The Princess Aline | ||
H. R. H. the Princess Aline of Hohenwald came into the life of Morton Carlton — or "Morney" Carlton, as men called him — of New York city, when that young gentleman's affairs and affections were best suited to receive her. Had she made her appearance three years sooner or three years later, it is quite probable that she would have passed on out of his life with no more recognition from him than would have been expressed in a look of admiring curiosity.
But coming when she did, when his time and heart were both unoccupied, she had an influence upon young Mr. Carlton which led him into doing several wise and many foolish
At the age of twenty he had found himself his own master, with excellent family connections, but with no family, his only relative being a bachelor uncle, who looked at life from the point of view of the Union Club's windows, and who objected to his nephew's leaving Harvard to take up the study of art in Paris. In that city (where at Julian's he was nicknamed the junior Carlton, for the obvious reason that he was the older of the two Carltons in the class,
"Carlton is probably the only living artist," a brother artist had said of him, "who fails to appreciate how great his work is." And on this being repeated to Carlton by a good-natured friend, he had replied cheerfully, "Well, I'm sorry, but it is certainly better to be the only one who doesn't appreciate it than to be the only one who does."
He had never understood why such a
Personally Carlton was of the opinion that he should have been born in the active days of knights-errant — to have had nothing more
"The trouble with me is," he said, "that I care too much to make Platonic friendship possible, and don't care enough to marry any particular woman — that is, of course, supposing that any particular one would be so little particular as to be willing to marry me. How embarrassing it would be, now," he argued, "if, when you were turning away from the chancel after the ceremony, you should look at one of the bridesmaids and see the woman whom you really should have married! How distressing that would be! You couldn't very well stop and say: `I am very sorry, my dear, but it seems I have made a mistake. That young woman on the right has a most interesting and beautiful face. I am very much afraid that she is the one.' It would be too late then; while now, in my free state, I can continue
"Why" — he would exclaim — "I have walked miles to get a glimpse of a beautiful woman in a suburban window, and time and time again when I have seen a face in a passing brougham I have pursued it in a hansom, and learned where the owner of the face lived, and spent weeks in finding some one to present me, only to discover that she was self-conscious or uninteresting or engaged. Still I had assured myself that she was not the one. I am very conscientious, and I consider that it is my duty to go so far with every woman I meet as to be able to learn whether she is or is not the one, and the sad result is that I am like a man who follows the hounds but is never in at the death."
"Well," some married woman would say, grimly, "I hope you will get your deserts some day; and you will, too.
"Oh, that's all right," Carlton would answer, meekly. "Lots of women have made me suffer, if that's what you think I need."
"Some day," the married woman would prophesy, "you will care for a woman so much that you will have no eyes for any one else. That's the way it is when one is married."
"Well, when that's the way it is with me," Carlton would reply, "I certainly hope to get married; but until it is, I think it is safer for all concerned that I should not."
Then Carlton would go to the club and complain bitterly to one of his friends.
"How unfair married women are!" he would say. "The idea of thinking a man could have no eyes but for one woman! Suppose I had never heard a note of music until I was twenty-five years of age, and
Carlton was sitting in the club alone. He had that sense of superiority over his fellows and of irresponsibility to the world about him that comes to a man when he knows that his trunks are being packed and that his state-room is engaged. He was leaving New York long before most of his friends could get away. He did not know just where he was going, and preferred not to
He sighed, and stretched out his hand for a copy of one of the English illustrated papers. It had a fresher interest to him because the next number of it that he would see would be in the city in which it was printed. The paper in his hands was the
One of the young princesses in the photograph was looking out of it and smiling in a tolerant, amused way, as though she had thought of something which she could not wait to enjoy until after the picture was taken. She was not posing consciously, as were some of the others, but was sitting in a natural attitude, with one arm over the
"`The Princess Aline of Hohenwald,'" he read. "She's probably engaged to one of those Johnnies beside her, and the Grand-Duke of Hohenwald behind her must be her brother." He put the paper down and went into luncheon, and diverted himself by mixing a salad dressing; but after a few moments he stopped in the midst of this employment, and told the waiter, with some unnecessary sharpness, to bring him the last copy of the St. James Budget.
