University of Virginia Library

Search this document 
The complete works of N.P. Willis

Willis, Nathaniel Parker (1806-1867)
  
[book-plate]
  
[title page]
  
[acknowledgements]
  
[acknowledgements]
  
[preface]
  
CONTENTS.
  
[acknowledgements]
  
THE AUTHOR OF PENCILLINGS BY THE WAY, TO THE READER OF THIS EDITION.

collapse section 
PENCILLINGS BY THE WAY.
 1. 
LETTER I.
 2. 
LETTER II.
 3. 
LETTER III.
 4. 
LETTER IV.
 5. 
LETTER V.
 6. 
LETTER VI.
 7. 
LETTER VII.
 8. 
LETTER VIII.
 9. 
LETTER IX.
 10. 
LETTER X.
 11. 
LETTER XI.
 12. 
LETTER XII.
 13. 
LETTER XIII.
 14. 
LETTER XIV.
 15. 
LETTER XV.
 16. 
LETTER XVI.
 17. 
LETTER XVII.
 18. 
LETTER XVIII.
 19. 
LETTER XIX.
 20. 
LETTER XX.
 21. 
LETTER XXI.
 22. 
LETTER XXII.
 23. 
LETTER XXIII.
 24. 
LETTER XXIV.
 25. 
LETTER XXV.
 26. 
LETTER XXVI.
 27. 
LETTER XXVII.
 28. 
LETTER XXVIII.
 29. 
LETTER XXIX.
 30. 
LETTER XXX.
 31. 
LETTER XXXI.
 32. 
LETTER XXXII.
 33. 
LETTER XXXIII.
 34. 
LETTER XXXIV.
 35. 
LETTER XXXV.
 36. 
LETTER XXXVI.
 37. 
LETTER XXXVII.
 38. 
LETTER XXXVIII.
 39. 
LETTER XXXIX.
 40. 
LETTER XL.
 41. 
LETTER XLI.
 42. 
LETTER XLII.
 43. 
LETTER XLIII.
 44. 
LETTER XLIV.
 45. 
LETTER XLV.
 46. 
LETTER XLVI.
 47. 
LETTER XLVII.
 48. 
LETTER XLVIII.
 49. 
LETTER XLIX.
 50. 
LETTER L.
 51. 
LETTER LI.
 52. 
LETTER LII.
 53. 
LETTER LIII.
 54. 
LETTER LIV.
 55. 
LETTER LV.
 56. 
LETTER LVI.
 57. 
LETTER LVII.
 58. 
LETTER LVIII.
 59. 
LETTER LIX.
 60. 
LETTER LX.
 61. 
LETTER LXI.
 62. 
LETTER LXII.
 63. 
LETTER LXIII.
 64. 
LETTER LXIV.
 65. 
LETTER LXV.
 66. 
LETTER LXVI.
 67. 
LETTER LXVII.
 68. 
LETTER LXVIII.
 69. 
LETTER LXIX.
 70. 
LETTER LXX.
 71. 
LETTER LXXI.
 72. 
LETTER LXXII.
 73. 
LETTER LXXIII.
 74. 
LETTER LXXIV.
 75. 
LETTER LXXV.
 76. 
LETTER LXXVI.
 77. 
LETTER LXXVII.
 78. 
LETTER LXXVIII.
 79. 
LETTER LXXIX.
 80. 
LETTER LXXX.
 81. 
LETTER LXXXI.
 82. 
LETTER LXXXII.
 83. 
LETTER LXXXIII.
 84. 
LETTER LXXXIV.
 85. 
LETTER LXXXV.
 86. 
LETTER LXXXVI.
 87. 
LETTER LXXXVII.
 88. 
LETTER LXXXVIII.
 89. 
LETTER LXXXIX.
 90. 
LETTER XC.
 91. 
LETTER XCI.
 92. 
LETTER XCII.
 93. 
LETTER XCIII.
 94. 
LETTER XCIV.
 95. 
LETTER XCV.
 96. 
LETTER XCVI.
 97. 
LETTER XCVII
 98. 
LETTER XCVIII.
 99. 
LETTER XCIX.
 100. 
LETTER C.
 101. 
LETTER CI.
 102. 
LETTER CII.
 103. 
LETTER CIII.
 104. 
LETTER CIV.
 105. 
LETTER CV.
 106. 
LETTER CVI.
 107. 
LETTER CVII.
 108. 
LETTER CVIII.
 109. 
LETTER CIX.
 110. 
LETTER CX.
 111. 
LETTER CXI.
 112. 
LETTER CXII.
 113. 
LETTER CXIII.
 114. 
LETTER CXIV.
 115. 
LETTER CXV.
 116. 
LETTER CXVI.
 117. 
LETTER CXVII.
 118. 
LETTER CXVIII.
 119. 
LETTER CXIX.
 120. 
LETTER CXX.
 121. 
LETTER CXXI.
 122. 
LETTER CXXII.
 123. 
LETTER CXXIII.
 124. 
LETTER CXXIV.
 125. 
LETTER CXXV.
 126. 
LETTER CXXVI.
 127. 
LETTER CXXVII.
 128. 
LETTER CXXVIII.
 129. 
LETTER CXXIX.
 130. 
LETTER CXXX.
 131. 
LETTER CXXXI.
 132. 
LETTER CXXXII.
 133. 
LETTER CXXXIII.
 134. 
LETTER CXXXIV.
 135. 
LETTER CXXXV.
 136. 
LETTER CXXXVI.
 137. 
LETTER CXXXVII.
 138. 
LETTER CXXXVIII.
 139. 
LETTER CXXXIX.
collapse section 
LETTERS FROM UNDER A BRIDGE
  
