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To Miss ***.
  
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104

To Miss ***.

ON HER PLAYING UPON THE HARPSICORD IN A ROOM HUNG WITH SOME FLOWER-PIECES OF HER OWN PAINTING.

When Stella strikes the tuneful string,
In scenes of imitated Spring,
Where beauty lavishes her pow'rs,
On beds of never-fading flow'rs,
And pleasure propagates around,
Each charm of modulated sound,
Ah! think not, in the dang'rous hour,
The nymph fictitious, as the flow'r;
But shun, rash youth, the gay alcove,
Nor tempt the snares of wily love.
When charms thus press on ev'ry sense,
What thought of flight, or of defence?

105

Deceitful Hope, and vain Desire,
For ever flutter o'er her lyre,
Delighting, as the youth draws nigh,
To point the glances of her eye,
And forming, with unerring art,
New chains to hold the captive heart.
But on these regions of delight,
Might Truth intrude with daring flight,
Could Stella, sprightly, fair and young,
One moment hear the moral song,
Instruction with her flow'rs might spring,
And Wisdom warble from her string.
Mark, when from thousand mingled dyes,
Thou see'st one pleasing form arise,
How active light, and thoughtful shade,
In greater scenes each other aid;
Mark, when the diff'rent notes agree
In friendly contrariety,

106

How passion's well-accorded strife,
Gives all the harmony of life,
Thy pictures shall thy conduct frame,
Consistent still, though not the same,
Thy musick teach the nobler art
To tune the regulated heart.