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The Poetical Works of Aubrey De Vere

De Vere, Aubrey (1814-1902)

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VOL. I. THE SEARCH AFTER PROSERPINE
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VOL. II.
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VOL. III.
  
[dedication]
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[section]
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[section]
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MISCELLANEOUS POEMS.
  
[dedication]
  
ODE TO THE DAFFODIL.
  
A FAREWELL.
  
SONG.
  
A PICTURE OF HERODIAS' DAUGHTER BY LUINI.
  
VANITY.
  
CHAUCER.
  
SPENSER.
  
ODE, WRITTEN BESIDE THE LAGO VARESE.
  
ODE.
  
LINES COMPOSED NEAR SHELLEY'S HOUSE AT LERICI, ON ALL SOULS' DAY, 1856.
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SONNETS.
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SONNETS.
 I. 
I. WORDSWORTH. COMPOSED AT RYDAL.—1.
 II. 
II. WORDSWORTH, ON VISITING THE DUDDON. —2.
 III. 
III. WORDSWORTH, ON VISITING THE DUDDON.—3.
 IV. 
IV. SELF-DECEPTION.
 V. 
V. POETIC RESERVE.
 VI. 
VI. ON A GREAT FUNERAL.
 VII. 
VII.TO CHARLES ELIOT NORTON.—1.
 VIII. 
VIII. TO THE SAME.—2. June 12, 1861.
 IX. 
IX. THE AMERICAN STRUGGLE.—1.
 X. 
X. THE AMERICAN STRUGGLE.—2.
 XI. 
XI. THE CENTENARY OF AMERICAN LIBERTY.
 XII. 
XII. ROBERT ISAAC WILBERFORCE.
 XIII. 
XIII. ‘LE RÉCIT D'UNE SŒUR.’—1.
 XIV. 
XIV. ‘LE RÉCIT D'UNE SŒUR.’—2.
 XV. 
XV. A WINTER NIGHT IN THE WOODS.
 XVI. 
XVI. POLAND AND RUSSIA.—1.
 XVII. 
XVII. POLAND AND RUSSIA.—2.
 XVIII. 
XVIII. GALATEA AND URANIA; OR, ART AND FAITH.
 XIX. 
XIX. COMMON LIFE.
 XX. 
XX. TO KEATS.
 XXI. 
XXI. MODERN DESPONDENCY.
 XXII. 
XXII. PONTEFRACT CASTLE; OR, TREASON'S TWOFOLD BEQUEST.
 XXIII. 
XXIII. INDUSTRY.
 XXIV. 
XXIV. TO THE MOST FAIR.
 XXV. 
XXV. IN MEMORY OF THE LATE SIR JOHN SIMEON.—1.
 XXVI. 
XXVI. IN MEMORY OF THE LATE SIR JOHN SIMEON.—2.
 XXVII. 
XXVII. IN MEMORY OF THE LATE SIR JOHN SIMEON.—3.
 XXVIII. 
XXVIII. THE POETRY OF THE FUTURE.
 XXIX. 
XXIX. THE RUINS OF EMANIA, NEAR ARMAGH.
 XXX. 
XXX. DUNLUCE CASTLE, COUNTY OF ANTRIM.
 XXXI. 
XXXI. HORN HEAD, COUNTY OF DONEGAL.
 XXXII. 
XXXII. FOUNTAINS ABBEY.
 XXXIII. 
XXXIII. ON READING AN UNTRUE CHARGE.
  
ON VISITING A HAUNT OF COLERIDGE'S.
  
LINES TO AN OLD LARCH-TREE AT CURRAGH CHASE.
  
AUTUMNAL ODE.
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VOL. IV.
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VOL. V.
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VOL. VI. LEGENDS AND RECORDS OF THE CHURCH AND THE EMPIRE

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XVII. POLAND AND RUSSIA.—2.

The Strong One with the Weak One reasons thus:
‘Through sin of thine our eagle wings are clipt:
Through frost of thine our summer branch is nipt:
Thy wounds accuse: thy rags are mutinous:
The nations note thine aspect dolorous
Like some starved shape that cowers in charnel crypt,
Or landscape in eclipse perpetual dipt,
And, ignorant, cavil, not at thee but us!’
Then answer makes that worn voice, stern and slow:
‘Am I a dog the scourger's hand that licks,
And fattens? Blind reproof but spurns the pricks.
That which I am thou mad'st me! long ago
My face thou grav'dst to be a face of woe,
Fixed as the fixed face of a Crucifix.’
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