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Poems, Dialogues in Verse and Epigrams

By Walter Savage Landor: Edited with notes by Charles G. Crump

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TO MY CHILD CARLINO.

Carlino! What art thou about, my boy?
Often I ask that question, though in vain,
For we are far apart: ah! therefore 'tis
I often ask it; not in such a tone
As wiser fathers do, who know too well.
Were we not children, you and I together?
Stole we not glances from each other's eyes?
Swore we not secrecy in such misdeeds?
Well could we trust each other. Tell me then
What thou art doing. Carving out thy name,
Or haply mine, upon my favourite seat,
With the new knife I sent thee over sea?
Or hast thou broken it, and hid the hilt
Among the myrtles, starred with flowers, behind?
Or under that high throne whence fifty lilies
(With sworded tuberoses dense around)
Lift up their heads at once, not without fear
That they were looking at thee all the while.
Does Cincirollo follow thee about?
Inverting one swart foot suspensively,
And wagging his dread jaw at every chirp

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Of bird above him on the olive-branch?
Frighten him then away! 'twas he who slew
Our pigeons, our white pigeons, peacock tailed,
That fear'd not you and me . . . alas, nor him!
I flattened his stripped sides along my knee,
And reasoned with him on his bloody mind,
Till he looked blandly, and half closed his eyes
To ponder on my lecture in the shade.
I doubt his memory much, his heart a little,
And in some minor matters (may I say it?)
Could wish him rather sager. But from thee
God hold back wisdom yet for many years
Whether in early season or in late
It always comes high priced. For thy pure breast
I have no lesson; it for me has many.
Come throw it open then! What sports, what cares
(Since there are none too young for these) engage
Thy busy thoughts? Are you again at work,
Walter and you, with those sly labourers,
Geppo, Giovanni, Cecco, and Poeta,
To build more solidly your broken dam
Among the poplars, whence the nightingale
Inquisitively watch'd you all day long?
I was not of your council in the scheme,
Or might have saved you silver without end,
And sighs too without number. Art thou gone
Below the mulberry, where that cool pool
Urged to devise a warmer, and more fit
For mighty swimmers, swimming three abreast?
Or art thou panting in this summer noon
Upon the lowest step before the hall,
Drawing a slice of water-melon, long
As Cupid's bow, athwart thy wetted lips
(Like one who plays Pan's pipe) and letting drop
The sable seeds from all their separate cells,
And leaving bays profound and rocks abrupt
Redder than coral round Calypso's cave.