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The poetical works of Henry Wadsworth Longfellow

in six volumes
Longfellow, Henry Wadsworth (1807-1882)

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[section]
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VOLUME I.
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VOICES OF THE NIGHT
  
PRELUDE.
  
HYMN TO THE NIGHT.
  
A PSALM OF LIFE.
  
THE REAPER AND THE FLOWERS.
  
THE LIGHT OF STARS.
  
FOOTSTEPS OF ANGELS.
  
FLOWERS.
  
THE BELEAGUERED CITY.
  
MIDNIGHT MASS FOR THE DYING YEAR.
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EARLIER POEMS
  
AN APRIL DAY.
  
AUTUMN.
  
WOODS IN WINTER.
  
HYMN OF THE MORAVIAN NUNS OF BETHLEHEM.
  
SUNRISE ON THE HILLS.
  
THE SPIRIT OF POETRY.
  
BURIAL OF THE MINNISINK.
  
L'ENVOI.
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BALLADS AND OTHER POEMS
  
THE SKELETON IN ARMOR.
  
THE WRECK OF THE HESPERUS.
  
THE VILLAGE BLACKSMITH.
  
ENDYMION.
  
IT IS NOT ALWAYS MAY.
  
THE RAINY DAY.
  
GOD'S-ACRE.
  
TO THE RIVER CHARLES.
  
BLIND BARTIMEUS.
  
THE GOBLET OF LIFE.
  
MAIDENHOOD.
  
EXCELSIOR.
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POEMS ON SLAVERY
  
TO WILLIAM E. CHANNING.
  
THE SLAVE'S DREAM.
  
THE GOOD PART,
  
THE SLAVE IN THE DISMAL SWAMP.
  
THE SLAVE SINGING AT MIDNIGHT.
  
THE WITNESSES.
  
THE QUADROON GIRL.
  
THE WARNING.
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THE SPANISH STUDENT
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ACT I.
 1. 
Scene I.
 2. 
Scene II.
 3. 
Scene III.
 4. 
Scene IV.
 5. 
Scene V.
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ACT II.
 1. 
Scene I.
 2. 
Scene II.
 3. 
Scene III.
 4. 
Scene IV.
 5. 
Scene V.
 6. 
Scene VI.
 7. 
Scene VII.
 8. 
Scene VIII.
 9. 
Scene IX.
 10. 
Scene X.
 11. 
Scene XI.
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ACT III.
 1. 
Scene I.
 2. 
Scene II.
 3. 
Scene III.
 4. 
Scene IV.
 5. 
Scene V.
 6. 
Scene VI.
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THE BELFRY OF BRUGES AND OTHER POEMS
  
CARILLON.
  
THE BELFRY OF BRUGES.
  
A GLEAM OF SUNSHINE.
  
THE ARSENAL AT SPRINGFIELD.
  
NUREMBERG.
  
THE NORMAN BARON.
  
RAIN IN SUMMER.
  
TO A CHILD.
  
THE OCCULTATION OF ORION.
  
THE BRIDGE.
  
TO THE DRIVING CLOUD.
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SONGS
  
THE DAY IS DONE.
  
AFTERNOON IN FEBRUARY.
  
TO AN OLD DANISH SONG BOOK.
  
WALTER VON DER VOGELWEID.
  
DRINKING SONG.
  
THE OLD CLOCK ON THE STAIRS.
  
THE ARROW AND THE SONG.
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SONNETS
  
MEZZO CAMMIN.
  
THE EVENING STAR.
  
AUTUMN.
  
DANTE.
  
CURFEW.
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THE SEASIDE AND THE FIRESIDE
  
DEDICATION.
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BY THE SEASIDE
  
THE BUILDING OF THE SHIP.
  
SEAWEED.
  
CHRYSAOR.
  
THE SECRET OF THE SEA.
  
TWILIGHT.
  
SIR HUMPHREY GILBERT.
  
THE LIGHTHOUSE.
  
THE FIRE OF DRIFT-WOOD.
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BY THE FIRESIDE
  
RESIGNATION.
  
THE BUILDERS.
  
SAND OF THE DESERT IN AN HOUR-GLASS.
  
THE OPEN WINDOW.
  
KING WITLAF'S DRINKING-HORN.
  
