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The Works of Hildebrand Jacob

... Containing Poems on Various Subjects, and Occasions; With the Fatal Constancy, a Tragedy; and Several Pieces in Prose. The Greatest Part Never Before Publish'd
Jacob, Hildebrand (1693-1739)
  
[dedication]

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[section]
  
THE Muse's Invitation;
  
Answer to the Muse.
  
Neptune's Remonstrance.
  
The Patriot.
  
BEDLAM.
  
Love's Progress.
  
To Aminta wounded.
  
To a Spider,
  
To Geron
  
Written on a Glass of Tokay
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[section]
 I. 
I. Hymn to Venus.
 II. 
II. Hymn to Venus.
 III. 
III. Hymn to the Goddess of Silence
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[section]
 I. 
I. To Cloe
 II. 
II. To Cloe,
 III. 
III. To Cloe.
 IV. 
IV. To Cloe
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[section]
 I. 
ODE I. To Cloe.
 II. 
ODE II. To Cloe, on the Death of ---
 III. 
ODE III. To Death.
 IV. 
ODE IV. To Daphne.
 V. 
ODE V. To Artemisa.
 VI. 
ODE VI. Advice to Phillis.
 VII. 
ODE VII. Occasion'd by Phoebe's consenting.
 VIII. 
ODE VIII. To Philomel .
 IX. 
ODE IX. The Foolish Shepherd.
 X. 
ODE X. To Belinda,
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[section]
  
To Belinda;
  
Written on her Glass.
  
Answer to Strephon
  
Sent to him, as he whisper'd ---
  
The Disinterested Swain.
  
The Turtles;
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[section]
 I. 
TALE I. Apollo 's Stratagem:
 II. 
TALE II. The curious Maid.
 III. 
TALE III. The Judgment of Tiresias.
 IV. 
TALE IV. The Shades.
 V. 
TALE V. The Fair Penitent.
 VI. 
TALE VI. The Apparition.
 VII. 
TALE VII. The INDIAN.
 VIII. 
TALE VIII. The Escape.
 IX. 
TALE IX. Zephyr.
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[section]
  
Cupid recruiting.
  
The Alarm.
  
Apollo, and a Poetaster.
  
Minerva, and an Author.
  
To Neptune,
  
To Love.
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[section]
 I. 
EPISTLE I. To Syrisca.
 II. 
EPISTLE II. To a Friend going abroad.
 III. 
EPISTLE III. Reasons for not writing Satire.
 IV. 
EPISTLE IV. To B. B. Esq
 V. 
EPISTLE V. To C. F. Esq
 VI. 
EPISTLE VI. To Dr. P--- at T. W. with ---
 VII. 
EPISTLE VII. To ---
 VIII. 
EPISTLE VIII. To ------
 IX. 
EPISTLE IX. To S. W. Y.
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[section]
 I. 
SONG I.
 II. 
SONG II.
 III. 
SONG III.
 IV. 
SONG IV.
 V. 
SONG V.
 VI. 
SONG VI.
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[section]
  
Chiron to Achilles.
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[section]
 I. 
EPITAPH I. On Mr. A. H. a great Traveller.
 II. 
EPITAPH II. On Delia.
 III. 
EPITAPH III. On Mrs. Beata F---
 IV. 
EPITAPH. IV. On my Lady---
 V. 
EPITAPH V. On------
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[section]
  
Providence.
  
To a Friend,
  
Phillis waking.
  
ÆNIGMA.
  
ÆNIGMA.
  
To S. D---
  
To two young Ladies,
  
To Daphne.
  
L'Allegro.
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[section]
 I. 
EPIGRAM I.
 II. 
EPIGRAM II.
 III. 
EPIGRAM III.
 IV. 
EPIGRAM IV.
 V. 
EPIGRAM V.
 VI. 
EPIGRAM VI.
 VII. 
EPIGRAM VII.
 VIII. 
EPIGRAM VIII
 IX. 
EPIGRAM IX.
 X. 
EPIGRAM X.
 XI. 
EPIGRAM XI.
 XII. 
EPIGRAM XII.
 XIII. 
EPIGRAM XIII.
 XIV. 
EPIGRAM XIV.
 XV. 
EPIGRAM XV.
 XVI. 
EPIGRAM XVI.
 XVII. 
EPIGRAM XVII.
 XVIII. 
EPIGRAM XVIII.
 XIX. 
EPIGRAM XIX.
 XX. 
EPIGRAM XX.
 XXI. 
EPIGRAM XXI.
 XXII. 
EPIGRAM XXII.
 XXIII. 
EPIGRAM XXIII.
 XXIV. 
EPIGRAM XXIV.
 XXV. 
EPIGRAM XXV.
 XXVI. 
EPIGRAM XXVI.
 XXVII. 
EPIGRAM XXVII.
 XXVIII. 
EPIGRAM XXVIII.
 XXIX. 
EPIGRAM XXIX.
 XXX. 
EPIGRAM XXX.
 XXXI. 
EPIGRAM XXXI.
 XXXII. 
EPIGRAM XXXII.
 XXXIII. 
EPIGRAM XXXIII.
 XXXIV. 
EPIGRAM XXXIV.
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[section]
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THE Fatal Constancy.
  
PROLOGUE.
collapse sectionI. 
ACT I.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
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ACT. II.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
 V. 
SCENE V.
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ACT. III.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
 V. 
SCENE V.
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ACT IV.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
 V. 
SCENE V.
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ACT. V.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
 V. 
SCENE V.
 VI. 
SCENE VI.
 VII. 
SCENE VII.
 VIII. 
SCENE VIII.
 IX. 
SCENE IX.
  
EPILOGUE,
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Some Fragments of NERO,
  
Design'd for an Epilogue to a Tragedy call'd the Revenge.
  
Part of the Epilogue to a Comedy call'd the Masquerade.
  
EPISTLE X. To a Friend with ---

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ODE VII. Occasion'd by Phoebe's consenting.

Let's sing to Cytherea's Praise,
And grateful Altars to the Goddess raise:
For Phœbe is at length grown kind,
Phœbe, in whom all Beautys are combin'd.
Methinks already in this lonely Shade,
This unfrequented, pathless Glade
55

New, sudden marks of Joy we find:
The Zephyrs fan with softer Wings,
The Brooks with sweeter Murmurs flow,
The warbling Lark more cheerful sings;
Roses with brighter Lustre blow.

II.

Look down, ye Monarchs, and behold
A Treasure, richer far than Gold,
A Nymph, thrown out in Nature's Pride,
Ferm'd in her perfect Mould,
And bred up, artless, by the green Wood side,
Whose Heart can ne'er be bought, or sold,
Who shines, without the help of Gems,
Far brighter than your Diadems:
With her, remote from anxious Strife,
On Banks of Flowers I repose,
And joke, and kiss, and quaff, and doze,
And lead an idle, lazy, happy Life.
56

III.

So, Fortune, let us still be humbly blest,
And we'll remit you all the rest:
We want no Titles, ask no Place,
Nor at high Things endeavour;
He never can be in Disgrace,
Who never was in Favour.
Thus while the Great a thousand Toils endure,
And Monarchs sweat beneath the Crowns they bear,
Here in our native Shade we'll live secure,
And free, as were the first created Pair.
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