The Collected Works of William Morris With Introductions by his Daughter May Morris |
 | I. |
| II. |
| III, IV, V, VI. |
 | VII. |
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| XIV. |
| XVI. |
| XVII. |
| XVIII. |
| XIX. |
| XXI. |
| XXII. |
| XXIV. |
| XXVII. |
| XXVIII. |
| XXXI. |
| XXXVII. |
| XL. |
| XLVII. |
| XLVIII. |
| LII. |
| LIV. |
| LVII. |
| LIX. |
| LXI. |
| LXII. |
| LXIII. |
| LXVI. |
| LXXIV. |
| LXXVII. |
| LXXXII. |
| LXXXVI. |
| XC. |
|
| VIII. |
| XIV. |
| XVII. |
| XIX. |
| XX. |
| XXVII. |
| XXVIII. |
| XXIX. |
| XXX. |
| XXXI. |
| XXXIII. |
| XLIII. |
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| IX. |
| X. |
| XII. |
| XIV. |
| XV. |
| XVI. |
| XVII. |
| XXI. |
| XXIV. |
 | The Collected Works of William Morris |  |
Ye shall know that in Atli's feast-hall on the side that joined the house
Were many carven doorways whose work was glorious
With marble stones and gold-work, and their doors of beaten brass:
Lo now, in the merry morning how the story cometh to pass!
—While the echoes of the trumpet yet fill the people's ears,
And Hogni casts by the war-horn, and his Dwarf-wrought sword uprears,
All those doors aforesaid open, and in pour the streams of steel,
The best of the Eastland champions, the bold men of Atli's weal:
They raise no cry of battle nor cast forth threat of woe,
And their helmed and hidden faces from each other none may know:
Then a light in the hall ariseth, and the fire of battle runs
All adown the front of the Niblungs in the face of the mighty-ones;
All eyes are set upon them, hard drawn is every breath,
Ere the foremost points be mingled and death be blent with death.
—All eyes save the eyes of Hogni; but e'en as the edges meet,
He turneth about for a moment to the gold of the kingly seat,
Then aback to the front of battle; there then, as the lightning-flash
Through the dark night showeth the city when the clouds of heaven clash,
And the gazer shrinketh backward, yet he seeth from end to end
The street and the merry market, and the windows of his friend,
And the pavement where his footsteps yestre'en returning trod,
Now white and changed and dreadful 'neath the threatening voice of God;
So Hogni seeth Gudrun, and the face he used to know,
Unspeakable, unchanging, with white unknitted brow,
With half-closed lips untrembling, with deedless hands and cold
Laid still on knees that stir not, and the linen's moveless fold.
Were many carven doorways whose work was glorious
With marble stones and gold-work, and their doors of beaten brass:
Lo now, in the merry morning how the story cometh to pass!
—While the echoes of the trumpet yet fill the people's ears,
And Hogni casts by the war-horn, and his Dwarf-wrought sword uprears,
All those doors aforesaid open, and in pour the streams of steel,
The best of the Eastland champions, the bold men of Atli's weal:
They raise no cry of battle nor cast forth threat of woe,
And their helmed and hidden faces from each other none may know:
Then a light in the hall ariseth, and the fire of battle runs
All adown the front of the Niblungs in the face of the mighty-ones;
All eyes are set upon them, hard drawn is every breath,
Ere the foremost points be mingled and death be blent with death.
—All eyes save the eyes of Hogni; but e'en as the edges meet,
He turneth about for a moment to the gold of the kingly seat,
Then aback to the front of battle; there then, as the lightning-flash
Through the dark night showeth the city when the clouds of heaven clash,
And the gazer shrinketh backward, yet he seeth from end to end
The street and the merry market, and the windows of his friend,
And the pavement where his footsteps yestre'en returning trod,
Now white and changed and dreadful 'neath the threatening voice of God;
So Hogni seeth Gudrun, and the face he used to know,
Unspeakable, unchanging, with white unknitted brow,
With half-closed lips untrembling, with deedless hands and cold
Laid still on knees that stir not, and the linen's moveless fold.
| The Collected Works of William Morris | |