GASPAR BECERRA.
  
PEGASUS IN POUND.
  
TEGNÉR'S DRAPA.
  
SONNET ON MRS. KEMBLE'S READINGS FROM SHAKESPEARE.
  
THE SINGERS.
  
SUSPIRIA.
  
HYMN FOR MY BROTHER'S ORDINATION.
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APPENDIX I. JUVENILE POEMS.
  
THE BATTLE OF LOVELL'S POND.
  
TO IANTHE.
  
THANKSGIVING.
  
AUTUMNAL NIGHTFALL.
  
ITALIAN SCENERY.
  
THE LUNATIC GIRL.
  
THE VENETIAN GONDOLIER.
  
THE ANGLER'S SONG.
  
LOVER'S ROCK.
  
DIRGE OVER A NAMELESS GRAVE.
  
A SONG OF SAVOY.
  
THE INDIAN HUNTER.
  
ODE WRITTEN FOR THE COMMEMORATION AT FRYEBURG, MAINE, OF LOVEWELL'S FIGHT,
  
JECKOYVA.
  
THE SEA-DIVER.
  
MUSINGS.
  
SONG.
  
SONG OF THE BIRDS.
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VOLUME II.
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EVANGELINE
  
[section]
  
[section]
  
[section]
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PART THE FIRST.
 1. 
I.
 2. 
II.
 3. 
III.
 4. 
IV.
 5. 
V.
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PART THE SECOND.
 1. 
I.
 2. 
II.
 3. 
III.
 4. 
IV.
 5. 
V.
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THE SONG OF HIAWATHA
  
INTRODUCTION.
 1. 
I. THE PEACE-PIPE.
 2. 
II. THE FOUR WINDS.
 3. 
III. HIAWATHA'S CHILDHOOD.
 4. 
IV. HIAWATHA AND MUDJEKEEWIS.
 5. 
V. HIAWATHA'S FASTING.
 6. 
VI. HIAWATHA'S FRIENDS.
 7. 
VII. HIAWATHA'S SAILING.
 8. 
VIII. HIAWATHA'S FISHING.
 9. 
IX. HIAWATHA AND THE PEARL-FEATHER.
 10. 
X. HIAWATHA'S WOOING.
 11. 
XI. HIAWATHA'S WEDDING-FEAST.
 12. 
XII. THE SON OF THE EVENING STAR.
 13. 
XIII. BLESSING THE CORNFIELDS.
 14. 
XIV. PICTURE-WRITING.
 15. 
XV. HIAWATHA'S LAMENTATION.
 16. 
XVI. PAU-PUK-KEEWIS.
 17. 
XVII. THE HUNTING OF PAU-PUK-KEEWIS.
 18. 
XVIII. THE DEATH OF KWASIND.
 19. 
XIX. THE GHOSTS.
 20. 
XX. THE FAMINE.
 21. 
XXI. THE WHITE MAN'S FOOT.
 22. 
XXII. HIAWATHA'S DEPARTURE.
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THE COURTSHIP OF MILES STANDISH
 1. 
I. MILES STANDISH.
 2. 
II. LOVE AND FRIENDSHIP.
 3. 
III. THE LOVER'S ERRAND.
 4. 
IV. JOHN ALDEN.
 5. 
V. THE SAILING OF THE MAYFLOWER.
 6. 
VI. PRISCILLA.
 7. 
VII. THE MARCH OF MILES STANDISH.
 8. 
VIII. THE SPINNING-WHEEL.
 9. 
IX. THE WEDDING-DAY.
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VOLUME III.
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BIRDS OF PASSAGE
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FLIGHT THE FIRST.
  
BIRDS OF PASSAGE.
  
PROMETHEUS,
  
EPIMETHEUS.
  
THE LADDER OF ST. AUGUSTINE.
  
THE PHANTOM SHIP.
  
THE WARDEN OF THE CINQUE PORTS.
  
HAUNTED HOUSES.
  
IN THE CHURCHYARD AT CAMBRIDGE.
  
THE EMPEROR'S BIRD'S-NEST.
  
THE TWO ANGELS.
  
DAYLIGHT AND MOONLIGHT.
  
THE JEWISH CEMETERY AT NEWPORT.
  