PREFACE.
 1. 
LETTER I.
 2. 
LETTER II.
 3. 
LETTER III.
 4. 
LETTER IV.
 5. 
LETTER V.
 6. 
LETTER VI.
 7. 
LETTER VII.
 8. 
LETTER VIII
 9. 
LETTER IX.
 10. 
LETTER X.
 11. 
LETTER XI.
 12. 
LETTER XII.
 13. 
LETTER XIII.
 14. 
LETTER XIV.
 15. 
LETTER XV.
 16. 
LETTER XVI.
 17. 
LETTER XVII.
 18. 
LETTER XVIII.
collapse section 
DASHES AT LIFE WITH A FREE PENCIL.
collapse section1. 
PART I; HIGH LIFE IN EUROPE, AND AMERICAN LIFE.
  
PREFACE.
collapse section 
LEAVES FROM THE HEART-BOOK OF ERNEST CLAY
 1. 
CHAPTER I.
 2. 
CHAPTER II.
 3. 
CHAPTER III.
 4. 
CHAPTER IV.
 5. 
CHAPTER V.
 6. 
CHAPTER VI.
 7. 
CHAPTER VII.
 8. 
CHAPTER VIII.
 9. 
CHAPTER IX.
  
THE MARQUIS IN PETTICOATS.
  
“BEAUTY AND THE BEAST;” OR, HANDSOME MRS. TITTON AND HER PLAIN HUSBAND.
  
BROWN'S DAY WITH THE MIMPSONS.
  
MR. AND MRS. FOLLETT; OR, THE DANGERS OF MEDDLING WITH MARRIED PEOPLE.
collapse section 
THE COUNTESS NYSCHRIEM, AND THE HANDSOME ARTIST.
 2. 
II.
  
MY ONE ADVENTURE AS A BRIGAND.
collapse section 
WIGWAM versus ALMACK'S.
 1. 
CHAPTER I.
 2. 
CHAPTER II.
  
MISS JONES'S SON.
  
LADY RACHEL.
collapse section 
THE PHANTOM-HEAD UPON THE TABLE.
 1. 
CHAPTER I. SHOWING THE HUMILIATIONS OF THE BARRIERS OF HIGH-LIFE.
 2. 
CHAPTER II. SHOWING A GENTLEMAN'S NEED OF A HORSE.
 3. 
CHAPTER III. SHOWING WHAT MAKES A HORSE-STEALER A GENTLEMAN.
 4. 
CHAPTER IV.
collapse section 
GETTING TO WINDWARD.
 1. 
CHAPTER I.
 2. 
CHAPTER II.
  
THE WIFE BEQUEATHED AND RESUMED.
  
A REVELATION OF A PREVIOUS LIFE.
collapse section2. 
AMERICAN LIFE.
  
COUNT POTT'S STRATEGY.
  
THE FEMALE WARD.
  
TWO BUCKETS IN A WELL.
  
LIGHT VERVAIN.
  
NORA MEHIDY; OR, THE STRANGE ROAD TO THE HEART OF MR. HYPOLET LEATHERS.
  
THE PHARISEE AND THE BARBER.
  
MRS. PASSABLE TROTT.
  
THE SPIRIT-LOVE OF “IONE S — .”
  
MABEL WYNNE.
  
