The Poetical Works of Thomas Moore Collected by Himself. In Ten Volumes |
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| X. |
 | The Poetical Works of Thomas Moore |  |
SACRED SONGS.
TO EDWARD TUITE DALTON. ESQ. THIS FIRST NUMBER OF SACRED SONGS IS INSCRIBED, BY HIS SINCERE AND AFFECTIONATE FRIEND, THOMAS MOORE.
Mayfield Cottage, Ashbourne, May, 1816.
THOU ART, O GOD.
“The day is thine; the night also is thine: thou hast prepared the light and the sun.
“Thou hast set all the borders of the earth: thou hast made summer and winter.”
—Psalm lxxxiv. 16, 17.
Thou art, O God, the life and light
Of all this wondrous world we see;
Its glow by day, its smile by night,
Are but reflections caught from Thee.
Where'er we turn, thy glories shine,
And all things fair and bright are Thine!
Of all this wondrous world we see;
Its glow by day, its smile by night,
Are but reflections caught from Thee.
Where'er we turn, thy glories shine,
And all things fair and bright are Thine!
254
When Day, with farewell beam, delays
Among the opening clouds of Even,
And we can almost think we gaze
Through golden vistas into Heaven—
Those hues, that make the Sun's decline
So soft, so radiant, Lord! are Thine.
Among the opening clouds of Even,
And we can almost think we gaze
Through golden vistas into Heaven—
Those hues, that make the Sun's decline
So soft, so radiant, Lord! are Thine.
When Night, with wings of starry gloom,
O'ershadows all the earth and skies,
Like some dark, beauteous bird, whose plume
Is sparkling with unnumber'd eyes—
That sacred gloom, those fires divine,
So grand, so countless, Lord! are Thine.
O'ershadows all the earth and skies,
Like some dark, beauteous bird, whose plume
Is sparkling with unnumber'd eyes—
That sacred gloom, those fires divine,
So grand, so countless, Lord! are Thine.
When youthful Spring around us breathes,
Thy Spirit warms her fragrant sigh;
And every flower the Summer wreathes
Is born beneath that kindling eye.
Where'er we turn, thy glories shine,
And all things fair and bright are Thine.
Thy Spirit warms her fragrant sigh;
And every flower the Summer wreathes
Is born beneath that kindling eye.
Where'er we turn, thy glories shine,
And all things fair and bright are Thine.
I have heard that this air is by the late Mrs. Sheridan. It is sung to the beautiful old words, “I do confess thou'rt smooth and fair.”
255
THE BIRD, LET LOOSE.
The bird, let loose in eastern skies
,
When hastening fondly home,
Ne'er stoops to earth her wing, nor flies
Where idle warblers roam.
But high she shoots through air and light,
Above all low delay,
Where nothing earthly bounds her flight,
Nor shadow dims her way.
When hastening fondly home,
Ne'er stoops to earth her wing, nor flies
Where idle warblers roam.
But high she shoots through air and light,
Above all low delay,
Where nothing earthly bounds her flight,
Nor shadow dims her way.
So grant me, God, from every care
And stain of passion free,
Aloft, through Virtue's purer air,
To hold my course to Thee!
No sin to cloud, no lure to stay
My Soul, as home she springs;—
Thy Sunshine on her joyful way,
Thy Freedom in her wings!
And stain of passion free,
Aloft, through Virtue's purer air,
To hold my course to Thee!
256
My Soul, as home she springs;—
Thy Sunshine on her joyful way,
Thy Freedom in her wings!
The carrier-pigeon, it is well known, flies at an elevated pitch, in order to surmount every obstacle between her and the place to which she is destined.
257
FALLEN IS THY THRONE.
Fall'n is thy Throne, oh Israel!
Silence is o'er thy plains;
Thy dwellings all lie desolate,
Thy children weep in chains.
Where are the dews that fed thee
On Etham's barren shore?
That fire from Heaven which led thee,
Now lights thy path no more.
Silence is o'er thy plains;
Thy dwellings all lie desolate,
Thy children weep in chains.
Where are the dews that fed thee
On Etham's barren shore?
That fire from Heaven which led thee,
Now lights thy path no more.
Lord! thou didst love Jerusalem—
Once she was all thy own;
Her love thy fairest heritage ,
Her power thy glory's throne .
Till evil came, and blighted
Thy long-lov'd olive-tree ;—
And Salem's shrines were lighted
For other gods than Thee.
Once she was all thy own;
Her love thy fairest heritage ,
Her power thy glory's throne .
258
Thy long-lov'd olive-tree ;—
And Salem's shrines were lighted
For other gods than Thee.
Then sunk the star of Solyma—
Then pass'd her glory's day,
Like heath that, in the wilderness ,
The wild wind whirls away.
Silent and waste her bowers,
Where once the mighty trod,
And sunk those guilty towers,
While Baal reign'd as God.
Then pass'd her glory's day,
Like heath that, in the wilderness ,
The wild wind whirls away.
Silent and waste her bowers,
Where once the mighty trod,
And sunk those guilty towers,
While Baal reign'd as God.
“Go”—said the Lord—“Ye Conquerors!
“Steep in her blood your swords,
“And raze to earth her battlements ,
“For they are not the Lord's.
“Till Zion's mournful daughter
“O'er kindred bones shall tread,
“And Hinnom's vale of slaughter
“Shall hide but half her dead!”
“Steep in her blood your swords,
“And raze to earth her battlements ,
“For they are not the Lord's.
259
“O'er kindred bones shall tread,
“And Hinnom's vale of slaughter
“Shall hide but half her dead!”
“I have left mine heritage; I have given the dearly-beloved of my soul into the hands of her enemies.” —Jeremiah, xii. 7.
“Therefore, behold, the days come, saith the Lord, that it shall no more be called Tophet, nor the Valley of the Son of Hinnom, but the Valley of Slaughter; for they shall bury in Tophet till there be no place.” —Jer vii. 32.
260
WHO IS THE MAID?
ST. JEROME'S LOVE.
Who is the Maid my spirit seeks,
Through cold reproof and slander's blight?
Has she Love's roses on her cheeks?
Is hers an eye of this world's light?
No—wan and sunk with midnight prayer
Are the pale looks of her I love;
Or if, at times, a light be there,
Its beam is kindled from above.
Through cold reproof and slander's blight?
Has she Love's roses on her cheeks?
Is hers an eye of this world's light?
No—wan and sunk with midnight prayer
Are the pale looks of her I love;
Or if, at times, a light be there,
Its beam is kindled from above.
261
I chose not her, my heart's elect,
From those who seek their Maker's shrine
In gems and garlands proudly deck'd,
As if themselves were things divine.
No—Heaven but faintly warms the breast
That beats beneath a broider'd veil;
And she who comes in glittering vest
To mourn her frailty, still is frail.
From those who seek their Maker's shrine
In gems and garlands proudly deck'd,
As if themselves were things divine.
No—Heaven but faintly warms the breast
That beats beneath a broider'd veil;
And she who comes in glittering vest
To mourn her frailty, still is frail.
Not so the faded form I prize
And love, because its bloom is gone;
The glory in those sainted eyes
Is all the grace her brow puts on.
And ne'er was Beauty's dawn so bright,
So touching as that form's decay,
Which, like the altar's trembling light,
In holy lustre wastes away.
And love, because its bloom is gone;
The glory in those sainted eyes
Is all the grace her brow puts on.
And ne'er was Beauty's dawn so bright,
So touching as that form's decay,
Which, like the altar's trembling light,
In holy lustre wastes away.
These lines were suggested by a passage in one of St. Jerome's Letters, replying to some calumnious remarks that had been circulated respecting his intimacy with the matron Paula:—“Numquid me vestes sericæ, nitentes gemmæ, picta facies, aut auri rapuit ambitio? Nulla fuit alia Romæ matronarum, quæ meam possit edomare mentem, nisi lugens atque jejunans, fletu pene cæcata.” —Epist. “Si tibi putem.”
262
THIS WORLD IS ALL A FLEETING SHOW.
This world is all a fleeting show,
For man's illusion given;
The smiles of Joy, the tears of Woe,
Deceitful shine, deceitful flow—
There's nothing true but Heaven!
For man's illusion given;
The smiles of Joy, the tears of Woe,
Deceitful shine, deceitful flow—
There's nothing true but Heaven!
And false the light on Glory's plume,
As fading hues of Even;
And Love and Hope, and Beauty's bloom,
Are blossoms gather'd for the tomb—
There's nothing bright but Heaven!
As fading hues of Even;
And Love and Hope, and Beauty's bloom,
Are blossoms gather'd for the tomb—
There's nothing bright but Heaven!
Poor wanderers of a stormy day,
From wave to wave we're driven,
And Fancy's flash, and Reason's ray,
Serve but to light the troubled way—
There's nothing calm but Heaven!
From wave to wave we're driven,
And Fancy's flash, and Reason's ray,
Serve but to light the troubled way—
There's nothing calm but Heaven!
263
OH THOU WHO DRY'ST THE MOURNER'S TEAR.
“He healeth the broken in heart, and bindeth up their wounds.”
—Psalm cxlvii. 3.
Oh Thou who dry'st the mourner's tear,
How dark this world would be,
If, when deceived and wounded here,
We could not fly to Thee.
The friends who in our sunshine live,
When winter comes, are flown;
And he who has but tears to give,
Must weep those tears alone.
But Thou wilt heal that broken heart,
Which, like the plants that throw
Their fragrance from the wounded part,
Breathes sweetness out of woe.
How dark this world would be,
If, when deceived and wounded here,
We could not fly to Thee.
The friends who in our sunshine live,
When winter comes, are flown;
And he who has but tears to give,
Must weep those tears alone.
But Thou wilt heal that broken heart,
Which, like the plants that throw
Their fragrance from the wounded part,
Breathes sweetness out of woe.
When joy no longer soothes or cheers,
And even the hope that threw
A moment's sparkle o'er our tears,
Is dimm'd and vanish'd too,
Oh, who would bear life's stormy doom,
Did not thy Wing of Love
Come, brightly wafting through the gloom
Our Peace-branch from above?
Then sorrow, touch'd by Thee, grows bright
With more than rapture's ray;
As darkness shows us worlds of light
We never saw by day!
And even the hope that threw
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Is dimm'd and vanish'd too,
Oh, who would bear life's stormy doom,
Did not thy Wing of Love
Come, brightly wafting through the gloom
Our Peace-branch from above?
Then sorrow, touch'd by Thee, grows bright
With more than rapture's ray;
As darkness shows us worlds of light
We never saw by day!
265
WEEP NOT FOR THOSE.
Weep not for those whom the veil of the tomb,In life's happy morning, hath hid from our eyes,
Ere sin threw a blight o'er the spirit's young bloom,
Or earth had profaned what was born for the skies.
Death chill'd the fair fountain, ere sorrow had stain'd it;
'Twas frozen in all the pure light of its course,
And but sleeps till the sunshine of Heaven has unchain'd it,
To water that Eden where first was its source.
Weep not for those whom the veil of the tomb,
In life's happy morning, hath hid from our eyes,
Ere sin threw a blight o'er the spirit's young bloom,
Or earth had profaned what was born for the skies.
266
Our gayest and loveliest, lost to us now,
Ere life's early lustre had time to grow pale,
And the garland of Love was yet fresh on her brow.
Oh, then was her moment, dear spirit, for flying
From this gloomy world, while its gloom was unknown—
And the wild hymns she warbled so sweetly, in dying,
Were echoed in Heaven by lips like her own.
Weep not for her—in her spring-time she flew
To that land where the wings of the soul are unfurl'd;
And now, like a star beyond evening's cold dew,
Looks radiantly down on the tears of this world.
This second verse, which I wrote long after the first, alludes to the fate of a very lovely and amiable girl, the daughter of the late Colonel Bainbrigge, who was married in Ashbourne church, October 31. 1815, and died of a fever in a few weeks after: the sound of her marriage-bells seemed scarcely out of our ears when we heard of her death. During her last delirium she sung several hymns, in a voice even clearer and sweeter than usual, and among them were some from the present collection, (particularly, “There's nothing bright but Heaven,”) which this very interesting girl had often heard me sing during the summer.
267
THE TURF SHALL BE MY FRAGRANT SHRINE.
The turf shall be my fragrant shrine;
My temple, Lord! that Arch of thine;
My censer's breath the mountain airs,
And silent thoughts my only prayers.
My temple, Lord! that Arch of thine;
My censer's breath the mountain airs,
And silent thoughts my only prayers.
My choir shall be the moonlight waves,
When murmuring homeward to their caves,
Or when the stillness of the sea,
Even more than music, breathes of Thee!
When murmuring homeward to their caves,
Or when the stillness of the sea,
Even more than music, breathes of Thee!
I'll seek, by day, some glade unknown,
All light and silence, like thy Throne;
And the pale stars shall be, at night,
The only eyes that watch my rite.
All light and silence, like thy Throne;
And the pale stars shall be, at night,
The only eyes that watch my rite.
268
Thy Heaven, on which 'tis bliss to look,
Shall be my pure and shining book,
Where I shall read, in words of flame,
The glories of thy wondrous name.
Shall be my pure and shining book,
Where I shall read, in words of flame,
The glories of thy wondrous name.
I'll read thy anger in the rack
That clouds awhile the day-beam's track;
Thy mercy in the azure hue
Of sunny brightness, breaking through.
That clouds awhile the day-beam's track;
Thy mercy in the azure hue
Of sunny brightness, breaking through.
