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From these four instances we may, perhaps, deduce certain general principles of adaptation


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which have at least proved valuable to those using them.

These are suggestions which the practised story-teller will find trite. But to others they may prove a fair foundation on which to build a personal method to be developed by experience. I have given them a tabular arrangement below.

The preliminary step in all cases is

  • Analysis of the Story.

The aim, then, is

  • to reduce a long story or to *amplify a short one.

For the first, the need is

  • Elimination of secondary threads of narrative,
  • extra personages,
  • description,
  • irrelevant events.

For the second, the great need is of

  • Realising Imagination.

For both, it is desirable to keep

  • Close Logical Sequence,
  • Single Point of View,
  • Simple Language,
  • The Point at the End