University of Virginia Library

II.

"THE QUEEN HERSELF TOOK THE CHAIR"

[Description: A young girl getting a haircut in barbershop with other children watching, by Peter Newell]

It now becomes the duty of the unfortunate writer to exhibit these children to their fond parents. "Come on, Jimmie," cried little Cora, "let's go show mamma." And they hurried off, these happy children, to show mamma.

The Trescotts and their guests were assembled indolently awaiting the luncheon-bell. Jimmie and the angel child burst in upon them. "Oh, mamma," shrieked little Cora, "see how fine I am! I've had my hair cut! Isn't it splendid? And Jimmie too!" The wretched mother took one sight, emitted one yell, and fell into a chair. Mrs. Trescott dropped a large lady's journal and made a nerveless mechanical clutch at it. The painter gripped the arms of his chair and leaned forward, staring until his eyes were like two little clock faces. Dr. Trescott did not move or speak. To the children the next moments were chaotic. There was a loudly wailing mother, and a pale-faced, aghast mother; a stammering father, and a grim and terrible father. The angel child did not understand anything of it save the voice of calamity, and in a moment all her little imperialism went to the winds. She ran sobbing to her mother. "Oh, mamma! mamma! mamma!"

The desolate Jimmie heard out of this inexplicable situation a voice which he knew well, a sort of colonel's voice, and he obeyed like any good soldier. "Jimmie!"

He stepped three paces to the front. "Yes, sir."

"How did this—how did this happen?" said Trescott.

Now Jimmie could have explained how had happened anything which had happened, but he did not know what had happened, so he said, "I—I—nothin'."

"And, oh, look at her frock!" said Mrs. Trescott, brokenly.

The words turned the mind of the mother of the angel child. She looked up, her eyes blazing. "Frock!" she repeated. "Frock! What do I care for her frock? Frock!" she choked out again from the depths of her bitterness. Then she arose

"`LOOK!' SHE DECLAIMED."

[Description: A distraught woman pointing to a small girl with a short haircut with a man sitting in the foreground in a chair and others in the background, by Peter Newell]

suddenly, and whirled tragically upon her husband. "Look!" she declaimed. "All—her lovely—hair—all her lovely hair—gone— gone!" The painter was apparently in a fit; his jaw was set, his eyes were glazed, his body was stiff and straight. "All gone—all--her lovely hair—all gone—my poor little darlin'—my—poor— little—darlin'!" And the angel child added her heart-broken voice to her mother's wail as they fled into each other's arms.

In the mean time Trescott was patiently unravelling some skeins of Jimmie's tangled intellect. "And then you went to this barber's on the hill. Yes. And where did you get the money? Yes. I see. And who besides you and Cora had their hair cut? The Margate twi— Oh, lord!"

Over at the Margate place old Eldridge Margate, the grandfather of the twins, was in the back garden picking pease and smoking ruminatively to himself. Suddenly he heard from the house great noises. Doors slammed, women rushed up stairs and down stairs calling to each other in voices of agony. And then full and mellow upon the still air arose the roar of the twins in pain.

Old Eldridge stepped out of the pea-patch and moved toward the house, puzzled, staring, not yet having decided that it was his duty to rush forward. Then around the corner of the house shot his daughter Mollie, her face pale with horror.

"What's the matter?" he cried.

"Oh, father," she gasped, "the children! They—"

Then around the corner of the house came the twins, howling at the top of their power, their faces flowing with tears. They were still hand in hand, the ruling passion being strong even in this suffering. At sight of them old Eldridge took his pipe hastily out of his mouth. "Good God!" he said.

And now what befell one William Neeltje, a barber by trade? And what was said by angry parents of the mother of such an angel child? And what was the fate of the angel child herself?

There was surely a tempest. With the exception of the Margate twins, the boys

could well be eliminated from the affair. Of course it didn't matter if their hair was cut. Also the two little Phelps girls had had very short hair, anyhow, and their parents were not too greatly incensed. In the case of Ella Earl, it was mainly the pathos of the little girl's own grieving; but her mother played a most generous part, and called upon Mrs. Trescott, and condoled with the mother of the angel child over their equivalent losses. But the Margate contingent! They simply screeched.

Trescott, composed and cool-blooded, was in the middle of a giddy whirl. He was not going to allow the mobbing of his wife's cousins, nor was he going to pretend that the spoliation of the Margate twins was a virtuous and beautiful act. He was elected, gratuitously, to the position of a buffer.

But, curiously enough, the one who achieved the bulk of the misery was old Eldridge Margate, who had been picking pease at the time. The feminine Margates stormed his position as individuals, in pairs, in teams, and en masse. In two days they may have aged him seven years. He must destroy the utter Neeltje. He must midnightly massacre the angel child and her mother. He must dip his arms in blood to the elbows.

Trescott took the first opportunity to express to him his concern over the affair, but when the subject of the disaster was mentioned, old Eldridge, to the doctor's great surprise, actually chuckled long and deeply. "Oh, well, look-a-here," he said. "I never was so much in love with them there damn curls. The curls was purty—yes—but then I'd a darn sight rather see boys look more like boys than like two little wax figgers. An', ye know, the little cusses like it themselves. They never took no stock in all this washin' an' combin' an' fixin' an' goin' to church an' paradin' an' showin' off. They stood it because they was told to. That's all. Of course this here Neel-te-gee, er whatever his name is, is a plumb dumb ijit, but I don't see what's to be done, now that the kids is full well cropped. I might go and burn his shop over his head, but that wouldn't bring no hair back onto the kids. They're even kicking on sashes now, an' that's all right, 'cause what fer does a boy want a sash?"

Whereupon Trescott perceived that the old man wore his brains above his shoulders, and Trescott departed from him rejoicing greatly that it was only

"AT THE RAILWAY STATION."

[Description: A rear view of a woman walking with small girl in hand at a railroad station, while bearded man walks behind carrying luggage, Peter Newell]

women who could not know that there was finality to most disasters, and that when a thing was fully done, no amount of door slammings, rushing up stairs and down stairs, calls, lamentations, tears, could bring back a single hair to the heads of twins.

But the rains came and the winds blew in the most biblical way when a certain fact came to light in the Trescott household. Little Cora, corroborated by Jimmie, innocently remarked that five dollars had been given her by her father on her birthday, and with this money the evil had been wrought. Trescott had known it, but he—thoughtful man—had said nothing. For her part, the mother of the angel child had up to that moment never reflected that the consummation of the wickedness must have cost a small sum of money. But now it was all clear to her. He was the guilty one—he! "My angel child!"

The scene which ensued was inspiriting. A few days later, loungers at the railway station saw a lady leading a shorn and still undaunted lamb. Attached to them was a husband and father, who was plainly bewildered, but still more plainly vexed, as if he would be saying: "Damn 'em! Why can't they leave me alone?"