The Poetical Works of Robert Browning | ||
IV.
And where woke I? The March had set me downThere whence I plucked the measure, as his brown
Frayed flannel-bit my blackcap. Great John Relfe,
Master of mine, learned, redoubtable,
It little needed thy consummate skill
To fitly figure such a bass! The key
Was—should not memory play me false—well, C.
Ay, with the Greater Third, in Triple Time,
225
Except from Tonic down to Dominant.
And yet—and yet—if I could put in rhyme
The manner of that marching!—which had stopped
—I wonder, where?—but that my weak self dropped
From out the ranks, to rub eyes disentranced
And feel that, after all the way advanced,
Back must I foot it, I and my compeers,
Only to reach, across a hundred years,
The bandsman Avison whose little book
And large tune thus had led me the long way
(As late a rag my blackcap) from to-day
And to-day's music-manufacture,—Brahms,
Wagner, Dvorak, Liszt,—to where—trumpets, shawms,
Show yourselves joyful!—Handel reigns—supreme?
By no means! Buononcini's work is theme
For fit laudation of the impartial few:
(We stand in England, mind you!) Fashion too
Favours Geminiani—of those choice
Concertos: nor there wants a certain voice
Raised in thy favour likewise, famed Pepusch
Dear to our great-grandfathers! In a bush
Of Doctor's wig, they prized thee timing beats
While Greenway trilled “Alexis.” Such were feats
Of music in thy day—dispute who list—
Avison, of Newcastle organist!
The Poetical Works of Robert Browning | ||