THE GHOST-BALL AT CONGRESS HALL.
  
BORN TO LOVE PIGS AND CHICKENS.
  
THE WIDOW BY BREVET.
collapse section 
THOSE UNGRATEFUL BLIDGIMSES.
  
THE STORY.
collapse section 
DASHES AT LIFE WITH A FREE PENCIL.
collapse section2. 
PART II; INKLINGS OF ADVENTURE, AND LOITERINGS OF TRAVEL.
  
PREFACE.
collapse section 
PEDLAR KARL.
 2. 
II.
 3. 
III.
 4. 
IV.
 5. 
V.
collapse section 
NIAGARA — LAKE ONTARIO — THE ST. LAWRENCE.
 1. 
NO. I. — NIAGARA.
 2. 
II. — LAKE ONTARIO.
 3. 
III. — THE ST. LAWRENCE.
collapse section 
THE CHEROKEE'S THREAT.
 2. 
II.
 3. 
III.
 4. 
IV.
 5. 
V.
 6. 
VI.
collapse section 
F. SMITH.
 2. 
II.
 3. 
III.
 4. 
IV.
collapse section 
EDITH LINSEY.
collapse section1. 
PART I. FROST AND FLIRTATION.
 2. 
II.
collapse section2. 
PART II. LOVE AND SPECULATION.
 2. 
II.
collapse section3. 
PART III. A Digression.
 2. 
II.
 3. 
III.
collapse section4. 
PART IV. SCENERY AND A SCENE.
 2. 
II.
 3. 
III.
 4. 
IV.
 5. 
V.
collapse section 
SCENES OF FEAR.
 1. 
No. I. THE DISTURBED VIGIL.
 2. 
No. II. THE MAD SENIOR.
 3. 
No. III. THE LUNATIC'S SKATE.
  
INCIDENTS ON THE HUDSON.
collapse section 
THE GIPSY OF SARDIS.
 2. 
II.
 3. 
III.
 4. 
IV.
 5. 
V.
 6. 
VI.
 7. 
VII.
 8. 
VIII.
collapse section2. 
PART II.
 2. 
II.
 3. 
III.
 4. 
IV.
collapse section3. 
PART III.
 2. 
II.
 3. 
III.
  
TOM FANE AND I.
collapse section 
LARKS IN VACATION.
collapse section1. 
CHAPTER I. DRIVING STANHOPE PRO TEM.
 2. 
II.
collapse section2. 
CHAPTER II. SARATOGA SPRINGS.
 2. 
II.
 3. 
III.
 3. 
CHAPTER III. MRS. CAPTAIN THOMPSON.
  
A LOG IN THE ARCHIPELAGO.
collapse section 
THE REVENGE OF THE SIGNOR BASIL.
collapse section1. 
PART I.
 2. 
II.
 3. 
III.
 4. 
IV.
 5. 
V.
 6. 
VI.
collapse section2. 
PART II.
 2. 
II.
 3. 
III.
 4. 
IV.
 5. 
V.
  
LOVE AND DIPLOMACY.
  
THE MADHOUSE OF PALERMO.
  
MINUTE PHILOSOPHIES.
collapse section 
LOITERINGS OF TRAVEL.
collapse section 
LADY RAVELGOLD.
 1. 
CHAPTER I.
 2. 
CHAPTER II.
 3. 
CHAPTER III.
 4. 
CHAPTER IV.
 5. 
CHAPTER V.
 6. 
CHAPTER VI.
collapse section 
PALETTO'S BRIDE.
 1. 
CHAPTER I.
 2. 
CHAPTER II.
collapse section 
VIOLANTA CESARINI.
 1. 
CHAPTER I.
 2. 
CHAPTER II.
 3. 
CHAPTER III.
 4. 
CHAPTER IV.
 5. 
CHAPTER V.
 6. 
CHAPTER VI.
collapse section 
PASQUALI, THE TAILOR OF VENICE.
 1. 
CHAPTER I.
 2. 
CHAPTER II.
collapse section 
THE BANDIT OF AUSTRIA.
 2. 
CHAPTER II.
 3. 
CHAPTER III.
 4. 
CHAPTER IV.
 5. 
CHAPTER V.
collapse section 
OONDER-HOOFDEN, OR THE UNDERCLIFF. A TALE OF THE VOYAGE OF HENDRICK HUDSON.
 1. 
CHAPTER I.
 2. 
CHAPTER II.
  
THE PICKER AND PILER.
  
KATE CREDIFORD.
  
