 | Life and Literary Remains of L. E. L. |  |
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XIV. THE TWO DEATHS.
I. The Death of Sigurd, the Earl of Northumberland.
The Earl lay on his purple bed,
Faint and heavy was his head,
Where the snows of age were shed—
Heavy on his pillow.
Never more when seas are dark
Will Earl Sigurd guide his bark
Thro' the dashing billow.
Never from that bed of pain
Will the warrior rise again.
Faint and heavy was his head,
Where the snows of age were shed—
Heavy on his pillow.
Never more when seas are dark
Will Earl Sigurd guide his bark
Thro' the dashing billow.
Never from that bed of pain
Will the warrior rise again.
Yes, he will arise:—e'en now
Red he flushes to the brow;
Like the light before his prow
Is the dark eye's gleaming.
No: it never shall be said
Sigurd died within his bed
With its curtains streaming—
Whose sole curtain wont to be
Banners red with victory.
Red he flushes to the brow;
Like the light before his prow
Is the dark eye's gleaming.
No: it never shall be said
Sigurd died within his bed
With its curtains streaming—
Whose sole curtain wont to be
Banners red with victory.
Lift me up, the sea-king said—
At the word his sons obey'd,
And the old man was convey'd
Where the sea was sounding,
At his ancient castle-gate,
Death's dark coming to await,
With his knights surrounding.
Morn was reddening in the sky,
As the Earl came forth to die.
At the word his sons obey'd,
And the old man was convey'd
Where the sea was sounding,
At his ancient castle-gate,
Death's dark coming to await,
With his knights surrounding.
Morn was reddening in the sky,
As the Earl came forth to die.
In a carved oaken chair,
Carved with carving quaint and rare—
Faces strange and garlands fair—
Is the chieftain seated,
As when at some festival
In his high ancestral hall
Bards his deeds repeated.
And there was no loftier song,
Than what bore his name along.
Carved with carving quaint and rare—
Faces strange and garlands fair—
Is the chieftain seated,
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In his high ancestral hall
Bards his deeds repeated.
And there was no loftier song,
Than what bore his name along.
Round him swept his mantle red,
Like a chief apparelled,
With his helmet on his head—
With its white plumes flying.
At his side the sheathed brand,
And the spear in his right hand—
Mid the dead and dying.
Where the battle raged the worst,
Ever was that right hand first.
Like a chief apparelled,
With his helmet on his head—
With its white plumes flying.
At his side the sheathed brand,
And the spear in his right hand—
Mid the dead and dying.
Where the battle raged the worst,
Ever was that right hand first.
He—the tamer of the wild—
Who invincible was styled,
Now is feeble as a child
By its mother sleeping;
But the mind is unsubdued—
Fearless is the warrior's mood,
While his eyes are keeping
This last vigil strange and lone,
That his spirit may be known.
Who invincible was styled,
Now is feeble as a child
By its mother sleeping;
But the mind is unsubdued—
Fearless is the warrior's mood,
While his eyes are keeping
This last vigil strange and lone,
That his spirit may be known.
As a ship cuts through the froth
Shining comes the morning forth,
From his own ancestral north,
While each rosy vapour
Kindles beautiful and bright,
With an evanescent light:
But the human taper
Hath an even briefer ray:
Strange, oh life, is thy decay!
Shining comes the morning forth,
From his own ancestral north,
While each rosy vapour
Kindles beautiful and bright,
With an evanescent light:
But the human taper
Hath an even briefer ray:
Strange, oh life, is thy decay!
Haughtily his castle stands
On a rock amid the sands,
Where the waves in gather'd bands
Day by day are dashing.
Never is the sounding shore
Still with their eternal roar,
And their strife is flashing
To the noontide's azure ight,
And the stars that watch at night.
On a rock amid the sands,
Where the waves in gather'd bands
Day by day are dashing.
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Still with their eternal roar,
And their strife is flashing
To the noontide's azure ight,
And the stars that watch at night.
Sigurd's look is on the foam
Where his childhood wont to roam—
For the sea has been his home
From his earliest hours—
Gathering the echoing shells,
Where the future tempest dwells,
As some gather flowers;
Trembling when a rosy boy
With a fierce and eager joy.
Where his childhood wont to roam—
For the sea has been his home
From his earliest hours—
Gathering the echoing shells,
Where the future tempest dwells,
As some gather flowers;
Trembling when a rosy boy
With a fierce and eager joy.
Many things long since forgot
In a hard and hurried lot
Now arise—they trouble not
Him, the stately hearted:
But he saw a blue-eyed maid,
Long since 'mid the long grass laid,
And true friends departed.
Tears that stand in that dark eye
Only may the sea-breeze dry.
In a hard and hurried lot
Now arise—they trouble not
Him, the stately hearted:
But he saw a blue-eyed maid,
Long since 'mid the long grass laid,
And true friends departed.
