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The Poetical Works of the Late Thomas Warton

... Fifth Edition, Corrected and Enlarged. To which are now added Inscriptionum Romanarum Delectus, and An Inaugural Speech As Camden Professor of History, never before published. Together with Memoirs of his Life and Writings; and Notes, Critical and Explanatory. By Richard Mant

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ODE VII. SENT TO A FRIEND,
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156

ODE VII. SENT TO A FRIEND,

ON HIS LEAVING A FAVOURITE VILLAGE IN HAMPSHIRE.

(Written in 1750. Published in 1777.)
Ah mourn, thou lov'd retreat! No more
Shall classic steps thy scenes explore!
When morn's pale rays but faintly peep
O'er yonder oak-crown'd airy steep,

157

Who now shall climb its brows to view
The length of landscape, ever new,
Where Summer flings, in careless pride,
Her varied vesture far and wide!
Who mark, beneath, each village-charm,
Or grange, or elm-encircled farm:

158

The flinty dove-cote's crowded roof,
Watch'd by the kite that sails aloof:
The tufted pines, whose umbrage tall
Darkens the long-deserted hall:
The veteran beech, that on the plain
Collects at eve the playful train:
The cot that smokes with early fire,
The low-roof'd fane's embosom'd spire!

159

Who now shall indolently stray
Through the deep forest's tangled way;
Pleas'd at his custom'd task to find
The well known hoary-tressed hind,
That toils with feeble hands to glean
Of wither'd boughs his pittance mean!
Who mid thy nooks of hazle sit,
Lost in some melancholy fit;
And listening to the raven's croak,
The distant flail, the falling oak!
Who, through the sunshine and the shower,
Descry the rainbow-painted tower?
Who, wandering at return of May,
Catch the first cuckow's vernal lay?

160

Who musing waste the summer hour,
Where high o'er-arching trees embower
The grassy lane, so rarely pac'd,
With azure flow'rets idly grac'd!
Unnotic'd now, at twilight's dawn
Returning reapers cross the lawn;
Nor fond attention loves to note
The wether's bell from folds remote:
While, own'd by no poetic eye,
Thy pensive evenings shade the sky!
For lo! the Bard who rapture found
In every rural sight or sound;

161

Whose genius warm, and judgment chaste,
No charm of genuine nature pass'd;
Who felt the Muse's purest fires,
Far from thy favour'd haunt retires:
Who peopled all thy vocal bowers
With shadowy shapes, and airy powers.
Behold, a dread repose resumes,
As erst, thy sad sequester'd glooms!
From the deep dell, where shaggy roots
Fringe the rough brink with wreathed shoots,
Th' unwilling Genius flies forlorn,
His primrose chaplet rudely torn.

162

With hollow shriek the Nymphs forsake
The pathless copse and hedge-row brake:
Where the delv'd mountain's headlong side
Its chalky entrails opens wide,
On the green summit, ambush'd high,
No longer Echo loves to lie.
No pearl-crown'd Maids, with wily look,
Rise beckoning from the reedy brook.

163

Around the glow-worm's glimmering bank,
No Fairies run in fiery rank;
Nor brush, half-seen, in airy tread,
The violet's unprinted head.
But Fancy, from the thickets brown,
The glades that wear a conscious frown,

164

The forest-oaks, that, pale and lone,
Nod to the blast with hoarser tone,
Rough glens, and sullen waterfalls,
Her bright ideal offspring calls.
So by some sage inchanter's spell,
(As old Arabian fablers tell)

165

Amid the solitary wild,
Luxuriant gardens gaily smil'd:
From sapphire rocks the fountains stream'd,
With golden fruit the branches beam'd;
Fair forms, in every wondrous wood,
Or lightly tripp'd, or solemn stood;

166

And oft, retreating from the view,
Betray'd, at distance, beauties new:
While gleaming o'er the crisped bowers
Rich spires arose, and sparkling towers.
If bound on service new to go,
The master of the magic show,
His transitory charm withdrew,
Away th' illusive landscape flew:
Dun clouds obscur'd the groves of gold,
Blue lightning smote the blooming mold:

167

In visionary glory rear'd,
The gorgeous castle disappear'd;
And a bare heath's unfruitful plain
Usurp'd the wisard's proud domain.