Dictionary of the History of Ideas Studies of Selected Pivotal Ideas |
V. |
IV. |
VI. |
VI. |
VI. |
V. |
V. |
V. |
II. |
IV. |
IV. |
I. |
I. |
I. |
VI. |
V. |
V. |
VI. |
VI. |
III. |
I. |
VI. |
I. |
III. |
VI. |
III. |
IV. |
VI. |
VI. |
V. |
IV. |
VII. |
V. |
I. |
III. |
III. |
III. |
VI. |
VI. |
VI. |
VI. |
III. |
VI. |
III. |
I. |
VI. |
VI. |
VI. |
VI. |
VI. |
V. |
IV. |
IV. |
IV. |
VI. |
IV. |
III. |
VI. |
VI. |
V. |
V. |
VI. |
III. |
II. |
I. |
II. |
VII. |
I. |
I. |
III. |
VI. |
VI. |
V. |
VII. |
V. |
V. |
V. |
Dictionary of the History of Ideas | ||
The origins and evolution of the concept of musical
genius have rarely been treated in reference works.
The idea of musical genius grows and changes in close
association with the evolution of music itself so that
the history of the idea is inseparable from the history
of music and the concept of the musician as it devel-
oped from Greek antiquity.
Dictionary of the History of Ideas | ||