There's nothing bright, above, below,
From flowers that bloom to stars that glow,
But in its light my soul can see
Some feature of thy Deity:
From flowers that bloom to stars that glow,
But in its light my soul can see
Some feature of thy Deity:
There's nothing dark, below, above,
But in its gloom I trace thy Love,
And meekly wait that moment, when
Thy touch shall turn all bright again!
But in its gloom I trace thy Love,
And meekly wait that moment, when
Thy touch shall turn all bright again!
269
SOUND THE LOUD TIMBREL.
MIRIAM'S SONG.
“And Miriam, the Prophetess, the sister of Aaron, took a timbrel in
her hand; and all the women went out after her, with timbrels and with
dances.”
—Exod xv 20.
Jehovah has triumph'd—his people are free.
Sing—for the pride of the Tyrant is broken,
His chariots, his horsemen, all splendid and brave—
How vain was their boast, for the Lord hath but spoken,
And chariots and horsemen are sunk in the wave.
Sound the loud Timbrel o'er Egypt's dark sea;
Jehovah has triumph'd—his people are free.
270
His word was our arrow, his breath was our sword.—
Who shall return to tell Egypt the story
Of those she sent forth in the hour of her pride?
For the Lord hath look'd out from his pillar of glory ,
And all her brave thousands are dash'd in the tide.
Sound the loud Timbrel o'er Egypt's dark sea,
Jehovah has triumph'd—his people are free!
I have so much altered the character of this air, which is from the beginning of one of Avison's old-fashioned concertos, that, without this acknowledgment, it could hardly, I think, be recognized.
“And it came to pass, that, in the morning watch, the Lord looked unto the host of the Egyptians, through the pillar of fire and of the cloud, and troubled the host of the Egyptians.” —Exod. xiv. 24.
271
GO, LET ME WEEP.
Go, let me weep—there's bliss in tears,
When he who sheds them inly feels
Some lingering stain of early years
Effaced by every drop that steals.
The fruitless showers of worldly woe
Fall dark to earth and never rise;
While tears that from repentance flow,
In bright exhalement reach the skies.
Go, let me weep.
When he who sheds them inly feels
Some lingering stain of early years
Effaced by every drop that steals.
The fruitless showers of worldly woe
Fall dark to earth and never rise;
While tears that from repentance flow,
In bright exhalement reach the skies.
Go, let me weep.
Leave me to sigh o'er hours that flew
More idly than the summer's wind,
And, while they pass'd, a fragrance threw,
But left no trace of sweets behind.—
The warmest sigh that pleasure heaves
Is cold, is faint to those that swell
The heart, where pure repentance grieves
O'er hours of pleasure, loved too well.
Leave me to sigh.
More idly than the summer's wind,
And, while they pass'd, a fragrance threw,
But left no trace of sweets behind.—
The warmest sigh that pleasure heaves
Is cold, is faint to those that swell
The heart, where pure repentance grieves
O'er hours of pleasure, loved too well.
Leave me to sigh.
272
COME NOT, OH LORD.
Come not, oh Lord, in the dread robe of splendour
Thou wor'st on the Mount, in the day of thine ire;
Come veil'd in those shadows, deep, awful, but tender,
Which Mercy flings over thy features of fire!
Thou wor'st on the Mount, in the day of thine ire;
Come veil'd in those shadows, deep, awful, but tender,
Which Mercy flings over thy features of fire!
Lord, thou rememb'rest the night, when thy Nation
Stood fronting her Foe by the red-rolling stream;
O'er Egypt thy pillar shed dark desolation,
While Israel bask'd all the night in its beam.
Stood fronting her Foe by the red-rolling stream;
O'er Egypt thy pillar shed dark desolation,
While Israel bask'd all the night in its beam.
273
So, when the dread clouds of anger enfold Thee,
From us, in thy mercy, the dark side remove;
While shrouded in terrors the guilty behold Thee,
Oh, turn upon us the mild light of thy Love!
From us, in thy mercy, the dark side remove;
While shrouded in terrors the guilty behold Thee,
Oh, turn upon us the mild light of thy Love!
“And it came between the camp of the Egyptians and the camp of Israel; and it was a cloud and darkness to them, but it gave light by night to these.” —Exod. xiv. 20.
274
WERE NOT THE SINFUL MARY'S TEARS.
Were not the sinful Mary's tears
An offering worthy Heaven,
When, o'er the faults of former years,
She wept—and was forgiven?
An offering worthy Heaven,
When, o'er the faults of former years,
She wept—and was forgiven?
When, bringing every balmy sweet
Her day of luxury stored,
She o'er her Saviour's hallow'd feet
The precious odours pour'd;—
Her day of luxury stored,
She o'er her Saviour's hallow'd feet
The precious odours pour'd;—
And wiped them with that golden hair,
Where once the diamond shone;
Though now those gems of grief were there
Which shine for God alone!
Where once the diamond shone;
Though now those gems of grief were there
Which shine for God alone!
Were not those sweets, so humbly shed—
That hair—those weeping eyes—
And the sunk heart, that inly bled—
Heaven's noblest sacrifice?
That hair—those weeping eyes—
275
Heaven's noblest sacrifice?
Thou, that hast slept in error's sleep,
Oh, would'st thou wake in Heaven,
Like Mary kneel, like Mary weep,
“Love much ” and be forgiven!
Oh, would'st thou wake in Heaven,
Like Mary kneel, like Mary weep,
“Love much ” and be forgiven!
276
AS DOWN IN THE SUNLESS RETREATS.
As down in the sunless retreats of the Ocean,
Sweet flowers are springing no mortal can see,
So, deep in my soul the still prayer of devotion,
Unheard by the world, rises silent to Thee,
My God! silent, to Thee—
Pure, warm, silent, to Thee.
Sweet flowers are springing no mortal can see,
So, deep in my soul the still prayer of devotion,
Unheard by the world, rises silent to Thee,
My God! silent, to Thee—
Pure, warm, silent, to Thee.
As still to the star of its worship, though clouded,
The needle points faithfully o'er the dim sea,
So, dark as I roam, in this wintry world shrouded,
The hope of my spirit turns trembling to Thee,
My God! trembling, to Thee—
True, fond, trembling, to Thee.
The needle points faithfully o'er the dim sea,
So, dark as I roam, in this wintry world shrouded,
The hope of my spirit turns trembling to Thee,
My God! trembling, to Thee—
True, fond, trembling, to Thee.
277
BUT WHO SHALL SEE
But who shall see the glorious day
When, throned on Zion's brow,
The Lord shall rend that veil away
Which hides the nations now?
When earth no more beneath the fear
Of his rebuke shall lie ;
When pain shall cease, and every tear
Be wiped from every eye.
When, throned on Zion's brow,
The Lord shall rend that veil away
Which hides the nations now?
When earth no more beneath the fear
Of his rebuke shall lie ;
When pain shall cease, and every tear
Be wiped from every eye.
Then, Judah, thou no more shalt mourn
Beneath the heathen's chain;
Thy days of splendour shall return,
And all be new again.
The Fount of Life shall then be quaff'd
In peace, by all who come ;
And every wind that blows shall waft
Some long-lost exile home.
Beneath the heathen's chain;
278
And all be new again.
The Fount of Life shall then be quaff'd
In peace, by all who come ;
And every wind that blows shall waft
Some long-lost exile home.
“And he will destroy, in this mountain, the face of the covering cast over all people, and the vail that is spread over all nations.” —Isaiah, xxv. 7.
“And God shall wipe away all tears from their eyes; neither shall there be any more pain.” —Rev. xxi. 4.
279
ALMIGHTY GOD!
CHORUS OF PRIESTS.
Almighty God! when round thy shrine
The Palm-tree's heavenly branch we twine ,
(Emblem of Life's eternal ray,
And Love that “fadeth not away,”)
We bless the flowers, expanded all ,
We bless the leaves that never fall,
And trembling say,—“In Eden thus
“The Tree of Life may flower for us!”
The Palm-tree's heavenly branch we twine ,
(Emblem of Life's eternal ray,
And Love that “fadeth not away,”)
We bless the flowers, expanded all ,
We bless the leaves that never fall,
And trembling say,—“In Eden thus
“The Tree of Life may flower for us!”
280
When round thy Cherubs—smiling calm,
Without their flames —we wreathe the Palm,
Oh God! we feel the emblem true—
Thy Mercy is eternal too.
Those Cherubs, with their smiling eyes,
That crown of Palm which never dies,
Are but the types of Thee above—
Eternal Life, and Peace, and Love!
Without their flames —we wreathe the Palm,
Oh God! we feel the emblem true—
Thy Mercy is eternal too.
Those Cherubs, with their smiling eyes,
That crown of Palm which never dies,
Are but the types of Thee above—
Eternal Life, and Peace, and Love!
“The Scriptures having declared that the Temple of Jerusalem was a type of the Messiah, it is natural to conclude that the Palms, which made so conspicuous a figure in that structure, represented that Life and Immortality which were brought to light by the Gospel.” —Observations on the Palm, as a sacred Emblem, by W. Tighe.
“And he carved all the walls of the house round about with carved figures of cherubims, and palm-trees, and open flowers.” —1 Kings, vi. 29.
“When the passover of the tabernacles was revealed to the great lawgiver in the mount, then the cherubic images which appeared in that structure were no longer surrounded by flames; for the tabernacle was a type of the dispensation of mercy, by which Jehovah confirmed his gracious covenant to redeem mankind.” —Observations on the Palm.
281
OH FAIR! OH PUREST!
SAINT AUGUSTINE TO HIS SISTER.
Oh fair! oh purest! be thou the dove
That flies alone to some sunny grove,
And lives unseen, and bathes her wing,
All vestal white, in the limpid spring.
There, if the hovering hawk be near,
That limpid spring in its mirror clear
Reflects him, ere he reach his prey,
And warns the timorous bird away.
Be thou this dove;
Fairest, purest, be thou this dove.
That flies alone to some sunny grove,
And lives unseen, and bathes her wing,
All vestal white, in the limpid spring.
There, if the hovering hawk be near,
That limpid spring in its mirror clear
282
And warns the timorous bird away.
Be thou this dove;
Fairest, purest, be thou this dove.
The sacred pages of God's own book
Shall be the spring, the eternal brook,
In whose holy mirror, night and day,
Thou'lt study Heaven's reflected ray;—
And should the foes of virtue dare,
With gloomy wing, to seek thee there,
Thou wilt see how dark their shadows lie
Between Heaven and thee, and trembling fly!
Be thou that dove;
Fairest, purest, be thou that dove.
Shall be the spring, the eternal brook,
In whose holy mirror, night and day,
Thou'lt study Heaven's reflected ray;—
And should the foes of virtue dare,
With gloomy wing, to seek thee there,
Thou wilt see how dark their shadows lie
Between Heaven and thee, and trembling fly!
Be thou that dove;
Fairest, purest, be thou that dove.
In St. Augustine's Treatise upon the advantages of a solitary life, addressed to his sister, there is the following fanciful passage, from which, the reader will perceive, the thought of this song was taken:—“Te, soror, nunquam nolo esse securam, sed timere semperque tuam fragilitatem habere suspectam, ad instar pavidæ columbæ frequentare rivos aquarum et quasi in speculo accipitris cernere supervolantis effigiem et cavere. Rivi aquarum sententiæ sunt scripturarum, quæ de limpidissimo sapientiæ fonte profluentes,” &c. &c. —De Vit. Eremit. ad Sororem.
283
ANGEL OF CHARITY.
Angel of Charity, who, from above,
Comest to dwell a pilgrim here,
Thy voice is music, thy smile is love,
And Pity's soul is in thy tear.
When on the shrine of God were laid
First-fruits of all most good and fair,
That ever bloom'd in Eden's shade,
Thine was the holiest offering there.
Comest to dwell a pilgrim here,
Thy voice is music, thy smile is love,
And Pity's soul is in thy tear.
When on the shrine of God were laid
First-fruits of all most good and fair,
That ever bloom'd in Eden's shade,
Thine was the holiest offering there.
Hope and her sister, Faith, were given
But as our guides to yonder sky;
Soon as they reach the verge of heaven,
There, lost in perfect bliss, they die.
But, long as Love, Almighty Love,
Shall on his throne of thrones abide,
Thou, Charity, shalt dwell above,
Smiling for ever by His side!
But as our guides to yonder sky;
Soon as they reach the verge of heaven,
There, lost in perfect bliss, they die.
But, long as Love, Almighty Love,
Shall on his throne of thrones abide,
Thou, Charity, shalt dwell above,
Smiling for ever by His side!
284
BEHOLD THE SUN.
Behold the Sun, how bright
From yonder East he springs,
As if the soul of life and light
Were breathing from his wings.
From yonder East he springs,
As if the soul of life and light
Were breathing from his wings.
So bright the Gospel broke
Upon the souls of men;
So fresh the dreaming world awoke
In Truth's full radiance then.
Upon the souls of men;
So fresh the dreaming world awoke
In Truth's full radiance then.
Before yon Sun arose,
Stars cluster'd through the sky—
But oh how dim, how pale were those,
To His one burning eye!
Stars cluster'd through the sky—
But oh how dim, how pale were those,
To His one burning eye!
So Truth lent many a ray,
To bless the Pagan's night—
But, Lord, how weak, how cold were they
To Thy One glorious Light!
To bless the Pagan's night—
But, Lord, how weak, how cold were they
To Thy One glorious Light!
