The temple of nature or, the origin of society: a poem, with philosophical notes. By Erasmus Darwin |
I. |
II. |
III. |
I. |
II. |
III. |
IV. | IV. |
V. |
VI. |
VII. |
VIII. |
IV. |
The temple of nature | ||
IV.
“If the wide eye the wavy lawns explores,
The bending woodlands, or the winding shores,
Hills, whose green sides with soft protuberance rise,
Or the blue concave of the vaulted skies;—
Or scans with nicer gaze the pearly swell
Of spiral volutes round the twisted shell;
Or undulating sweep, whose graceful turns
Bound the smooth surface of Etrurian urns,
When on fine forms the waving lines impress'd
Give the nice curves, which swell the female breast;
The countless joys the tender Mother pours
Round the soft cradle of our infant hours,
In lively trains of unextinct delight
Rise in our bosoms recognized by sight;
Fond Fancy's eye recalls the form divine,
And Taste sits smiling upon Beauty's shrine.
The bending woodlands, or the winding shores,
101
Or the blue concave of the vaulted skies;—
Or scans with nicer gaze the pearly swell
Of spiral volutes round the twisted shell;
Or undulating sweep, whose graceful turns
Bound the smooth surface of Etrurian urns,
When on fine forms the waving lines impress'd
Give the nice curves, which swell the female breast;
The countless joys the tender Mother pours
Round the soft cradle of our infant hours,
In lively trains of unextinct delight
Rise in our bosoms recognized by sight;
102
And Taste sits smiling upon Beauty's shrine.
“Where Egypt's pyramids gigantic stand,
And stretch their shadows o'er the shuddering sand;
Or where high rocks o'er ocean's dashing floods
Wave high in air their panoply of woods;
Admiring Taste delights to stray beneath
With eye uplifted, and forgets to breathe;
Or, as aloft his daring footsteps climb,
Crests their high summits with his arm sublime.
And stretch their shadows o'er the shuddering sand;
Or where high rocks o'er ocean's dashing floods
Wave high in air their panoply of woods;
Admiring Taste delights to stray beneath
With eye uplifted, and forgets to breathe;
Or, as aloft his daring footsteps climb,
Crests their high summits with his arm sublime.
103
“Where mouldering columns mark the lingering wreck
Of Thebes, Palmyra, Babylon, Balbec;
The prostrate obelisk, or shatter'd dome,
Uprooted pedestal, and yawning tomb,
On loitering steps reflective Taste surveys
With folded arms and sympathetic gaze;
Charm'd with poetic Melancholy treads
O'er ruin'd towns and desolated meads;
Or rides sublime on Time's expanded wings,
And views the fate of ever-changing things.
Of Thebes, Palmyra, Babylon, Balbec;
The prostrate obelisk, or shatter'd dome,
Uprooted pedestal, and yawning tomb,
On loitering steps reflective Taste surveys
With folded arms and sympathetic gaze;
Charm'd with poetic Melancholy treads
O'er ruin'd towns and desolated meads;
Or rides sublime on Time's expanded wings,
And views the fate of ever-changing things.
“When Beauty's streaming eyes her woes express,
Or Virtue braves unmerited distress;
Love sighs in sympathy, with pain combined,
And new-born Pity charms the kindred mind;
The enamour'd Sorrow every cheek bedews,
And Taste impassion'd woos the tragic Muse.
Or Virtue braves unmerited distress;
104
And new-born Pity charms the kindred mind;
The enamour'd Sorrow every cheek bedews,
And Taste impassion'd woos the tragic Muse.
“The rush-thatch'd cottage on the purple moor,
Where ruddy children frolic round the door,
The moss-grown antlers of the aged oak,
The shaggy locks that fringe the colt unbroke,
The bearded goat with nimble eyes, that glare
Through the long tissue of his hoary hair;—
As with quick foot he climbs some ruin'd wall,
And crops the ivy, which prevents its fall;—
With rural charms the tranquil mind delight,
And form a picture to the admiring sight.
While Taste with pleasure bends his eye surprised
In modern days at Nature unchastised.
Where ruddy children frolic round the door,
The moss-grown antlers of the aged oak,
The shaggy locks that fringe the colt unbroke,
105
Through the long tissue of his hoary hair;—
As with quick foot he climbs some ruin'd wall,
And crops the ivy, which prevents its fall;—
With rural charms the tranquil mind delight,
And form a picture to the admiring sight.
While Taste with pleasure bends his eye surprised
In modern days at Nature unchastised.
“The Genius-Form, on silver slippers born,
With fairer dew-drops gems the rising morn;
Sheds o'er meridian skies a softer light,
And decks with brighter pearls the brow of night;
With finer blush the vernal blossom glows,
With sweeter breath enamour'd Zephyr blows,
The limpid streams with gentler murmurs pass,
And gayer colours tinge the watery glass,
Charm'd round his steps along the enchanted groves
Flit the fine forms of Beauties, Graces, Loves.
With fairer dew-drops gems the rising morn;
Sheds o'er meridian skies a softer light,
And decks with brighter pearls the brow of night;
106
With sweeter breath enamour'd Zephyr blows,
The limpid streams with gentler murmurs pass,
And gayer colours tinge the watery glass,
Charm'd round his steps along the enchanted groves
Flit the fine forms of Beauties, Graces, Loves.
The temple of nature | ||