WORKING FASHION'S FOOLS. The Complete Works of Brann the Iconoclast, Volume 1 | ||
WORKING FASHION'S FOOLS.
MISS SALLIE H.—s is one of the very few society women who, aided by nothing but their beauty, wit and talent, lift themselves into national prominence and attain something
The above slug of “taffy” was accompanied by a woodcut portrait of Miss H—s which made her resemble a half-naked Indian squaw suffering with an acute attack of mulligrubs, superinduced by an overfeed of baked dog. If Miss H—s' face does not hurt her for very homeliness, any male jury in the country would award her damages against the News in the sum of a million dollars, and help her collect it with a shotgun.
But those guileless innocents who imagine Miss H—s entitled to sympathy are sadly mistaken. She, her fool friends or relatives paid a good round price for that “puff,” and fully expected that the “artist,” as well as the penny-a-liner, would indulge in a little fulsome flattery instead of turning state's evidence and convicting his co-laborer of perjury.
Nearly every metropolitan daily is now engaged in this nauseous puffery business, and the infection is rapidly spreading to the illustrated weeklies and magazines. No
The present nauseating puffery of “society belles” has grown out of the unpardonable bad taste—not to say presumptuous insolence—which the American press has ever displayed in dealing with the fair sex. First it was “the accomplished” or “the vivacious” Miss So-and-so. That “caught.” Every woman likes to be thought accomplished or interesting, just as every man delights to see himself paraded in the papers as a “public-spirited citizen.” Then the press grew bolder and introduced the adjectives “charming,” “fascinating,” “beautiful,” etc. That “took” still better. The next step was the “write up” in extenso; next the portrait. Thus, in a ratio of geometrical progression, the bad habit has grown from the daring but courtly compliment to its present disguising proportions, and the vanity and folly of the fair followers of fashion have grown with it.
What will be its ultimate development? Where will the rivalry of “enterprising journals,” their determination to outdo each other in fulsome flattery of female fools who have money to pay for it, finally land them? Already they are freely commenting upon the form and features
Is it not strange that a man will pay newspapers to say publicly about his wife or daughter things that he would knock his best friend down for saying to him privately; that he will deliberately set every scurrilous tongue wagging about the woman he loves and professes to honor; cause her form and features to be discussed in every dive? Should one of our American women overhear a male acquaintance commenting on the whiteness of her bosom, the size of her foot, the shape of her waist and the “latent passion in her dark eyes,” she would want him horsewhipped or shot; yet she will pay a rank stranger a dollar a line to say these things in the public prints. Verily 'tis a strange world—and sadly in need of a few more industrious fool killers!
WORKING FASHION'S FOOLS. The Complete Works of Brann the Iconoclast, Volume 1 | ||