285
LORD, WHO SHALL BEAR THAT DAY.
Lord, who shall bear that day, so dread, so splendid,
When we shall see thy Angel, hov'ring o'er
This sinful world, with hand to heav'n extended,
And hear him swear by Thee that Time's no more?
When Earth shall feel thy fast consuming ray—
Who, Mighty God, oh who shall bear that day?
When we shall see thy Angel, hov'ring o'er
This sinful world, with hand to heav'n extended,
And hear him swear by Thee that Time's no more?
When Earth shall feel thy fast consuming ray—
Who, Mighty God, oh who shall bear that day?
When through the world thy awful call hath sounded—
“Wake, all ye Dead, to judgment wake, ye Dead!”
And from the clouds, by seraph eyes surrounded,
The Saviour shall put forth his radiant head ;
While Earth and Heav'n before Him pass away —
Who, Mighty God, oh who shall bear that day?
“Wake, all ye Dead, to judgment wake, ye Dead!”
286
The Saviour shall put forth his radiant head ;
While Earth and Heav'n before Him pass away —
Who, Mighty God, oh who shall bear that day?
When, with a glance, th' Eternal Judge shall sever
Earth's evil spirits from the pure and bright,
And say to those, “Depart from me for ever!”
To these, “Come, dwell with me in endless light!”
When each and all in silence take their way—
Who, Mighty God, oh who shall bear that day?
Earth's evil spirits from the pure and bright,
And say to those, “Depart from me for ever!”
To these, “Come, dwell with me in endless light!”
When each and all in silence take their way—
Who, Mighty God, oh who shall bear that day?
“And the Angel which I saw stand upon the sea and upon the earth, lifted up his hand to heaven, and sware by Him that liveth for ever and ever, that there should be time no longer.” —Rev. x. 5, 6.
“They shall see the Son of Man coming in the clouds of heaven—and all the angels with him.” —Matt. xxiv. 30. and xxv. 31.
“And before Him shall be gathered all nations, and He shall separate them one from another.
“Then shall the King say unto them on his right hand, Come, ye blessed of my Father, inherit the kingdom prepared for you, &c.
“Then shall He say also unto them on the left hand, Depart from me, ye cursed, &c.
“And these shall go away into everlasting punishment; but the righteous into life eternal.” —Matt. xxv. 32. et seq.
287
OH, TEACH ME TO LOVE THEE.
Oh, teach me to love Thee, to feel what thou art,
Till, fill'd with the one sacred image, my heart
Shall all other passions disown;
Like some pure temple, that shines apart,
Reserved for Thy worship alone.
Till, fill'd with the one sacred image, my heart
Shall all other passions disown;
Like some pure temple, that shines apart,
Reserved for Thy worship alone.
In joy and in sorrow, through praise and through blame,
Thus still let me, living and dying the same,
In Thy service bloom and decay—
Like some lone altar, whose votive flame
In holiness wasteth away.
Thus still let me, living and dying the same,
In Thy service bloom and decay—
Like some lone altar, whose votive flame
In holiness wasteth away.
Though born in this desert, and doom'd by my birth
To pain and affliction, to darkness and dearth,
On Thee let my spirit rely—
Like some rude dial, that, fix'd on earth,
Still looks for its light from the sky.
To pain and affliction, to darkness and dearth,
On Thee let my spirit rely—
Like some rude dial, that, fix'd on earth,
Still looks for its light from the sky.
288
WEEP, CHILDREN OF ISRAEL.
Weep, weep for him, the Man of GOD
—
In yonder vale he sunk to rest;
But none of earth can point the sod
That flowers above his sacred breast.
Weep, children of Israel, weep!
In yonder vale he sunk to rest;
But none of earth can point the sod
That flowers above his sacred breast.
Weep, children of Israel, weep!
His doctrine fell like Heaven's rain
,
His words refresh'd like Heaven's dew—
Oh, ne'er shall Israel see again
A Chief, to God and her so true.
Weep, children of Israel, weep!
His words refresh'd like Heaven's dew—
Oh, ne'er shall Israel see again
A Chief, to God and her so true.
Weep, children of Israel, weep!
289
Remember ye his parting gaze,
His farewell song by Jordan's tide,
When, full of glory and of days,
He saw the promised land—and died.
Weep, children of Israel, weep!
His farewell song by Jordan's tide,
When, full of glory and of days,
He saw the promised land—and died.
Weep, children of Israel, weep!
Yet died he not as men who sink,
Before our eyes, to soulless clay;
But, changed to spirit, like a wink
Of summer lightning, pass'd away.
Weep, children of Israel, weep!
Before our eyes, to soulless clay;
But, changed to spirit, like a wink
Of summer lightning, pass'd away.
Weep, children of Israel, weep!
“And he buried him in a valley in the land of Moab: but no man knoweth of his sepulchre unto this day.” —Ibid. ver. 6.
“I have caused thee to see it with thine eyes, but thou shalt not go over thither.” —Deut. xxxiv. 4.
“As he was going to embrace Eleazer and Joshua, and was still discoursing with them, a cloud stood over him on the sudden, and he disappeared in a certain valley, although he wrote in the Holy Books that he died, which was done out of fear, lest they should venture to say that, because of his extraordinary virtue, he went to God.” —Josephus, book iv. chap. viii.
290
LIKE MORNING, WHEN HER EARLY BREEZE.
Like morning, when her early breeze
Breaks up the surface of the seas,
That, in those furrows, dark with night,
Her hand may sow the seeds of light—
Breaks up the surface of the seas,
That, in those furrows, dark with night,
Her hand may sow the seeds of light—
Thy Grace can send its breathings o'er
The Spirit, dark and lost before,
And, fresh'ning all its depths, prepare
For Truth divine to enter there.
The Spirit, dark and lost before,
And, fresh'ning all its depths, prepare
For Truth divine to enter there.
Till David touch'd his sacred lyre,
In silence lay th' unbreathing wire;
But when he swept its chords along,
Ev'n Angels stoop'd to hear that song.
In silence lay th' unbreathing wire;
But when he swept its chords along,
Ev'n Angels stoop'd to hear that song.
So sleeps the soul, till Thou, oh Lord,
Shalt deign to touch its lifeless chord—
Till, waked by Thee, its breath shall rise
In music, worthy of the skies!
Shalt deign to touch its lifeless chord—
Till, waked by Thee, its breath shall rise
In music, worthy of the skies!
291
COME, YE DISCONSOLATE.
Come, ye disconsolate, where'er you languish,
Come, at God's altar fervently kneel;
Here bring your wounded hearts, here tell your anguish—
Earth has no sorrow that Heaven cannot heal.
Come, at God's altar fervently kneel;
Here bring your wounded hearts, here tell your anguish—
Earth has no sorrow that Heaven cannot heal.
Joy of the desolate, Light of the straying,
Hope, when all others die, fadeless and pure,
Here speaks the Comforter, in God's name saying—
“Earth has no sorrow that Heaven cannot cure.”
Hope, when all others die, fadeless and pure,
Here speaks the Comforter, in God's name saying—
“Earth has no sorrow that Heaven cannot cure.”
Go, ask the infidel, what boon he brings us,
What charm for aching hearts he can reveal,
Sweet as that heavenly promise Hope sings us—
“Earth has no sorrow that God cannot heal.”
What charm for aching hearts he can reveal,
Sweet as that heavenly promise Hope sings us—
“Earth has no sorrow that God cannot heal.”
292
AWAKE, ARISE, THY LIGHT IS COME.
Awake, arise, thy light is come
;
The nations, that before outshone thee,
Now at thy feet lie dark and dumb—
The glory of the Lord is on thee!
The nations, that before outshone thee,
Now at thy feet lie dark and dumb—
The glory of the Lord is on thee!
Arise—the Gentiles to thy ray,
From ev'ry nook of earth shall cluster;
And kings and princes haste to pay
Their homage to thy rising lustre.
From ev'ry nook of earth shall cluster;
And kings and princes haste to pay
Their homage to thy rising lustre.
Lift up thine eyes around, and see,
O'er foreign fields, o'er farthest waters,
Thy exiled sons return to thee,
To thee return thy home-sick daughters.
O'er foreign fields, o'er farthest waters,
Thy exiled sons return to thee,
To thee return thy home-sick daughters.
293
And camels rich, from Midian's tents,
Shall lay their treasures down before thee;
And Saba bring her gold and scents,
To fill thy air, and sparkle o'er thee.
Shall lay their treasures down before thee;
And Saba bring her gold and scents,
To fill thy air, and sparkle o'er thee.
See, who are these that, like a cloud
,
Are gathering from all earth's dominions,
Like doves, long absent, when allow'd
Homeward to shoot their trembling pinions.
Are gathering from all earth's dominions,
Like doves, long absent, when allow'd
Homeward to shoot their trembling pinions.
Surely the isles shall wait for me
,
The ships of Tarshish round will hover,
To bring thy sons across the sea,
And waft their gold and silver over.
The ships of Tarshish round will hover,
To bring thy sons across the sea,
And waft their gold and silver over.
294
And Lebanon thy pomp shall grace
—
The fir, the pine, the palm victorious
Shall beautify our Holy Place,
And make the ground I tread on glorious.
The fir, the pine, the palm victorious
Shall beautify our Holy Place,
And make the ground I tread on glorious.
No more shall Discord haunt thy ways
Nor ruin waste thy cheerless nation;
But thou shalt call thy portals, Praise,
And thou shalt name thy walls, Salvation.
Nor ruin waste thy cheerless nation;
But thou shalt call thy portals, Praise,
And thou shalt name thy walls, Salvation.
The sun no more shall make thee bright
,
Nor moon shall lend her lustre to thee;
But God, Himself, shall be thy Light,
And flash eternal glory through thee.
Nor moon shall lend her lustre to thee;
But God, Himself, shall be thy Light,
And flash eternal glory through thee.
295
Thy sun shall never more go down;
A ray, from heav'n itself descended,
Shall light thy everlasting crown—
Thy days of mourning all are ended.
A ray, from heav'n itself descended,
Shall light thy everlasting crown—
Thy days of mourning all are ended.
My own, elect, and righteous Land!
The Branch, for ever green and vernal,
Which I have planted with this hand—
Live thou shalt in Life Eternal.
The Branch, for ever green and vernal,
Which I have planted with this hand—
Live thou shalt in Life Eternal.
“Lift up thine eyes round about and see; all they gather themselves together, they come to thee: thy sons shall come from afar, and thy daughters shall be nursed at thy side.” —Isaiah, lx.
“The multitude of camels shall cover thee; the dromedaries of Midian and Ephah; all they from Sheba shall come; they shall bring gold and incense.” —Ib.
“Surely the isles shall wait for me, and the ships of Tarshish first, to bring thy sons from far, their silver and their gold with them.” —Ib.
“The glory of Lebanon shall come unto thee; the fir-tree, the pine-tree, and the box together, to beautify the place of my sanctuary, and I will make the place of my feet glorious.” —Isaiah, lx.
“Violence shall no more be heard in thy land, wasting nor destruction within thy borders; but thou shalt call thy walls, Salvation, and thy gates, Praise.” —Ib.
“Thy sun shall be no more thy light by day; neither for brightness shall the moon give light unto thee: but the Lord shall be unto thee an everlasting light, and thy God thy glory.” —Ib.
“Thy sun shall no more go down; for the Lord shall be thine everlasting light, and the days of thy mourning shall be ended.” —Isaiah, lx.
“Thy people also shall be all righteous; they shall inherit the land for ever, the branch of my planting, the work of my hands.” —Ib.
296
THERE IS A BLEAK DESERT.
There is a bleak Desert, where daylight grows weary
Of wasting its smile on a region so dreary—
What may that Desert be?
'Tis Life, cheerless Life, where the few joys that come
Are lost, like that daylight, for 'tis not their home.
Of wasting its smile on a region so dreary—
What may that Desert be?
'Tis Life, cheerless Life, where the few joys that come
Are lost, like that daylight, for 'tis not their home.
There is a lone Pilgrim, before whose faint eyes
The water he pants for but sparkles and flies—
Who may that Pilgrim be?
'Tis Man, hapless Man, through this life tempted on
By fair shining hopes, that in shining are gone.
The water he pants for but sparkles and flies—
Who may that Pilgrim be?
'Tis Man, hapless Man, through this life tempted on
By fair shining hopes, that in shining are gone.
There is a bright Fountain, through that Desert stealing
To pure lips alone its refreshment revealing—
What may that Fountain be?
'Tis Truth, holy Truth, that, like springs under ground,
By the gifted of Heaven alone can be found.
To pure lips alone its refreshment revealing—
What may that Fountain be?
297
By the gifted of Heaven alone can be found.
There is a fair Spirit, whose wand hath the spell
To point where those waters in secrecy dwell—
Who may that Spirit be?
'Tis Faith, humble Faith, who hath learn'd that, where'er
Her wand bends to worship, the Truth must be there!
To point where those waters in secrecy dwell—
Who may that Spirit be?
'Tis Faith, humble Faith, who hath learn'd that, where'er
Her wand bends to worship, the Truth must be there!
298
SINCE FIRST THY WORD.
Since first Thy Word awaked my heart,
Like new life dawning o'er me,
Where'er I turn mine eyes, Thou art,
All light and love before me.
Nought else I feel, or hear or see—
All bonds of earth I sever—
Thee, O God, and only Thee
I live for, now and ever.
Like new life dawning o'er me,
Where'er I turn mine eyes, Thou art,
All light and love before me.
