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The Works of Tennyson

The Eversley Edition: Annotated by Alfred, Lord Tennyson: Edited by Hallam, Lord Tennyson

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139

CONCLUSION.

This has been a good deal altered from the first version.

So closed our tale, of which I give you all
The random scheme as wildly as it rose:
The words are mostly mine; for when we ceased
There came a minute's pause, and Walter said,
‘I wish she had not yielded!’ then to me,
‘What, if you drest it up poetically!’
So pray'd the men, the women: I gave assent:
Yet how to bind the scatter'd scheme of seven
Together in one sheaf? What style could suit?
The men required that I should give throughout
The sort of mock-heroic gigantesque,
With which we banter'd little Lilia first:
The women—and perhaps they felt their power,
For something in the ballads which they sang,
Or in their silent influence as they sat,
Had ever seem'd to wrestle with burlesque,
And drove us, last, to quite a solemn close—
They hated banter, wish'd for something real,
A gallant fight, a noble princess—why
Not make her true-heroic—true-sublime?

140

Or all, they said, as earnest as the close?
Which yet with such a framework scarce could be.
Then rose a little feud betwixt the two,
Betwixt the mockers and the realists:
And I, betwixt them both, to please them both,
And yet to give the story as it rose,
I moved as in a strange diagonal,
And maybe neither pleased myself nor them.
But Lilia pleased me, for she took no part
In our dispute: the sequel of the tale
Had touch'd her; and she sat, she pluck'd the grass,
She flung it from her, thinking: last, she fixt
A showery glance upon her aunt, and said,
‘You—tell us what we are’

After this it ran:

who there began
A treatise growing with it, and might have flow'd
In axiom worthier to be graven on rock
Than all that lasts of old world hieroglyph,
Or lichen-fretted Rune and arrowhead!
But that there rose a shout; the gates were closed
At sundown, and the crowd were swarming now,
To take their leave, about the garden rails,
And I and some went out, and mingled with them.

These lines were omitted, and the forty-six lines (pp. 140-142), who might have told to garden rails, were inserted, written just after the disturbances in France, February 1848, when Louis Philippe was compelled to abdicate.

who might have told,

For she was cramm'd with theories out of books,
But that there rose a shout: the gates were closed
At sunset, and the crowd were swarming now,
To take their leave, about the garden rails.
So I and some went out to these: we climb'd
The slope to Vivian-place, and turning saw
The happy valleys, half in light, and half
Far-shadowing from the west, a land of peace;
Gray halls alone among their massive groves;
Trim hamlets; here and there a rustic tower
Half-lost in belts of hop and breadths of wheat;

141

The shimmering glimpses of a stream; the seas;
A red sail, or a white; and far beyond,
Imagined more than seen, the skirts of France.
‘Look there, a garden!’ said my college friend,
The Tory member's elder son, ‘and there!
God bless the narrow sea which keeps her off,
And keeps our Britain, whole within herself,
A nation yet, the rulers and the ruled—
Some sense of duty, something of a faith,
Some reverence for the laws ourselves have made,
Some patient force to change them when we will,
Some civic manhood firm against the crowd—
But yonder, whiff! there comes a sudden heat,
The gravest citizen seems to lose his head,
The king is scared, the soldier will not fight,
The little boys begin to shoot and stab,
A kingdom topples over with a shriek
Like an old woman, and down rolls the world
In mock heroics stranger than our own;
Revolts, republics, revolutions, most
No graver than a schoolboys' barring out;
Too comic for the solemn things they are,
Too solemn for the comic touches in them,
Like our wild Princess with as wise a dream
As some of theirs—God bless the narrow seas!
I wish they were a whole Atlantic broad.’

142

‘Have patience,’ I replied, ‘ourselves are full
Of social wrong; and maybe wildest dreams
Are but the needful preludes of the truth:
For me, the genial day, the happy crowd,
The sport half-science, fill me with a faith.
This fine old world of ours is but a child
Yet in the go-cart. Patience! Give it time
To learn its limbs: there is a hand that guides.’
In such discourse we gain'd the garden rails,
And there we saw Sir Walter where he stood,
Before a tower of crimson holly-hoaks,
Among six boys, head under head, and look'd
No little lily-handed Baronet he,

An imaginary character.


A great broad-shoulder'd genial Englishman,
A lord of fat prize-oxen and of sheep,
A raiser of huge melons and of pine,

pine-apple.


A patron of some thirty charities,
A pamphleteer on guano and on grain,
A quarter-sessions chairman, abler none;
Fair-hair'd and redder than a windy morn;
Now shaking hands with him, now him, of those
That stood the nearest—now address'd to speech—
Who spoke few words and pithy, such as closed
Welcome, farewell, and welcome for the year
To follow: a shout rose again, and made
The long line of the approaching rookery swerve

143

From the elms, and shook the branches of the deer
From slope to slope thro' distant ferns, and rang
Beyond the bourn of sunset; O, a shout
More joyful than the city-roar that hails
Premier or king! Why should not these great Sirs
Give up their parks some dozen times a year
To let the people breathe? So thrice they cried,
I likewise, and in groups they stream'd away.
But we went back to the Abbey, and sat on,
So much the gathering darkness charm'd: we sat
But spoke not, rapt in nameless reverie,
Perchance upon the future man: the walls
Blacken'd about us, bats wheel'd, and owls whoop'd,
And gradually the powers of the night,
That range above the region of the wind,
Deepening the courts of twilight broke them up
Thro' all the silent spaces of the worlds,
Beyond all thought into the Heaven of Heavens.
Last little Lilia, rising quietly,
Disrobed the glimmering statue of Sir Ralph
From those rich silks, and home well-pleased we went.