IV. The prose works of N.P. Willis | ||
4. IV.
While the count Basil's revenge sped thus merrily,
the just Fates were preparing for him a retribution in
his love. The mortification of the marchesa del Marmore,
at the Cascine, had been made the subject of
conversation at the prima sera of the lady Geraldine;
and other details of the same secret drama transpiring
at the same time, the whole secret of Count Basil's
feelings toward that unfortunate woman flashed clearly
and fully upon her. His motives for pretending to
have drawn the portrait of the lagoon—for procuring
her an admission to the exclusive suppers of the Pitti
—for a thousand things which had been unaccountable,
or referred to more amiable causes—were at once
unveiled. Even yet, with no suspicion of the extent
of his revenge, the lady Geraldine felt an indignant pity
for the unconscious victim, and a surprised disapproval
of the character thus unmasked to her eye. Upon
further reflection, her brow flushed to remember that
she herself had been made the most effective tool of
his revenge; and as she recalled circumstance after
circumstance in the last month's history, the attention
and preference he had shown her, and which had gratified
her, perhaps, more than she admitted to herself,
seemed to her sensitive and resentful mind to have
been only the cold instruments of jealousy. Incapable
as she was of an unlawful passion, the unequalled fascinations
of Count Basil had silently found their way
to her heart, and if her indignation was kindled by a
sense of justice and womanly pity, it was fed and
fanned unaware by mortified pride. She rang, and
sent an order to the gate that she was to be denied for
the future to Count Basil Spirifort.
The servant had appeared with his silver tray in his
hand, and before leaving her presence to communicate
the order, he presented her with a letter. Well
foreseeing the eclaircissement which must follow the
public scene in the Cascine, the count Basil had left
the café for his own palazzo; and, in a letter, of which
the following is the passage most important to our
story, he revealed to the lady he loved a secret, which
he hoped would anticipate the common rumor:—
* * * * * “But these passionate words will have
offended your ear, dearest lady, and I must pass to a
theme on which I shall be less eloquent. You will
hear to-night, perhaps, that which, with all your imagination,
will scarce prepare you for what you will
hear to-morrow. The marchesa del Marmore is the
victim of a revenge which has only been second in my
heart to the love I have for the first time breathed to
you. I can never hope that you will either understand
or forgive the bitterness in which it springs; yet
it is a demon to which I am delivered, soul and body,
and no spirit but my own can know its power. When
I have called it by its name, and told you of its exasperation,
if you do not pardon, you will pity me.
“You know that I am a Russian, and you know the
station my talents have won me; but you do not know
that I was born a serf and a slave! If you could rend
open my heart and see the pool of blackness and bitterness
that lies in its bottom—fallen, drop by drop,
from this accursed remembrance—there would be little
need to explain to you how this woman has offended
me. Had I been honorably born, like yourself, I
feel that I could have been, like you, an angel of light:
as it is, the contumely of a look has stirred me to a
revenge which has in it, I do not need to be told, the
darkest elements of murder.
“My early history is of no importance, yet I may
tell you it was such as to expose to every wind this
lacerated nerve. In a foreign land, and holding an
official rank, it was seldom breathed upon. I wore,
mostly, a gay heart at Paris. In my late exile at Venice
I had time to brood upon my dark remembrance,
and it was revived and fed by the melancholy of my
solitude. The obscurity in which I lived, and the occasional
comparison between myself and some passing
noble in the Piazza, served to remind me, could I have
forgotten it. I never dreamed of love in this humble
disguise, and so never felt the contempt that had most
power to wound me. On receiving the letters of my
new appointment, however, this cautious humility did
not wait to be put off with my sombrero. I started
for Florence, clad in the habiliments of poverty, but
with the gay mood of a courtier beneath. The first
burst of my newly-released feelings was admiration for
a woman of singular beauty, who stood near me on
one of the most love-awakening and delicious eves
that I ever remember. My heart was overflowing, and
she permitted me to breathe my passionate adoration
in her ear. The marchesa del Marmore, but for the
scorn of the succeeding day, would, I think, have been
the mistress of my soul. Strangely enough, I had
seen you without loving you.
“I have told you, as a bagatelle that might amuse
you, my rencontre with del Marmore and his dame in
the cathedral of Bologna. The look she gave me
there sealed her doom. It was witnessed by the companions
of my poverty, and the concentrated resentment
of years sprang up at the insult. Had it been a
man, I must have struck him dead where he stood:
she was a woman, and I swore the downfall of her
pride.” * * *
Thus briefly dismissing the chief topic of his letter,
Count Basil returned to the pleading of his love. It
was dwelt on more eloquently than his revenge; but
as the lady Geraldine scarce read it to the end, it need
not retard the procession of events in our story. The
fair Englishwoman sat down beneath the Etruscan
lamp, whose soft light illumined a brow cleared, as if
by a sweep from the wing of her good angel, of the
troubled dream which had overhung it, and in brief
and decided, but kind and warning words, replied to
the letter of Count Basil.
IV. The prose works of N.P. Willis | ||