Nought else I feel, or hear or see—
All bonds of earth I sever—
Thee, O God, and only Thee
I live for, now and ever.
Like him whose fetters dropp'd away
When light shone o'er his prison ,
My spirit, touch'd by Mercy's ray,
Hath from her chains arisen.
And shall a soul Thou bidst be free,
Return to bondage?—never!
Thee, O God, and only Thee
I live for, now and ever.
When light shone o'er his prison ,
My spirit, touch'd by Mercy's ray,
Hath from her chains arisen.
299
Return to bondage?—never!
Thee, O God, and only Thee
I live for, now and ever.
“And, behold, the angel of the Lord came upon him, and a light shined in the prison, and his chains fell off from his hands.” —Acts, xii. 7.
300
HARK! 'TIS THE BREEZE.
Hark! 'tis the breeze of twilight calling
Earth's weary children to repose;
While, round the couch of Nature falling,
Gently the night's soft curtains close.
Soon o'er a world, in sleep reclining,
Numberless stars, through yonder dark,
Shall look, like eyes of Cherubs shining
From out the veils that hid the Ark.
Earth's weary children to repose;
While, round the couch of Nature falling,
Gently the night's soft curtains close.
Soon o'er a world, in sleep reclining,
Numberless stars, through yonder dark,
Shall look, like eyes of Cherubs shining
From out the veils that hid the Ark.
Guard us, oh Thou, who never sleepest,
Thou who, in silence throned above,
Throughout all time, unwearied, keepest
Thy watch of Glory, Pow'r, and Love.
Grant that, beneath thine eye, securely,
Our souls, awhile from life withdrawn,
May, in their darkness, stilly, purely,
Like “sealed fountains,” rest till dawn.
Thou who, in silence throned above,
Throughout all time, unwearied, keepest
Thy watch of Glory, Pow'r, and Love.
Grant that, beneath thine eye, securely,
Our souls, awhile from life withdrawn,
May, in their darkness, stilly, purely,
Like “sealed fountains,” rest till dawn.
301
WHERE IS YOUR DWELLING, YE SAINTED?
Where is your dwelling, ye Sainted?
Through what Elysium more bright
Than fancy or hope ever painted,
Walk ye in glory and light?
Who the same kingdom inherits?
Breathes there a soul that may dare
Look to that world of Spirits,
Or hope to dwell with you there?
Through what Elysium more bright
Than fancy or hope ever painted,
Walk ye in glory and light?
Who the same kingdom inherits?
Breathes there a soul that may dare
Look to that world of Spirits,
Or hope to dwell with you there?
Sages! who, ev'n in exploring
Nature through all her bright ways,
Went, like the Seraphs, adoring,
And veil'd your eyes in the blaze—
Martyrs! who left for our reaping
Truths you had sown in your blood—
Sinners! whom long years of weeping
Chasten'd from evil to good—
Nature through all her bright ways,
Went, like the Seraphs, adoring,
And veil'd your eyes in the blaze—
Martyrs! who left for our reaping
Truths you had sown in your blood—
Sinners! whom long years of weeping
Chasten'd from evil to good—
302
Maidens! who, like the young Crescent,
Turning away your pale brows
From earth, and the light of the Present,
Look'd to your Heavenly Spouse—
Say, through what region enchanted
Walk ye, in Heaven's sweet air?
Say, to what spirits 'tis granted,
Bright souls, to dwell with you there?
Turning away your pale brows
From earth, and the light of the Present,
Look'd to your Heavenly Spouse—
Say, through what region enchanted
Walk ye, in Heaven's sweet air?
Say, to what spirits 'tis granted,
Bright souls, to dwell with you there?
303
HOW LIGHTLY MOUNTS THE MUSE'S WING.
How lightly mounts the Muse's wing,
Whose theme is in the skies—
Like morning larks, that sweeter sing
The nearer Heav'n they rise.
Whose theme is in the skies—
Like morning larks, that sweeter sing
The nearer Heav'n they rise.
Though Love his magic lyre may tune,
Yet ah, the flow'rs he round it wreathes
Were pluck'd beneath pale Passion's moon,
Whose madness in their odour breathes.
Yet ah, the flow'rs he round it wreathes
Were pluck'd beneath pale Passion's moon,
Whose madness in their odour breathes.
How purer far the sacred lute,
Round which Devotion ties
Sweet flow'rs that turn to heav'nly fruit,
And palm that never dies.
Round which Devotion ties
Sweet flow'rs that turn to heav'nly fruit,
And palm that never dies.
Though War's high-sounding harp may be
Most welcome to the hero's ears,
Alas, his chords of victory
Are wet, all o'er, with human tears.
Most welcome to the hero's ears,
Alas, his chords of victory
Are wet, all o'er, with human tears.
304
How far more sweet their numbers run,
Who hymn, like Saints above,
No victor, but th' Eternal One,
No trophies but of Love!
Who hymn, like Saints above,
No victor, but th' Eternal One,
No trophies but of Love!
305
GO FORTH TO THE MOUNT.
Go forth to the Mount—bring the olive-branch home ,And rejoice, for the day of our Freedom is come!
From that time , when the moon upon Ajalon's vale,
Looking motionless down , saw the kings of the earth,
In the presence of God's mighty Champion, grow pale—
Oh, never had Judah an hour of such mirth!
Go forth to the Mount—bring the olive-branch home,
And rejoice, for the day of our Freedom is come!
306
That's worthy to wave o'er the tents of the Free.
From that day, when the footsteps of Israel shone,
With a light not their own, through the Jordan's deep tide,
Whose waters shrunk back as the Ark glided on —
Oh, never had Judah an hour of such pride!
Go forth to the Mount—bring the olive-branch home,
And rejoice, for the day of our Freedom is come!
“And that they should publish and proclaim in all their cities, and in Jerusalem, saying, Go forth unto the mount, and fetch olive-branches,” &c. &c. —Neh. viii. 15.
“For since the days of Joshua the son of Nun unto that day had not the children of Israel done so: and there was very great gladness.” —Ib. 17.
“Fetch olive-branches and pine-branches, and myrtle-branches, and palm-branches, and branches of thick trees, to make booths.” —Neh. viii. 15.
“And the priests that bare the ark of the covenant of the Lord stood firm on dry ground in the midst of Jordan, and all the Israelites passed over on dry ground.” —Josh. iii. 17.
307
IS IT NOT SWEET TO THINK, HEREAFTER.
Is it not sweet to think, hereafter,
When the Spirit leaves this sphere,
Love, with deathless wing, shall waft her
To those she long hath mourn'd for here?
When the Spirit leaves this sphere,
Love, with deathless wing, shall waft her
To those she long hath mourn'd for here?
Hearts, from which 'twas death to sever,
Eyes, this world can ne'er restore,
There, as warm, as bright as ever,
Shall meet us and be lost no more.
Eyes, this world can ne'er restore,
There, as warm, as bright as ever,
Shall meet us and be lost no more.
When wearily we wander, asking
Of earth and heav'n, where are they,
Beneath whose smile we once lay basking,
Blest, and thinking bliss would stay?
Of earth and heav'n, where are they,
Beneath whose smile we once lay basking,
Blest, and thinking bliss would stay?
Hope still lifts her radiant finger
Pointing to th' eternal Home,
Upon whose portal yet they linger,
Looking back for us to come.
Pointing to th' eternal Home,
308
Looking back for us to come.
Alas, alas—doth Hope deceive us?
Shall friendship—love—shall all those ties
That bind a moment, and then leave us,
Be found again where nothing dies?
Shall friendship—love—shall all those ties
That bind a moment, and then leave us,
Be found again where nothing dies?
Oh, if no other boon were given,
To keep our hearts from wrong and stain,
Who would not try to win a Heaven
Where all we love shall live again?
To keep our hearts from wrong and stain,
Who would not try to win a Heaven
Where all we love shall live again?
309
WAR AGAINST BABYLON.
“War against Babylon!” shout we around ,Be our banners through earth unfurl'd;
Rise up, ye nations, ye kings, at the sound —
“War against Babylon!” shout through the world!
Oh thou, that dwellest on many waters ,
Thy day of pride is ended now;
And the dark curse of Israel's daughters
Breaks, like a thunder-cloud, over thy brow!
War, war, war against Babylon!
310
Set the standard of God on high;
Swarm we, like locusts, o'er all her fields,
“Zion” our watchword, and “vengeance” our cry!
Woe! woe!—the time of thy visitation
Is come, proud Land, thy doom is cast—
And the black surge of desolation
Sweeps o'er thy guilty head, at last!
War, war, war against Babylon!
“Set up a standard in the land, blow the trumpet among the nations, prepare the nations against her, call together against her the kingdoms,” &c. &c. —Ib. li. 27.
“Make bright the arrows; gather the shields.....set the standard upon the walls of Babylon” —Jer. li. 11, 12.
THE SUMMER FÊTE.
TO THE HONOURABLE MRS. NORTON.
“Where are ye now, ye summer days,
“That once inspired the poet's lays?
“Blest time! ere England's nymphs and swains,
“For lack of sunbeams, took to coals—
“Summers of light, undimm'd by rains,
“Whose only mocking trace remains
“In watering-pots and parasols.”
“That once inspired the poet's lays?
“Blest time! ere England's nymphs and swains,
“For lack of sunbeams, took to coals—
“Summers of light, undimm'd by rains,
“Whose only mocking trace remains
“In watering-pots and parasols.”
Thus spoke a young Patrician maid,
As, on the morning of that Fête
Which bards unborn shall celebrate,
She backward drew her curtain's shade,
And, closing one half-dazzled eye,
Peep'd with the other at the sky—
Th' important sky, whose light or gloom
Was to decide, this day, the doom
Of some few hundred beauties, wits,
Blues, Dandies, Swains, and Exquisites.
As, on the morning of that Fête
Which bards unborn shall celebrate,
She backward drew her curtain's shade,
And, closing one half-dazzled eye,
Peep'd with the other at the sky—
Th' important sky, whose light or gloom
Was to decide, this day, the doom
316
Blues, Dandies, Swains, and Exquisites.
Faint were her hopes; for June had now
Set in with all his usual rigour!
Young Zephyr yet scarce knowing how
To nurse a bud, or fan a bough,
But Eurus in perpetual vigour;
And, such the biting summer air,
That she, the nymph now nestling there—
Snug as her own bright gems recline,
At night, within their cotton shrine—
Had, more than once, been caught of late
Kneeling before her blazing grate,
Like a young worshipper of fire,
With hands uplifted to the flame,
Whose glow as if to woo them nigher,
Through the white fingers flushing came.
Set in with all his usual rigour!
Young Zephyr yet scarce knowing how
To nurse a bud, or fan a bough,
But Eurus in perpetual vigour;
And, such the biting summer air,
That she, the nymph now nestling there—
Snug as her own bright gems recline,
At night, within their cotton shrine—
Had, more than once, been caught of late
Kneeling before her blazing grate,
Like a young worshipper of fire,
With hands uplifted to the flame,
Whose glow as if to woo them nigher,
Through the white fingers flushing came.
But oh! the light, the unhoped-for light,
That now illumed this morning's heaven!
Up sprung Iänthe at the sight,
Though—hark!—the clocks but strike eleven,
And rarely did the nymph surprise
Mankind so early with her eyes.
That now illumed this morning's heaven!
Up sprung Iänthe at the sight,
Though—hark!—the clocks but strike eleven,
317
Mankind so early with her eyes.
Who now will say that England's sun
(Like England's self, these spendthrift days)
His stock of wealth hath near outrun,
And must retrench his golden rays—
Pay for the pride of sunbeams past,
And to mere moonshine come at last?
(Like England's self, these spendthrift days)
His stock of wealth hath near outrun,
And must retrench his golden rays—
Pay for the pride of sunbeams past,
And to mere moonshine come at last?
“Calumnious thought!” Iänthe cries,
While coming mirth lit up each glance,
And, prescient of the ball, her eyes
Already had begun to dance:
For brighter sun than that which now
Sparkled o'er London's spires and towers,
Had never bent from heaven his brow
To kiss Firenze's City of Flowers.
While coming mirth lit up each glance,
And, prescient of the ball, her eyes
Already had begun to dance:
For brighter sun than that which now
Sparkled o'er London's spires and towers,
Had never bent from heaven his brow
To kiss Firenze's City of Flowers.
What must it be—if thus so fair
Mid the smoked groves of Grosvenor Square—
What must it be where Thames is seen
Gliding between his banks of green,
While rival villas, on each side,
Peep from their bowers to woo his tide,
And, like a Turk between two rows
Of Harem beauties, on he goes—
A lover, loved for ev'n the grace
With which he slides from their embrace.
Mid the smoked groves of Grosvenor Square—
What must it be where Thames is seen
Gliding between his banks of green,
318
Peep from their bowers to woo his tide,
And, like a Turk between two rows
Of Harem beauties, on he goes—
A lover, loved for ev'n the grace
With which he slides from their embrace.
In one of those enchanted domes,
One, the most flowery, cool, and bright
Of all by which that river roams,
The Fête is to be held to-night—
That Fête already link'd to fame,
Whose cards, in many a fair one's sight
(When look'd for long, at last they came,)
Seem'd circled with a fairy light;—
That Fête to which the cull, the flower
Of England's beauty, rank and power,
From the young spinster, just come out,
To the old Premier, too long in—
From legs of far descended gout,
To the last new-mustachio'd chin—
All were convoked by Fashion's spells
To the small circle where she dwells,
Collecting nightly, to allure us,
Live atoms, which, together hurl'd,
She, like another Epicurus,
Sets dancing thus, and calls “the World.”