"Confound it!" he added, to himself.
He opened the paper with a touch of impatience and gazed long and earnestly at the face of the Princess Aline, who continued to return his look with the same smile of amused tolerance. Carlton noted every detail of her tailor-made gown, of her high mannish collar, of her tie, and even the rings on her hand. There was nothing about her of which he could fairly disapprove. He wondered why it was that she could not
"She looks jolly too," he mused, in an injured tone; "and so very clever; and of course she has a beautiful complexion. All those German girls have. Your Royal Highness is more than pretty," he said, bowing his head gravely. "You look as a princess should look. I am sure it was one of your ancestors who discovered the dried pea under a dozen mattresses." He closed the paper, and sat for a moment with a perplexed smile of consideration. "Waiter," he exclaimed, suddenly, "send a messenger-boy to Brentano's for a copy of the St. James Budget, and bring me the Almanach de Gotha from the library. It is a little fat red book on the table near the window."
"Hohenwald (Maison de Grasse)," he read, and in small type below it:
"1. Ligne cadette (régnante) grand-ducale: Hohenwald et de Grasse.
"Guillaume-Albert-Frederick-Charles-Louis, Grand-Duc de Hohenwald et de Grasse, etc., etc., etc."
"That's the brother, right enough," muttered Carlton.
And under the heading "Sœurs" he read:
"4. Psse Aline. — Victoria-Beatrix-Louise-Helene, Alt. Gr.-Duc. Neé à Grasse, Juin, 1872."
"Twenty-two years old," exclaimed Carlton. "What a perfect age! I could not have invented a better one." He looked from the
He carried a copy of the paper to his room, and cut the picture of the group out of the page and pasted it carefully on a stiff
Nolan, the young Irishman who "did for" Carlton, knew better than to move it when he found it there. He had learned to study his master since he had joined him in London, and understood that one photograph in the silver frame was entitled to more consideration than three others on the writing-desk or half a dozen on the mantel-piece. Nolan had seen them come and go; he had watched them rise and fall; he had carried notes to them, and books and flowers; and had helped to dispose them from the silver frame and move them on by degrees down the line, until they went ingloriously into the big brass bowl on the side table. Nolan approved highly of this last choice.
"I know all about you."
Guido, the Italian model who ruled over the studio, and Nolan were busily packing when Carlton entered. He always said that Guido represented him in his professional and Nolan in his social capacity. Guido cleaned the brushes and purchased the artists' materials; Nolan cleaned his riding-boots and bought his theatre and railroad tickets.
"Guido," said Carlton, "there are two sketches I made in Germany last year, one of the Prime Minister, and one of Ludwig the actor; get them out for me, will you, and pack them for shipping. Nolan," he went on, "here is a telegram to send."
Nolan would not have read a letter, but he looked upon telegrams as public documents, the reading of them as part of his
"Please telegraph me full title and address Princess
Aline of Hohenwald. Where would a letter reach her?
"MORTON CARLTON."
The next morning Nolan carried to the express office a box containing two oil-paintings on small canvases. They were addressed to the man in London who attended to the shipping and forwarding of Carlton's pictures in that town.
There was a tremendous crowd on the New York. She sailed at the obliging hour of eleven in the morning, and many people, in consequence, whose affection would not have stood in the way of their breakfast,
"Well, then, I want to introduce you to Miss Morris and her aunt, Mrs. Downs; they are going over, and I should be glad if you would be nice to them. But you know her, I guess?" he asked, over his shoulder, as Carlton pushed his way after him down the deck.
"I know who she is," he said.
Miss Edith Morris was surrounded by a treble circle of admiring friends, and seemed to be holding her own. They all stopped when Carlton came up, and looked at him
Mrs. Downs and her niece proved to be experienced sailors, and faced the heavy sea that met the New York outside of Sandy Hook with unconcern. Carlton joined them, and they stood together leaning with their backs to the rail, and trying to fit the people who flitted past them to the names on the passenger list.
"The young lady in the sailor suit," said Miss Morris, gazing at the top of the smoke-stack, "is Miss Kitty Flood, of Grand Rapids. This is her first voyage, and she thinks a steamer is something like a yacht, and dresses for the part accordingly. She does not know that it is merely a moving hotel."