OLIVER BASSELIN.
  
VICTOR GALBRAITH.
  
MY LOST YOUTH.
  
THE ROPEWALK.
  
THE GOLDEN MILE-STONE.
  
CATAWBA WINE.
  
SANTA FILOMENA.
  
THE DISCOVERER OF THE NORTH CAPE.
  
DAYBREAK.
  
THE FIFTIETH BIRTHDAY OF AGASSIZ.
  
CHILDREN.
  
SANDALPHON.
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FLIGHT THE SECOND
  
THE CHILDREN'S HOUR.
  
ENCELADUS.
  
THE CUMBERLAND.
  
SNOW-FLAKES.
  
A DAY OF SUNSHINE.
  
SOMETHING LEFT UNDONE.
  
WEARINESS.
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FLIGHT THE THIRD
  
FATA MORGANA.
  
THE HAUNTED CHAMBER.
  
THE MEETING.
  
VOX POPULI.
  
THE CASTLE-BUILDER.
  
CHANGED.
  
THE CHALLENGE.
  
THE BROOK AND THE WAVE.
  
AFTERMATH.
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FLIGHT THE FOURTH
  
CHARLES SUMNER.
  
TRAVELS BY THE FIRESIDE.
  
CADENABBIA.
  
MONTE CASSINO.
  
AMALFI.
  
THE SERMON OF ST. FRANCIS.
  
BELISARIUS.
  
SONGO RIVER.
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FLIGHT THE FIFTH
  
THE HERONS OF ELMWOOD.
  
A DUTCH PICTURE.
  
CASTLES IN SPAIN.
  
VITTORIA COLONNA.
  
THE REVENGE OF RAIN-IN-THE-FACE.
  
TO THE RIVER YVETTE.
  
THE EMPEROR'S GLOVE.
  
A BALLAD OF THE FRENCH FLEET.
  
THE LEAP OF ROUSHAN BEG.
  
HAROUN AL RASCHID.
  
KING TRISANKU.
  
A WRAITH IN THE MIST.
  
THE THREE KINGS.
  
SONG.
  
THE WHITE CZAR.
  
DELIA.
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FLOWER-DE-LUCE
  
FLOWER-DE-LUCE.
  
PALINGENESIS.
  
THE BRIDGE OF CLOUD.
  
HAWTHORNE.
  
CHRISTMAS BELLS.
  
THE WIND OVER THE CHIMNEY.
  
THE BELLS OF LYNN.
  
KILLED AT THE FORD.
  
GIOTTO'S TOWER.
  
TO-MORROW.
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DIVINA COMMEDIA.
 1. 
[I. Oft have I seen at some cathedral door]
 2. 
[II. How strange the sculptures that adorn these towers!]
 3. 
[III. I enter, and I see thee in the gloom]
 4. 
[IV. With snow-white veil and garments as of flame,]
 5. 
[V. I lift mine eyes, and all the windows blaze]
 6. 
[VI. O star of morning and of liberty!]
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THE MASQUE OF PANDORA
 1. 
I. THE WORKSHOP OF HEPHÆSTUS.
 2. 
II. OLYMPUS.
 3. 
III. TOWER OF PROMETHEUS ON MOUNT CAUCASUS.
 4. 
IV. THE AIR.
 5. 
V. THE HOUSE OF EPIMETHEUS.
 6. 
VI. IN THE GARDEN.
 7. 
VII. THE HOUSE OF EPIMETHEUS.
 8. 
VIII. IN THE GARDEN.
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THE HANGING OF THE CRANE
 1. 
I.
 2. 
II.
 3. 
III.
 4. 
IV.
 5. 
V.
 6. 
VI.
 7. 
VII.
  
MORITURI SALUTAMUS
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A BOOK OF SONNETS
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THREE FRIENDS OF MINE.
 1. 
[I. When I remember them, those friends of mine,]
 2. 
[II. In Attica thy birthplace should have been,]
 3. 
[III. I stand again on the familiar shore,]
 4. 
[IV. River, that stealest with such silent pace]
 5. 
[V. The doors are all wide open; at the gate]
  
CHAUCER.
  
SHAKESPEARE.
  
MILTON.
  
KEATS.
  
THE GALAXY.
  