Tears that stand in that dark eye
Only may the sea-breeze dry.
Longer do the shadows fall
Of his castle's armed wall,
Yet the old man sits, while all
Stand behind him weeping:
But behind they stand, for he
Would not brook man's tears to see.
One fair child is sleeping—
To his grandsire's feet he crept,
Weeping silent till he slept.
Of his castle's armed wall,
Yet the old man sits, while all
Stand behind him weeping:
But behind they stand, for he
Would not brook man's tears to see.
One fair child is sleeping—
To his grandsire's feet he crept,
Weeping silent till he slept.
Heavily beneath his mail
Seems Earl Sigurd's breath to fail,
And his pale cheek is more pale,
And his hand less steady.
Crimson are the sky and surge,
Stars are on th' horizon's verge,
Night and Death are ready!
Down in ocean goes the sun,
And Earl Sigurd's life is done!
Seems Earl Sigurd's breath to fail,
And his pale cheek is more pale,
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Crimson are the sky and surge,
Stars are on th' horizon's verge,
Night and Death are ready!
Down in ocean goes the sun,
And Earl Sigurd's life is done!
II. The Death of Camoens.
Pale comes the moonlight thro' the lattice gleaming,
Narrow is the lattice, scanty is the ray,
Yet on its white wings the fragrant dews are streaming—
Dews—oh how sweet after August's sultry day!
Narrow is the lattice—oh let night's darkness cover
Chamber so wretched from any careless eye—
Over yon pallet whatever shadows hover,
They are less dark than the shadow drawing nigh—
Death, it is thy shadow!
Let the weary one now die!
Narrow is the lattice, scanty is the ray,
Yet on its white wings the fragrant dews are streaming—
Dews—oh how sweet after August's sultry day!
Narrow is the lattice—oh let night's darkness cover
Chamber so wretched from any careless eye—
Over yon pallet whatever shadows hover,
They are less dark than the shadow drawing nigh—
Death, it is thy shadow!
Let the weary one now die!
Beautiful, how beautiful!—the heavy eyes now closing
Only with the weight of the moonlight's soothing smile—
Or do they recall another hour's reposing,
When the myrtle and the moonlight were comrades the while?
Yes; for, while memory languidly is fetching
Her treasures from the depths which they have lain among,
A fragile hand—how thin—how weak—is sadly sketching
Figures and fancies that cell's white walls along.
On the lip there is a murmur—
It is the swan's last song.
Only with the weight of the moonlight's soothing smile—
Or do they recall another hour's reposing,
When the myrtle and the moonlight were comrades the while?
Yes; for, while memory languidly is fetching
Her treasures from the depths which they have lain among,
A fragile hand—how thin—how weak—is sadly sketching
Figures and fancies that cell's white walls along.
On the lip there is a murmur—
It is the swan's last song.
Dark order of St. Dominick! thy shelter to the weary
Is like thy rule—cold, stern, unpitying in its aid;
Cold is general charity, lorn the cell and dreary—
Yet there the way—worn wretched one may rest the dying head;
Who would remember him—ah, who does remember!—
He the ill-fated, yet the young and gifted one?
Grief and toil have quench'd life's once aspiring ember:
High heaven may have pity—but man for man has none!
Close thine eyes, Camoens;
Life's task is nearly done.
Is like thy rule—cold, stern, unpitying in its aid;
Cold is general charity, lorn the cell and dreary—
Yet there the way—worn wretched one may rest the dying head;
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He the ill-fated, yet the young and gifted one?
Grief and toil have quench'd life's once aspiring ember:
High heaven may have pity—but man for man has none!
Close thine eyes, Camoens;
Life's task is nearly done.
Feebly his hand upon the wall is tracing
One lovely face and one face alone,
E'en the coming hour—other memories effacing—
Leaves that as fresh as when it first was known;
Faintly he traces with white and wasted fingers
What was once so lovely—what is still so dear:
Life's latest look, like its earliest one, yet lingers
On the large soft eyes that seem to meet him here;
Love's ethereal vision
Is not of Earth's dim sphere!
One lovely face and one face alone,
E'en the coming hour—other memories effacing—
Leaves that as fresh as when it first was known;
Faintly he traces with white and wasted fingers
What was once so lovely—what is still so dear:
Life's latest look, like its earliest one, yet lingers
On the large soft eyes that seem to meet him here;
Love's ethereal vision
Is not of Earth's dim sphere!
Large, soft, and dark, the eyes, where he has blended
So much of the soul, are somewhat like his own;
So in their youth the auburn hair descended,
Such the sad sweet smile to either red lip known.
Like were they in beauty, so the heart's light trembled
On the flushing cheek and in the kindling eye;
Yet more clearly like—the inward world resembled—
In its sweet communion—the tender and the high;
Our cold world is cruel
To rend so sweet a tie.
So much of the soul, are somewhat like his own;
So in their youth the auburn hair descended,
Such the sad sweet smile to either red lip known.
