CONTENTS
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PROLOGUE . . . . . . . . . . . . . . . . . . . . 1
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I IS IT A GHOST? . . . . . . . . . . . . . . . . . 8
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II THE NEW MARGARITA 21
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III THE MYSTERIOUS REASON 34
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IV BOX FIVE 44
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V THE ENCHANTED VIOLIN 61
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VI A VISIT TO BOX FIVE 82
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VII FAUST AND WHAT FOLLOWED 86
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VIII THE MYSTERIOUS BROUGHAM 105
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IX AT THE MASKED BALL 116
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X FORGET THE NAME OF THE MAN'S VOICE 129
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XI ABOVE THE TRAP-DOORS 136
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XII APOLLO'S LYRE 146
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XIII A MASTER-STROKE OF THE TRAP-DOOR LOVER 172
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XIV THE SINGULAR ATTITUDE OF A SAFETY-PIN 187
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XV CHRISTINE! CHRISTINE! 196
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XVI MME. GIRY'S REVELATIONS 203
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XVII THE SAFETY-PIN AGAIN 217
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XVIII THE COMMISSARY, THE VISCOUNT AND THE PERSIAN 226
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XIX THE VISCOUNT AND THE PERSIAN 234
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XX IN THE CELLARS OF THE OPERA 243
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XXI INTERESTING VICISSITUDES 264
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XXII IN THE TORTURE CHAMBER 282
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XXIII THE TORTURES BEGIN 291
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XXIV BARRELS! BARRELS! 300
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XXV THE SCORPION OR THE GRASSHOPPER: WHICH 315
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XXVI THE END OF THE GHOST'S LOVE STORY 325
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EPILOGUE . . . . . . . . . . . . . . . . . . . .337
Plus a "bonus chapter" called "THE PARIS OPERA HOUSE".