THE SOUND OF THE SEA.
  
A SUMMER DAY BY THE SEA.
  
THE TIDES.
  
A SHADOW.
  
A NAMELESS GRAVE.
  
SLEEP.
  
THE OLD BRIDGE AT FLORENCE.
  
NATURE.
  
IN THE CHURCHYARD AT TARRYTOWN.
  
ELIOT'S OAK.
  
THE DESCENT OF THE MUSES.
  
VENICE.
  
THE POETS.
  
PARKER CLEAVELAND.
  
THE HARVEST MOON.
  
TO THE RIVER RHONE.
  
THE THREE SILENCES OF MOLINOS.
  
THE TWO RIVERS.
  
BOSTON.
  
ST. JOHN'S, CAMBRIDGE.
  
MOODS.
  
WOODSTOCK PARK.
  
THE FOUR PRINCESSES AT WILNA.
  
HOLIDAYS.
  
WAPENTAKE.
  
THE BROKEN OAR.
  
THE CROSS OF SNOW.
  
KERAMOS
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ULTIMA THULE
  
DEDICATION.
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POEMS
  
BAYARD TAYLOR.
  
THE CHAMBER OVER THE GATE.
  
FROM MY ARM-CHAIR.
  
JUGURTHA.
  
THE IRON PEN.
  
ROBERT BURNS.
  
HELEN OF TYRE.
  
ELEGIAC.
  
OLD ST. DAVID'S AT RADNOR.
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FOLK-SONGS
  
THE SIFTING OF PETER.
  
MAIDEN AND WEATHERCOCK.
  
THE WINDMILL.
  
THE TIDE RISES, THE TIDE FALLS.
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SONNETS
  
MY CATHEDRAL
  
THE BURIAL OF THE POET.
  
NIGHT.
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L'ENVOI
  
THE POET AND HIS SONGS.
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IN THE HARBOR
  
BECALMED.
  
THE POETS CALENDAR.
  
AUTUMN WITHIN.
  
THE FOUR LAKES OF MADISON.
  
VICTOR AND VANQUISHED.
  
MOONLIGHT.
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THE CHILDREN'S CRUSADE.
 1. 
I.
 2. 
II.
 3. 
III.
  
SUNDOWN.
  
CHIMES.
  
FOUR BY THE CLOCK.
  
AUF WIEDERSEHEN.
  
ELEGIAC VERSE.
  
THE CITY AND THE SEA.
  
MEMORIES.
  
HERMES TRISMEGISTUS.
  
TO THE AVON.
  
PRESIDENT GARFIELD.
  
MY BOOKS.
  
MAD RIVER,
  
POSSIBILITIES.
  
DECORATION DAY.
  
A FRAGMENT.
  
LOSS AND GAIN.
  
THE BELLS OF SAN BLAS.
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FRAGMENTS
  
[Neglected record of a mind neglected]
  
[O faithful, indefatigable tides]
  
[Soft through the silent air descend the feathery snow-flakes]
  
[So from the bosom of darkness our days come roaring and gleaming]
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VOLUME IV.
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TALES OF A WAYSIDE INN
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PART FIRST.
  
PRELUDE.
  
THE LANDLORD'S TALE.
  
INTERLUDE.
  
THE STUDENT'S TALE.
  
INTERLUDE.
  
THE SPANISH JEW'S TALE.
  
INTERLUDE.
  
THE SICILIAN'S TALE.
  
INTERLUDE.
  
THE MUSICIAN'S TALE.
  
INTERLUDE.
  
THE THEOLOGIAN'S TALE.
  
INTERLUDE.
  
THE POET'S TALE.
  
FINALE.
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PART SECOND
  
PRELUDE.
  
THE SICILIAN'S TALE.
  
INTERLUDE.
  
THE SPANISH JEW'S TALE.
  
INTERLUDE.
  
THE STUDENT'S TALE.
  
INTERLUDE.
  
THE MUSICIAN'S TALE.
  
INTERLUDE.
  
THE POET'S TALE.
  
INTERLUDE.
  
THE THEOLOGIAN'S TALE.
  
INTERLUDE.
  
THE STUDENT'S SECOND TALE.
  
FINALE.
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PART THIRD
  
PRELUDE.
  