One, the most flowery, cool, and bright
Of all by which that river roams,
The Fête is to be held to-night—
That Fête already link'd to fame,
Whose cards, in many a fair one's sight
(When look'd for long, at last they came,)
Seem'd circled with a fairy light;—
That Fête to which the cull, the flower
Of England's beauty, rank and power,
From the young spinster, just come out,
To the old Premier, too long in—
From legs of far descended gout,
To the last new-mustachio'd chin—
All were convoked by Fashion's spells
To the small circle where she dwells,
319
Live atoms, which, together hurl'd,
She, like another Epicurus,
Sets dancing thus, and calls “the World.”
Behold how busy in those bowers
(Like May-flies, in and out of flowers,)
The countless menials swarming run,
To furnish forth, ere set of sun,
The banquet-table richly laid
Beneath yon awning's lengthen'd shade,
Where fruits shall tempt, and wines entice,
And Luxury's self, at Gunter's call,
Breathe from her summer-throne of ice
A spirit of coolness over all.
(Like May-flies, in and out of flowers,)
The countless menials swarming run,
To furnish forth, ere set of sun,
The banquet-table richly laid
Beneath yon awning's lengthen'd shade,
Where fruits shall tempt, and wines entice,
And Luxury's self, at Gunter's call,
Breathe from her summer-throne of ice
A spirit of coolness over all.
And now the important hour drew nigh,
When, 'neath the flush of evening's sky,
The west-end “world” for mirth let loose,
And moved, as he of Syracuse
Ne'er dreamt of moving worlds, by force
Of four-horse power, had all combined
Through Grosvenor Gate to speed their course,
Leaving that portion of mankind,
Whom they call “Nobody,” behind;—
No star for London's feasts to-day,
No moon of beauty, new this May,
To lend the night her crescent ray;—
Nothing, in short, for ear or eye,
But veteran belles, and wits gone by,
The relics of a past beau-monde,
A world, like Cuvier's, long dethroned!
Ev'n Parliament this evening nods
Beneath th' harangues of minor gods,
On half its usual opiate's share;
The great dispensers of repose,
The first-rate furnishers of prose
Being all call'd to—prose elsewhere.
When, 'neath the flush of evening's sky,
The west-end “world” for mirth let loose,
And moved, as he of Syracuse
Ne'er dreamt of moving worlds, by force
Of four-horse power, had all combined
320
Leaving that portion of mankind,
Whom they call “Nobody,” behind;—
No star for London's feasts to-day,
No moon of beauty, new this May,
To lend the night her crescent ray;—
Nothing, in short, for ear or eye,
But veteran belles, and wits gone by,
The relics of a past beau-monde,
A world, like Cuvier's, long dethroned!
Ev'n Parliament this evening nods
Beneath th' harangues of minor gods,
On half its usual opiate's share;
The great dispensers of repose,
The first-rate furnishers of prose
Being all call'd to—prose elsewhere.
Soon as through Grosvenor's lordly square
—
That last impregnable redoubt,
Where, guarded with Patrician care,
Primeval Error still holds out—
Where never gleam of gas must dare
'Gainst ancient Darkness to revolt,
Nor smooth Macadam hope to spare
The dowagers one single jolt;—
Where, far too stately and sublime
To profit by the lights of time,
Let Intellect march how it will,
They stick to oil and watchmen still:—
Soon as through that illustrious square
The first epistolary bell,
Sounding by fits upon the air,
Of parting pennies rung the knell;
Warn'd by that tell-tale of the hours,
And by the day-light's westering beam,
The young Iänthe, who, with flowers
Half crown'd, had sat in idle dream
Before her glass, scarce knowing where
Her fingers roved through that bright hair,
While, all capriciously, she now
Dislodged some curl from her white brow,
And now again replaced it there;—
As though her task was meant to be
One endless change of ministry—
A routing-up of Loves and Graces,
But to plant others in their places.
That last impregnable redoubt,
Where, guarded with Patrician care,
Primeval Error still holds out—
321
'Gainst ancient Darkness to revolt,
Nor smooth Macadam hope to spare
The dowagers one single jolt;—
Where, far too stately and sublime
To profit by the lights of time,
Let Intellect march how it will,
They stick to oil and watchmen still:—
Soon as through that illustrious square
The first epistolary bell,
Sounding by fits upon the air,
Of parting pennies rung the knell;
Warn'd by that tell-tale of the hours,
And by the day-light's westering beam,
The young Iänthe, who, with flowers
Half crown'd, had sat in idle dream
Before her glass, scarce knowing where
Her fingers roved through that bright hair,
While, all capriciously, she now
Dislodged some curl from her white brow,
And now again replaced it there;—
As though her task was meant to be
One endless change of ministry—
322
But to plant others in their places.
Meanwhile—what strain is that which floats
Through the small boudoir near—like notes
Of some young bird, its task repeating
For the next linnet music-meeting?
A voice it was, whose gentle sounds
Still kept a modest octave's bounds,
Nor yet had ventured to exalt
Its rash ambition to B alt,
That point towards which when ladies rise,
The wise man takes his hat and—flies.
Tones of a harp, too, gently played,
Came with this youthful voice communing;
Tones true, for once, without the aid
Of that inflictive process, tuning—
A process which must oft have given
Poor Milton's ears a deadly wound;
So pleased, among the joys of Heaven,
He specifies “harps ever tuned.”
She who now sung this gentle strain
Was our young nymph's still younger sister—
Scarce ready yet for Fashion's train
In their light legions to enlist her,
But counted on, as sure to bring
Her force into the field next spring.
Through the small boudoir near—like notes
Of some young bird, its task repeating
For the next linnet music-meeting?
A voice it was, whose gentle sounds
Still kept a modest octave's bounds,
Nor yet had ventured to exalt
Its rash ambition to B alt,
That point towards which when ladies rise,
The wise man takes his hat and—flies.
Tones of a harp, too, gently played,
Came with this youthful voice communing;
Tones true, for once, without the aid
Of that inflictive process, tuning—
A process which must oft have given
Poor Milton's ears a deadly wound;
So pleased, among the joys of Heaven,
He specifies “harps ever tuned.”
323
Was our young nymph's still younger sister—
Scarce ready yet for Fashion's train
In their light legions to enlist her,
But counted on, as sure to bring
Her force into the field next spring.
The song she thus, like Jubal's shell,
Gave forth “so sweetly and so well,”
Was one in Morning Post much famed,
From a divine collection, named,
“Songs of the Toilet”—every Lay
Taking for subject of its Muse,
Some branch of feminine array,
Some item, with full scope, to choose,
From diamonds down to dancing shoes;
From the last hat that Herbault's hands
Bequeath'd to an admiring world,
Down to the latest flounce that stands
Like Jacob's Ladder—or expands
Far forth, tempestuously unfurl'd.
Gave forth “so sweetly and so well,”
Was one in Morning Post much famed,
From a divine collection, named,
“Songs of the Toilet”—every Lay
Taking for subject of its Muse,
Some branch of feminine array,
Some item, with full scope, to choose,
From diamonds down to dancing shoes;
From the last hat that Herbault's hands
Bequeath'd to an admiring world,
Down to the latest flounce that stands
Like Jacob's Ladder—or expands
Far forth, tempestuously unfurl'd.
Speaking of one of these new Lays,
The Morning Post thus sweetly says:—
“Not all that breathes from Bishop's lyre,
“That Barnett dreams, or Cooke conceives,
“Can match for sweetness, strength, or fire,
“This fine Cantata upon Sleeves.
“The very notes themselves reveal
“The cut of each new sleeve so well;
“A flat betrays the Imbécilles ,
“Light fugues the flying lappets tell;
“While rich cathedral chords awake
“Our homage for the Manches d' Évêque.”
The Morning Post thus sweetly says:—
324
“That Barnett dreams, or Cooke conceives,
“Can match for sweetness, strength, or fire,
“This fine Cantata upon Sleeves.
“The very notes themselves reveal
“The cut of each new sleeve so well;
“A flat betrays the Imbécilles ,
“Light fugues the flying lappets tell;
“While rich cathedral chords awake
“Our homage for the Manches d' Évêque.”
'Twas the first opening song—the Lay
Of all least deep in toilet-lore,
That the young nymph, to while away
The tiring-hour, thus warbled o'er:—
Of all least deep in toilet-lore,
That the young nymph, to while away
The tiring-hour, thus warbled o'er:—
SONG.
Array thee, love, array thee, love,
In all thy best array thee;
The sun's below—the moon's above—
And Night and Bliss obey thee.
Put on thee all that's bright and rare,
The zone, the wreath, the gem,
Not so much gracing charms so fair,
As borrowing grace from them.
In all thy best array thee;
The sun's below—the moon's above—
And Night and Bliss obey thee.
325
The zone, the wreath, the gem,
Not so much gracing charms so fair,
As borrowing grace from them.
Array thee, love, array thee, love,
In all that's bright array thee;
The sun's below—the moon's above—
And Night and Bliss obey thee.
In all that's bright array thee;
The sun's below—the moon's above—
And Night and Bliss obey thee.
Put on the plumes thy lover gave,
The plumes, that, proudly dancing,
Proclaim to all, where'er they wave,
Victorious eyes advancing.
Bring forth the robe, whose hue of heaven
From thee derives such light,
That Iris would give all her seven
To boast but one so bright.
The plumes, that, proudly dancing,
Proclaim to all, where'er they wave,
Victorious eyes advancing.
Bring forth the robe, whose hue of heaven
From thee derives such light,
That Iris would give all her seven
To boast but one so bright.
Array thee, love, array thee, love,
&c. &c. &c.
&c. &c. &c.
Now hie thee, love, now hie thee, love,
Through Pleasure's circles hie thee,
And hearts, where'er thy footsteps move,
Will beat, when they come nigh thee.
Thy every word shall be a spell,
Thy every look a ray,
And tracks of wondering eyes shall tell
The glory of thy way!
Through Pleasure's circles hie thee,
And hearts, where'er thy footsteps move,
Will beat, when they come nigh thee.
326
Thy every look a ray,
And tracks of wondering eyes shall tell
The glory of thy way!
Now hie thee, love, now hie thee, love,
Through Pleasure's circles hie thee,
And hearts, where'er thy footsteps move,
Shall beat when they come nigh thee.
Through Pleasure's circles hie thee,
And hearts, where'er thy footsteps move,
Shall beat when they come nigh thee.
Now in his Palace of the West,
Sinking to slumber, the bright Day,
Like a tired monarch fann'd to rest,
Mid the cool airs of Evening lay;
While round his couch's golden rim
The gaudy clouds, like courtiers, crept—
Struggling each other's light to dim,
And catch his last smile e'er he slept.
How gay, as o'er the gliding Thames
The golden eve its lustre pour'd,
Shone out the high-born knights and dames
Now grouped around that festal board;
A living mass of plumes and flowers,
As though they'd robb'd both birds and bowers—
A peopled rainbow, swarming through
With habitants of every hue;
While, as the sparkling juice of France
High in the crystal brimmers flowed,
Each sunset ray that mixed by chance
With the wine's sparkles, showed
How sunbeams may be taught to dance.
Sinking to slumber, the bright Day,
Like a tired monarch fann'd to rest,
Mid the cool airs of Evening lay;
While round his couch's golden rim
The gaudy clouds, like courtiers, crept—
Struggling each other's light to dim,
And catch his last smile e'er he slept.
How gay, as o'er the gliding Thames
The golden eve its lustre pour'd,
Shone out the high-born knights and dames
Now grouped around that festal board;
327
As though they'd robb'd both birds and bowers—
A peopled rainbow, swarming through
With habitants of every hue;
While, as the sparkling juice of France
High in the crystal brimmers flowed,
Each sunset ray that mixed by chance
With the wine's sparkles, showed
How sunbeams may be taught to dance.
If not in written form exprest,
'Twas known, at least, to every guest,
That, though not bidden to parade
Their scenic powers in masquerade,
(A pastime little found to thrive
In the bleak fog of England's skies,
Where wit's the thing we best contrive,
As masqueraders, to disguise,)
It yet was hoped—and well that hope
Was answered by the young and gay—
That, in the toilet's task to-day,
Fancy should take her wildest scope;—
That the rapt milliner should be
Let loose through fields of poesy,
The tailor, in inventive trance,
Up to the heights of Epic clamber,
And all the regions of Romance
Be ransacked by the femme de chambre.
'Twas known, at least, to every guest,
That, though not bidden to parade
Their scenic powers in masquerade,
(A pastime little found to thrive
In the bleak fog of England's skies,
Where wit's the thing we best contrive,
As masqueraders, to disguise,)
It yet was hoped—and well that hope
Was answered by the young and gay—
That, in the toilet's task to-day,
Fancy should take her wildest scope;—
That the rapt milliner should be
Let loose through fields of poesy,
328
Up to the heights of Epic clamber,
And all the regions of Romance
Be ransacked by the femme de chambre.
Accordingly, with gay Sultanas,
Rebeccas, Sapphos, Roxalanas—
Circassian slaves whom Love would pay
Half his maternal realms to ransom;—
Young nuns, whose chief religion lay
In looking most profanely handsome;—
Muses in muslin—pastoral maids
With hats from the Arcade-ian shades,
And fortune-tellers, rich, 'twas plain,
As fortune-hunters form'd their train.
