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The Works of Peter Pindar [i.e. John Wolcot]

... With a Copious Index. To which is prefixed Some Account of his Life. In Four Volumes

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TO THE PUBLIC.
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TO THE PUBLIC.

READER,

Pleasant and numerous are the volumes in ana; viz. Scaligeriana, Thuana, Huetiana, enagiana, Chævreana, Carpenteriana, &c. to which I have added, for thine amusement, Pindariana. May the spirits of Chaucer, of Shakespeare, of Cervantes, of Rabelais, of Sterne, of Fontaine, of Tibullus, of Horace, of Martial, of Theocritus, and my great old cousin of Thebes, have entered my Portfolio, and animated my leaves

Ah! may no eye wax dim upon my page;
The lid, all heavy-laded, dully closing;
The drooping head, as though from palsied age,
Reclining lumpish on the breast, and dozing;
While from th' ungrasping hand, tremendous sound,
The poor forgotten volume greets the ground!

May no fastidious critic be able to say of my lucubrations what the blaspheming Dr. Johnson, with his oracular and growling pomposity, asserted of the sublime Ossian—‘that as good a thing might be


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written by many men, many women, and many children!’

Griev'd should I be, could my poetic spawn
Produce one melancholy, damning yawn.
O let me feel the muse's warmth divine!
Perdition seize a soporific line!
Ne'er may the leaden lumber load my brain!
Avaunt the sleepy verse! confound the song
That dragging, heavy, snail-like, crawls along!
Oblivion, bid thy mud o'erwhelm the strain!
I hate it, as old Snuffle I abhor;
The parson who, with one unvarying tone,
Sets all the jaded audience in a snore—
Such the strong opiate of his drowsy drone.
Nor, O ye pow'rs of poesy, be mine
The roaring, blust'ring, mad, and bullying line,
As though the muses all were lying-in
Of some wild Calibanish, mountain form;
An earthquake, or volcano, or a storm,
So huge the sound, so horrible the din.
Nor let me prove so pompously obscure—
A mode of writing, I detest, abjure;
With stiff inversions the poor sense to screen
From ev'ry aching brain, and poring eye,
And in a rage to make the reader cry,
‘Why, what the devil can the booby mean?
Thus too with epithets to cannonade us,
As if the beast were vomiting a gradus!’
Let me not act the goose, screaming and waddling,
Poking his silly head, in mudpools paddling:
No!—with a lofty pinion let me rise;
Face with an eagle wing the solar beam,
Drink with undazzled gaze th' effulgent stream,
And with the rush of whirlwinds sweep the skies;
Thence, in an instant be the humble wren,
Twitt'ring his love-notes sweet to Mistress Hen.

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O Versatility, I hold thee dear!
The Proteus power be mine, to take each shape;
Skip like a Will-o'-whisp—be here, be there—
Now the grave moralist, and now an ape.
Now roar the savage of the Libyan shade,
Where horror listens to the shrieking ghost;
Now Pompey in Belinda's bosom laid,
Or whining, pawing for a piece of toast.
Now roll the monarch of the stormy deep,
The floundering terror of the finny race;
Now the slim eel, of ponds so lucid, creep;
Now leap a salmon, and now glide a plaice.
Thrice happy change of soul-delighting song!
This were my talent, blest would Peter be!
But who, alas! is thus divinely strong?
Shakespeare, that envied pow'r I mark in thee.

Let me inform thee, reader, that no order will be observed with respect to the various pieces. Thou wilt receive them as they leap from the portfolio; so that there will subsist as little connexion between one and another, as between Lady Mary and the Graces, Lord Th---w and the Lord's Prayer, Signor Marchesi and creation, Sir Joseph Banks and philosophy, Sir William Hamilton and the secrets of Mount Vesuvius, Judge K. and a whole bottle of port, Judge B. and reprieve.