THE SPANISH JEW'S TALE.
  
INTERLUDE.
  
THE POET'S TALE.
  
INTERLUDE.
  
THE STUDENT'S TALE.
  
INTERLUDE.
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THE THEOLOGIAN'S TALE.
 1. 
I.
 2. 
II.
 3. 
III.
 4. 
IV.
  
INTERLUDE.
  
THE SICILIAN'S TALE.
  
INTERLUDE.
  
THE SPANISH JEW'S SECOND TALE.
  
INTERLUDE.
  
THE MUSICIAN'S TALE.
  
INTERLUDE.
  
THE LANDLORD'S TALE.
  
FINALE.
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VOLUME V.
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CHRISTUS: A MYSTERY
  
INTROITUS.
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PART ONE THE DIVINE TRAGEDY
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THE FIRST PASSOVER.
 1. 
I. VOX CLAMANTIS.
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II. MOUNT QUARANTANIA.
 1. 
I.
 2. 
II.
 3. 
III.
 3. 
III. THE MARRIAGE IN CANA.
 4. 
IV. IN THE CORNFIELDS.
 5. 
V. NAZARETH.
 6. 
VI. THE SEA OF GALILEE.
 7. 
VII. THE DEMONIAC OF GADARA.
 8. 
VIII. TALITHA CUMI.
 9. 
IX. THE TOWER OF MAGDALA.
 10. 
X. THE HOUSE OF SIMON THE PHARISEE.
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THE SECOND PASSOVER.
 1. 
I. BEFORE THE GATES OF MACHÆRUS.
 2. 
II. HEROD'S BANQUET-HALL.
 3. 
III. UNDER THE WALLS OF MACHÆRUS.
 4. 
IV. NICODEMUS AT NIGHT.
 5. 
V. BLIND BARTIMEUS.
 6. 
VI. JACOB'S WELL.
 7. 
VII. THE COASTS OF CÆSAREA PHILIPPI.
 8. 
VIII. THE YOUNG RULER.
 9. 
IX. AT BETHANY.
 10. 
X. BORN BLIND.
 11. 
XI. SIMON MAGUS AND HELEN OF TYRE.
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THE THIRD PASSOVER.
 1. 
I. THE ENTRY INTO JERUSALEM.
 2. 
II. SOLOMON'S PORCH.
 3. 
III. LORD, IS IT I?
 4. 
IV. THE GARDEN OF GETHSEMANE.
 5. 
V. THE PALACE OF CAIAPHAS.
 6. 
VI. PONTIUS PILATE.
 7. 
VII. BARABBAS IN PRISON.
 8. 
VIII. ECCE HOMO.
 9. 
IX. ACELDAMA.
 10. 
X. THE THREE CROSSES.
 11. 
XI. THE TWO MARIES.
 12. 
XII. THE SEA OF GALILEE.
  
EPILOGUE.
  
FIRST INTERLUDE THE ABBOT JOACHIM
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PART TWO THE GOLDEN LEGEND
  
PROLOGUE.
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I.
  
THE CASTLE OF VAUTSBERG ON THE RHINE.
  
COURT-YARD OF THE CASTLE.
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II.
  
A FARM IN THE ODENWALD.
  
A ROOM IN THE FARM-HOUSE.
  
ELSIE'S CHAMBER.
  
THE CHAMBER OF GOTTLIEB AND URSULA.
  
A VILLAGE CHURCH.
  
A ROOM IN THE FARM-HOUSE.
  
IN THE GARDEN.
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III.
  
A STREET IN STRASBURG.
  
SQUARE IN FRONT OF THE CATHEDRAL.
  
IN THE CATHEDRAL.
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THE NATIVITY. A MIRACLE-PLAY.
  
INTROITUS.
 1. 
I. HEAVEN.
 2. 
II. MARY AT THE WELL.
 3. 
III. THE ANGELS OF THE SEVEN PLANETS, BEARING THE STAR OF BETHLEHEM.
 4. 
IV. THE WISE MEN OF THE EAST.
 5. 
V. THE FLIGHT INTO EGYPT.
 6. 
VI. THE SLAUGHTER OF THE INNOCENTS.
 7. 
VII. JESUS AT PLAY WITH HIS SCHOOLMATES.
 8. 
VIII. THE VILLAGE SCHOOL.
 9. 
IX. CROWNED WITH FLOWERS.
  