Rebeccas, Sapphos, Roxalanas—
Circassian slaves whom Love would pay
Half his maternal realms to ransom;—
Young nuns, whose chief religion lay
In looking most profanely handsome;—
Muses in muslin—pastoral maids
With hats from the Arcade-ian shades,
And fortune-tellers, rich, 'twas plain,
As fortune-hunters form'd their train.
With these, and more such female groups,
Were mixed no less fantastic troops
Of male exhibiters—all willing
To look, even more than usual, killing;—
Beau tyrants, smock-faced braggadocios,
And brigands, charmingly ferocious;—
M.P.s turned Turks, good Moslems then,
Who, last night, voted for the Greeks;
And Friars, staunch No-Popery men,
In close confab with Whig Caciques.
Were mixed no less fantastic troops
Of male exhibiters—all willing
To look, even more than usual, killing;—
Beau tyrants, smock-faced braggadocios,
And brigands, charmingly ferocious;—
M.P.s turned Turks, good Moslems then,
Who, last night, voted for the Greeks;
329
In close confab with Whig Caciques.
But where is she—the nymph, whom late
We left before her glass delaying,
Like Eve, when by the lake she sate,
In the clear wave her charms surveying,
And saw in that first glassy mirror
The first fair face that lured to error.
“Where is she,” ask'st thou?—watch all looks
As cent'ring to one point they bear,
Like sun-flowers by the sides of brooks,
Turn'd to the sun—and she is there.
Ev'n in disguise, oh never doubt
By her own light you'd track her out:
As when the moon, close shawl'd in fog,
Steals as she thinks, through heaven incog.,
Though hid herself, some sidelong ray,
At every step, detects her way.
We left before her glass delaying,
Like Eve, when by the lake she sate,
In the clear wave her charms surveying,
And saw in that first glassy mirror
The first fair face that lured to error.
“Where is she,” ask'st thou?—watch all looks
As cent'ring to one point they bear,
Like sun-flowers by the sides of brooks,
Turn'd to the sun—and she is there.
Ev'n in disguise, oh never doubt
By her own light you'd track her out:
As when the moon, close shawl'd in fog,
Steals as she thinks, through heaven incog.,
Though hid herself, some sidelong ray,
At every step, detects her way.
But not in dark disguise to-night
Hath our young heroine veil'd her light;—
For see, she walks the earth, Love's own,
His wedded bride, by holiest vow
Pledged in Olympus, and made known
To mortals by the type which now
Hangs glittering on her snowy brow,
That butterfly, mysterious trinket,
Which means the Soul (tho' few would think it),
And sparkling thus on brow so white,
Tells us we've Psyche here to-night!
Hath our young heroine veil'd her light;—
For see, she walks the earth, Love's own,
His wedded bride, by holiest vow
330
To mortals by the type which now
Hangs glittering on her snowy brow,
That butterfly, mysterious trinket,
Which means the Soul (tho' few would think it),
And sparkling thus on brow so white,
Tells us we've Psyche here to-night!
But hark! some song hath caught her ears—
And, lo, how pleased, as though she'd ne'er
Heard the Grand Opera of the Spheres,
Her goddess-ship approves the air;
And to a mere terrestrial strain,
Inspired by nought but pink champagne,
Her butterfly as gaily nods
As though she sate with all her train
At some great Concert of the Gods,
With Phœbus, leader—Jove, director,
And half the audience drunk with nectar.
And, lo, how pleased, as though she'd ne'er
Heard the Grand Opera of the Spheres,
Her goddess-ship approves the air;
And to a mere terrestrial strain,
Inspired by nought but pink champagne,
Her butterfly as gaily nods
As though she sate with all her train
At some great Concert of the Gods,
With Phœbus, leader—Jove, director,
And half the audience drunk with nectar.
From a male group the carol came—
A few gay youths, whom round the board
The last-tried flask's superior fame
Had lured to taste the tide it pour'd;
And one, who, from his youth and lyre,
Seem'd grandson to the Teian sire,
Thus gaily sung, while, to his song,
Replied in chorus the gay throng:—
A few gay youths, whom round the board
The last-tried flask's superior fame
Had lured to taste the tide it pour'd;
331
Seem'd grandson to the Teian sire,
Thus gaily sung, while, to his song,
Replied in chorus the gay throng:—
SONG.
Some mortals there may be, so wise, or so fine,As in evenings like this no enjoyment to see;
But, as I'm not particular—wit, love, and wine,
Are for one night's amusement sufficient for me.
Nay—humble and strange as my tastes may appear—
If driv'n to the worst, I could manage, thank Heaven,
To put up with eyes such as beam round me here,
And such wine as we're sipping, six days out of seven.
So pledge me a bumper—your sages profound
May be blest, if they will, on their own patent plan:
But as we are not sages, why—send the cup round—
We must only be happy the best way we can.
332
To whoe'er could invent a new bliss for mankind;
But talk of new pleasures!—give me but the old,
And I'll leave your inventors all new ones they find
Or should I, in quest of fresh realms of bliss,
Set sail in the pinnace of Fancy some day,
Let the rich rosy sea I embark on be this,
And such eyes as we've here be the stars of my way!
In the mean time, a bumper—your Angels, on high,
May have pleasures unknown to life's limited span;
But, as we are not Angels, why—let the flask fly—
We must only be happy all ways that we can.
Now nearly fled was sunset's light,
Leaving but so much of its beam
As gave to objects, late so bright,
The colouring of a shadowy dream;
And there was still where Day had set
A flush that spoke him loth to die—
A last link of his glory yet,
Binding together earth and sky.
Say, why is it that twilight best
Becomes even brows the loveliest?
That dimness, with its softening touch,
Can bring out grace, unfelt before,
And charms we ne'er can see too much,
When seen but half enchant the more?
Alas, it is that every joy
In fulness finds its worst alloy,
And half a bliss, but hoped or guess'd,
Is sweeter than the whole possess'd;—
That Beauty, when least shone upon,
A creature most ideal grows;
And there's no light from moon or sun
Like that Imagination throws;—
It is, alas, that Fancy shrinks
Even from a bright reality,
And turning inly, feels and thinks
Far heavenlier things than e'er will be.
Leaving but so much of its beam
As gave to objects, late so bright,
The colouring of a shadowy dream;
And there was still where Day had set
A flush that spoke him loth to die—
333
Binding together earth and sky.
Say, why is it that twilight best
Becomes even brows the loveliest?
That dimness, with its softening touch,
Can bring out grace, unfelt before,
And charms we ne'er can see too much,
When seen but half enchant the more?
Alas, it is that every joy
In fulness finds its worst alloy,
And half a bliss, but hoped or guess'd,
Is sweeter than the whole possess'd;—
That Beauty, when least shone upon,
A creature most ideal grows;
And there's no light from moon or sun
Like that Imagination throws;—
It is, alas, that Fancy shrinks
Even from a bright reality,
And turning inly, feels and thinks
Far heavenlier things than e'er will be.
Such was th' effect of twilight's hour
On the fair groups that, round and round,
From glade to grot, from bank to bower,
Now wander'd through this fairy ground;
And thus did Fancy—and champagne—
Work on the sight their dazzling spells,
Till nymphs that look'd, at noon-day, plain,
Now brighten'd, in the gloom, to belles;
And the brief interval of time,
'Twixt after dinner and before,
To dowagers brought back their prime,
And shed a halo round two-score.
On the fair groups that, round and round,
334
Now wander'd through this fairy ground;
And thus did Fancy—and champagne—
Work on the sight their dazzling spells,
Till nymphs that look'd, at noon-day, plain,
Now brighten'd, in the gloom, to belles;
And the brief interval of time,
'Twixt after dinner and before,
To dowagers brought back their prime,
And shed a halo round two-score.
Meanwhile, new pastimes for the eye,
The ear, the fancy, quick succeed;
And now along the waters fly
Light gondoles, of Venetian breed,
With knights and dames, who, calm reclined,
Lisp out love-sonnets as they glide—
Astonishing old Thames to find
Such doings on his moral tide.
The ear, the fancy, quick succeed;
And now along the waters fly
Light gondoles, of Venetian breed,
With knights and dames, who, calm reclined,
Lisp out love-sonnets as they glide—
Astonishing old Thames to find
Such doings on his moral tide.
So bright was still that tranquil river,
With the last shaft from Daylight's quiver,
That many a group, in turn, were seen
Embarking on its wave serene;
And, 'mong the rest, in chorus gay,
A band of mariners, from th' isles
Of sunny Greece, all song and smiles,
As smooth they floated, to the play
Of their oar's cadence, sung this lay:—
With the last shaft from Daylight's quiver,
That many a group, in turn, were seen
Embarking on its wave serene;
335
A band of mariners, from th' isles
Of sunny Greece, all song and smiles,
As smooth they floated, to the play
Of their oar's cadence, sung this lay:—
TRIO.
Our home is on the sea, boy,
Our home is on the sea;
When Nature gave
The ocean-wave,
She mark'd it for the Free.
Whatever storms befall, boy,
Whatever storms befall,
The island bark
Is Freedom's ark,
And floats her safe through all.
Our home is on the sea;
When Nature gave
The ocean-wave,
She mark'd it for the Free.
Whatever storms befall, boy,
Whatever storms befall,
The island bark
Is Freedom's ark,
And floats her safe through all.
Behold yon sea of isles, boy,
Behold yon sea of isles,
Where every shore
Is sparkling o'er
With Beauty's richest smiles.
For us hath Freedom claim'd, boy,
For us hath Freedom claim'd
Those ocean-nests
Where Valour rests
His eagle wing untamed.
Behold yon sea of isles,
Where every shore
Is sparkling o'er
With Beauty's richest smiles.
336
For us hath Freedom claim'd
Those ocean-nests
Where Valour rests
His eagle wing untamed.
And shall the Moslem dare, boy,
And shall the Moslem dare,
While Grecian hand
Can wield a brand,
To plant his Crescent there?
No—by our fathers, no, boy,
No, by the Cross we show—
From Maina's rills
To Thracia's hills
All Greece re-echoes “No!”
And shall the Moslem dare,
While Grecian hand
Can wield a brand,
To plant his Crescent there?
No—by our fathers, no, boy,
No, by the Cross we show—
From Maina's rills
To Thracia's hills
All Greece re-echoes “No!”
Like pleasant thoughts that o'er the mind
A minute come, and go again,
Ev'n so, by snatches, in the wind,
Was caught and lost that choral strain,
Now full, now faint upon the ear,
As the bark floated far or near.
At length when, lost, the closing note
Had down the waters died along,
Forth from another fairy boat,
Freighted with music, came this song:—
A minute come, and go again,
Ev'n so, by snatches, in the wind,
Was caught and lost that choral strain,
Now full, now faint upon the ear,
As the bark floated far or near.
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Had down the waters died along,
Forth from another fairy boat,
Freighted with music, came this song:—
SONG.
Smoothly flowing through verdant vales,
Gentle river, thy current runs,
Shelter'd safe from winter gales,
Shaded cool from summer suns.
Thus our Youth's sweet moments glide,
Fenced with flow'ry shelter round;
No rude tempest wakes the tide,
All its path is fairy ground.
Gentle river, thy current runs,
Shelter'd safe from winter gales,
Shaded cool from summer suns.
Thus our Youth's sweet moments glide,
Fenced with flow'ry shelter round;
No rude tempest wakes the tide,
All its path is fairy ground.
But, fair river, the day will come,
When, woo'd by whisp'ring groves in vain,
Thou'lt leave those banks, thy shaded home,
To mingle with the stormy main.
And thou, sweet Youth, too soon wilt pass
Into the world's unshelter'd sea,
Where, once thy wave hath mix'd, alas,
All hope of peace is lost for thee.
When, woo'd by whisp'ring groves in vain,
Thou'lt leave those banks, thy shaded home,
To mingle with the stormy main.
And thou, sweet Youth, too soon wilt pass
Into the world's unshelter'd sea,
Where, once thy wave hath mix'd, alas,
All hope of peace is lost for thee.
338
Next turn we to the gay saloon,
Resplendent as a summer noon,
Where, 'neath a pendent wreath of lights,
A Zodiac of flowers and tapers—
(Such as in Russian ball-rooms sheds
Its glory o'er young dancers' heads)—
Quadrille performs her mazy rites,
And reigns supreme o'er slides and capers;—
Working to death each opera strain,
As, with a foot that ne'er reposes,
She jigs through sacred and profane,
From “Maid and Magpie” up to “Moses ;”—
Wearing out tunes as fast as shoes,
Till fagg'd Rossini scarce respires;
Till Mayerbeer for mercy sues,
And Weber at her feet expires.
Resplendent as a summer noon,
Where, 'neath a pendent wreath of lights,
A Zodiac of flowers and tapers—
(Such as in Russian ball-rooms sheds
Its glory o'er young dancers' heads)—
Quadrille performs her mazy rites,
And reigns supreme o'er slides and capers;—
Working to death each opera strain,
As, with a foot that ne'er reposes,
She jigs through sacred and profane,
From “Maid and Magpie” up to “Moses ;”—
Wearing out tunes as fast as shoes,
Till fagg'd Rossini scarce respires;
Till Mayerbeer for mercy sues,
And Weber at her feet expires.
And now the set hath ceased—the bows
Of fiddlers taste a brief repose,
While light along the painted floor,
Arm within arm, the couples stray,
Talking their stock of nothings o'er,
Till—nothing's left, at last, to say.