Various will be the subjects of the muse. Ode, Elegy, Fable, Tale, Ballad, Epigram, &c. a version, at times, of parts of the venerable classics, whose spirit has been but feebly transfused through our modern languages, will be given;


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Whose oaks so lofty (what abomination!)
Are chang'd to paltry broomsticks, by translation:
Their pyramids, a little village spire;
Their skies, blue paper; their ear-rending thunder,
With lightnings darting danger, blazing wonder,
A poor coal coffin bouncing from the fire;
Their cities, emmets' nests—a spider's hole!
Their mountains, what?—the mansion of the mole.
Too oft the roses of th' Athenian vale
Resign their blushes for a deadly pale;
An Attic sun converted in a trice
To a dull torpid cake of shiv'ring ice!
A rill, their oceans that no longer roar;
Their storms, a wind's small whistle through a door;
The sun-clad eagle, a weak flick'ring bat;
And Afric's royal brute, a squeaking rat.

The tender passion will make a prominent figure on the canvass; and why not, as it is one of the most prominent features of Nature? Who is there that has not sacrificed to the amorous goddess?

When dew-clad Evening's modest blushes fade,
And Nature sinks amid the deep'ning shade,
And Labour pauses on the fainting light:
When beetles hum, and bats in circles skim,
When hills and hamlets, trees and tow'rs, grow dim,
And Silence steals upon the gloom of night;
With joy I tread the secret grove,
To meet the idol of my love.
What a monster, who never felt the soft emotion!
Ah! whence art thou, of wealth the slave?
Go, seek the haunted gloom, the grave;
Whose eye, on money taught to roll,
Admits not beauty to the soul:

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Fly thou the day, who scorn'st the fair,
For thou wert born an imp of care.
But who art thou, with anxious eye,
With panting hope, and melting sigh,
Who biddest tempting gold depart,
And only woo'st the virgin's heart?
Go thou where Beauty holds her throne;
For bliss was form'd for thee alone.

Next to the contemner of the charming sex, is the savage who abuses it. Poor Marian! sweet is thy song of sorrow!

MARIAN'S COMPLAINT.
SINCE truth has left the shepherd's tongue,
Adieu the cheerful pipe and song;
Adieu the dance at closing day,
And, ah! the happy morn of May.
How oft he told me I was fair,
And wove the garland for my hair!
How oft for Marian cull'd the bow'r,
And fill'd my lap with ev'ry flow'r!
No more his gifts of guile I'll wear,
But from my brow the chaplet tear;
The crook he gave, in pieces break,
And rend his ribbons from my neck.
How oft he vow'd a constant flame,
And carv'd on ev'ry oak my name!
Blush, Colin, that the wounded tree
Is all that will remember me.

Rich fragments of the Tragic and Comic Muse, not forgetting the muse of ballad, yclept Opera, will occasionally


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pour their coruscations through the work. —Moreover will I present thee with delicious scraps of Criticism: thou shalt likewise have Apophthegms —so that a part of my labours may with propriety be baptized the Wisdom of Peter. The Wisdom of Solomon is well known. Plato and Xenophon, the two famous disciples of Socrates, gathered the good things of their sublime master, fancying every sentence that dropped from his mouth, a gem of inestimable value. Pythagoras uttered sage maxims for the benefit of posterity. Nor did the good Marcus Aurelius think it beneath his dignity to turn collector. The eastern hemisphere glitters with apophthegmatic constellations; and now behold a bard resolved to add a star to that of the west.

Reader, thou shalt have more than all this. Thou shalt be presented with some of the Travels of the bard, who, like the hero of the Odyssey, mores hominum multorum videt et urbes. But expect no wonders, as I am neither a Mandeville, a Psalmanazar, nor an Abyssinian Bruce. Unfortunately I have met with no ‘Anthropophagi, and men whose heads do grow beneath their shoulders.’

How many numbers I shall offer thee, is a mystery even to myself.—Should we not be eaten up by the threatening and hungry sans-culottes; by the blessing of Apollo and the Nine Ladies, a handsome volume or two may be produced; and to give thee my sentiment on the sans-culottes subject, I really think we shall not be devoured.


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Howl thyself hoarse, wild war—of this fair isle
The happy natives shall for ever smile,
While by thy rage the kingdoms bleed around;
Safe as the chirping birds amid the oak,
That bids defiance to the tempest's stroke,
And keeps with stern sublimity his ground.

ADIEU.