EPILOGUE.
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IV.
  
THE ROAD TO HIRSCHAU.
  
THE CONVENT OF HIRSCHAU IN THE BLACK FOREST.
  
THE SCRIPTORIUM.
  
THE CLOISTERS.
  
THE CHAPEL.
  
THE REFECTORY.
  
THE NEIGHBORING NUNNERY.
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V.
  
A COVERED BRIDGE AT LUCERNE.
  
THE DEVIL'S BRIDGE.
  
THE ST. GOTHARD PASS.
  
AT THE FOOT OF THE ALPS.
  
THE INN AT GENOA.
  
AT SEA.
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VI.
  
THE SCHOOL OF SALERNO.
  
THE FARM-HOUSE IN THE ODENWALD.
  
THE CASTLE OF VAUTSBERG ON THE RHINE.
  
EPILOGUE.
  
SECOND INTERLUDE MARTIN LUTHER
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PART THREE THE NEW ENGLAND TRAGEDIES
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JOHN ENDICOTT
  
PROLOGUE.
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ACT I.
 1. 
Scene I.
 2. 
Scene II.
 3. 
Scene III.
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ACT II.
 1. 
Scene I.
 2. 
Scene II.
 3. 
Scene III.
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ACT III.
 1. 
Scene I.
 2. 
Scene II.
 3. 
Scene III.
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ACT IV.
 1. 
Scene I.
 2. 
Scene II.
 3. 
Scene III.
 4. 
Scene IV.
 5. 
Scene V.
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ACT V.
 1. 
Scene I.
 2. 
Scene II.
 3. 
Scene III.
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GILES COREY OF THE SALEM FARMS
  
PROLOGUE.
collapse section1. 
ACT I.
 1. 
Scene I.
 2. 
Scene II.
 3. 
Scene III.
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ACT II.
 1. 
Scene I.
 2. 
Scene II.
 3. 
Scene III.
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ACT III.
 1. 
Scene I.
 2. 
Scene II.
 3. 
Scene III.
 4. 
Scene IV.
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ACT IV.
 1. 
Scene I.
 2. 
Scene II.
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ACT V.
 1. 
Scene I.
 2. 
Scene II.
 3. 
Scene III.
 4. 
Scene IV.
  
FINALE
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VOLUME VI.
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JUDAS MACCABÆUS
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ACT I. THE CITADEL OF ANTIOCHUS AT JERUSALEM.
 1. 
Scene I.
 2. 
Scene II.
 3. 
Scene III.
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ACT II. THE DUNGEONS IN THE CITADEL.
 1. 
Scene I.
 2. 
Scene II.
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ACT III. THE BATTLE-FIELD OF BETH-HORON.
 1. 
Scene I.
 2. 
Scene II.
 3. 
Scene III.
 4. 
Scene IV.
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ACT IV. THE OUTER COURTS OF THE TEMPLE AT JERUSALEM.
 1. 
Scene I.
 2. 
Scene II.
 3. 
Scene III.
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ACT V. THE MOUNTAINS OF ECBATANA.
 1. 
Scene I.
 2. 
Scene II.
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MICHAEL ANGELO: A FRAGMENT
  
DEDICATION.
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PART FIRST.
 1. 
I. PROLOGUE AT ISCHIA.
  
MONOLOGUE: THE LAST JUDGMENT.
 2. 
II. SAN SILVESTRO.
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III. CARDINAL IPPOLITO.
 1. 
Scene I.
 2. 
Scene II.
 3. 
Scene III.
 4. 
IV. BORGO DELLE VERGINE AT NAPLES.
 5. 
V. VITTORIA COLONNA.
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PART SECOND.
 1. 
I. MONOLOGUE.
 2. 
II. VITERBO.
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III. MICHAEL ANGELO AND BENVENUTO CELLINI.
 1. 
Scene I.
 2. 
Scene II.
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IV. FRA SEBASTIANO DEL PIOMBO.
 1. 
Scene I.
 2. 
Scene II.
 5. 
V. PALAZZO BELVEDERE.
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VI. PALAZZO CESARINI.
 1. 
Scene I.
 2. 
Scene II.
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PART THIRD.
 1. 
I. MONOLOGUE.
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II. VIGNA DI PAPA GIULIO.
 1. 
Scene I.
 2. 
Scene II.
 3. 
Scene III.
 3. 
III. BINDO ALTOVITI.
 4. 
IV. IN THE COLISEUM.
 5. 
V. MACELLO DE' CORVI.
 6. 
VI. MICHAEL ANGELO'S STUDIO.
 7. 
VII. THE OAKS OF MONTE LUCA.
 8. 
VIII. THE DEAD CHRIST.

