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The Works of Hildebrand Jacob

... Containing Poems on Various Subjects, and Occasions; With the Fatal Constancy, a Tragedy; and Several Pieces in Prose. The Greatest Part Never Before Publish'd
Jacob, Hildebrand (1693-1739)
  
[dedication]

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[section]
  
THE Muse's Invitation;
  
Answer to the Muse.
  
Neptune's Remonstrance.
  
The Patriot.
  
BEDLAM.
  
Love's Progress.
  
To Aminta wounded.
  
To a Spider,
  
To Geron
  
Written on a Glass of Tokay
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[section]
 I. 
I. Hymn to Venus.
 II. 
II. Hymn to Venus.
 III. 
III. Hymn to the Goddess of Silence
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[section]
 I. 
I. To Cloe
 II. 
II. To Cloe,
 III. 
III. To Cloe.
 IV. 
IV. To Cloe
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[section]
 I. 
ODE I. To Cloe.
 II. 
ODE II. To Cloe, on the Death of ---
 III. 
ODE III. To Death.
 IV. 
ODE IV. To Daphne.
 V. 
ODE V. To Artemisa.
 VI. 
ODE VI. Advice to Phillis.
 VII. 
ODE VII. Occasion'd by Phoebe's consenting.
 VIII. 
ODE VIII. To Philomel .
 IX. 
ODE IX. The Foolish Shepherd.
 X. 
ODE X. To Belinda,
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[section]
  
To Belinda;
  
Written on her Glass.
  
Answer to Strephon
  
Sent to him, as he whisper'd ---
  
The Disinterested Swain.
  
The Turtles;
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[section]
 I. 
TALE I. Apollo 's Stratagem:
 II. 
TALE II. The curious Maid.
 III. 
TALE III. The Judgment of Tiresias.
 IV. 
TALE IV. The Shades.
 V. 
TALE V. The Fair Penitent.
 VI. 
TALE VI. The Apparition.
 VII. 
TALE VII. The INDIAN.
 VIII. 
TALE VIII. The Escape.
 IX. 
TALE IX. Zephyr.
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[section]
  
Cupid recruiting.
  
The Alarm.
  
Apollo, and a Poetaster.
  
Minerva, and an Author.
  
To Neptune,
  
To Love.
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[section]
 I. 
EPISTLE I. To Syrisca.
 II. 
EPISTLE II. To a Friend going abroad.
 III. 
EPISTLE III. Reasons for not writing Satire.
 IV. 
EPISTLE IV. To B. B. Esq
 V. 
EPISTLE V. To C. F. Esq
 VI. 
EPISTLE VI. To Dr. P--- at T. W. with ---
 VII. 
EPISTLE VII. To ---
 VIII. 
EPISTLE VIII. To ------
 IX. 
EPISTLE IX. To S. W. Y.
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[section]
 I. 
SONG I.
 II. 
SONG II.
 III. 
SONG III.
 IV. 
SONG IV.
 V. 
SONG V.
 VI. 
SONG VI.
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[section]
  
Chiron to Achilles.
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 I. 
EPITAPH I. On Mr. A. H. a great Traveller.
 II. 
EPITAPH II. On Delia.
 III. 
EPITAPH III. On Mrs. Beata F---
 IV. 
EPITAPH. IV. On my Lady---
 V. 
EPITAPH V. On------
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[section]
  
Providence.
  
To a Friend,
  
Phillis waking.
  
ÆNIGMA.
  
ÆNIGMA.
  
To S. D---
  
To two young Ladies,
  
To Daphne.
  
L'Allegro.
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[section]
 I. 
EPIGRAM I.
 II. 
EPIGRAM II.
 III. 
EPIGRAM III.
 IV. 
EPIGRAM IV.
 V. 
EPIGRAM V.
 VI. 
EPIGRAM VI.
 VII. 
EPIGRAM VII.
 VIII. 
EPIGRAM VIII
 IX. 
EPIGRAM IX.
 X. 
EPIGRAM X.
 XI. 
EPIGRAM XI.
 XII. 
EPIGRAM XII.
 XIII. 
EPIGRAM XIII.
 XIV. 
EPIGRAM XIV.
 XV. 
EPIGRAM XV.
 XVI. 
EPIGRAM XVI.
 XVII. 
EPIGRAM XVII.
 XVIII. 
EPIGRAM XVIII.
 XIX. 
EPIGRAM XIX.
 XX. 
EPIGRAM XX.
 XXI. 
EPIGRAM XXI.
 XXII. 
EPIGRAM XXII.
 XXIII. 
EPIGRAM XXIII.
 XXIV. 
EPIGRAM XXIV.
 XXV. 
EPIGRAM XXV.
 XXVI. 
EPIGRAM XXVI.
 XXVII. 
EPIGRAM XXVII.
 XXVIII. 
EPIGRAM XXVIII.
 XXIX. 
EPIGRAM XXIX.
 XXX. 
EPIGRAM XXX.
 XXXI. 
EPIGRAM XXXI.
 XXXII. 
EPIGRAM XXXII.
 XXXIII. 
EPIGRAM XXXIII.
 XXXIV. 
EPIGRAM XXXIV.
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[section]
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THE Fatal Constancy.
  
PROLOGUE.
collapse sectionI. 
ACT I.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
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ACT. II.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
 V. 
SCENE V.
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ACT. III.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
 V. 
SCENE V.
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ACT IV.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
 V. 
SCENE V.
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ACT. V.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
 V. 
SCENE V.
 VI. 
SCENE VI.
 VII. 
SCENE VII.
 VIII. 
SCENE VIII.
 IX. 
SCENE IX.
  
EPILOGUE,
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Some Fragments of NERO,
  
Design'd for an Epilogue to a Tragedy call'd the Revenge.
  
Part of the Epilogue to a Comedy call'd the Masquerade.
  
EPISTLE X. To a Friend with ---

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67

The Disinterested Swain.

While Whig and Tory clash, and jarr,
These cry, we're blest! and these, undone!
Which Party, Damon, dost thou hate?
For neither side I can declare;
Malice, Ambition, I have none.
I leave the mighty Feuds of State
To the Decision of the Great:
To be unknown, was still my Fate;
The Muse, and Cloë all my Care.
Stay, take this Fable Æsop told
Of the dull Ass, and Man of old,
Who, when the Enemy he spy'd,
Thus to the careless Creature cry'd,
When Kicks, and Blows in vain were try'd.
68

Why stand'st thou? Fool? why this Delay?
Is this a time to piss, and bray?
Our armed Foes are all around:
Hark, how their Drums, and Trumpets sound!
Stir, stupid Beast! let's haste away!
Why, let them come, or let them stay,
Quoth the well-meaning, lazy Ass,
Good Master, 'tis not my Affair;
I still must crop coarse, wither'd Grass,
And my two loaded Panniers bear.
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