FLIRTATION AND FOX-CHASING.
  
THE POET AND THE MANDARIN.
  
MEENA DIMITY; OR, WHY MR. BROWN CRASH TOOK THE TOUR.
collapse section 
THE POWER OF AN “INJURED LOOK.”
 1. 
CHAPTER I.
 2. 
CHAPTER II.
 3. 
CHAPTER III.
  
BEWARE OF DOGS AND WALTZING.
  
THE INLET OF PEACH-BLOSSOMS.
  
THE BELLE OF THE BELFRY; OR, THE DARING LOVER.
  
PASSAGES FROM AN EPISTOLARY JOURNAL. KEPT ON A LATE VISIT TO ENGLAND.
collapse section 
MY ADVENTURES AT THE TOURNAMENT.
  
PRINCIPAL DAY.
collapse section 
SKETCHES OF TRAVEL.
 1. 
CHAPTER I. LONDON.
 2. 
CHAPTER II. THE STREETS OF LONDON.
 3. 
CHAPTER III. LONDON.
 4. 
CHAPTER IV. LONDON.
 5. 
CHAPTER V. LONDON.
 6. 
CHAPTER VI. LONDON.
 7. 
CHAPTER VII. ISLE OF WIGHT — RYDE.
 8. 
CHAPTER VIII. COMPARISON OF THE CLIMATE OF EUROPE AND AMERICA.
 9. 
CHAPTER IX. STRATFORD-ON-AVON.
 10. 
CHAPTER X. VISIT TO STRATFORD-ON-AVON — SHAKSPERE.
 11. 
CHAPTER XI. CHARLECOTE.
 12. 
CHAPTER XII. WARWICK CASTLE.
 13. 
CHAPTER XIII. KENILWORTH.
 14. 
CHAPTER XIV. A VISIT TO DUBLIN ABOUT THE TIME OF THE QUEEN'S MARRIAGE.
 15. 
CHAPTER XV. CLOSING SCENES OF THE SESSION AT WASHINGTON.
 16. 
CHAPTER XVI. THE INAUGURATION.
 17. 
CHAPTER XVII. WASHINGTON IN THE SESSION.
 18. 
CHAPTER XVIII. WASHINGTON AFTER THE SESSION.
  
THE FOUR RIVERS. THE HUDSON — THE MOHAWK — THE CHENANGO — THE SUSQUEHANNAH.
collapse section 
DASHES AT LIFE WITH A FREE PENCIL.
collapse section3. 
PART III; EPHEMERA.
collapse section 
FROM SARATOGA.
  
MOORE AND BARRY CORNWALL.
  
THE CLOISTER.
  
THE CABINET.
  
THE CABINET.
  
THE CABINET.
  
THE CABINET.
  
THE CABINET.
  
A HUMBUG FAME.
  
AFTER THE OPERA.
  
AFTER THE OPERA. A FEW GRAVE REMARKS WHILE SUPPER IS COMING.
  
JOHN QUINCY ADAMS.
  
OLE BULL'S NIAGARA. (AN HOUR BEFORE THE PERFORMANCE.)
  
SUPPER AFTER THE OPERA.
  
BREAKFAST ON NEW YEAR'S DAY.
  
BEHIND THE CURTAIN.
  
WHO ARE THE UPPER TEN THOUSAND?
collapse section 
THE WEST IN A PETTICOAT.
 1. 
CHAPTER I.
  
LETTER TO FANNY FORESTER.
  
[section]
  
ARGUMENT FOR SEDAN CHAIRS.
  
BACHELOR BOB'S DISCOVERIES.
collapse section 
LECTURE ON FASHION: DELIVERED BEFORE THE NEW YORK LYCEUM,
  
NOTE.
collapse section 
POETICAL WORKS OF N. P. WILLIS.
collapse section 
SACRED POEMS.
  
PREFACE.
  
THE HEALING OF THE DAUGHTER OF JAIRUS.
  
THE LEPER.
  
DAVID'S GRIEF FOR HIS CHILD.
  
THE SACRIFICE OF ABRAHAM.
  
THE SHUNAMITE.
  
JEPHTHAH'S DAUGHTER.
  
ABSALOM.
  
CHRIST'S ENTRANCE INTO JERUSALEM
  
BAPTISM OF CHRIST.
  
SCENE IN GETHSEMANE.
  
THE WIDOW OF NAIN.
  
HAGAR IN THE WILDERNESS.
  
RIZPAH WITH HER SONS, (The day before they were hanged on Gibeah.)
  