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118

VIII.
ECCE HOMO.

PILATE,
on the tessellated pavement in front of his palace.
Ye have brought unto me this man, as one
Who doth pervert the people; and behold!
I have examined him, and found no fault
Touching the things whereof ye do accuse him.
No, nor yet Herod; for I sent you to him,
And nothing worthy of death he findeth in him.
Ye have a custom at the Passover,
That one condemned to death shall be released.
Whom will ye, then, that I release to you?
Jesus Barabbas, called the Son of Shame,
Or Jesus, Son of Joseph, called the Christ?

THE PEOPLE,
shouting.
Not this man, but Barabbas!

PILATE.
What then will ye
That I should do with him that is called Christ?

THE PEOPLE.
Crucify him!

PILATE.
Why, what evil hath he done?
Lo, I have found no cause of death in him;
I will chastise him, and then let him go.

THE PEOPLE,
more vehemently.
Crucify him! crucify him!

A MESSENGER,
to PILATE.
Thy wife sends
This message to thee,—Have thou naught to do
With that just man; for I this day in dreams
Have suffered many things because of him.

119

PILATE,
aside.
The Gods speak to us in our dreams! I tremble
At what I have to do! O Claudia,
How shall I save him? Yet one effort more,
Or he must perish!
Washes his hands before them.
I am innocent
Of the blood of this just person; see ye to it!

THE PEOPLE.
Let his blood be on us and on our children!

VOICES,
within the palace.
Put on thy royal robes; put on thy crown,
And take thy sceptre! Hail, thou King of the Jews!

PILATE.
I bring him forth to you, that ye may know
I find no fault in him. Behold the man!

Christus is led in, with the purple robe and crown of thorns.
CHIEF PRIESTS and OFFICERS.
Crucify him! crucify him!

PILATE.
Take ye him;
I find no fault in him.

CHIEF PRIESTS.
We have a Law,
And by our Law he ought to die; because
He made himself to be the Son of God.

PILATE,
aside.
Ah! there are Sons of God, and demi-gods
More than ye know, ye ignorant High-Priests!
To Christus.
Whence art thou?

120

CHIEF PRIESTS.
Crucify him! crucify him!

PILATE,
to CHRISTUS.
Dost thou not answer me? Dost thou not know
That I have power enough to crucify thee?
That I have also power to set thee free?

CHRISTUS.
Thou couldest have no power at all against me
Except that it were given thee from above;
Therefore hath he that sent me unto thee
The greater sin.

CHIEF PRIESTS.
If thou let this man go,
Thou art not Cæsar's friend. For whosoever
Maketh himself a King, speaks against Cæsar.

PILATE.
Ye Jews, behold your King!

CHIEF PRIESTS.
Away with him!
Crucify him!

PILATE.
Shall I crucify your King?

CHIEF PRIESTS.
We have no King but Cæsar!

PILATE.
Take him, then,
Take him, ye cruel and bloodthirsty Priests,
More merciless than the plebeian mob,
Who pity and spare the fainting gladiator
Blood-stained in Roman amphitheatres,—
Take him, and crucify him if ye will;
But if the immortal Gods do ever mingle
With the affairs of mortals, which I doubt not,
121

And hold the attribute of justice dear,
They will commission the Eumenides
To scatter you to the four winds of heaven,
Exacting tear for tear, and blood for blood.
Here, take ye this inscription, Priests, and nail it
Upon the cross, above your victim's head:
Jesus of Nazareth, King of the Jews.

CHIEF PRIESTS.
Nay, we entreat! write not, the King of the Jews;
But that he said: I am the King of the Jews!

PILATE.
Enough. What I have written, I have written.

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