When, lo!—most opportunely sent—
Two Exquisites, a he and she,
Just brought from Dandyland, and meant
For Fashion's grand Menagerie,
Enter'd the room—and scarce were there
When all flock'd round them, glad to stare
At any monsters, any where.
Of fiddlers taste a brief repose,
339
Arm within arm, the couples stray,
Talking their stock of nothings o'er,
Till—nothing's left, at last, to say.
When, lo!—most opportunely sent—
Two Exquisites, a he and she,
Just brought from Dandyland, and meant
For Fashion's grand Menagerie,
Enter'd the room—and scarce were there
When all flock'd round them, glad to stare
At any monsters, any where.
Some thought them perfect, to their tastes;
While others hinted that the waists
(That in particular of the he thing)
Left far too ample room for breathing:
Whereas, to meet these critics' wishes,
The isthmus there should be so small,
That Exquisites, at last, like fishes,
Must manage not to breathe at all.
The female (these same critics said),
Though orthodox from toe to chin,
Yet lack'd that spacious width of head
To hat of toadstool much akin—
That build of bonnet, whose extent
Should, like a doctrine of dissent,
Puzzle church-doors to let it in.
While others hinted that the waists
(That in particular of the he thing)
Left far too ample room for breathing:
Whereas, to meet these critics' wishes,
The isthmus there should be so small,
That Exquisites, at last, like fishes,
Must manage not to breathe at all.
The female (these same critics said),
Though orthodox from toe to chin,
Yet lack'd that spacious width of head
To hat of toadstool much akin—
340
Should, like a doctrine of dissent,
Puzzle church-doors to let it in.
However—sad as 'twas, no doubt,
That nymph so smart should go about,
With head unconscious of the place
It ought to fill in Infinite Space—
Yet all allow'd that, of her kind,
A prettier show 'twas hard to find;
While of that doubtful genus, “dressy men,”
The male was thought a first-rate specimen.
Such Savans, too, as wish'd to trace
The manners, habits, of this race—
To know what rank (if rank at all)
'Mong reas'ning things to them should fall—
What sort of notions heaven imparts
To high-built heads and tight-laced hearts,
And how far Soul, which, Plato says,
Abhors restraint, can act in stays—
Might now, if gifted with discerning,
Find opportunities of learning:
As these two creatures—from their pout
And frown, 'twas plain—had just fall'n out;
And all their little thoughts, of course,
Were stirring in full fret and force;—
Like mites, through microscope espied,
A world of nothings magnified.
That nymph so smart should go about,
With head unconscious of the place
It ought to fill in Infinite Space—
Yet all allow'd that, of her kind,
A prettier show 'twas hard to find;
While of that doubtful genus, “dressy men,”
The male was thought a first-rate specimen.
Such Savans, too, as wish'd to trace
The manners, habits, of this race—
To know what rank (if rank at all)
'Mong reas'ning things to them should fall—
What sort of notions heaven imparts
To high-built heads and tight-laced hearts,
And how far Soul, which, Plato says,
Abhors restraint, can act in stays—
Might now, if gifted with discerning,
Find opportunities of learning:
As these two creatures—from their pout
And frown, 'twas plain—had just fall'n out;
341
Were stirring in full fret and force;—
Like mites, through microscope espied,
A world of nothings magnified.
But mild the vent such beings seek,
The tempest of their souls to speak:
As Opera swains to fiddles sigh,
To fiddles fight, to fiddles die,
Even so this tender couple set
Their well-bred woes to a Duet.
The tempest of their souls to speak:
As Opera swains to fiddles sigh,
To fiddles fight, to fiddles die,
Even so this tender couple set
Their well-bred woes to a Duet.
WALTZ DUET.
HE.Long as I waltz'd with only thee,
Each blissful Wednesday that went by,
342
Adorn'd a youth so blest as I.
Oh! ah! ah! oh!
Those happy days are gone—heighho!
SHE.
Long as with thee I skimm'd the ground,
Nor yet was scorn'd for Lady Jane,
No blither nymph tetotum'd round
To Collinet's immortal strain.
Oh! ah! &c.
Those happy days are gone—heighho!
HE.
With Lady Jane now whirl'd about,
I know no bounds of time or breath;
And, should the charmer's head hold out,
My heart and heels are hers till death.
Oh! ah! &c.
Still round and round through life we'll go.
SHE.
To Lord Fitznoodle's eldest son,
A youth renown'd for waistcoats smart,
343
A vested interest in my heart.
Oh! ah! &c.
Still round and round with him I'll go.
HE.
What if, by fond remembrance led
Again to wear our mutual chain,
For me thou cut'st Fitznoodle dead,
And I levant from Lady Jane.
Oh! ah! &c.
Still round and round again we'll go.
SHE.
Though he the Noodle honours give,
And thine, dear youth, are not so high,
With thee in endless waltz I'd live,
With thee, to Weber's Stop-Waltz, die!
Oh! ah! &c.
Thus round and round through life we'll go.
[Exeunt waltzing.
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While thus, like motes that dance away
Existence in a summer ray,
These gay things, born but to quadrille,
The circle of their doom fulfil—
(That dancing doom, whose law decrees
That they should live, on the alert toe,
A life of ups-and-downs, like keys
Of Broadwood's in a long concerto:—)
While thus the fiddle's spell, within,
Calls up its realm of restless sprites,
Without, as if some Mandarin
Were holding there his Feast of Lights,
Lamps of all hues, from walks and bowers,
Broke on the eye, like kindling flowers,
Till, budding into light, each tree
Bore its full fruit of brilliancy.
Existence in a summer ray,
These gay things, born but to quadrille,
The circle of their doom fulfil—
(That dancing doom, whose law decrees
That they should live, on the alert toe,
A life of ups-and-downs, like keys
Of Broadwood's in a long concerto:—)
While thus the fiddle's spell, within,
Calls up its realm of restless sprites,
Without, as if some Mandarin
Were holding there his Feast of Lights,
Lamps of all hues, from walks and bowers,
Broke on the eye, like kindling flowers,
Till, budding into light, each tree
Bore its full fruit of brilliancy.
Here shone a garden—lamps all o'er,
As though the Spirits of the Air
Had tak'n it in their heads to pour
A shower of summer meteors there;—
While here a lighted shrubbery led
To a small lake that sleeping lay,
Cradled in foliage, but, o'er-head,
Open to heaven's sweet breath and ray;
While round its rim there burning stood
Lamps, with young flowers beside them bedded,
That shrunk from such warm neighbourhood;
And, looking bashful in the flood,
Blush'd to behold themselves so wedded.
As though the Spirits of the Air
Had tak'n it in their heads to pour
A shower of summer meteors there;—
While here a lighted shrubbery led
To a small lake that sleeping lay,
345
Open to heaven's sweet breath and ray;
While round its rim there burning stood
Lamps, with young flowers beside them bedded,
That shrunk from such warm neighbourhood;
And, looking bashful in the flood,
Blush'd to behold themselves so wedded.
Hither, to this embower'd retreat,
Fit but for nights so still and sweet;
Nights, such as Eden's calm recall
In its first lonely hour, when all
So silent is, below, on high,
That if a star falls down the sky,
You almost think you hear it fall—
Hither, to this recess, a few,
To shun the dancers' wildering noise,
And give an hour, ere night-time flew,
To music's more ethereal joys,
Came, with their voices—ready all
As Echo, waiting for a call—
In hymn or ballad, dirge or glee,
To weave their mingling minstrelsy.
Fit but for nights so still and sweet;
Nights, such as Eden's calm recall
In its first lonely hour, when all
So silent is, below, on high,
That if a star falls down the sky,
You almost think you hear it fall—
Hither, to this recess, a few,
To shun the dancers' wildering noise,
And give an hour, ere night-time flew,
To music's more ethereal joys,
Came, with their voices—ready all
As Echo, waiting for a call—
In hymn or ballad, dirge or glee,
To weave their mingling minstrelsy.
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And, first, a dark-ey'd nymph, array'd—
Like her, whom Art hath deathless made,
Bright Mona Lisa —with that braid
Of hair across the brow, and one
Small gem that in the centre shone—
With face, too, in its form resembling
Da Vinci's Beauties—the dark eyes,
Now lucid, as through crystal trembling,
Now soft, as if suffused with sighs—
Her lute, that hung beside her, took,
And, bending o'er it with shy look,
More beautiful, in shadow thus,
Than when with life most luminous,
Pass'd her light finger o'er the chords,
And sung to them these mournful words:—
Like her, whom Art hath deathless made,
Bright Mona Lisa —with that braid
Of hair across the brow, and one
Small gem that in the centre shone—
With face, too, in its form resembling
Da Vinci's Beauties—the dark eyes,
Now lucid, as through crystal trembling,
Now soft, as if suffused with sighs—
Her lute, that hung beside her, took,
And, bending o'er it with shy look,
More beautiful, in shadow thus,
Than when with life most luminous,
Pass'd her light finger o'er the chords,
And sung to them these mournful words:—
SONG.
Bring hither, bring thy lute, while day is dying—
Here will I lay me, and list to thy song;
Should tones of other days mix with its sighing,
Tones of a light heart, now banish'd so long,
Chase them away—they bring but pain,
And let thy theme be woe again.
Here will I lay me, and list to thy song;
347
Tones of a light heart, now banish'd so long,
Chase them away—they bring but pain,
And let thy theme be woe again.
Sing on, thou mournful lute—day is fast going,
Soon will its light from thy chords die away;
One little gleam in the west is still glowing,
When that hath vanish'd, farewell to thy lay.
Mark, how it fades!—see, it is fled!
Now, sweet lute, be thou, too, dead.
Soon will its light from thy chords die away;
One little gleam in the west is still glowing,
When that hath vanish'd, farewell to thy lay.
Mark, how it fades!—see, it is fled!
Now, sweet lute, be thou, too, dead.
The group, that late, in garb of Greeks,
Sung their light chorus o'er the tide—
Forms, such as up the wooded creeks
Of Helle's shore at noon-day glide,
Or, nightly, on her glistening sea,
Woo the bright waves with melody—
Now link'd their triple league again
Of voices sweet, and sung a strain,
Such as, had Sappho's tuneful ear
But caught it, on the fatal steep,
She would have paused, entranced, to hear,
And, for that day, deferr'd her leap.
Sung their light chorus o'er the tide—
Forms, such as up the wooded creeks
Of Helle's shore at noon-day glide,
Or, nightly, on her glistening sea,
Woo the bright waves with melody—
Now link'd their triple league again
Of voices sweet, and sung a strain,
348
But caught it, on the fatal steep,
She would have paused, entranced, to hear,
And, for that day, deferr'd her leap.
SONG AND TRIO.
On one of those sweet nights that oft
Their lustre o'er th' Ægean fling,
Beneath my casement, low and soft,
I heard a Lesbian lover sing;
And, listening both with ear and thought,
These sounds upon the night-breeze caught—
“Oh, happy as the gods is he,
“Who gazes at this hour on thee!”
Their lustre o'er th' Ægean fling,
Beneath my casement, low and soft,
I heard a Lesbian lover sing;
And, listening both with ear and thought,
These sounds upon the night-breeze caught—
“Oh, happy as the gods is he,
“Who gazes at this hour on thee!”
The song was one by Sappho sung,
In the first love-dreams of her lyre,
When words of passion from her tongue
Fell like a shower of living fire.
And still, at close of every strain,
I heard these burning words again—
“Oh, happy as the gods is he,
“Who listens at this hour to thee!”
In the first love-dreams of her lyre,
When words of passion from her tongue
Fell like a shower of living fire.
And still, at close of every strain,
I heard these burning words again—
349
“Who listens at this hour to thee!”
Once more to Mona Lisa turn'd
Each asking eye—nor turn'd in vain;
Though the quick, transient blush that burn'd
Bright o'er her cheek, and died again,
Show'd with what inly shame and fear
Was utter'd what all loved to hear.
Yet not to sorrow's languid lay
Did she her lute-song now devote;
But thus, with voice that, like a ray
Of southern sunshine, seem'd to float—
So rich with climate was each note—
Call'd up in every heart a dream
Of Italy with this soft theme:—
Each asking eye—nor turn'd in vain;
Though the quick, transient blush that burn'd
Bright o'er her cheek, and died again,
Show'd with what inly shame and fear
Was utter'd what all loved to hear.
Yet not to sorrow's languid lay
Did she her lute-song now devote;
But thus, with voice that, like a ray
Of southern sunshine, seem'd to float—
So rich with climate was each note—
Call'd up in every heart a dream
Of Italy with this soft theme:—
SONG.
Oh, where art thou dreaming,
On land, or on sea?
In my lattice is gleaming
The watch-light for thee;
And this fond heart is glowing
To welcome thee home,
And the night is fast going,
But thou art not come:
No, thou com'st not!
On land, or on sea?
In my lattice is gleaming
The watch-light for thee;
350
To welcome thee home,
And the night is fast going,
But thou art not come:
No, thou com'st not!
'Tis the time when night-flowers
Should wake from their rest;
'Tis the hour of all hours,
When the lute singeth best.
But the flowers are half sleeping
Till thy glance they see;
And the hush'd lute is keeping
Its music for thee.
Yet, thou com'st not!
Should wake from their rest;
'Tis the hour of all hours,
When the lute singeth best.
But the flowers are half sleeping
Till thy glance they see;
And the hush'd lute is keeping
Its music for thee.
Yet, thou com'st not!
