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SWING YOUR PARTNERS The House Behind the Cedars | ||
24. XXIV
SWING YOUR PARTNERS
MOVED by tenderness and thoughts of self-sacrifice, which had occupied his mind to the momentary exclusion of all else, Tryon had scarcely noticed, as be approached the house behind the cedars, a strain of lively music, to which was added, as he drew still nearer, the accompaniment of other festive sounds. He suddenly awoke, however, to the fact that these signs of merriment came from the house at which he had intended to stop;— he had not meant that Rena should pass another sleepless night of sorrow, or that he should himself endure another needless hour of suspense.
He drew rein at the corner. Shocked surprise, a nascent anger, a vague alarm, an insistent curiosity, urged him nearer. Turning the mare into the side street and keeping close to the fence, he drove ahead in the shadow of the cedars until he reached a gap through which he could see into the open door and windows of the brightly lighted hall.
There was evidently a ball in progress. The fiddle was squeaking merrily so a tune that he remembered well,—it was associated with one of
With a muttered curse of concentrated bitterness, Tryon struck the mare a sharp blow with the whip. The sensitive creature, spirited even in her great weariness, resented the lash and started off with the bit in her teeth. Perceiving that it would be difficult to turn in the narrow roadway without running into the ditch at the left, Tryon gave the mare rein and dashed down the street, scarcely missing, as the buggy crossed the bridge, a man standing abstractedly by the old canal, who sprang aside barely in time to avoid being run over.
Meantime Rena was passing through a trying ordeal. After the first few bars, the fiddler plunged into a well-known air, in which Rena, keenly susceptible to musical impressions, recognized the tune to which, as Queen of Love and Beauty, she had opened the dance at her entrance into the world of life and love, for it was there she had met George Tryon. The combination of music and movement brought up the scene with great distinctness. Tryon, peering angrily through the cedars, had not been more conscious than she of the external contrast between her partners on this and the former occasion. She perceived, too, as Tryon from the outside had not, the difference between Wain's wordy flattery (only saved by his cousin's warning from pointed and fulsome adulation), and the tenderly graceful compliment, couched in the romantic terms of chivalry, with which the knight of the handkerchief had charmed her ear. It was only by an immense effort that she was able to keep her emotions under control until the end of the dance, when she fled to her chamber and burst into tears. It was not the cruel Tryon who had blasted her love with his deadly look that she mourned, but the gallant young knight who had worn her favor on his lance and crowned her Queen of Love and Beauty.
Tryon's stay in Patesville was very brief. He drove to the hotel and put up for the night. During many sleepless hours his mind was in a turmoil
When Tryon lay awake in the early morning, after a few brief hours of sleep, the business which had brought him to Patesville seemed, in the cold light of reason, so ridiculously inadequate that he felt almost ashamed to have set up such a pretext for his journey. The prospect, too, of meeting Dr. Green and his family, of having to explain his former sudden departure, and of running a gauntlet of inquiry concerning his marriage to the aristocratic Miss Warwick of South Carolina; the fear that some one at Patesville might have suspected a connection between Rena's swoon and his own flight,—these considerations so moved this impressionable and impulsive young man that he called a bell-boy, demanded an early breakfast, ordered his horse, paid his reckoning, and started upon his homeward journey forthwith. A certain distrust of his own sensibility, which he felt to be curiously inconsistent with his most positive convictions, led him to seek the river bridge by a roundabout route which did not take him past the house where, a few hours before, he had seen the last fragment of his idol shattered beyond the hope of repair.
The party broke up at an early hour, since most of the guests were working-people, and the travelers were to make an early start next day. About nine in the morning, Wain drove round to Mis' Molly's. Rena's trunk was strapped behind the buggy, and she set out, in the company of Wain,
“Oh, mother,” she whispered, as they stood wrapped in a close embrace, “I+'m afraid to leave you. I left you once, and it turned out so miserably.”
“It+'ll turn out better this time, honey,” replied her mother soothingly. “Good-by, child. Take care of yo'self an' yo'r money, and write to yo'r mammy.”
One kiss all round, and Rena was lifted into the buggy. Wain seized the reins, and under his skillful touch the pretty mare began to prance and curvet with restrained impatience. Wain could not resist the opportunity to show off before the party, which included Mary B.'s entire family and several other neighbors, who had gathered to see the travelers off.
“Good-by ter Patesville! Good-by, folkses all!” he cried, with a wave of his disengaged hand.
“Good-by, mother! Good-by, all!” cried Rena, as with tears in her heart and a brave smile on her face she left her home behind her for the second time.
When they had crossed the river bridge, the travelers came to a long stretch of rising ground, from the summit of which they could look back over the white sandy road for nearly a mile.
The buggy paused at the top of the hill, and Frank, shading his eyes with his hand, thought he could see her turn and look behind. Look back, dear child, towards your home and those who love you! For who knows more than this faithful worshiper what threads of the past Fate is weaving into your future, or whether happiness or misery lies before you?
XXIV
SWING YOUR PARTNERS The House Behind the Cedars | ||