glance which over the crowded floor,

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The dancers, and the festive host,
Flew ever to the door.
That the knights eyed her in surprise,
And the dames whispered scoffingly:
“Her moods, good lack, they pass like showers!
But yesternight and she would be
As pale and still as wither'd flowers,
And now to-night she laughs and speaks
And has a colour in her cheeks;
Christ keep us from such fantasy!”—
Yes, now the longing is o'erpast,
Which, dogg'd by fear and fought by shame,
Shook her weak bosom day and night,
Consumed her beauty like a flame,
And dimm'd it like the desert-blast.
And though the bed-clothes hide her face,
Yet were it lifted to the light,
The sweet expression of her brow
Would charm the gazer, till his thought
Erased the ravages of time,
Fill'd up the hollow cheek, and brought
A freshness back as of her prime—
So healing is her quiet now.
So perfectly the lines express

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A tranquil, settled loveliness,
Her younger rival's purest grace.
The air of the December-night
Steals coldly around the chamber bright,
Where those lifeless lovers be;
Swinging with it, in the light
Flaps the ghostlike tapestry.
And on the arras wrought you see
A stately Huntsman, clad in green,
And round him a fresh forest-scene.
On that clear forest-knoll he stays,
With his pack round him, and delays.
He stares and stares, with troubled face,
At this huge, gleam-lit fireplace,
At that bright, iron-figured door,
And those blown rushes on the floor.
He gazes down into the room
With heated cheeks and flurried air,
And to himself he seems to say:
“What place is this, and who are they?
Who is that kneeling Lady fair?
And on his pillows that pale Knight
Who seems of marble on a tomb?
How comes it here, this chamber bright,

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Through whose mullion'd windows clear
The castle-court all wet with rain,
The drawbridge and the moat appear,
And then the beach, and, mark'd with spray,
The sunken reefs, and far away
The unquiet bright Atlantic plain?
—What, has some glamour made me sleep,
And sent me with my dogs to sweep,
By night, with boisterous bugle-peal,
Through some old, sea-side, knightly hall,
Not in the free green wood at all?
That Knight's asleep, and at her prayer
That Lady by the bed doth kneel—
Then hush, thou boisterous bugle-peal!”
—The wild boar rustles in his lair;
The fierce hounds snuff the tainted air;
But lord and hounds keep rooted there.
Cheer, cheer thy dogs into the brake,
O Hunter! and without a fear
Thy golden-tassell'd bugle blow,
And through the glades thy pastime take—
For thou wilt rouse no sleepers here!
For these thou seest are unmoved;
Cold, cold as those who lived and loved
A thousand years ago.