LAZARUS AND MARY.
  
THOUGHTS WHILE MAKING THE GRAVE OF A NEW-BORN CHILD.
  
ON THE DEPARTURE OF REV. MR. WHITE FROM HIS PARISH WHEN CHOSEN PRESIDENT OF WABASH COLLEGE
  
BIRTH-DAY VERSES.
  
TO MY MOTHER FROM THE APPENINES
  
LINES ON LEAVING EUROPE.
  
A TRUE INCIDENT.
  
THE MOTHER TO HER CHILD.
  
THIRTY-FIVE.
  
A THOUGHT OVER A CRADLE.
  
CONTEMPLATION.
  
ON THE DEATH OF A MISSIONARY.
  
ON THE PICTURE OF A “CHILD TIRED OF PLAY”
  
A CHILD'S FIRST IMPRESSION OF A STAR
  
ON WITNESSING A BAPTISM.
  
REVERY AT GLENMARY.
  
THE BELFRY PIGEON.
  
THE SABBATH.
  
DEDICATION HYMN.
collapse section 
POEMS OF PASSION.
collapse section 
THE DYING ALCHYMIST.
  
PARRHASIUS.
  
THE SCHOLAR OF THEBET BEN KHORAT.
  
THE WIFE'S APPEAL.
  
MELANIE.
  
LORD IVON AND HIS DAUGHTER.
  
TO ERMENGARDE.
  
THE PITY OF THE PARK FOUNTAIN.
  
“CHAMBER SCENE.”
  
TO A STOLEN RING.
  
TO HER WHO HAS HOPES FOR ME.
  
THE DEATH OF HARRISON.
  
“SHE WAS NOT THERE.”
  
FAIL ME NOT THOU!
  
SPIRIT-WHISPERS.
  
TO M — FROM ABROAD.
  
SUNRISE THOUGHTS AT THE CLOSE OF A BALL.
  
TO A FACE BELOVED.
  
UNSEEN SPIRITS.
  
BETTER MOMENTS.
  
THE ANNOYER.
  
ANDRE'S REQUEST TO WASHINGTON
  
DAWN.
collapse section 
THE LADY JANE, AND OTHER POEMS.
collapse section 
THE LADY JANE, A NOVEL IN RHYME.
  
AN APOLOGY
  
TO HELEN IN A HUFF.
  
CITY LYRICS.
  
TO THE LADY IN THE CHEMISETTE WITH BLACK BUTTONS.
  
THE LADY IN THE WHITE DRESS,
  
THE WHITE CHIP HAT.
  
YOU KNOW IF IT WAS YOU.
  
UNSEEN SPIRITS.
  
LOVE IN A COTTAGE.
  
THE DECLARATION.
collapse section 
TORTESA, THE USURER,
 1. 
ACT I.
 2. 
ACT II.
 3. 
ACT III.
 4. 
ACT IV.
 5. 
ACT V.
collapse section 
BIANCA VISCONTI; OR THE HEART OVERTASKED.
 1. 
ACT I.
 2. 
ACT II.
 3. 
ACT III.
 4. 
ACT IV.
 5. 
ACT V.

collapse section Collapse All | Expand All expand section
previous sectionREVERY AT GLENMARY. The complete works of N.P. Willis
next section

REVERY AT GLENMARY.

I have enough, O God! My heart to-night
Runs over with its fulness of content;
And as I look out on the fragrant stars,
And from the beauty of the night take in
My priceless portion — yet myself no more
Than in the universe a grain of sand —
I feel His glory who could make a world,
Yet in the lost depths of the wilderness
Leave not a flower unfinish'd!
Rich, though poor!
My low-roof'd cottage is this hour a heaven.
Music is in it — and the song she sings,
That sweet-voic'd wife of mine, arrests the ear
Of my young child awake upon her knee;
And, with his calm eyes on his master's face,
My noble hound lies couchant — and all here —
All in this little home, yet boundless heaven —
Are, in such love as I have power to give,
Blessed to overflowing.
Thou, who look'st
Upon my brimming heart this tranquil eve,
Knowest its fulness, as thou dost the dew
Sent to the hidden violet by Thee;
And, as that flower, from its unseen abode,
Sends its sweet breath up, duly, to the sky,
Changing its gift to incense, so, oh God,
May the sweet drops that to my humble cup
Find their far way from heaven, send up to Thee
Fragrance at thy throne welcome!
previous sectionREVERY AT GLENMARY. The complete works of N.P. Willis
next section