Like were they in beauty, so the heart's light trembled
On the flushing cheek and in the kindling eye;
Yet more clearly like—the inward world resembled—
In its sweet communion—the tender and the high;
Our cold world is cruel
To rend so sweet a tie.
Thro' a weary world-path known to care and sorrow,
Still was her influence o'er his being cast;
She was the hope that whispered of to-morrow,
She was the memoried music of the past—
She was in his numbers—when those numbers breathing
Of his country's glory made it glorious more—
To its southern language long harmony bequeathing,
Haunting every wild wave dashing on its shore.
Ay, the poet's music
Is lovely as of yore.
Still was her influence o'er his being cast;
She was the hope that whispered of to-morrow,
She was the memoried music of the past—
She was in his numbers—when those numbers breathing
Of his country's glory made it glorious more—
To its southern language long harmony bequeathing,
Haunting every wild wave dashing on its shore.
Ay, the poet's music
Is lovely as of yore.
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Dream not that the love which haunts the poet's spirit
Is the common passion that sweetens daily earth:
From a world ethereal its nature must inherit
All the high imaginings that crowded round its birth;
From the pure, pale stars, amid their midnight watches,
It asks for inspiration lofty and divine;
From the small wild flowers amid the woods it catches
Charms, round the careless and the usual path to shine.
Such is the poet's passion—
Such, Camoens, was thine.
Is the common passion that sweetens daily earth:
From a world ethereal its nature must inherit
All the high imaginings that crowded round its birth;
From the pure, pale stars, amid their midnight watches,
It asks for inspiration lofty and divine;
From the small wild flowers amid the woods it catches
Charms, round the careless and the usual path to shine.
Such is the poet's passion—
Such, Camoens, was thine.
Flinging far below him each meaner thought that cumbers
Wishes born of wants, he lighted up life's dream
With the kindling light that warms the poet's numbers—
Yet are they sung by the Tajo's sunny stream.
Still was his country the theme of his inspiring,
How her bold vessels first swept the southern seas—
Still was her praise the meed of his desiring,
While telling how her heroes met the fierce and mighty breeze.
The past and its sea-triumphs—
His dreams were fill'd with these.
Wishes born of wants, he lighted up life's dream
With the kindling light that warms the poet's numbers—
Yet are they sung by the Tajo's sunny stream.
Still was his country the theme of his inspiring,
How her bold vessels first swept the southern seas—
Still was her praise the meed of his desiring,
While telling how her heroes met the fierce and mighty breeze.
The past and its sea-triumphs—
His dreams were fill'd with these.
How was he rewarded?—how are such rewarded?
Those who thus lavish their inward wealth in vain?
Only one doom for the poet is recorded—
A present that must buy the future with its pain.
Long, long away, toss'd on the Indian billow,
Dream'd he sweet songs for his lady and his land;
Pale and wan he lies on his last neglected pillow—
None are near to minister with soft and soothing hand.
There let the poet perish—
So hath perish'd all his band.
Those who thus lavish their inward wealth in vain?
Only one doom for the poet is recorded—
A present that must buy the future with its pain.
Long, long away, toss'd on the Indian billow,
Dream'd he sweet songs for his lady and his land;
Pale and wan he lies on his last neglected pillow—
None are near to minister with soft and soothing hand.
There let the poet perish—
So hath perish'd all his band.
Heavily, heavily his large black eyes are closing
On the twilight loveliness they are too faint to know;
O'er that pale high forehead a shadow is reposing—
Peace to the weary heart that languid beats below!
From that sweet lip its old songs are departed;
Take, ye wild winds, what it wont to breathe of yore—
There he is dying deserted, broken-hearted,
Like a broken lute which no music wanders o'er.
Farewell to Cameons!
The swan will sing no more.
On the twilight loveliness they are too faint to know;
O'er that pale high forehead a shadow is reposing—
Peace to the weary heart that languid beats below!
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Take, ye wild winds, what it wont to breathe of yore—
There he is dying deserted, broken-hearted,
Like a broken lute which no music wanders o'er.
Farewell to Cameons!
The swan will sing no more.
Yet not for this in the spirit's faith I falter,
Heavy though the doom be—yet glorious is the meed.
Let the life be laid upon the fated altar—
It is but the sacrifice of an eternal creed.
Never yet was song breathed in this high believing,
But, like a star, it hath floated down time's wave!
While what lofty praises and what tender grieving
And what noble hopes, come to sanctify and save!
Even such the glory,
Camoens, by thy grave
Heavy though the doom be—yet glorious is the meed.
Let the life be laid upon the fated altar—
It is but the sacrifice of an eternal creed.
Never yet was song breathed in this high believing,
But, like a star, it hath floated down time's wave!
While what lofty praises and what tender grieving
And what noble hopes, come to sanctify and save!
Even such the glory,
Camoens, by thy grave
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