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A nursery of novelties in Variety of Poetry

Planted for the delightful leisures of Nobility and Ingenuity. Composed by Tho. Jordan
Jordan, Thomas (1612?-1685?)
  
[epigraph]
  
[dedication]

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[section]
  
An Induction.
  
A Speech made to his Excellency the Lord General Monck, and the Council of State, at Skinners-Hall on Wednesday, being the Fourth of April, 1660. At which time he was nobly entertained by that Honourable Company.
  
Continuation of the Induction.
  
Another Speech at Goldsmiths-Hall to the General, April, 9. 1660.
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A Speech spoken to the General and Council, when he was feasted at Fishmongers-Hall.
  
[section]
  
Chorus of ten Voices.
  
A Speech Composed to Welcome to the English Shore, the most Sacred and Inimitable Majesty of Charles the Second, personated by the Genius of England.
  
A Prologue to the King.
  
Epilogue to the King.
  
On a Picture of the Kings Escape in the Oake.
  
On the King and Mistris Lane on Horseback.
  
On the Picture of the King on Horseback in Parliament Robes.
  
On Pictures of the King and Queen.
  
On Pictures of the Duke and Dutchess of York.
  
A Prologue to the King, August 16. 1660.
  
A Prologue to a Play call'd The Florentine Ladies, played in the Night by Gentlemen.
  
The Epilogue, on New-Years-Day at Night.
  
A Prologue to a Play of mine, call'd, Love hath found his eyes; or Distractions.
  
The Epilogue spoken by Cupid.
  
A Speech by the way of Epilogue to those that would rise out of the Pit at the Red-Bull in the last Scene, and disturb the Conclusion, by going on the Stage, June 23. 1660.
  
A Prologue to the Comedy call'd The Tamer tamed, June 24. 1660.
  
The Epilogue, spoken by the Tamer, a Woman.
  
A Prologue to introduce the first Woman that came to Act on the Stage in the Tragedy, call'd The Moor of Venice.
  
Epilogue.
  
A Prologue to the Poor mans Comfort.
  
March 16. 1661. An Advent to the Kings Coronation.
  
On the Day.
  
After the Coronation.
  
A Letany delivered, Jan. 1, 1659. to a Friend as a New-Years Gift.
  
On a view of the Rebels Arms.
  
On Independency.
  
On the Act against Cock-matches, the next succeeding, their putting down of Church-Marriages.
  
On the Jesuite and Puritan.
  
Another.
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Representations in Parts to be Habited, Sung, and Acted, as they have been often times with great applause performed before the Lord Major and the Sheriffs of London.
  
An Eclogue, or Representation in four Parts, composed for the Lord Major, Sir Tho. Allen, and Sung by the City Musick, Decemb. 18th. 1659.
  
The Cheaters Cheated.
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Acrostichs, Annagrams, Epigrams, Elegies, AND Epitaphs.
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Acrostichs.
  
An Acrostich on Mrs. Hester Noy.
  
An Epithalamium in a double Acrostick, written on the noble Names and sacred Nuptials of the worthily honoured Ewdward Marrow Esquire, and the most truly vertuous Mrs. Anne Grantham.
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ANNAGRAMS.
  
CHARLES STUART: Annagram, AS CLEER AS TRUTH.
  
CHARLES STUART: Annagr. CALS TRU HEARTS.
  
PARLIAMENT: Annagr. I TRAP AL MEN.
  
OLIVER CROMWELL: Annagr. RULE WELL OR I COM.
  
ROUND-HEADS: Annagr. HEAVENS ROD.
  
TEACHERS: Annagram. CHEATERS. SAINTS: An. STAINS.
  
MINISTER: An. MENTIRIS.
  
LOSTE: An. STOLE.
  
TOAST: An. A SOTT.
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Epigrams.
 1. 
1. Epigram.
 2. 
2. Epigr.
 3. 
3. Epigr.
 4. 
4. Epigr.
 5. 
5. Epigram.
 6. 
6. Epigr.
 7. 
7. Epigr. On Mr. Garrat, and Mr. Chambers.
 8. 
8. Epigram. On a Lady whose name was Mrs. Brown.
 9. 
9. Epigram. On a little Gentleman, and Mr. Story a tall man.
 10. 
10. Epigram. On May-poles.
 11. 
11. Epigram. On a red nosed Parson.
 12. 
12. Epigram.
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Elegies and Epitaphs of two sorts, woful and witty.
  
An Elegy and Epitaph composed acrostichally on two names occasioned by the Death of Mrs. Mary Kettle, Wife to Mr. Humphrey Kettle of Hollow-way beyond Islington; she dyed in Childe-bed.
  
The Epitaph on her Name.
  
An Epitaph on a Childe.
  
An Epitaph supposed to be written by a Gentleman on himself, who dyed of a Disease, called by the name of a Bad Wife.
  
A Canting Rogue Parallel'd with a Phanatick.
  
On the Ordinance prohibiting Cavaliers to wear Swords, April, 1646.
  
On a view of London and Westminster on tother side the Water. 1658.
  
The Players Petition to the Long Parliament, after being long silenc'd, that they might Play again, 1642.

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23

Epilogue.

And how d'ye like her, come what is't ye drive at,
She's the same thing in publick as in private;
As far from being what you call a Whore,
As Desdemona injur'd by the Moor?
Then he that censures her in such a case
Hath a soul blacker then Othello's face:
But Ladies what think you, for if you tax
Her freedom with dishonour to your Sex,
She means to act no more, and this shall be
No other Play but her own Tragedy;
She will submit to none but your commands,
And take Commission onely from your hands.
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