Scarce had the last word left her lip,
When a light, boyish form, with trip
Fantastic, up the green walk came,
Prank'd in gay vest, to which the flame
Of every lamp he pass'd, or blue,
Or green, or crimson, lent its hue;
As though a live cameleon's skin
He had despoil'd, to robe him in.
A zone he wore of clattering shells,
And from his lofty cap, where shone
A peacock's plume, there dangled bells
That rung as he came dancing on.
Close after him, a page—in dress
And shape, his miniature express—
An ample basket, fill'd with store
Of toys and trinkets, laughing bore;
Till, having reach'd this verdant seat,
He laid it at his master's feet,
Who, half in speech and half in song,
Chaunted this invoice to the throng:—
When a light, boyish form, with trip
Fantastic, up the green walk came,
Prank'd in gay vest, to which the flame
Of every lamp he pass'd, or blue,
Or green, or crimson, lent its hue;
351
He had despoil'd, to robe him in.
A zone he wore of clattering shells,
And from his lofty cap, where shone
A peacock's plume, there dangled bells
That rung as he came dancing on.
Close after him, a page—in dress
And shape, his miniature express—
An ample basket, fill'd with store
Of toys and trinkets, laughing bore;
Till, having reach'd this verdant seat,
He laid it at his master's feet,
Who, half in speech and half in song,
Chaunted this invoice to the throng:—
SONG.
Who'll buy?—'tis Folly's shop, who'll buy?—
We've toys to suit all ranks and ages;
Besides our usual fools' supply,
We've lots of playthings, too, for sages.
For reasoners, here's a juggler's cup,
That fullest seems when nothing's in it;
And nine-pins set, like systems, up,
To be knock'd down the following minute.
Who'll buy?—'tis Folly's shop, who'll buy?
We've toys to suit all ranks and ages;
Besides our usual fools' supply,
We've lots of playthings, too, for sages.
For reasoners, here's a juggler's cup,
That fullest seems when nothing's in it;
352
To be knock'd down the following minute.
Who'll buy?—'tis Folly's shop, who'll buy?
Gay caps we here of foolscap make,
For bards to wear in dog-day weather;
Or bards the bells alone may take,
And leave to wits the cap and feather.
Tetotums we've for patriots got,
Who court the mob with antics humble;
Like theirs the patriot's dizzy lot,
A glorious spin, and then—a tumble.
Who'll buy, &c. &c.
For bards to wear in dog-day weather;
Or bards the bells alone may take,
And leave to wits the cap and feather.
Tetotums we've for patriots got,
Who court the mob with antics humble;
Like theirs the patriot's dizzy lot,
A glorious spin, and then—a tumble.
Who'll buy, &c. &c.
Here, wealthy misers to inter,
We've shrouds of neat post-obit paper;
While, for their heirs, we've quicksilver,
That, fast as they can wish, will caper.
For aldermen we've dials true,
That tell no hour but that of dinner;
For courtly parsons sermons new,
That suit alike both saint and sinner.
Who'll buy, &c. &c.
We've shrouds of neat post-obit paper;
While, for their heirs, we've quicksilver,
That, fast as they can wish, will caper.
For aldermen we've dials true,
That tell no hour but that of dinner;
For courtly parsons sermons new,
That suit alike both saint and sinner.
Who'll buy, &c. &c.
353
No time we've now to name our terms,
But, whatsoe'er the whims that seize you,
This oldest of all mortal firms,
Folly and Co., will try to please you.
Or, should you wish a darker hue
Of goods than we can recommend you,
Why then (as we with lawyers do)
To Knavery's shop next door we'll send you.
Who'll buy, &c. &c.
But, whatsoe'er the whims that seize you,
This oldest of all mortal firms,
Folly and Co., will try to please you.
Or, should you wish a darker hue
Of goods than we can recommend you,
Why then (as we with lawyers do)
To Knavery's shop next door we'll send you.
Who'll buy, &c. &c.
While thus the blissful moments roll'd,
Moments of rare and fleeting light,
That show themselves, like grains of gold
In the mine's refuse, few and bright;
Behold where, opening far away,
The long Conservatory's range,
Stripp'd of the flowers it wore all day,
But gaining lovelier in exchange,
Presents, on Dresden's costliest ware,
A supper such as Gods might share.
Ah much-lov'd Supper!—blithe repast
Of other times, now dwindling fast,
Since Dinner far into the night
Advanced the march of appetite;
Deployed his never-ending forces
Of various vintage and three courses,
And, like those Goths who play'd the dickens
With Rome and all her sacred chickens,
Put Supper and her fowls so white,
Legs, wings, and drumsticks, all to flight.
Moments of rare and fleeting light,
That show themselves, like grains of gold
In the mine's refuse, few and bright;
Behold where, opening far away,
The long Conservatory's range,
Stripp'd of the flowers it wore all day,
But gaining lovelier in exchange,
Presents, on Dresden's costliest ware,
A supper such as Gods might share.
354
Of other times, now dwindling fast,
Since Dinner far into the night
Advanced the march of appetite;
Deployed his never-ending forces
Of various vintage and three courses,
And, like those Goths who play'd the dickens
With Rome and all her sacred chickens,
Put Supper and her fowls so white,
Legs, wings, and drumsticks, all to flight.
Now waked once more by wine—whose tide
Is the true Hippocrene, where glide
The Muse's swans with happiest wing,
Dipping their bills, before they sing—
The minstrels of the table greet
The listening ear with descant sweet:—
Is the true Hippocrene, where glide
The Muse's swans with happiest wing,
Dipping their bills, before they sing—
The minstrels of the table greet
The listening ear with descant sweet:—
SONG AND TRIO.
THE LEVEEE AND COUCHEE.
Call the Loves around,
Let the whisp'ring sound
Of their wings be heard alone,
Till soft to rest
My Lady blest
At this bright hour hath gone.
Let Fancy's beams
Play o'er her dreams,
Till, touch'd with light all through,
Her spirit be
Like a summer sea,
Shining and slumbering too.
And, while thus hush'd she lies,
Let the whisper'd chorus rise—
“Good evening, good evening, to our Lady's bright eyes.”
Let the whisp'ring sound
355
Till soft to rest
My Lady blest
At this bright hour hath gone.
Let Fancy's beams
Play o'er her dreams,
Till, touch'd with light all through,
Her spirit be
Like a summer sea,
Shining and slumbering too.
And, while thus hush'd she lies,
Let the whisper'd chorus rise—
“Good evening, good evening, to our Lady's bright eyes.”
But the day-beam breaks,
See, our Lady wakes!
Call the Loves around once more,
Like stars that wait
At Morning's gate,
Her first steps to adore.
Let the veil of night
From her dawning sight
All gently pass away,
Like mists that flee
From a summer sea,
Leaving it full of day.
And, while her last dream flies,
Let the whisper'd chorus rise—
“Good morning, good morning, to our Lady's bright eyes.”
See, our Lady wakes!
Call the Loves around once more,
Like stars that wait
At Morning's gate,
Her first steps to adore.
Let the veil of night
From her dawning sight
All gently pass away,
356
From a summer sea,
Leaving it full of day.
And, while her last dream flies,
Let the whisper'd chorus rise—
“Good morning, good morning, to our Lady's bright eyes.”
SONG.
If to see thee be to love thee,If to love thee be to prize
Nought of earth or heav'n above thee,
Nor to live but for those eyes:
If such love to mortal given,
Be wrong to earth, be wrong to heaven,
'Tis not for thee the fault to blame,
For from those eyes the madness came.
Forgive but thou the crime of loving,
In this heart more pride 'twill raise
To be thus wrong, with thee approving,
Than right, with all a world to praise!
357
But say, while light these songs resound,
What means that buz of whispering round,
From lip to lip—as if the Power
Of Mystery, in this gay hour,
Had thrown some secret (as we fling
Nuts among children) to that ring
Of rosy, restless lips, to be
Thus scrambled for so wantonly?
And, mark ye, still as each reveals
The mystic news, her hearer steals
A look tow'rds yon enchanted chair,
Where, like the Lady of the Masque,
A nymph, as exquisitely fair
As Love himself for bride could ask,
Sits blushing deep, as if aware
Of the wing'd secret circling there.
Who is this nymph? and what, oh Muse,
What, in the name of all odd things
That woman's restless brain pursues,
What mean these mystic whisperings?
What means that buz of whispering round,
From lip to lip—as if the Power
Of Mystery, in this gay hour,
Had thrown some secret (as we fling
Nuts among children) to that ring
Of rosy, restless lips, to be
Thus scrambled for so wantonly?
And, mark ye, still as each reveals
The mystic news, her hearer steals
A look tow'rds yon enchanted chair,
Where, like the Lady of the Masque,
A nymph, as exquisitely fair
As Love himself for bride could ask,
Sits blushing deep, as if aware
Of the wing'd secret circling there.
Who is this nymph? and what, oh Muse,
What, in the name of all odd things
That woman's restless brain pursues,
What mean these mystic whisperings?
Thus runs the tale:—yon blushing maid,
Who sits in beauty's light array'd,
While o'er her leans a tall young Dervise,
(Who from her eyes, as all observe, is
Learning by heart the Marriage Service,)
Is the bright heroine of our song,—
The Love-wed Psyche, whom so long
We've miss'd among this mortal train,
We thought her wing'd to heaven again.
Who sits in beauty's light array'd,
358
(Who from her eyes, as all observe, is
Learning by heart the Marriage Service,)
Is the bright heroine of our song,—
The Love-wed Psyche, whom so long
We've miss'd among this mortal train,
We thought her wing'd to heaven again.
But no—earth still demands her smile;
Her friends, the Gods, must wait awhile.
And if, for maid of heavenly birth,
A young Duke's proffer'd heart and hand
Be things worth waiting for on earth,
Both are, this hour, at her command.
To-night, in yonder half-lit shade,
For love concerns expressly meant,
The fond proposal first was made,
And love and silence blush'd consent.
Parents and friends (all here, as Jews,
Enchanters, house-maids, Turks, Hindoos,)
Have heard, approved, and blest the tie;
And now, hadst thou a poet's eye,
Thou might'st behold, in th' air, above
That brilliant brow, triumphant Love,
Holding, as if to drop it down
Gently upon her curls, a crown
Of Ducal shape—but, oh, such gems!
Pilfer'd from Peri diadems,
And set in gold like that which shines
To deck the Fairy of the Mines:
In short, a crown all glorious—such as
Love orders when he makes a Duchess.
Her friends, the Gods, must wait awhile.
And if, for maid of heavenly birth,
A young Duke's proffer'd heart and hand
Be things worth waiting for on earth,
Both are, this hour, at her command.
To-night, in yonder half-lit shade,
For love concerns expressly meant,
The fond proposal first was made,
And love and silence blush'd consent.
Parents and friends (all here, as Jews,
Enchanters, house-maids, Turks, Hindoos,)
Have heard, approved, and blest the tie;
And now, hadst thou a poet's eye,
Thou might'st behold, in th' air, above
That brilliant brow, triumphant Love,
359
Gently upon her curls, a crown
Of Ducal shape—but, oh, such gems!
Pilfer'd from Peri diadems,
And set in gold like that which shines
To deck the Fairy of the Mines:
In short, a crown all glorious—such as
Love orders when he makes a Duchess.
But see, 'tis morn in heaven; the Sun
Up the bright orient hath begun
To canter his immortal team;
And, though not yet arrived in sight,
His leaders' nostrils send a steam
Of radiance forth, so rosy bright
As makes their onward path all light.
What's to be done? if Sol will be
So deuced early, so must we;
And when the day thus shines outright,
Ev'n dearest friends must bid good night.
So, farewell, scene of mirth and masking
Now almost a by-gone tale;
Beauties, late in lamp-light basking
Now, by daylight, dim and pale;
Harpers, yawning o'er your harps,
Scarcely knowing flats from sharps;
Mothers who, while bored you keep
Time by nodding, nod to sleep;
Heads of hair, that stood last night
Crépé, crispy, and upright,
But have now, alas, one sees, a
Leaning like the tower of Pisa;
Fare ye well—thus sinks away
All that's mighty, all that's bright;
Tyre and Sidon had their day,
And even a Ball—has but its night!
Up the bright orient hath begun
To canter his immortal team;
And, though not yet arrived in sight,
His leaders' nostrils send a steam
Of radiance forth, so rosy bright
As makes their onward path all light.
What's to be done? if Sol will be
So deuced early, so must we;
And when the day thus shines outright,
Ev'n dearest friends must bid good night.
So, farewell, scene of mirth and masking
Now almost a by-gone tale;
Beauties, late in lamp-light basking
Now, by daylight, dim and pale;
360
Scarcely knowing flats from sharps;
Mothers who, while bored you keep
Time by nodding, nod to sleep;
Heads of hair, that stood last night
Crépé, crispy, and upright,
But have now, alas, one sees, a
Leaning like the tower of Pisa;
Fare ye well—thus sinks away
All that's mighty, all that's bright;
Tyre and Sidon had their day,
And even a Ball—has but its night!
I am not certain whether the Dowagers of this Square have yet yielded to the innovations of Gas and Police, but at the time when the above lines were written they still obstinately persevered in their old régime; and would not suffer themselves to be either well guarded or well lighted.
In England the partition of this opera of Rossini was transferred to the story of Peter the Hermit; by which means the indecorum of giving such names as “Moÿse,” “Pharaon,” &c. to the dances selected from it (as was done in Paris), has been avoided.
| The Poetical Works of Thomas Moore | |