"I am afraid," said Carlton, "to judge from her agitation, that hers is going to be
"Oh, we don't send consuls to Mauritius," laughed Miss Morris. "Mauritius is one of those places from which you buy stamps, but no one really lives or goes there."
"Where are you going, may I ask?" inquired Carlton.
Miss Morris said that they were making their way to Constantinople and Athens, and then to Rome; that as they had not had the time to take the southern route,
"They stood together with their backs to the rail"
"We shall be a few days in London, and in Paris only long enough for some clothes," she replied.
"The trousseau," thought Carlton. "Weeks is what she should have said."
The three sat together at the captain's table, and as the sea continued rough, saw little of either the captain or his other guests, and were thrown much upon the society of each other. They had innumerable friends and interests in common; and Mrs. Downs, who had been everywhere, and for long seasons at a time, proved as alive as her niece, and Carlton conceived a great liking for her. She seemed to be just and kindly minded, and, owing to her age, to combine the wider judgment of a man with the sympathetic interest of a woman. Sometimes they sat together in a row and
The sea grew calmer the third day out, and the sun came forth and showed the decks as clean as bread-boards. Miss Morris and Carlton seated themselves on the huge iron riding-bits in the bow, and with their elbows on the rail looked down at the whirling blue water, and rejoiced silently in the steady rush of the great vessel, and in the uncertain warmth of the March sun. Carlton was sitting to leeward of Miss Morris, with a pipe between his teeth. He was warm, and at peace with the world.
"I don't know why it is," he complained, peering over the rail, "but whenever I look over the side to watch the waves a man in a greasy cap always sticks his head out of a hole below me and scatters a barrelful of ashes or potato peelings all over the ocean. It spoils the effect for one. Next time he does it I am going to knock out the ashes of my pipe on the back of his neck." Miss Morris did not consider this worthy of comment, and there was a long lazy pause.
"You haven't told us where you go after
"Who told you that?" asked Carlton, smiling.
"Oh, I don't know. Some man. He said you were a Jekyll and Hyde. Which is Jekyll? You see, I only know your professional side."
"You must try to find out for yourself by deduction," he said, "as you picked out the other passengers. I am going to Grasse," he continued. "It's the capital of Hohenwald. Do you know it?"
"Yes," she said; "we were there once for a few days. We went to see the pictures. I suppose you know that the old Duke, the father of the present one, ruined himself almost by buying pictures for the Grasse gallery. We were there at a bad time, though, when the palace was closed to
"No," Carlton said, shaking his head. "No, it is not the pictures. I am going to Grasse," he said, gravely, "to see the young woman with whom I am in love."
Miss Morris looked up in some surprise, and smiled consciously, with a natural feminine interest in an affair of love, and one which was a secret as well.
"Oh," she said, "I beg your pardon; we — I had not heard of it."
"No, it is not a thing one could announce exactly," said Carlton; "it is rather in an embryo state as yet — in fact, I have not met the young lady so far, but I mean to meet her. That's why I am going abroad."
Miss Morris looked at him sharply to see if he were smiling, but he was, on the contrary, gazing sentimentally at the horizon-line, and puffing meditatively on his pipe.
"How very interesting!" was all she could think to say.
"Yes, when you know the details, it is,—very interesting," he answered. "She is the Princess Aline of Hohenwald," he explained, bowing his head as though he were making the two young ladies known to one another. "She has several other names, six in all, and her age is twenty-two. That is all I know about her. I saw her picture in an illustrated paper just before I sailed, and I made up my mind I would meet her, and here I am. If she is not in Grasse, I intend to follow her to wherever she may be." He waved his pipe at the ocean before him, and recited, with mock seriousness:
Beyond their utmost purple rim,
And deep into the dying day,
The happy Princess followed him.'
"Only in this case, you see," said Carlton, "I am following the happy Princess."
"No; but seriously, though," said Miss Morris, "what is it you mean? Are you going to paint her portrait?"
"I never thought of that," exclaimed Carlton. "I don't know but what your idea is a good one. Miss Morris, that's a great idea." He shook his head approvingly. "I did not do wrong to confide in you," he said. "It was perhaps taking a liberty; but as you have not considered it as such, I am glad I spoke."
