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Pierides

or The Muses Mount. By Hugh Crompton
Crompton, Hugh
  
[dedication]

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PIERIDES:
 I. 
I. Bacchus.
 II. 
II. The Power.
 III. 
III. The Apprentice.
 IV. 
IV. The Discharge.
 V. 
V. The Conceit.
 VI. 
VI. The Encomium.
 VII. 
VII. Winifred.
 VIII. 
VIII. Honesty.
 IX. 
IX. The Farewell to the World.
 X. 
X. The Puff.
 XI. 
XI. The Ejection.
 12. 
12. The Suit.
 13. 
13. Loves best object.
 14. 
14. To our Mistresses.
 15. 
15. An Epithalme.
 16. 
16. The Comparison.
 17. 
17. Man.
 18. 
18. On the renowned, Mary Villers, Dutchesse Richmond, &c.
 19. 
19. The Acrostick reduplicate.
 20. 
20. The degrees of Bacchus.
 21. 
21. Her Continence.
 22. 
22. The Soliloquy.
 23. 
23. The Lovers form.
 24. 
24. To my friends R. A. I. an Epithalme.
 25. 
25. Another.
 26. 
26. To Zoilus.
 27. 
27. The way to Wooe.
 28. 
28. Taylors.
 29. 
29. Wisdom.
 30. 
30. The Mind.
 31. 
31. The Interruption.
 32. 
32. The Requital.
 33. 
33. The Dream.
 34. 
34. The Change.
 35. 
35. The Mistake.
 36. 
36. The Encomium.
 37. 
37. Three Friends.
 38. 
38. The Apology.
 39. 
39. The Encouragement.
 40. 
40. The request to walk.
 41. 
41. The self-check.
 42. 
42. The Advise.
 43. 
43. The Blush.
 44. 
44. The Protest.
 45. 
45. The Item.
 46. 
46. The Maids Soliloquie.
 47. 
47. The Dialogue.
 48. 
48. The Times.
 49. 
49. Put the case
 50. 
50. The Ramble.
 51. 
51. The Desertion.
 52. 
52. Adonibezeck.
 53. 
53. Donec eris fœlix.
 54. 
54. The Souldier and his Mistress.
 55. 
55. The Exclamation.
 56. 
56. The Invitation to Marry.
 57. 
57. The Preeminence.
 50. 
50. The Drollery.
 59. 
59. Love beyond Reason.
 60. 
60. In the Garden.
 61. 
61. A Kiss.
 62. 
62. Hero.
 63. 
63. The Ruine.
 65. 
65. Good Liquor.
 66. 
66. The Air.
 67. 
67. Time. The Interpreter.
 68. 
68. Knowledge.
 69. 
69. The Vineyard.
 70. 
70. The Quere.
 71. 
71. The life and death of Sarah.
expand section72. 
72. The Messenger.
 72. 
72. The Mask of Adonis.
 73. 
73. The lost Maidenhead.
 57. 
57. Good Fellowship.
 75. 
75. The Aspirer.
 75. 
75. Vice Courted.
 76. 
76. Semper Idem.
 77. 
77. Nobility.
 78. 
78. The Extremes.
 79. 
79. The dying Lover.
 80. 
80. Furioso.
 81. 
81. Loves frailty.
 82. 
82. The She Cockney.
 83. 
83. Weak Love.
 84. 
84. Rosella Sleeping.
 85. 
85. Minerva.
 86. 
86. The Charm.
 87. 
87. Rosella Maskt.
 88. 
88. Tom Tell-troth.
 89. 
89. The Dejection
 90. 
90. O Yes!
 91. 
91. The Reply.
 93. 
93. A Token.
 94. 
94. The Station.
 95. 
95. Urbs in fœlix.
 96. 
96. The Iron Age.
 97. 
97. The Bride Weeping.
 98. 
98. The Passion.
 99. 
99. To Fate.
 100. 
100. Confidence.
 101. 
101. The Check.
 102. 
102. Sack-Drawers.
 103. 
103. Her Endowments.
 104. 
104. Griefe.
 55. 
55. A Quiet Mind.
 106. 
106. Love stealing his Mistress.
 107. 
107. A Health.
 108. 
108. The Exaltation.
 109. 
109. Reality.
 110. 
110. The Ultimum vale.

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40. The request to walk.

Sol has prepared every grove,
Fit mansions for retired love.
58

Come let us walk therein, and see
VVhich shine the brightest, they or thee.
Come, come, there is no secret spy,
No bastard of Antipathy
To Cupids Cordials, that may leere
Among the whistling trees, to hear
Our soft discourses, and there is
None to upbraid us when we kiss.
The feather'd train will gladly sing,
And in their order they will bring
Fresh warbling Sonnets, and advance
Their mellow Musick, while we dance
To their serene and sprightly charms,
VVith hand in hand, and arms in arms.
Speak then, where shall we dance a round?
On Sylvan's floor, or Ceres ground?
Or with Priapus shall we play?
Speak now, and chuse the best you may.

The Answer.

The thorny back't and rough Sylvanus
Shall not refresh nor entertain us:
Nor withered Ceres, 'cause the plow
Has made long furrows on her brow:
But 'tis Priapus I desire;
There we will play until we tire.
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