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Dictionary of the History of Ideas

Studies of Selected Pivotal Ideas
  
  
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BIBLIOGRAPHY

Joseph Addison, The Spectator (London, 1867). Aristotle,
Aristotelis Opera, ed. I. Bekker, 5 vols. (Berlin, 1831-70);
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Augustine, Confessions, trans. William Watts (New York,
1912); idem, Opera Omnia, ed. J. P. Migne, 12 vols. in 16
(Paris, 1841-77); Patrologia Latina, Vols. 32-46. E. de
Bruyne, Études d'estétique médiévale (Bruges, 1946). John
Burnet, Greek Philosophy: Thales to Plato (London, 1932),
Part I. Rhys Carpenter, Greek Sculpture (Chicago, 1960).
V. Gordon Childe, What Happened in History (New York,
1946). R. G. Collingwood, The Principles of Art (Oxford,
1938). B. Croce, Aesthetic as Science of Expression, trans.
D. Ainslie (London, 1929); idem, What is Living and What
is Dead of the Philosophy of Hegel,
trans. D. Ainslie


589

(London, 1915). Armand Delatte, Les Conceptions de l'ent-
housiasme chez les philosophes pré-socratiques
(Paris, 1934).
H. Diels and W. Kranz, Die Fragmente der Vorsokratiker,
2 vols. (Berlin, 1906-10). William Duff, An Essay on Origi-
nal Genius
(London, 1767). A. Dürer, The Literary Remains
of Albrecht Dürer,
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G. F. Else, Aristotle's Poetics: The Argument (Cambridge,
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Alexander Gerard, An Essay on Genius (London, 1774).
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Arnold Hauser, The Social History of Art, 4 vols. (New York,
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1927-40). Henry Home (Lord Kames), Elements of Criticism,
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Richter, 2 vols. (London, 1883; 1939). Longinus, On the
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trans. W. R. Roberts (Cambridge, 1899). E.
MacKay, “Proportion Squares on Tomb Walls in the Theban
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Jacques Maritain, Art and Scholasticism, trans. J. F. Scanlan
(London and New York, 1930). Milton C. Nahm, Selections
from Early Greek Philosophy,
4th ed. (New York, 1964);
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York, 1946; 1968); idem, The Artist as Creator (Baltimore,
1956); idem, “The Theological Background of the Theory
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Neoplatonism of the Italian Renaissance (London, 1935). F.
Schiller, On the Aesthetic Education of Man, trans. R. Snell
(New Haven, 1954). A. Schopenhauer, The World as Will
and Idea,
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Manners, Opinions, Times
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cago, 1933). J. E. Spingarn, Creative Criticism (New York,
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Harmony
(Baltimore, 1963). Mary H. Swindler, Ancient
Painting
(New Haven, 1929). Saint Thomas Aquinas, Opera
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Hofmann, Lateinisches Etymologisches Wörterbuch (Hei-
delberg, 1930—). Daniel Webb, Remarks on the Beauties
of Poetry
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of the Tomb of Per-nēb
(New York, 1932). H. A. Wolfson,
“Philo on Free Will,” Harvard Theological Review, 35, 2
(1942). H. C. Wyld, The Universal Dictionary of the English
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tes,
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Conjectures on Original Composition, ed. M. W. Steinke
(1959; New York, 1917).

MILTON C. NAHM

[See also Analogy; Art and Play; Beauty; Creation in
Religion; Expressionism;
Genius; God; Mimesis; Platonism;
Pythagorean Harmony of the Universe.]