"But you don't really mean to tell me," exclaimed the girl, facing about, and nodding her head at him, "that you are going abroad after a woman whom you have never seen, and because you like a picture of her in a paper?"
"I do," said Carlton. "Because I like her picture, and because she is a Princess."
"Well, upon my word," said Miss Morris,
"You don't?" laughed Carlton, easily. That's the best part of it — that's the plot. The beauty of being in love with a Princess, Miss Morris," he said, "lies in the fact that you can't marry her; that you can love her deeply and forever, and nobody will ever come to you and ask your intentions, or hint that after such a display of affection you ought to do something. Now, with a girl who is not a Princess, even if she understands the situation herself, and wouldn't marry you to save her life, still there is always some one — a father, or a mother, or one of your friends — who makes it his business to interfere, and talks about it, and bothers you both. But with a Princess, you see, that is all eliminated. You can't
Miss Morris regarded him doubtfully. She did not wish to prove herself too credulous. "And you honestly want me, Mr. Carlton, to believe that you are going abroad just for this?"
"You see," Carlton answered her, "if you only knew me better you would have no doubt on the subject at all. It isn't the thing some men would do, I admit, but it is exactly what any one who knows me would expect of me. I should describe it, having had acquaintance with the young man for some time, as being eminently characteristic. And besides, think what a good story it makes! Every other man
Miss Morris laughed indulgently. "Well,
Carlton doubted if he had any plans as yet. "I have to reach the ground first," he said, "and after that I must reconnoitre. I may possibly adopt your idea, and ask to paint her portrait, only I dislike confusing my social and professional sides. As a matter of fact, though," he said, after a pause, laughing guiltily, "I have done a little of that already. I prepared her, as it were, for my coming. I sent her studies of two pictures I made last winter in Berlin. One of the Prime Minister, and one of Ludwig, the tragedian at the Court Theatre. I
"Well, really," expostulated Miss Morris, you certainly woo in a royal way. Are you in the habit of giving away your pictures to any one whose photograph you happen to like? That seems to me to be giving new lamps for old to a degree. I must see if I haven't some of my sister's photographs in my trunk. She is considered very beautiful."
"Well, you wait until you see this particular portrait, and — you will understand it better," said Carlton.
The steamer reached Southampton early
"Hedges are better than barbed-wire fences, aren't they?" he said. "You see that girl picking wild flowers from one of them? She looks just as though she were posing for a picture for an illustrated paper. She couldn't pick flowers from a barbed-wire fence, could she? And there would probably be a tramp along the road somewhere to frighten her; and see — the chap in knickerbockers farther down the road leaning on the stile. I am sure he is waiting
"I suppose," said Mrs. Downs, "it's because one has been so long on the ocean that the ride to London seems so interesting. It always pays me for the entire trip. Yes," she said, with a sigh, "in spite of the patent-medicine signs they have taken to putting up all along the road. It seems a pity they should adopt our bad habits instead of our good ones."
"They are a bit slow at adopting anything," commented Carlton. "Did you know, Mrs. Downs, that electric lights are
What the chief engineer told him in confidence was never disclosed, for at that moment Miss Morris interrupted him with a sudden sharp exclamation.
"Oh, Mr. Carlton," she exclaimed, breathlessly, "listen to this!" She had been reading one of the dozen papers which Carlton had purchased at the station, and was now shaking one of them at him, with her eyes fixed on the open page.
"My dear Edith," remonstrated her aunt, Mr. Carlton was telling us — "
"Yes, I know," exclaimed Miss Morris, laughing, "but this interests him much more than electric lights. "Who do you think is in London?" she cried, raising her
"No?" shouted Carlton.
"Yes," Miss Morris answered, mocking his tone. "Listen. `The Queen's Drawing-room' — em — e — m — `on her right was the Princess of Wales' — em — m. Oh, I can't find it — no — yes, here it is. `Next to her stood the Princess Aline of Hohenwald. She wore a dress of white silk, with train of silver brocade trimmed with fur. Ornaments — emeralds and diamonds; orders — Victoria and Albert, jubilee Commemoration Medal, Coburg and Gotha, and Hohenwald and Grasse.'"
