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The Poetical Works of Aubrey De Vere

De Vere, Aubrey (1814-1902)

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VOL. I. THE SEARCH AFTER PROSERPINE
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RECOLLECTIONS OF GREECE,
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KING HENRY THE SECOND AT THE TOMB OF KING ARTHUR,
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SONNETS.
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MISCELLANEOUS POEMS.
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SONNETS.
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THE YEAR OF SORROW AND OTHER POEMS.
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SONNETS WRITTEN IN TRAVEL.
 I. 
I. GIOTTO'S CAMPANILE AT FLORENCE.
 II. 
II. OLD PICTURES AT FLORENCE.
 III. 
III. ON A PICTURE BY COREGGIO AT PARMA.
 IV. 
IV. COREGGIO'S CUPOLAS AT PARMA.
 V. 
V. TO ITALY.
 VI. 
VI. GENOA.
 VII. 
VII. A PICTURE BY ANDREA DEL SARTO, IN THE CATHEDRAL OF PISA.
 VIII. 
VIII. THE RENAISSANCE, AND SAVONAROLA.—1.
 IX. 
IX. THE RENAISSANCE, AND SAVONAROLA.—2.
 X. 
X. FRESCOES BY MASACCIO, AT FLORENCE.
 XI. 
XI. SAINTS BY PIETRO PERUGINO.
 XII. 
XII. PICTURE OF A SAINT.
 XIII. 
XIII. A NIGHT ON THE GENOESE RIVIERA.
 XIV. 
XIV. BOCCACCIO AND CERTALDO.
 XV. 
XV. THE CAMPO SANTO AT PISA.—1.
 XVI. 
XVI. THE CAMPO SANTO AT PISA.—2.
 XVII. 
XVII. TASSO'S HOUSE AT SORRENTO.
 XVIII. 
XVIII. CASTELAMARE.
 XIX. 
XIX. A MORNING AT SALERNO.
 XX. 
XX. TO NAPLES.
 XXI. 
XXI. THE SIBYL'S CAVE AT CUMA.
 XXII. 
XXII. THE RUINS OF CORNELIA'S HOUSE AT BAIA.
 XXIII. 
XXIII. VENICE BY DAY.
 XXIV. 
XXIV. VENICE IN THE EVENING.
 XXV. 
XXV. LEONARDO'S ‘LAST SUPPER’ AT MILAN.
 XXVI. 
XXVI. THE CHURCH OF ST. AMBROSE AT MILAN.
 XXVII. 
XXVII. THE STATUE OF ST. CARLO BORROMEO AT ARONA.
 XXVIII. 
XXVIII. THE MILANESE SCHOOL.
 XXIX. 
XXIX. THE CATHEDRAL OF MILAN.
 XXX. 
XXX. BYZANTINE MOSAICS AT RAVENNA.
 XXXI. 
XXXI. TO A MOUNTAIN IN SWITZERLAND.—1.
 XXXII. 
XXXII. TO A MOUNTAIN IN SWITZERLAND.—2.
 XXXIII. 
XXXIII. TO A MOUNTAIN IN SWITZERLAND.—3.
 XXXIV. 
XXXIV. THE CHAPEL OF TELL ON THE LAKE LUCERNE.
 XXXV. 
XXXV. THE LAKE OF LUCERNE.
 XXXVI. 
XXXVI.
 XXXVII. 
XXXVII. THE MOUNTAIN MUSE.
 XXXVIII. 
XXXVIII. THE BLUE GENTIAN.
 XXXIX. 
XXXIX. THE MOUNTAIN LANGUAGE.
 XL. 
XL. A TYROLESE VILLAGE.
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MISCELLANEOUS SONNETS.
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VOL. II.
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VOL. III.
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VOL. IV.
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VOL. V.
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VOL. VI. LEGENDS AND RECORDS OF THE CHURCH AND THE EMPIRE

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VII.

Stronger and steadier every hour
The pulses of the season's glee
As higher climbs that vernal Power
Which rules the azure revelry.
Trees that from winter's grey eclipse
Of late but pushed their topmost plume
Or felt with green-touched finger-tips
For spring, their perfect robes assume.
Like one that reads not one that spells
The unvarying rivulet onward runs:
And bird to bird from leafier cells
Sends forth more leisurely response.
Through gorse-gilt coverts bounds the deer;
The gorse, whose latest splendours won
Make all the fulgent wolds appear
Bright as the pastures of the sun.
A balmier zephyr curls the wave;
More purple flames o'er ocean dance;
And the white breaker by the cave
Falls with more cadenced resonance;
While, vague no more, the mountains stand
With quivering line or hazy hue,
But drawn with finer firmer hand,
And settling into deeper blue.
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