"By Jove!" cried Carlton, excitedly. "I say, is that really there? Let me see it, please, for myself."
Miss Morris handed him the paper, with her finger on the paragraph, and picking up another, began a search down its columns.
"You are right," exclaimed Carlton, solemnly; "it's she, sure enough. And here I've been within two hours of her and didn't know it?"
Miss Morris gave another triumphant cry, as though she had discovered a vein of gold.
"Yes, and here she is again," she said, in the Gentlewoman: `The Queen's dress was of black, as usual, but relieved by a few violet ribbons in the bonnet; and Princess Beatrice, who sat by her mother's side, showed but little trace of the anxiety caused by Princess Ena's accident. Princess Aline, on the front seat, in a light brown jacket and a becoming bonnet, gave the necessary touch to a picture which Londoners would be glad to look upon more often.'"
Carlton sat staring forward, with his hands on his knees, and with his eyes open wide from excitement. He presented
"She is the most charming creature in the world, Mrs. Downs," cried Carlton, it and I was going all the way to Grasse to see her, and now it turns out that she is here in England, within a few miles of us." He turned and waved his hands at the passing landscape. "Every minute brings us nearer together."
And you didn't feel it in the air!" mocked Miss Morris, laughing. "You are a pretty poor sort of a man to let a girl tell you where to find the woman you love."
Carlton did not answer, but stared at her very seriously and frowned intently. "Now I have got to begin all over again and readjust things," he said. "We might have
"It is better than a photograph, anyway," said Miss Morris.
"They will be either at Buckingham Palace or at Windsor, or they will stop at Brown's," said Carlton. "All royalties go to Brown's. I don't know why, unless it is because it is so expensive; or maybe it is expensive because royalties go there; but, in any event, if they are not at the palace, that is where they will be, and that is where I shall have to go too."
When the train drew up at Victoria Station, Carlton directed Nolan to take his things to Brown's Hotel, but not to unload them until he had arrived. Then he drove with the ladies to Cox's, and saw them settled there. He promised to return at once to dine, and to tell them what he had discovered in his absence. "You've got to help me in this, Miss Morris," he said, nervously. "I am beginning to feel that I am not worthy of her."
"Oh yes, you are!" she said, laughing; "but don't forget that `it's not the lover who comes to woo, but the lover's way of wooing,' and that `faint heart' — and the rest of it."
"Yes, I know," said Carlton, doubtfully; but it's a bit sudden, isn't it?"
"Oh, I am ashamed of you! You are frightened."
"No, not frightened, exactly," said the painter. "I think it's just natural emotion."
As Carlton turned into Albemarle Street he noticed a red carpet stretching from the doorway of Brown's Hotel out across the sidewalk to a carriage, and a bareheaded man bustling about apparently assisting several gentlemen to get into it. This and another carriage and Nolan's four-wheeler blocked the way; but without waiting for them to move up, Carlton leaned out of his hansom and called the bareheaded man to its side.
"Is the Duke of Hohenwald stopping at your hotel?" he asked. The bareheaded man answered that he was.
"All right, Nolan," cried Carlton. "They can take in the trunks."
Hearing this, the bareheaded man hastened to help Carlton to alight. "That was the Duke who just drove off, sir; and those," he said, pointing to three muffled figures who were stepping into a second carriage, " are his sisters, the Princesses."
Carlton stopped midway, with one foot on the step and the other in the air.
"The deuce they are!" he exclaimed; and which is — " he began, eagerly, and then remembering himself, dropped back on the cushions of the hansom.
He broke into the little dining-room at Cox's in so excited a state that two dignified old gentlemen who were eating there sat open-mouthed in astonished disapproval. Mrs. Downs and Miss Morris had just come down stairs.
"I have seen her!" Carlton cried, ecstatically; "only half an hour in the town, and I've seen her already!"
"No, really?" exclaimed Miss Morris. "And how did she look? Is she as beautiful as you expected?"
"Well, I can't tell yet," Carlton answered.
There were three of them, and they were all muffled up, and which one of the three she was I don't know. She wasn't labelled,
"In astonished disapproval"
The Princess Aline | ||